Artist Jen DeLuna creates blurred paintings based on vintage found photographs, primarily of 1970s pin-up girls and aggressive dogs. Working at PLOP residency in East London, she uses a large brush to blur wet paint, creating a hazy, memory-like effect. Her works include portraits like *Rallying Sigh* (2024) and canine pieces like *Hounding* (2024), which she hangs together to create a dialogue between femininity and animal aggression.
Frieze, the art fair and media company, has been sold to Ari Emanuel, the former CEO of Endeavor, in a deal valued at around $200 million. The acquisition, reported by the Financial Times, covers Frieze's seven global fairs, its magazine, and its London exhibition space, No. 9 Cork Street. Emanuel, who stepped down as Endeavor CEO in March following the $25 billion acquisition of the conglomerate by Silver Lake, will own Frieze through a new company backed by a consortium of investors. Simon Fox will remain CEO, and the deal is expected to close in the third quarter of 2025.
Riyadh Art, a public art initiative led by the Royal Commission for Riyadh City, is expanding its Permanent Collection with 115 new installations planned through 2026 and beyond, adding to the 75 works already installed across the Saudi capital. The collection includes works by international artists such as Alexander Calder, Anish Kapoor, Jeff Koons, Giuseppe Penone, and Ugo Rondinone, alongside Saudi practitioners like Zaman Jassim and Mohammed Al Saleem, with recent additions including Calder's 'Janey Waney' and Nobuo Sekine's 'Phase of Nothingness'.
È il grande Mark Rothko a guidare le prime aste di Sotheby’s a New York
Sotheby's kicked off New York's art and auction week with two major sales on May 14, 2026, led by the highly anticipated Robert Mnuchin: Collector at Heart Evening Auction. The top lot was Mark Rothko's "Brown and Blacks in Reds" (1957), which sold for $85.8 million, the second-highest price ever for the artist at auction. The Mnuchin auction achieved a "white glove" sale, selling all 11 lots for a total of $166.3 million, followed by The Now & Contemporary Evening Auction which brought in $266.8 million. Combined, Sotheby's generated $433.1 million, a 133% increase over its May 2025 session. The sales reflect a strong return of high-value trophy lots to the secondary market, driven by the dispersal of prominent collectors' estates.
The Museum of Fine Arts, Boston, will return a promised gift of Benin Bronzes and close its dedicated Benin gallery on April 28, 2025. The gallery will be repurposed for Nubian art. The collection, pledged by Robert Owen Lehman, includes objects traceable to the 1897 British looting of the Kingdom of Benin. Lehman has donated five objects outright, which will be displayed in the Art of Africa Gallery. The MFA stated it could not reach a mutually agreeable resolution for the gallery's long-term sustainability.
The New Museum has opened a new building with a major exhibition titled "New Humans: Memories of the Future," which explores how artists are redefining humanity through technology. A key figure in the show is artist Christopher Kulendran Thomas, who is simultaneously exhibiting at the Museum of Modern Art and recently showed at Gagosian Gallery, while also running project spaces in New York and Los Angeles.
Performa, the New York City-based nonprofit dedicated to performance art, is hosting a one-night-only variety show fundraiser on June 10 at Midtown's Town Hall theater. The cabaret-style event will feature 12 acts blending comedy, dance, music, and acrobatics, with participants including visual artists Barbara Kruger, Laurie Simmons, and Marcel Dzama, performance artist Anne Imhof, dancer Yvonne Rainer, actor Julio Torres, and musicians Slauson Malone, Precious Renee Tucker, and Lonnie Holley. The fundraiser supports Performa's biennial, which takes place every other November.
Bvlgari and CULTURED magazine co-hosted a launch party for Bvlgari's new Icons Minaudière collection at the Chateau Marmont in Los Angeles. The event, held in Penthouse 64, brought together a mix of Hollywood actors, visual artists, art dealers, and fashion insiders, with guests including Camila Mendes, Lauren Halsey, Emma Webster, and dealers Shaun Regen and Hannah Hoffman. Attendees enjoyed cocktails, dinner, and a rare pink moon sighting, and left with a co-developed mini-magazine.
