Andrew Lloyd Webber Is Writing a Musical About the Heist that Made ‘Mona Lisa’ Famous

Renowned composer Andrew Lloyd Webber has announced he is developing a new musical centered on the 1911 theft of Leonardo da Vinci’s Mona Lisa. The production will dramatize the true story of Vincenzo Peruggia, a Louvre employee who stole the masterpiece and hid it for two years before it was recovered in Italy. Lloyd Webber revealed the project following the Broadway opening of Cats: The Jellicle Ball, noting that he is beginning the writing process immediately.

Salvador Dalí’s Frustrating Vision of the Divine

A feature article examines Salvador Dalí's controversial religious painting "Christ of Saint John of the Cross" (1951), which was physically attacked by vandals on two separate occasions—once with a rock in 1961 and later with an air rifle. The painting, part of Dalí's "Nuclear Mysticism" phase, depicts a floating, unblemished Christ from an aerial perspective, based on a drawing by the mystic St. John of the Cross and modeled by a Hollywood stunt double.

Josh Kline Misses the Mark

Critic Aruna D’Souza responds to a viral essay by artist Josh Kline regarding the extreme financial pressures of living and working in New York City. While Kline suggests that artists should abandon the city due to the affordability crisis, D’Souza argues that leaving is not a viable long-term solution and calls for a more proactive approach to systemic change within the urban art ecosystem.

Artists Set Islamic Futurism Into Motion

A growing movement of artists is exploring Islamic Futurism, a framework that draws from Islamic philosophy, visual traditions, and speculative practices to imagine Muslim futures. Artists like Zarah Hussain, Ibrahim El-Salahi, and Soraya Syed are working across mediums—including light installation, digital animation, painting, and classical calligraphy—to reinterpret historical forms for contemporary and future contexts.

The story of London's Great Exhibition, as seen through the eyes of artists

Julius Bryant’s new book, the fourth volume in his history of the Victoria and Albert Museum, re-examines the 1851 Great Exhibition through its visual legacy. By analyzing paintings, prints, and ephemera—including the vast archive of Charles Wentworth Dilke—Bryant reconstructs the 'Crystal Palace' experience, highlighting the youth of its organizers and the staggering speed of its construction. The narrative shifts focus away from traditional social theory toward the actual visual evidence of the event, from David Roberts’s massive panoramic paintings to the 235 sculptures that defined the era's artistic output.

I thought my cuckoo clock was amazing, but it’s got nothing on my statue of Bert the cheery chef | Adrian Chiles

Adrian Chiles, a writer and broadcaster, recounts his acquisition of a whimsical figurine of a cheerful chef, which he named Bert after the reclamation yard owner from whom he bought it in the Black Country. He describes the personal joy and daily lift the statue brings him, contrasting it with a cuckoo clock whose novelty eventually wore off. Chiles details the statue's charming, slightly worn appearance and its role as a conversation piece, particularly due to the West Midlands slang word "bostin'" written on its menu board.

The Guardian view on anonymity in art: the ‘unmasking’ of Banksy and Ferrante should stop | Editorial

A Reuters investigation this week identified street artist Banksy as 52-year-old Robin Gunningham, reigniting a long-running public debate about the unmasking of anonymous artists. This follows a recent hoax announcement of novelist Elena Ferrante's death, which similarly targeted her carefully guarded identity.

Chicago: Model City by Mark Acciari

Native Chicagoan architect and artist Mark Acciari reflects on the architectural identity of Chicago from the distance of Mexico City. Using the iconic imagery of a Chicago-style hot dog as a metaphor for the city's construction, he explores how the city's legacy is often reduced to the 'skeleton frame' of early modernism by critics, while ignoring its more playful, symbolic, and postmodernist undercurrents.

‘The Queen of the Ghetto’ Gave New York’s Immigrant Community a Voice. A Century Later, It’s Re-emerging

Anzia Yezierska, a Polish-Jewish immigrant who arrived in New York in 1890, defied traditional gender expectations to become a leading literary voice of the 1920s. Dubbed the 'Queen of the Ghetto,' she documented the raw struggles of immigrant women on the Lower East Side using a unique 'immigrant English' style that captured Yiddish idioms. After escaping a restrictive marriage and pursuing an education at Columbia University, she channeled her personal frustrations into stories of poverty, ambition, and the psychological toll of assimilation.

‘A cauldron of people with their tops off!’ Goldie, Estelle, Courtney Pine, Flo and more pick great moments in Black British music

Prominent figures in Black British music, including Goldie, Estelle, and Dennis Bovell, reflect on iconic photographs and visual artifacts that define the history of their genre. The article highlights specific works such as Eddie Otchere’s portrait of drum and bass pioneers Kemistry and Storm, Janette Beckman’s photography of Slick Rick, and Adrian Boot’s documentation of the Race Today offices in Brixton.

