The Queens Museum has appointed Debra Wimpfheimer as its new executive director. A Queens native, Wimpfheimer has worked at the museum for over two decades, previously holding roles including director of strategic partnerships and deputy director, and has served twice as interim director.
Amy Sherald's traveling mid-career survey, 'American Sublime,' has set a new attendance record at the Baltimore Museum of Art (BMA), drawing 63,000 visitors as of early February with an expected final total of 75,000. This makes it the museum's most-attended show since 2000. The exhibition features nearly 50 grisaille portraits of Black Americans and was previously shown at SFMOMA and the Whitney Museum of American Art.
Michelangelo Pistoletto, a leading figure of the Italian arte povera movement, has opened his first-ever solo exhibition in St. Moritz, Switzerland. The show, presented at the Robilant + Voena gallery's outpost in a repurposed 18th-century church, features five new mirror works from his "Color and Light" series and a sixth new piece from his "Black and Light" series, all created specifically for the ecclesiastical space.
The Intuit Art Museum in Chicago has received two major gifts totaling 61 works, significantly expanding its collection of art by self-taught artists. The first gift is a bequest of 47 works from the late collector and early museum supporter Jan Petry, featuring pieces by artists like Emery Blagdon, James Castle, and Martín Ramírez. The second gift comprises 14 works from the collection of scholar Gordon W. Bailey, focusing on African American artists such as Sam Doyle and Mose Tolliver.
London's Mosaic Rooms, a non-profit gallery dedicated to art and culture from the Arab world, reopens on February 18 after a year-long refurbishment and expansion. The renovation, funded by the Al-Qattan Charitable Trust, added new facilities including a recording suite, a salon, a family playroom, and an expanded bookshop. A permanent stained-glass window commission by Dima Srouji, 'Four Moons from Home (2026)', greets visitors, and the reopening is inaugurated with a solo exhibition by French-Moroccan artist Bouchra Khalili exploring the Arab Workers' Movement.
Lisson Gallery is promoting the participation of its roster of artists in the 61st Venice Biennale and other concurrent exhibitions in Venice. The gallery's announcement highlights major presentations by artists like Anish Kapoor, Otobong Nkanga, and Ding Yi at various venues throughout the city.
Pablo Picasso, the Spanish artist who died over 50 years ago, remains one of the most influential and commercially successful figures in modern art. His works, spanning painting, sculpture, and ceramics, continue to break auction records, with his 1955 painting 'Les Femmes d'Alger (Version 'O')' selling for $179.4 million in 2015.
上海美协九届三次理事会召开
The Shanghai Artists Association convened its Ninth Council Third Meeting at the Shanghai Literary and Art Hall. Key figures including Fang Kun, Vice Chairman of the Shanghai Federation of Literary and Art Circles, and Zeng Chenggang, Chairman of the Shanghai Artists Association, delivered speeches reviewing the association's 2025 achievements and outlining plans for 2026. The meeting focused on five major work areas: ideological guidance, creating high-quality artworks, embracing technological change, innovating service mechanisms, and expanding international influence. Over 60 council members participated in discussions covering exhibition optimization, talent cultivation, art-tech integration, and improving association services.
The Metropolitan Museum of Art has partnered with Lego to release a $249.99 building set recreating Claude Monet's 1899 painting 'Bridge Over a Pond of Water Lilies.' The kit, containing 3,179 pieces, is the most expensive in Lego's Art series and launches March 4. The museum is also releasing a podcast hosted by curator Alison Hokanson to accompany the set.
Gustav Klimt's final portrait, 'Dame mit Fächer (Lady With a Fan),' sold for £85.3 million ($108.4 million) at Sotheby's London, setting a new record for the most expensive work of art ever auctioned in Europe. The painting, which was still on Klimt's easel when he died in 1918, surpassed its pre-sale estimate of over £65 million after a ten-minute bidding war.
Ukraine's pavilion at the 2024 Venice Biennale will feature artist Zhanna Kadyrova's concrete sculpture *Origami Deer*, which was evacuated from Pokrovsk in the Donetsk region as Russian forces advanced in 2024. The pavilion, titled *Security Guarantees*, references the 1994 Budapest Memorandum and will include archival materials and a video installation documenting the sculpture's journey across Europe. The work will be suspended from a crane on a truck along the Venice lagoon, symbolizing forced displacement and the fragility of international promises.
The Philadelphia Museum of Art has appointed Katherine Anne Paul as the Stella Kramrisch Curator of Indian and Himalayan Art, a role named after the pioneering scholar and curator. Paul previously served as Assistant and Associate Curator of Indian and Himalayan Art at the PMA from 2002 to 2008, and most recently held the Virginia and William M. Spencer III Curator of Asian Art position at the Birmingham Museum of Art, where she also served as Lead Curator. She holds a PhD from the University of Wisconsin–Madison and has curated notable exhibitions including "Silver & Ceremony from Southern Asia 1830–1930" and "Expanding Darshan: Manjari Sharma, To See and Be Seen."