Camille Henrot and Hillary Taymour, wearing Collina Strada, are featured in a Cultured magazine interview marking the reopening of the New Museum on March 21, 2026, after a 60,000-square-foot expansion by OMA. The conversation is part of a series pairing three artists from the inaugural exhibition "New Humans: Memories of the Future" with three downtown fashion designers. Henrot discusses her New York origin story, her film *In the Veins* premiering in the show, and her upcoming play *Commedia dell’Arte* at the Aspen Art Museum’s AIR Festival, while Taymour recounts moving from Los Angeles to New York in 2010 to pursue fashion design.
On Wednesday, artists Kenturah Davis and Dominique Fung joined LYRA Art Foundation founder Tanya Eves and CULTURED Editor-in-Chief Sarah Harrelson for a breakfast panel in New York. The conversation explored how patrons and institutions can help artists overcome limitations in resources, space, and funding to realize ambitious projects. Davis, a multidisciplinary artist working with text, graphite, and oil paints, and Fung, a painter and sculptor whose installation on death rituals and excavation opens at the Institute of Contemporary Art San Francisco with LYRA support, shared their experiences alongside art world leaders including Aspen Art Museum CEO Nicola Lees, art advisor Allan Schwartzman, Whitney Museum Chief Curator Kim Conaty, and Met curator Jane Panetta.
EJ Hill's new endurance performance, "Yearning for an Absolute" (2025), is on view at 52 Walker in Tribeca through September 13, 2025. For the duration of the exhibition, the 40-year-old Black queer artist kneels every day, all day, within a red velvet enclosure, referencing Catholic devotional practices, saintly mortifications, and his own history of durational works like "Excellentia, Mollitia, Victoria" (2018) at the Hammer Museum's "Made in LA" biennial. The installation also includes red leather kneelers for sale, framed kneeler pad paintings marked with the artist's indentations, and a neon rectangle reminiscent of Dan Flavin's church installation.
On Tuesday, Gucci, CULTURED magazine, and Anna Freedman hosted a cocktail party at the Gucci Aspen boutique to celebrate the Anderson Ranch Summer Series, curated by CULTURED Editor-in-Chief Sarah Harrelson for the second consecutive year. The event honored artist Kelly Akashi and MoMA PS1 Chief Curator Ruba Katrib, who will lead upcoming conversations in the series. The boutique was transformed into an intimate salon, with guests including collectors, museum curators, and patrons mingling over champagne and hors d'oeuvres, while a violin performance set the tone for the evening.
Nicole Wittenberg, known for her early paintings of amateur porn, has shifted her focus to landscapes and flowers, culminating in four simultaneous exhibitions across two continents. Her first solo museum survey is at the Ogunquit Museum of American Art, while the Center for Maine Contemporary Art shows her largest canvases through September 14. In Paris, her flower paintings are on view at Le Corbusier’s Maison La Roche, and Acquavella will host her New York solo show in October. Phaidon has also published her first monograph, with essays by David Salle, Devon Zimmerman, and Suzanne Hudson.
Houston's October art scene is dominated by exhibitions exploring scientific and cosmic themes, including plasma installations, fractal worlds, and quantum landscapes. Notable shows include Anahita Bradberry's 'Spectral Field' at Diverseworks, Julius Horsthuis's 'Fractal Worlds' at Artechouse, and 'Growing Up Jewish' at Holocaust Museum Houston. The month also features CraftTexas 2025 at Houston Center for Contemporary Craft, 'Lines of Resolution' at Menil Drawing Institute, and a farewell show at Anya Tish Gallery.
Doris Lockhart, the US-born art collector who played a pivotal role in shaping the Saatchi collection and championing contemporary art in the UK, has died at age 88. Alongside her then-husband Charles Saatchi, she helped introduce postwar American artists like Andy Warhol, Jasper Johns, and Robert Rauschenberg to British audiences, and was instrumental in recognizing the Young British Artists (YBAs) of the 1990s, including Damien Hirst and Gary Hume. After their divorce in 1990, Lockhart continued collecting independently, backing emerging talents and expanding her interests to architectural models and drawings.