A Place of Perpetual Warmth: Hyde Park Art Center and the Making of Chicago’s Creative Identity

The Hyde Park Art Center (HPAC) stands as a vital pillar of Chicago’s grassroots creative identity, serving for eighty-six years as an unpretentious alternative to the city's major encyclopedic museums. From its early days under curator Don Baum, the center became a catalyst for the avant-garde, famously launching the careers of the Chicago Imagists and the Hairy Who. Today, it continues to function as a multifaceted ecosystem that blends community education, artist residencies, and experimental exhibitions within a residential neighborhood setting.

Iran’s arts community and heritage suffer as US-Israeli attacks continue

The US-Israeli bombardment of Iran, beginning in late February, has severely disrupted the country's cultural life and art scene. The typically busy Nowruz (Persian New Year) period was marked by fear, travel restrictions, and internet blackouts, leading to the evacuation of museum collections, the closure of galleries, and artists being unable to work in their studios.

Is Math Art? Werner Herzog Says Yes

The Brooklyn Public Library hosted an overnight festival called "Night in the Library: The Philosophy of Mathematics" on Pi Day, March 14. The event featured a diverse program including tap dancing, textile workshops, talks by novelist Michael Cunningham and artist Molly Crabapple, and concerts, all aimed at exploring math's connections to broader culture. Filmmaker Werner Herzog delivered the keynote address, titled "Mathematics and the Sublime," in which he argued that mathematics is a new form of art, loaded with meaning and poetry.

Gangnam styles: South Korea’s brutalist gems – in pictures

Photographer Paul Tulett has captured the stark, concrete landscapes of South Korea in his new book, *Brutalist Korea*, published by Prestel. The photo series highlights a range of architectural landmarks, from Tadao Ando’s minimalist Jeju Glass House and Zaha Hadid’s futuristic Dongdaemun Design Plaza to the playful geometry of the Paju Kindergarten. Tulett’s work documents how the raw, monumental aesthetic of Brutalism has evolved from the country’s postwar industrialization into a sophisticated tool for modern urban experimentation.

The Museum Breathing Life Into New York's Downtown Performance Scene

The Leslie-Lohman Museum of Art in SoHo has emerged as a vital hub for New York’s downtown performance scene through its intergenerational exhibition, "Sacred and Profane." Featuring a collaborative residency between poet Pamela Sneed and performance artist Carlos Martiel, the programming centers on themes of Black maternal grief, queer identity, and the exhumation of suppressed histories. Recent performances included Martiel’s "No Resurrection," a ritualistic piece involving his mother and a mound of earth, and Sneed’s readings that address the collective trauma and "urgent care" status of the LGBTQ+ community.

Artists Grapple With Cesar Chávez’s Legacy After Abuse Allegations

Latine artists and cultural institutions across California are confronting the legacy of labor leader Cesar Chávez following allegations of his sexual abuse. Murals are being removed or replaced, artists are withdrawing work featuring him, and institutions are canceling events, as the community processes a profound collective trauma tied to a figure central to their identity and activism.

Madrid: Hypnotic Laugh Track by Manga Ngcobo

Writer Manga Ngcobo reflects on the architectural and cultural landscape of Madrid in early 2025, juxtaposing the city's historic art institutions with its rapid technological and commercial evolution. Drawing on Ben Lerner’s novel 'Leaving the Atocha Station', the piece explores the growing disconnect between the profound emotional experiences promised by masters like Velázquez and Goya and the reality of a city increasingly designed for content creation, retail aesthetics, and digital consumption.

Modern Art and Politics in Germany 1910–1945

The article examines the complex and often fraught relationship between modern art and political power in Germany from 1910 to 1945. It details how avant-garde movements like Expressionism, Dada, and the Bauhaus initially flourished, only to be systematically suppressed and labeled "degenerate" by the Nazi regime after 1933.

On Arte, the Fascinating Odyssey of a Lost Klimt Retraced in a Documentary

Sur Arte, la fascinante odyssée d’un Klimt disparu retracée dans un documentaire

A long-lost portrait by Gustav Klimt, depicting a young Black man, has been rediscovered and is the subject of a new documentary on Arte. The film, "Gustav Klimt and the Enigma of the Ghanaian Prince," details the painting's authentication and the investigation into the identity of its sitter, who was identified in 2024 as Prince William Nii Nortey Dowuona, a member of the Ga people who was in Vienna in the late 19th century.

How Australian Chefs and Farmers Are Rediscovering the Ingredients That Have Been There All Along

Author Bruce Pascoe and a new generation of Australian chefs are spearheading a movement to revive Indigenous agricultural practices and native ingredients. Drawing from Pascoe’s influential book *Dark Emu*, which challenges the colonial narrative of Aboriginal people as purely nomadic hunter-gatherers, the movement highlights sophisticated ancient systems of aquaculture, irrigation, and grain harvesting. From kangaroo grass to Kakadu plums, these native foods are being reintegrated into the Australian landscape and high-end culinary scene.

