The University of North Texas abruptly canceled artist Victor Quiñonez's (Marka27) exhibition 'Ni de Aquí Ni de Allá' at its College of Visual Arts and Design shortly after its opening. The show, which explores dual identity and cultural heritage, was taken down and covered with paper, with the university providing no explanation for its removal, leading to confusion and frustration for the artist.
The Museum of Modern Art in New York is presenting the exhibition "Wifredo Lam: When I Don't Sleep, I Dream," featuring the iconic Cuban Surrealist painter. The show includes his seminal work *The Jungle*, acquired by MoMA in 1946, and explores his complex artistic identity.
The Italian Ministry of Culture has acquired a rare double-sided Renaissance painting by Antonello da Messina, 'Ecce Homo; Saint Jerome in Penitence,' for $14.9 million in a private sale with Sotheby's New York. The work was withdrawn from a planned public auction, and its final institutional home is now the subject of a heated debate among major Italian museums and the artist's hometown.
An exhibition titled 'Pride in Full Colour' is being held at the gallery in the Edna O'Brien Library in Scarriff, County Clare, Ireland. It runs from February 21 to March 20, 2026, and features portraits of local LGBTQIA+ community members alongside vibrant banners created by young people from the Clare Youth Service.
Students at the University of North Texas staged a protest in the form of a funeral for freedom of speech at their College of Visual Arts and Design gallery. They were responding to the unexplained removal of the exhibition "Ni de Aquí, Ni de Allá" by street artist Victor Quiñonez (Marka27). The students, dressed in black, laid flowers on a Mexican flag and wrote messages to administrators, delivering eulogies for the silenced artwork and expression.
Students at the University of North Texas (UNT) staged a protest in the form of a funeral for freedom of speech at their College of Visual Arts and Design gallery. They were responding to the unexplained removal of the exhibition "Ni de Aquí, Ni de Allá" by street artist Victor Quiñonez (Marka27). The students, dressed in black, laid flowers on a Mexican flag and wrote messages to administrators, delivering eulogies for the silenced artwork and expression.
The University of North Texas College of Visual Arts and Design canceled the exhibition 'Ni De Aquí Ni De Allá' by artist Victor Quiñonez just before its scheduled opening. The show, which includes works critical of U.S. Immigration and Customs Enforcement (ICE), was removed after the university terminated its loan agreement with Boston University Art Galleries, offering no public explanation for the decision.
The San Diego Museum of Art (SDMA) is marking its 100th anniversary with a special exhibition titled 'SDMA: 100 Years.' The show, curated by Lucas Perez, traces the institution's chronological evolution from its origins after the 1915 Panama-California Exposition, through its founding in 1926 as the Fine Arts Gallery, to its present-day identity. It features rediscovered archival materials, including early children's art and photographs documenting periods like its conversion into a naval hospital during World War II.
The Historical Museum at Fort Missoula is launching a new exhibition titled "Treasure Trove" to celebrate the museum's 50th anniversary and local history. The show features local artists who selected artifacts from the museum's "Everyday Treasures" gallery and reinterpreted them through their own artistic mediums.
The San Diego Museum of Art is marking its 100th anniversary with a special exhibition titled 'SDMA: 100 Years.' The show, curated by Lucas Perez, traces the institution's history from its origins following the 1915 Panama-California Exposition, through its founding in 1926 as the Fine Arts Gallery, to its present-day identity, featuring archival discoveries like early children's art and photographs from its time as a naval hospital during World War II.
The Milan art fair Miart is marking its 30th anniversary with significant changes for its 2026 edition. The fair is moving to a new venue, the South Wing at Allianz MiCo, designed by Mario Bellini Architects, and will feature a more compact, three-floor layout designed to foster cross-presentation. It has also announced a new theme, "New Directions," inspired by the jazz legacies of John Coltrane and Miles Davis, and will include 160 galleries from 24 countries.
Miart, Milan's international modern and contemporary art fair, is marking its 30th anniversary with significant changes for its 2026 edition. The fair is moving to a new venue, the South Wing at Allianz MiCo designed by Mario Bellini Architects, and adopting a more compact, three-floor layout designed to foster cross-presentation and dialogue. It has also announced a new theme, "New Directions," inspired by the jazz legacies of John Coltrane and Miles Davis, and a fresh graphic identity from design studio Leftloft.
The inaugural exhibition "The City is Our Studio" by the Urban Sketchers Doha community opened at Lusail's Art Factory in Qatar. The show features works created en plein air by the group's members, who practice on-location drawing and painting to capture the essence of Doha's landscapes and everyday life.
Galleries and museums worldwide are presenting a series of exhibitions to mark Black History Month, highlighting the contributions of Black and African diasporic artists. These shows explore themes of identity, history, and liberation, ranging from the vibrant works of AFRICOBRA co-founder Wadsworth Jarrell to Ifeyinwa Joy Chiamonwu's intimate portraits of her Igbo community, and a major photography exhibition at MoMA.
The Trump administration removed the Pride flag from the flagpole at the Stonewall National Monument in New York City, a site commemorating the birth of the modern LGBTQ+ rights movement. The action, reportedly carried out by the National Park Service, followed a memo restricting "non-agency" flags at federal sites.
The World Monuments Fund (WMF) has pledged $7 million for 2026 to fund 21 new heritage preservation projects globally. These projects, selected from its 2025 Watch List and other sites, range from restoring mural paintings at the Church of Saint-Eustache in Paris and gardens at Safdar Jang’s Tomb in New Delhi, to repairing earthquake damage in Japan and supporting community-led stewardship at Bear’s Ears National Monument in Utah.
