Walsh Gallery, in partnership with the College of Human Development, Culture, and Media, is hosting MUSE: A Student Exhibition from April 22 to May 11, 2026. The exhibition marks the return of a long-standing tradition that was paused during the COVID-19 pandemic, showcasing the work of student artists and welcoming the SHU community free of charge.
French artist Julien Carreyn is preparing his sixth solo exhibition, titled 'Exposition personnelle,' at the Crèvecoeur gallery in Paris. The show will feature a selection of small black-and-white photographs centered on themes of holidays and family, a possible miniature painting, a long, non-linear text, and a series of Polaroids depicting jewelry, installed across the gallery's spaces at 5 and 7 rue de Beaune.
Lake City, South Carolina, is set to host the annual ArtFields festival from April 10 to May 2, 2026. The event transforms the town into a massive gallery, displaying hundreds of works by Southeastern artists across local boutiques, restaurants, and historic warehouses. This year's competition features over $100,000 in prize money, with winners determined by both a professional jury and a popular vote.
Berlin-based artist Matthias Esch presents a survey of his painterly practice in the solo exhibition 'Slice Through Reality' at Kutlesa in Goldau, Switzerland. The show features works from several years that explore the tension between rigid visual systems and deliberate disruptions, utilizing patterns and schematic forms that are systematically 'sliced' or broken open.
Florida Atlantic University’s Center for Autism and Related Disabilities (CARD) partnered with the City of Boynton Beach to host the fifth annual 'Art and Autism' exposition. Held at the Boynton Beach Arts & Cultural Center in honor of Autism Awareness Month, the event featured approximately 50 artists—a significant increase from the three or four participants at its inception in 2021. The showcase included a diverse array of media, from graphic illustrations and children's books by artists like Kiora Slate to live musical performances by Patrick Fahely, providing a public platform for neurodivergent creators to sell their work and share their personal stories.
The Brown Arts Institute has launched the 46th Annual Student Exhibition at the Granoff Center for the Creative Arts, featuring a diverse array of multimedia works, sculptures, and installations. Juried by artists Tarik Bartel and Jinghong Chen, the exhibition showcases student talent across various disciplines, with Alex Schupak taking first place for his multimedia sculpture "Impression/Expression." The show highlights themes ranging from the reliability of photographic truth to explorations of gender dysmorphia and childhood.
The San Diego Museum of Art (SDMA) is marking its 100th anniversary with a special exhibition titled 'SDMA: 100 Years.' The show, curated by Lucas Perez, traces the institution's chronological evolution from its origins after the 1915 Panama-California Exposition, through its founding in 1926 as the Fine Arts Gallery, to its present-day identity. It features rediscovered archival materials, including early children's art and photographs documenting periods like its conversion into a naval hospital during World War II.
Staff at the Musée du Louvre staged another walkout on Monday, forcing the Paris museum to close temporarily before partially reopening at noon. The striking workers, representing 350 staff members including curators, unanimously voted for the action, citing concerns over working conditions and infrastructure. They are demanding that director Laurence des Cars scrap her "unrealistic" €666m plan for a new entrance, subterranean complex around the Mona Lisa, and an exhibition hall, arguing that funds should instead be directed toward urgent technical maintenance to preserve the collections. The strike follows a three-day walkout before Christmas and an October theft of crown jewels, which have not been recovered despite arrests.
The Smithsonian’s National Museum of Asian Art (NMAA) in Washington, DC, has voluntarily returned three sculptures to the Cambodian government after an internal provenance investigation determined the objects were likely removed from Cambodia during the country’s civil war (1967-75). The returned artifacts include a tenth-century sandstone head of Harihara, a tenth-century sandstone sculpture of the goddess Uma, and a bronze statue of Prajnaparamita from around 1200. The museum’s director, Chase F. Robinson, stated that strong evidence linked the pieces to problematic dealers and a context of war and violence, and that no documentation supported their lawful export. The objects were donated to the NMAA by Arthur M. Sackler and Gilbert and Ann Kinney without proper provenance papers.
A report from the Cour des comptes, France's state auditing body, has deemed the Louvre's €666 million plan for a new entrance and subterranean complex around the Mona Lisa as "financially unsound." The report, released on November 6 by chairman Pierre Moscovici, criticizes the museum's management under director Laurence des Cars, highlighting severe delays in security upgrades—only 4% of an €83 million infrastructure budget has been spent since 2018. The audit follows an audacious heist of French crown jewels on October 19, which the report says was enabled by inadequate security. It urges the Louvre to prioritize a €450 million infrastructure plan over the grand renovation project, which has already seen a 45% cost overrun from its initial €450 million estimate.
