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Sara Shamma on Representing Syria at the 61st Venice Biennale

Sara Shamma will represent Syria at the 61st Venice Biennale (2026) with a large-scale immersive installation titled *The Tower Tomb of Palmyra*. The 15-meter-high multisensory work combines painting, architecture, light, sound, and scent, inspired by the ancient funerary towers of Palmyra that were destroyed during the Syrian War. Shamma describes the piece as a reflection on loss, resilience, and cultural memory, and notes its resonance with the Biennale's theme, *In Minor Keys*, curated by Koyo Kouoh.

There Has Never Been an Apolitical Venice Biennale

The Venice Biennale, with its national pavilion structure, has always been a platform for political expression and soft power, a reality evident from its early 20th-century origins. Contemporary critic Arturo Lancellotti's 1909 review of the German and British pavilions was steeped in geopolitical context, revealing how national artistic displays were interpreted through the lens of imperial power and military alliances.

Leaky Berlin Modern Museum’s Opening Delayed Until 2030

The opening of the Berlin Modern Museum, a planned extension of the Neue Nationalgalerie, has been delayed until 2030 due to significant moisture damage and microbial contamination in its foundation, floors, roof coverings, and exterior walls. Originally laid in February 2024 with a projected 2027 opening, the museum's construction costs have surged from 200 million to 507 million euros, according to Monopol. A spokesperson for the Prussian Cultural Heritage Foundation stated that repairs are underway but will push completion back by approximately eight months.

Fair Warning Bets Big on a Banksy That Could Realize $18 Million

Fair Warning, the members-only online sales platform founded by former Christie's rainmaker Loïc Gouzer, is staging a rare live auction on May 20 at Tiffany & Co.'s flagship store in New York. The centerpiece is Banksy's *Girl and Balloon on Found Landscape* (2012), a work from the artist's 'Crude Oils' series that has never been publicly exhibited. Consigned by a private collector, the painting carries an ambitious estimate of $13 million–$18 million, one of the highest ever for a Banksy. Gouzer argues that Banksy is among the most consequential artists of our time, comparing his trajectory to Jean-Michel Basquiat, and sees this sale as a landmark moment for the artist's market.

Star-Studded Doc on Auction Icon Simon de Pury Heads to Cannes

A new feature-length documentary titled "The Hammer" will premiere at this spring's Cannes Film Market, chronicling the five-decade career of Swiss auctioneer and art advisor Simon de Pury. Produced by Simon Wallon, who previously made a documentary on casting director Bonnie Timmermann, the film features cameos from artists Marina Abramović, Jeff Koons, Ai Weiwei, and Chloe Wise, and includes executive producer Catherine Quantschnigg. Filming took place in New York, Tokyo, London, Cannes, Miami, and Monaco between July 2023 and February 2025.

Private Sales Are Surging as Auction Houses Lean into Exclusive, Experience-Led Selling

Sotheby's and Christie's are increasingly turning to private, invitation-only sales to move high-value artworks, bypassing the traditional auction model. Sotheby's recent "The Apartment" exhibition in London, featuring works by David Hockney, George Condo, and Jean-Michel Basquiat, sold half its $40 million inventory before the public even saw it. Christie's reported that its three most expensive paintings sold in 2025 were all private transactions, with the house trading $1.5 billion privately last year—nearly a quarter of its global sales.

Staff at Goldsmiths art college plan industrial action ahead of redundancies

Staff at Goldsmiths, University of London, have voted to take industrial action in response to a massive restructuring plan aimed at saving £22 million by 2027. The University and College Union (UCU) reports that the 'Future Goldsmiths' initiative will lead to significant redundancies for both professional services and academic staff. Tensions have escalated following revelations that the institution spent over £14 million on private consultants and legal fees related to previous restructuring efforts while simultaneously cutting jobs.

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Adam Lindemann draws a parallel between the oversupply of wine and the current state of the art market, noting that too many galleries and artists are producing work while demand from collectors is slowing. He cites the glut of art fairs, particularly the 840 galleries exhibiting during Miami Basel week in December 2025, and quotes advisor Allan Schwartzman describing the market as "tired." Lindemann observes that even mega-trophies like Leonardo's *Salvator Mundi* are rare exceptions, and that museums are becoming more selective in accepting donations.