The Courtauld in London is opening 'Seurat and the Sea,' the first exhibition dedicated to Georges Seurat's seascapes, on February 13, 2026. The show will feature 26 paintings, oil sketches, and drawings created by the artist between 1885 and 1890, including works like 'The Beach at Gravelines' and 'Seascape at Port-en-Bessin, Normandy.'
A landmark exhibition of Welsh artist Gwen John, titled "Gwen John: Strange Beauties," has opened at Amgueddfa Cymru (National Museum Wales) to celebrate the painter's 150th birthday. It is the most comprehensive retrospective of her work in 40 years, spanning two floors and featuring previously unseen sketches, watercolours, and intimate paintings of recurring subjects like cats, St Thérèse of Lisieux, and the artist's own room. The exhibition is curated by Lucy Wood and runs until June 28th.
The Columbus Arts Council in Mississippi hosted the opening reception of its second Black Excellence Art Exhibition, featuring fiber artist Stephany Brown reading from 'Of Salt and Spirit: Black Quilters in the American South' and a poem by Alabama Poet Laureate Ashley M. Jones. The exhibition showcased a diverse range of works including Brittany Horne's luminous portrait of her daughter, Brown's hand-sewn quilts, Kenneth Smith's stained glass mosaics, and live music by vocalist-pianist Kyia King. Culinary arts students from East Mississippi Community College contributed food honoring Black chefs and agricultural scientists, creating a multisensory celebration of Black artistry and heritage.
Artnet News has compiled a list of the spookiest, bloodiest, and most gruesome works in art history to celebrate Halloween. The selection includes Francisco de Goya's "Saturn Devouring His Son" (ca. 1820–23), Hermann Nitsch's blood-soaked "Schuttbild" (2013), Tsukioka Yoshitoshi's woodblock print of a samurai drinking from a severed head, and Théodore Géricault's macabre still lifes of body parts. Other entries feature Goya's "The Witches' Flight," Katsushika Hokusai's ghost story print "The Lantern Ghost, Oiwa-San," John Henry Fuseli's "The Nightmare," Vincent van Gogh's "Skull of a Skeleton with Burning Cigarette," and Utagawa Kuniyoshi's "Takiyasha The Witch and the Skeleton Spectre."
The Louvre has indefinitely postponed the competition to select an architect for its expansion project, Louvre—Nouvelle Renaissance, just days before the jury was set to vote on a winning proposal. Announced by French President Emmanuel Macron in January 2025, the $778 million plan aimed to ease overcrowding at the museum, which hosts 9 million visitors annually, by creating a new entrance, upgrading infrastructure, and controversially building a dedicated 33,000-square-foot gallery for the Mona Lisa. Five firms—Amanda Levete Architects, architecturestudio, Dubuisson Architecture, Sou Fujimoto, and STUDIOS Architecture—had been shortlisted. The postponement follows staff walkouts, a leaked memo detailing structural issues, and a high-profile theft.
The National Museum Cardiff is mounting a major survey exhibition of Gwen John (1876-1939), one of the most famous artists in its collection, titled "Gwen John: Strange Beauties." The show marks the 150th anniversary of John's birth in Wales and will be the most comprehensive exhibition of her work in decades, featuring major loans from institutions such as Tate and the Museum of Modern Art in New York. It will travel to Scotland and the US, emphasizing John's interest in form, materials, and color theory, including late watercolours she never sold or exhibited. The exhibition draws on the museum's extensive archive of over 900 drawings, letters, and photographs acquired in 1976, and aims to shift focus from John's biographical narrative—her relationship with Auguste Rodin and reputation as a recluse—to her artistic dedication and technical innovations.
A new exhibition titled "Permission to Breathe: A Black Woman’s Perspective on Living Life Unapologetically" opens at Positive Space Tulsa in midtown Tulsa, featuring nearly 30 works by Black women artists. Co-curated by Ebony Iman Dallas, Elizabeth Henley, and Jaiden Jiji McClellan, the multidisciplinary show explores themes of rest, resistance, joy, ancestral memory, and radical self-acceptance, with most artwork available for sale. The exhibition runs from February 7 to February 28, 2026, and includes both seasoned and first-time artists.
Fifteen international architecture studios have created installations from reused building materials and found objects for the exhibition "Reuse: Architectures of Almost Nothing" at artspace Laguna in Mexico City during art week. The show, curated by Laguna's curatorial director María Muñoz and architect Edgar Rodríguez, features works made from windshields, tarps, barrels, and even a complete car, all arranged across the former factory space. Participating studios include Sam Chermayeff Office, Ex-Soup, Parabase, Bangkok Tokyo, and others, with each piece designed as an "architectural accessory" that resignifies a single object through redeployment.