An activist group called Art Not Genocide Alliance has published an open letter demanding the Venice Biennale eject Israel from this year's exhibition. The letter has been signed by nearly 200 artists, curators, and arts workers participating in the 2026 Biennale, including members of the main exhibition's curatorial team and contributors to several national pavilions. The letter accuses Israel of genocide and apartheid, and references the 2024 Biennale where Israel's pavilion remained closed due to similar protests.
Performa, New York's biennial for performance art, is staging a one-night variety show on Broadway at Manhattan's Town Hall on June 10. The inaugural Performa All-Star Variety Show will feature artists including Barbara Kruger, Julio Torres, Marcel Dzama, Laurie Simmons, and Anne Imhoff, hosted by comedian Casey Jost. The 90-minute, 12-act event draws inspiration from 19th-century vaudeville and Futurist cabarets, offering a public spectacle outside the biennial's usual three-week format.
Two New York art galleries run by dueling brothers are locked in a legal battle over the use of the name "Aicon." Projjal Dutta, representing Aicon Contemporary, filed a lawsuit in New York Supreme Court in October against his brother Prajit Dutta and director Harry Hutchison, who run Aicon Art and ArtsIndia.com. The suit alleges that the defendants have misleadingly used the names "Aicon Gallery" or simply "Aicon" instead of the agreed-upon "Aicon Art," causing confusion in the art market. The brothers previously operated the legacy Aicon Gallery together for 20 years before parting ways in 2019, but they still share the same address and phone number at 35 Great Jones Street.
Fiber artist Gary Tyler, who spent nearly 42 years on death row in Louisiana's Angola prison after being falsely convicted as a teenager, has published a memoir titled "Stitching Freedom" and opened his first Los Angeles gallery show, "Illuminations from a Captured Soul," at Official Welcome in MacArthur Park. The exhibition, on view through December 20, features quilts Tyler learned to make while working in the prison's hospice program, depicting scenes from his life and symbols of freedom like butterflies and birds.
The US Marshals Service is auctioning four artworks by Pablo Picasso, Jean-Michel Basquiat, and Diane Arbus that were surrendered to the US Department of Justice in connection with the 1Malaysia Development Berhad (1MDB) scandal. The online-only auction, run by Gaston and Sheehan auction house in Texas, began on July 16 and closes on September 4, with no buyer's premium. The works include Basquiat's *Self Portrait* (1982) and *Red Man One* (1982), Picasso's *Tête de taureau et broc* (1939), and Arbus's *Child with a Toy Hand Grenade* (1962). The pieces were linked to fugitive financier Jho Low and actor Leonardo DiCaprio, who surrendered them after they were located in Switzerland.
Paul Reubens, the actor and comedian best known for his character Pee-wee Herman, died at age 70 on June 30, leaving behind a legacy that extends far beyond children's television. The article explores how the design of "Pee-wee's Playhouse" (1986–1990) was a groundbreaking aesthetic achievement, created by a team of downtown New York artists—production designers Gary Panter, Ric Heitzman, and Wayne White—who approached the set as an evolving art installation. Their work blended postmodernism, Memphis Group influences, psychedelia, and thrift-store aesthetics into a joyful, childlike environment that became a cultural touchstone.
New tariffs imposed under the Trump administration are causing significant disruptions for art professionals shipping works to major New York art fairs, particularly TEFAF New York. Shipping companies report a 'torturous road' as galleries navigate complex import taxes—including 7.5% on Chinese artworks, 25% on steel and aluminum sculptures, and 10% on jewelry, furniture, and design pieces—while many original artworks, antiques over 100 years old, and collector's pieces remain exempt. Galleries are modifying operations by renting booth furniture, showing items already stored in the US, and avoiding shipments from China, with some classifying antiquities broadly as 'sculpture' to simplify customs clearance.