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Photographer Dan Bannino has created a series titled "Still Diet," in which he photographs bizarre celebrity fad diets in the style of Old Master still life paintings. The series features diets associated with figures such as Gwyneth Paltrow, Charles Saatchi, Beyoncé Knowles, Henry VIII, and others, using carefully arranged food items and props to mimic classical compositions.

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Kenny Schachter offers his predictions for the art world in 2026, set against a backdrop of political chaos and rapid AI development. He forecasts only a marginal uptick in global art sales, which he estimates will exceed $57.5 billion, and warns that luxury goods—bags, watches, fossils—are increasingly encroaching on art fairs, auctions, and exhibitions. Schachter criticizes Sotheby's for blurring the lines between auction house, museum, and gallery, citing its traveling "Icon" show as a spectacle of price tags rather than art scholarship.

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In 2025, art fairs and auction houses have deepened their integration with luxury brands, with Sotheby's and Christie's reporting that luxury items like handbags, jewels, and watches now account for a significant share of revenue—roughly a third at Sotheby's, with private luxury sales surging 350% year-on-year. Art fairs such as Frieze London and Art Basel's global editions have moved beyond traditional sponsorship, embedding luxury partners like Tiffany & Co., Ray-Ban, Stone Island, and De Beers into curated sections, mentorship programs, and immersive installations. Industry figures like Marc Spiegler and Emily Glazebrook emphasize that the most successful collaborations prioritize artists over brands, with initiatives like UBS's Unlimited sector and the Chanel Culture Fund serving as models.

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A Banksy painting from his 2005 'Crude Oils' exhibition sold for £4.3 million ($5.5 million) at Sotheby’s Modern and Contemporary Evening Auction in London. The work, *Crude Oil (Vettriano)*, came from the collection of Mark Hoppus, co-founder of the pop-punk band Blink-182, who acquired it in 2011. The painting reimagines Jack Vettriano’s *The Singing Butler*, replacing the idyllic beach scene with environmental pollution, including hazmat-suited workers and a sinking container ship. The sale occurred shortly after Vettriano’s death at age 73.

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A controversial AI-generated Christmas mural installed at Riverside Walk, a mall in Kingston upon Thames, southwest London, was removed after public backlash. The artwork, rumored to be by YBA artist Mat Collishaw, featured nightmarish imagery including deformed snowmen, monstrous Santas, and distorted figures, sparking outrage on Reddit and in local media. The private developers behind the installation claimed it was inspired by Pieter Brueghel the Elder, but the council denied involvement in its planning or funding.

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Adrian Cheng, the mega-collector and regular on ARTnews' Top 200 Collectors list, has announced his new venture ALMAD Group after resigning as CEO of his family's Hong Kong property firm New World Development Co. (NWD) last year. The company will focus on digital assets, blockchain technologies, and immersive digital experiences across entertainment, sports, and media in mainland China, Southeast Asia, and the Middle East. ALMAD has absorbed Cheng's art-meets-commerce platform K11 by AC, which includes the K11 Craft and Guild Foundation, the K11 Art Foundation, and the K11 Art Malls that pair luxury retail with exhibitions by artists like Damien Hirst and Takashi Murakami.

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Maurizio Cattelan has partnered with the online art platform Avant Arte for a project centered on a new sculptural self-portrait titled *We Are The Revolution* (2025), which references Joseph Beuys's felt suit. The work lampoons the self-importance of contemporary art while reflecting on the artist's evolving role. Limited to 1,000 resin editions priced at €1,500 each, the release involves a randomized draw and a scavenger hunt in New York, Amsterdam, and London, where sculptures will be hidden in market stalls, bodegas, and an antiques dealership from September 30 to October 7. Prices range from $0.99 to €9,999 depending on location.

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Sylvester Stallone and Jennifer Flavin's Palm Beach home, featured in a Veranda profile, showcases their extensive contemporary art collection. The house includes works by Andy Warhol, George Condo, Damien Hirst, Bridget Riley, Fernando Botero, Rashid Johnson, Sterling Ruby, and LeRoy Neiman, among others. Stallone, who began collecting at age 16, treats the home as a constantly rotating gallery, with a long hallway kept blank for changing displays and a dining room anchored by a Hirst mosaic and Condo abstract. The collection is integrated into daily life, with art hanging in the screening room, entry, and even near the gym.