Andisheh Avini, a senior director at Gagosian who has been with the gallery for over 25 years, discusses his career trajectory and the gallery's evolution in an interview timed to the inaugural edition of Art Basel Qatar. Avini, who is also an artist, recounts key moments such as the post-9/11 global market expansion that led Gagosian to open spaces in Europe and Hong Kong, and his work with artists including Cy Twombly, Adam McEwen, Piero Golia, and Maurizio Cattelan. He also shares insights into the gallery's approach to art fairs, emphasizing tailored presentations based on location and audience.
The 2026 Winter Olympics are set to begin in Milan, Italy, with an opening ceremony featuring Mariah Carey at San Siro Stadium. While most events take place across northern Italy, the article provides a guide to Milan's top museums and galleries for art-loving visitors during the three-week games. Highlights include exhibitions at Fondazione Prada (with works by Mona Hatoum and Hito Steyerl), Pirelli HangarBicocca (Nan Goldin's "This Will Not End Well" and Benni Bosetto's "Rebecca"), Pinacoteca di Brera (Italian masterpieces plus Giorgio Armani garments), and Museo del Novecento (sports-themed posters by Armando Testa). Several commercial galleries also feature solo shows by artists such as Emily Sunblad, Claudia Losi, and Jonathan Lyndon Chase.
Martin Puryear's 1978 sculpture *Self* opens a survey of his work at the Museum of Fine Arts, Boston, titled “Martin Puryear: Nexus,” which runs through Sunday before traveling to the Cleveland Museum of Art in April. Curated by Emily Liebert, Reto Thüring, and Ian Alteveer, the exhibition argues that Puryear's abstract, craft-intensive sculptures—like *A Column for Sally Hemings* (2021)—are not merely formalist exercises but carry political and historical meanings that are deliberately withheld, challenging viewers to read beyond elegant surfaces.
The Louvre Museum in Paris will restore Empress Eugénie's crown, which was severely damaged during a $102 million heist on October 19, 2025. Thieves broke into the museum, used an angle grinder to cut through a display case, and stole crown jewels, but dropped the crown in their escape. The lightweight, diamond-and-emerald crown was deformed, with four of its eight decorative palmettes broken off and one gold eagle missing. However, all 65 emeralds and most of the 1,354 diamonds remain intact. The museum has opened a bidding process for an accredited restorer, overseen by an expert committee chaired by Louvre director Laurence des Cars, to reshape and fully restore the piece for display in the Galerie d'Apollon.
Yuko Mohri, a Japanese sculptor known for her assemblages of fruit and found objects, has won the Calder Prize, awarded by the Calder Foundation with a $50,000 prize. Mohri, who represented Japan at the 2024 Venice Biennale, has seen her career accelerate with international museum shows, including a recent exhibition at Pirelli HangarBicocca in Milan, which will travel to Centro Botín. She also has upcoming shows at the Bass museum in Miami, the Barbican Centre in London, and her first US gallery exhibition at Tanya Bonakdar Gallery in New York. The prize includes a residency at Atelier Calder in Saché, France.
The Louvre has released images of Empress Eugénie's crown for the first time since it was stolen and crushed during a heist of French crown jewels. Thieves used an angle grinder to cut into a display case, jammed the crown through a narrow opening, and dropped it while fleeing. Restorers, overseen by an expert committee, will repair the mostly intact crown without needing to reconstitute it. In other news, a rare Rembrandt drawing of a lion sold for $17.9 million at Sotheby's, breaking the artist's record for a work on paper, with proceeds benefiting the nonprofit Panthera. Thaddaeus Ropac is expanding to New York with a project space, hiring Emilio Steinberger as senior director. Calls are growing for former French culture minister Jack Lang to resign from the Institut du Monde Arabe over ties to Jeffrey Epstein. The historic Variety Arts Theater in Los Angeles reopened with a video art exhibition organized by collector Julia Stoschek and curator Udo Kittelmann.
The Vancouver Art Gallery is opening a major exhibition titled 'That Green Ideal: Emily Carr and the Idea of Nature' on February 6. This is the most comprehensive show of Carr's work in over two decades, focusing on her evolving vision of nature and drawing primarily from the gallery's own collection of her paintings.
Saudi Arabia is actively showcasing its Modern art history through major exhibitions and sales. The 'Beginnings of Saudi Art Movement' at the National Museum in Riyadh features over 250 works by 73 artists from the 1960s-1980s, highlighting pioneering figures like Mounirah Mosly and Safeya Binzagr. Simultaneously, the Desert X AlUla exhibition is displaying monumental, long-unseen sculptures by Modernist artist Mohammed AlSaleem.
A new contemporary art gallery, Casa Batlló Contemporary, has opened on the previously closed second floor of Antoni Gaudí's iconic Casa Batlló building in Barcelona. The inaugural exhibition, "Beyond the Facade," is by the London-based art practice United Visual Artists, founded by Matt Clark, and runs until May 17.
Artist Chris Moss is organizing the Eastside 11 Art Crawl, a free, multi-venue art event in Savannah, Georgia, with an opening reception scheduled for Valentine's Day. The event aims to showcase local artists across various businesses and includes a map for self-guided tours.