A major group exhibition titled *Pharmakon* has opened at Galerie Chantal Crousel in Paris, featuring works by over twenty international artists. The show includes both historical and contemporary figures, from Marcel Broodthaers and Felix Gonzalez-Torres to emerging artists, exploring the dual nature of substances that can be both remedy and poison. It presents a diverse range of media, including painting, sculpture, and installation, curated around this central, ambiguous theme.
The Nasher Museum of Art at Duke University is presenting 'Everything Now All At Once,' an exhibition drawn entirely from its permanent collection that features works by over a dozen contemporary artists including Nick Cave, Ai Weiwei, Nina Chanel Abney, Wangechi Mutu, Jeffrey Gibson, Amy Sherald, and Barbara Chase-Riboud. The show focuses on painting and sculpture—deliberately analog mediums in an era of rapid technological change—and highlights pieces acquired over the past twenty years that center artists from historically marginalized backgrounds. Running since August 2025, the exhibition will rotate new works next month and continue through November 1 in Durham, North Carolina.
The New Museum's latest exhibition explores the evolving definition of humanity through the lens of technological advancement and ancestral wisdom. The show juxtaposes the anxieties of modern machine labor—exemplified by Simon Denny’s Amazon worker cage—with Indigenous epistemologies and animist traditions that offer alternative ways of inhabiting the world. By featuring artists like Jaider Esbell and Santiago Yahuarcani, the exhibition highlights how hybridity and relationality can resist the rigid hierarchies of Western modernity.
A new wave of gallery exhibitions is championing analog physicality and personal intimacy as a direct counter-response to the rise of AI-generated imagery. Artists like Ben Wolf Noam and Joseph Geagan are utilizing traditional mediums such as charcoal, lithography, and oil paint to capture spontaneous, sentimental moments of human connection, from family dinners to portraits of friends. These works emphasize the "hospitable mess" of real life, prioritizing the recognizable faces and tangible textures that AI often flattens.
The New Museum has officially reopened its downtown New York campus following a significant expansion designed by the architectural firm OMA. The renovation introduces a massive internal staircase that connects all four floors, resolving long-standing circulation issues previously caused by a reliance on elevators. To mark the reopening, the museum debuted a site-specific facade sculpture by Tschabalala Self titled "Art Lovers" and a massive inaugural group exhibition, "New Humans: Memories of the Future," featuring over 150 international contributors.
Acclaimed Canadian abstract artist Julia Dault is shifting her focus from the international blue-chip art circuit toward community-based engagement. Following a period of personal reflection, Dault established Hot Pizza, a community art studio in Toronto dedicated to the motto "art for everyone," while simultaneously debuting her latest solo exhibition, "Primary Information," at Bradley Ertaskiran in Montreal.
Newcastle Art Gallery has officially reopened following a A$47 million ($33 million) expansion that more than doubles its exhibition space. The redevelopment, designed by Clare Design and Smith and Tzannes Architects, transforms the venue into the largest public art institution in New South Wales outside of Sydney. The opening is celebrated with the exhibition "Iconic Loved Unexpected," featuring 500 works from a permanent collection of 7,000 pieces, including significant Japanese ceramics and works by artists such as Auguste Rodin and Emily Kam Kngwarray.
San Francisco's Museum of the African Diaspora (MoAD) has reopened its renovated ground-floor lobby to mark its 20th anniversary, alongside two new exhibitions. The larger show, "Unbound: Art, Blackness & the Universe" (on view until 16 August 2026), explores Blackness and the cosmos through painting, photography, sculpture, and installation. Curated by MoAD's first full-time curator Key Jo Lee, the exhibition features 17 artists including Torkwase Dyson, Barkley L. Hendricks, Lorna Simpson, Oasa DuVerney, and Mikael Owunna, organized under three themes: "Geo-Cartographic," "Religio-Mythic," and "Techno-Cyborgian." The $500,000 renovation also upgraded lighting and HVAC systems.