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A Banksy mural featuring a fish tank full of piranhas, installed overnight on a police sentry box in London's financial district in August 2024, has been acquired by the London Museum. The work was one of nine animal-themed pieces the artist created across the capital over nine consecutive days. After being removed by the City of London Corporation, the booth was displayed at Guildhall Yard and then placed in storage; it will go on permanent view in 2026 at the London Museum's new Smithfield location, part of a $280 million relocation project.

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The New York Supreme Court ruled against former hedge fund manager Philip Falcone in a case brought against pawnbroker BLCE over loans secured by artworks and a diamond ring. Judge Lyle E. Frank sided with BLCE's counter-claims of fraud and breach of contract, finding that Falcone made misrepresentations when securing loans with the same artworks—including pieces by Pablo Picasso, Damien Hirst, and Richard Prince—from multiple lenders. Falcone had claimed the ring was "wrongfully foreclosed," but the court determined he failed to raise genuine issues of material fact.

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Pop star Ed Sheeran is launching his debut painting collection, "Cosmic Carpark Paintings," at HENI Gallery in London's Soho district from July 11 to August 1. The series of multicolored drip and splash works was created in a disused carpark using house paint, inspired by Jackson Pollock. Sheeran, who began painting in 2019, will sell original canvases and prints for £900 ($1,200) each, with 50 percent of proceeds going to the Ed Sheeran Foundation to support youth music programs in the U.K. The exhibition was encouraged by Sheeran's friends Damien Hirst and HENI founder Joe Hage.

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Banksy has unveiled a new artwork featuring a lighthouse with the text 'I want to be what you saw in me,' posted on his Instagram account without any caption or location details. The piece, rendered in his signature black stencil on a stucco wall, appears to be his first major work since the 2023 'Beastly London' campaign, which included animal-themed murals across the city. Within two hours of posting, the image garnered over 300,000 likes, continuing the artist's tradition of cryptic, location-ambiguous public interventions.

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Artnet News has curated a list of 10 artworks available through its Gallery Network as Valentine's Day gift suggestions. The featured works include pieces by artists such as Damien Hirst, Marc Chagall, Man Ray, and Emilie Charmy, with prices available upon inquiry. The selection ranges from contemporary works like Hirst's 'Butterfly Heart' (2020) to historical pieces like Chagall's 'The Adolescents' (1975), all presented as alternatives to traditional Valentine's gifts like roses or chocolates.

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British pop star Robbie Williams opened a solo exhibition titled "Radical Honesty" at Moco Museum London on May 1, 2025, drawing hundreds of fans and guests. The show features nearly two dozen canvas works and sculptures exploring modern-day anxiety and emotional vulnerability, inspired by Williams's personal experiences. It is his third collaboration with Moco Museum, which has previously presented his works in Barcelona and Amsterdam. The opening had a pop concert atmosphere, with fans waiting for hours outside the venue. Among the attendees were TV personalities Leigh Francis and Andy Goldstein, and artists Chris Levine and Philip Colbert. Williams addressed criticism of celebrity art-making, while Moco co-founder Lionel Logchines praised the humor and mental health themes in Williams's work, comparing him to Banksy.

‘Tracey Emin said they’re all about death’: Johnnie Shand Kydd on his dog-walk photographs – and capturing the hard-partying YBAs

Johnnie Shand Kydd, a former art dealer turned photographer, reflects on his intimate black-and-white photographs of the Young British Artists (YBAs) in the 1990s, capturing figures like Tracey Emin, Damien Hirst, and Sarah Lucas in candid, hedonistic moments rather than traditional studio portraits. Now 66, Shand Kydd has a new exhibition titled 'Ramsholt' at Emin's gallery in Margate, featuring photographs from his dog-walking route, which will also be published as a photobook.