How Australian Chefs and Farmers Are Rediscovering the Ingredients That Have Been There All Along

Author Bruce Pascoe and a new generation of Australian chefs are leading a movement to rediscover and commercialize native Indigenous ingredients like kangaroo grass, Kakadu plums, and wattleseeds. By revisiting historical archives and journals from 19th-century explorers, Pascoe’s research in his book *Dark Emu* challenges the colonial narrative that Indigenous Australians were solely nomadic hunter-gatherers, revealing instead a sophisticated history of permanent settlements, irrigation, and organized agriculture.

Monuments & Weapons: How Public Space Prepares Us for War Without Us Even Realizing It

Monumenti&armi. Così lo spazio pubblico ci prepara alla guerra senza che neppure ce ne rendiamo conto

Public squares and urban spaces are densely populated with war-related monuments that condition society to accept conflict as a historical inevitability. A study by Philadelphia’s Monument Lab reveals that nearly 60% of U.S. monuments focus on war themes, outnumbering themes of peace thirteen-fold, while Italy maintains over 12,000 memorials dedicated solely to World War I. These structures often prioritize military hierarchy and territorial conquest over themes of care, gender equality, or social diversity.

A Short Film Joins In the Timeless Swiss Masked Tradition of Silvesterchlausen

A new short film titled 'Silvesterchlausen' by writer and director Andrew Norman Wilson documents the centuries-old Swiss New Year's tradition of the same name. The film captures groups of men and boys in the Appenzell regions who don elaborate, handmade masks and headdresses made from natural materials like pinecones and moss, forming groups to yodel, ring bells, and visit homes over 18-hour days to mark the turn of the year on both the Gregorian and Julian calendars.

At the Feast of the Revolution: A Film to Tell the Story of Gabriele D’Annunzio’s Fiume Enterprise

Alla Festa della Rivoluzione. Un film per raccontare l’impresa a Fiume di Gabriele D’Annunzio

Director Arnaldo Catinari’s new film, *Alla Festa della Rivoluzione*, explores the 1919 occupation of Fiume led by the poet-soldier Gabriele D’Annunzio. Distributed by 01 Distribution and set for a mid-April release, the film depicts the city-state as a visionary laboratory where art served as a structural foundation and social hierarchies were temporarily dismantled. The narrative follows three fictional characters—a spy, a government official, and a deserter—whose lives intersect amidst the political and aesthetic fever of the D’Annunzio enterprise.

Toulouse is the European capital of space travel (and knows how to celebrate it)

Tolosa è la capitale europea dei viaggi nello spazio (e sa come celebrarli)

Toulouse has solidified its status as Europe’s aerospace capital, blending industrial prowess with cultural engagement. The city, home to the Airbus headquarters and the National Centre for Space Studies (CNES), celebrates the legacy of flight from Clément Ader’s 1890 steam-powered takeoff to modern satellite technology. Key institutions like the Cité de l’espace and the Envol des Pionniers museum offer immersive experiences, including flight simulators, real-scale rocket replicas, and exhibitions on the history of Air France.

An Artist Embraces the Metaphorical Cracks of Matzah

Artist Emily Drew Miller has created a series of collograph prints titled "Matzot" by running sheets of matzah through a printing press. The resulting black-and-white impressions capture the intricate textures and cracks of the unleavened bread, transforming the traditional Passover food into a medium for her grid-based painting practice. The series began as a personal ritual around the holiday and has evolved into a decade-long exploration.

Inside a Black Panther Family Album

Scholar Leigh Raiford examines the personal family archives of Black Panther Party leaders Kathleen and Eldridge Cleaver, specifically focusing on photographs taken during their period of exile in the 1970s. The analysis centers on how domestic objects, such as a zebra-print carver chair and various African artifacts, transitioned from private household items to iconic symbols of Black Power and cultural nationalism in the public sphere.

Navajo Nation: the fight for cultural survival – photo essay

The Navajo Nation is currently navigating a complex struggle to preserve its cultural heritage against the lingering effects of colonial-era boarding schools and the modern pressures of social media and urbanization. While elders like Virginia Brown recount the trauma of forced assimilation and language suppression, a new generation is grappling with a decline in Navajo fluency, which UNESCO now classifies as a vulnerable language. Despite these hurdles, community members are utilizing local schools and traditional practices to reclaim their identity.

University challenges: how students changed one Ohio town – in pictures

Photographer Rich-Joseph Facun documents life in Athens, Ohio, in his project '1804,' focusing on the profound influence of Ohio University on the town. His images and interviews capture the socioeconomic and cultural dynamics, including strained housing markets, a nightlife economy driven by students, and the town's identity as a "company town" shaped by the university's calendar and employment.

In Japan, Making Wooden Kokeshi Dolls

The article profiles the traditional Japanese craft of making kokeshi dolls, focusing on the artisans in the Tōhoku region who continue this centuries-old practice. It details the specific techniques, types of wood used, and the cultural significance embedded in the dolls' simple, limbless forms.