An exhibition titled 'America Will Be!' opened at the University of Maryland's David C. Driskell Center, exploring how Black artists have reinterpreted the US flag. However, the show opened without a key work by artist Dread Scott, 'What is the Proper Way to Display a US Flag? (1988)', after the loan request was rescinded by the curators citing logistical and safety concerns.
The University of North Texas (UNT) abruptly canceled and removed the exhibition 'Ni de Aquí, Ni de Allá' by street artist Victor 'Marka27' Quiñonez from its College of Visual Arts and Design gallery. The university terminated its loan agreement with Boston University Art Galleries, which organized the show, and covered the gallery windows with brown paper without providing a public reason for the cancellation.
Major museums across the United States are launching significant exhibitions in 2026, including retrospectives of Frida Kahlo in Houston and Nick Cave in Washington, D.C., and a landmark show on sculptor Edmonia Lewis in Salem. These shows are part of a broader cultural moment, with many institutions mounting exhibitions to coincide with the nation's 250th anniversary, aiming to reframe art historical narratives and highlight previously overlooked artists.
The Citadelle Art Museum in Canadian, Texas, will open a contemporary figurative portrait exhibition titled 'Human Resonance: Portraits with Presence' on February 14, 2026. The show, running through June 13, features internationally known painter David Kassan's portraits of Holocaust survivors, alongside works by artists Chelsie Murfee, Annie Murphy-Robinson, Shana Levenson, Barbara Hack, Karen Offutt, and Tanja Gant.
The University of North Texas abruptly cancelled the solo exhibition "Ni de Aqui, Ni de Allá" by artist Victor Quiñonez in its College of Visual Art & Design Gallery just nine days after its opening. The university covered the gallery windows with brown paper, removed all promotional material from its website and social media, and informed the artist via a misspelled email that it had terminated its loan agreement with Boston University Art Galleries, which originated the show. The artist was not notified in advance and learned of the closure from students.
A new solo exhibition by artist Aileen Rodriguez Imperatrice, titled "Indigenous," is currently on view at the Ewert Art Gallery within Fresno Pacific University's Warkentine Culture and Arts Center. The collection explores themes of ethnic identity.
Museums across the United States are presenting a series of major exhibitions featuring Black artists in conjunction with Black History Month. Highlights include the final stop of Noah Davis's first museum show at the Philadelphia Museum of Art, a major retrospective of self-taught artist Minnie Evans at Atlanta's High Museum, a thematic group show of Black women artists at the Banneker-Douglass-Tubman Museum, a long-overdue South Carolina retrospective for 92-year-old artist Leo Twiggs at the Gibbes Museum, and a survey of Tavares Strachan's work at the Los Angeles County Museum of Art.
The Aspen Art Fair will hold its third edition from July 29 to August 1, 2026, at the historic Hotel Jerome, now under the direction of Kelly Cornell. Cornell, who will continue to lead the Dallas Art Fair, plans to bring her dealer-focused approach to the Aspen event, emphasizing support for galleries as the core of the fair's success. Co-founder Bob Chase of Hexon gallery stressed the fair's intimate identity is tied to its venue, with no plans to expand beyond the Hotel Jerome's capacity.
A series of gallery openings are taking place across London this week, featuring solo exhibitions by a diverse group of artists. Cristine Brache's "Centerfolds" at Bernheim explores persona and omission through the lens of Dorothy Stratten's poetry. Ella Wright presents new paintings at Cedric Bardawil, Dylan Doe's "Muscle Memory" opens at Mandy Zhang Art, Isaac Julien's film installation premieres at Victoria Miro, and Paul Winstanley's "Bringing It All Back Home" debuts at Anthony Wilkinson.
The article is a transcript or description of a podcast episode featuring an interview with painter Louis Fratino. He discusses his artistic practice, which focuses on memory, daily life, and queer identity, and cites influences from Henri Matisse to Bhupen Khakhar. He also reveals details about his studio life and answers philosophical questions about art's purpose.
The City of San Antonio's Department of Arts & Culture has opened a new exhibition titled 'Built on Legacy: Artists of San Antonio' at the Culture Commons Gallery. The show features 23 artists, both living and deceased, whose work in prints, sculpture, and installation represents the evolution of the city's art scene over the last fifty years.
The Blaffer Art Museum at the University of Houston has launched two new exhibitions, 'The Uncanny In-Between' and 'Mud + Corn + Stone + Blue,' both running through March 14. The first features ceramic works by five Korean artists exploring bicultural identity, while the second presents works by artists from the U.S. Corn Belt and Central America, weaving together themes of agriculture, history, and political intervention.
The opening ceremony of the 2026 Milano Cortina Winter Olympics featured significant art-historical references, including a flame cauldron inspired by Leonardo da Vinci's knot drawings and performances that brought to life the marble sculptures of Antonio Canova. Dancers animated recreations of works like 'Psyche Revived by Cupid's Kiss,' and the ceremony included symbolic representations of Italian architectural landmarks like the Colosseum and Florence's Duomo.
The University of Wisconsin's Art Lofts Main Gallery opened the MFA qualifier exhibition "Ghost Writer: Someone Who Writes Something for Someone Else" by artist Daniella Thach on February 4, 2026. The exhibition explores Thach's Cambodian American identity and the merging of timelines across familial memory, aiming to shed light on the 50th anniversary of the Cambodian genocide.