Beyoncé, Nicole Kidman and Venus Williams will co-chair 2026 Met Gala

The Metropolitan Museum of Art's Costume Institute has announced the co-chairs for the 2026 Met Gala, scheduled for May 4, 2026. Pop superstar Beyoncé, actor Nicole Kidman, tennis legend Venus Williams, and Vogue editor-in-chief Anna Wintour will serve as co-chairs of the annual benefit. The host committee includes fashion designer Anthony Vaccarello, actor Zoë Kravitz, and a roster of celebrities and artists such as Sabrina Carpenter, Doja Cat, and artist Anna Weyant. The gala will support the Costume Institute's exhibition "Costume Art" (May 10, 2026–January 10, 2027), which will inaugurate the new Condé M. Nast Galleries. The exhibition pairs 200 artworks from the Met's collection with 200 garments, exploring the relationship between the dressed body and Western art. Lauren Sánchez Bezos and Jeff Bezos are sponsoring the event.

The Surreal Economics of the Contemporary-Art Market

A conceptual artwork titled "Comedian" by Maurizio Cattelan, consisting of a banana duct-taped to a wall, sold at auction for over $6 million to billionaire Justin Sun. This sale occurred amid widespread speculation that the contemporary-art market has peaked, with global art sales dropping 12% in 2024. However, a painting by Marlene Dumas defied the trend, fetching $13.6 million and setting a record for a living female artist. The article explores the bewildering economics of the art market, featuring insights from economist Canice Prendergast and journalist Bianca Bosker, who describe a market where prices seem divorced from traditional logic.

Angus, Thongs and Imperfect Staging

The art collective MSCHF saved a cow named Angus from slaughter after a two-year project called 'Our Cow Angus'. The project allowed fans to preorder burgers or a leather bag made from Angus, but also provided a 'Remorse Token' to cancel orders. If 50% of tokens were used by the deadline, Angus would be spared and sent to a sanctuary. With ten hours remaining, the threshold was met, and the cow's life was saved.

Thinking Infrastructurally: On Diversity of Aesthetics, Part 2

The article, part of a series on e-flux, presents a theoretical analysis of the 1965 Watts rebellion through the lens of Guy Debord's Situationist thought. It examines how the rioters' destruction and theft of commodities, like refrigerators they couldn't power, acted as a rejection of capitalist integration and exposed the false promise of consumer affluence.

In major auction night, rare Klimt painting smashes records at $236.4 million

Sotheby's held its first sale at its new US headquarters in New York, where Gustav Klimt's "Portrait of Elisabeth Lederer" sold for $236.4 million, becoming the most valuable work of modern art ever sold at auction and the most expensive artwork ever sold by Sotheby's globally. The record-breaking 20-minute bidding war also saw strong results for works by Edvard Munch ($35.1 million) and a Klimt landscape ($86 million), while the evening's total reached $706 million. However, two top lots by Kerry James Marshall and Barkley L. Hendricks failed to sell, and Maurizio Cattelan's gold toilet "America" drew only a single bid from Ripley's Believe It or Not! for $12.1 million.

Artist Valie Export, Who Saw Right Through the Male Gaze, Dies at 85

Austrian artist Valie Export, a pioneering feminist performance and media artist, died on May 14, three days before her 86th birthday. Her death was confirmed by Thaddaeus Ropac Gallery. Export, born Waltraud Lehner in 1940, rejected traditional domestic roles and adopted her iconic all-uppercase name from a cigarette brand. She created guerrilla-style performances and films that directly confronted the male gaze and patriarchal society, often using her own body as a medium. Key works include “Genital Panic” (1968), in which she walked through a Munich cinema in crotchless pants, and “Tapp und Tastkino (Tap and Touch Cinema)” (1968), where she invited strangers to touch her bare breasts through a stage strapped to her chest.

Ai Weiwei and the Art of Keeping Your Mouth Shut

Dissident artist Ai Weiwei explores the corrosive nature of state control and self-restraint in his new book, "On Censorship" (2026). Drawing from a lifetime of persecution—including his father’s exile to a labor camp, his own 81-day detention in 2011, and recent digital erasure by Chinese AI—Ai argues that censorship fundamentally strips individuals of their humanity. He highlights how the mechanism of silencing has evolved from overt state violence in the East to a more insidious culture of self-censorship in the West, exemplified by the cancellation of his own 2023 exhibition at Lisson Gallery following comments on the conflict in Gaza.