The Netherlands will return a 3,500-year-old stolen Ancient Egyptian statue to Egypt after it was spotted at the Tefaf Maastricht art fair in 2022 by an eagle-eyed visitor. The stone statue, believed to depict a high official from the dynasty of Pharaoh Thutmose III, was flagged via an anonymous tip, leading the dealer to voluntarily surrender it. An investigation by Dutch police and the Information and Heritage Inspectorate confirmed it was likely plundered unlawfully and illegally exported. The statue will be handed to the Egyptian ambassador in The Hague later this year, in line with the 1970 Unesco convention against trafficking cultural property.
The Meadows Gallery at the University of Texas at Tyler has announced an open call for its 41st Annual International Exhibition, scheduled to run from January 20 to February 27, 2026. Interdisciplinary artist Alicia Eggert, an associate professor at the University of North Texas, will serve as juror. Artists over 18 may submit up to three two-dimensional works created within the last three years, with a $35 fee. Entries are due November 12, 2025, and selected works may be purchased for the university's permanent collection.
Ferris State University's Kendall College of Art and Design (KCAD) alumni, faculty, and students have been recognized in the 2025 West Michigan Area Show, a juried exhibition hosted by the Kalamazoo Institute of Arts. The 64th annual competition drew nearly 500 entries from 14 Michigan counties, with 64 selected for inclusion. Eleven pieces by artists with KCAD connections were featured, and three received distinguished awards from juror Hubert Massey, a Detroit-based artist and educator. Notable winners include Lee Ann Frame, who won the Ward H. and Cora E. Nay Director’s Purchase Prize and the Southwest Michigan Printmakers Excellence in Printmaking Award, and Tatsuki Hakoyama, who received The Martin Maddox Prize for Imaginative Realism. Other participants include professor emeritus Jay Constantine, alumni Beth Purdy and Jackson Wrede, and students Sydney Donath and Kaylee Dirkmaat.
Artist Paul Rucker's exhibition "Rewind Resurrection" returns to New York a decade after its debut, featuring his iconic Klan robes reimagined in bold fabrics like pink, Kente cloth, and camouflage. The show, which was censored at York College of Pennsylvania in 2017 following the Charlottesville white supremacist rally, includes KKK memorabilia, data visualizations of prison proliferation, and wooden relief sculptures honoring victims of racial violence. It is Rucker's first New York show, self-funded in a rented Chelsea gallery, and he hopes an institution will acquire the entire installation.
Mumbai's Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), formerly the Prince of Wales Museum, has retrofitted three public buses as mobile mini-museums to bring curated exhibitions into the Indian countryside. The buses travel across Maharashtra and beyond, carrying miniature displays that foreground objects and material culture, encouraging viewers to build narratives from artifacts rather than starting with pre-written histories. The initiative grew out of a 2024 exhibition, "Ancient Sculpture of India, Egypt, Assyria, Greece and Rome," co-curated with the J. Paul Getty Museum, Berlin State Museums, and the British Museum.
The Mori Art Museum in Tokyo has opened "The Architecture of Sou Fujimoto: Primordial Future Forest," the first major survey of the Japanese architect's thirty-year career. Running from July 2 to November 9, 2025, the exhibition spans eight thematic sections, featuring over 1,000 models, sketches, videos, installations, and even stuffed toys. Highlights include a large-scale installation of Fujimoto's key projects, a timeline by architectural historian Kurakata Shunsuke, full-scale mock-ups of his Grand Ring for Expo 2025 Osaka, and a futuristic city proposal developed with data scientist Miyata Hiroaki. The show aims to be accessible to all visitors, not just architects.
Italy's National Archaeological Museum of Naples (MANN) launched a photography competition in March inviting young people aged 18 to 30 to submit images of objects from its collections, including artifacts from Pompeii and Herculaneum. The museum offered no payment, only exposure via social media and banners on its façade, sparking criticism from cultural workers' group Mi Riconosci and Italian media, who accused the institution of exploiting unpaid labor. Museum administrator Raffaella Bosso defended the initiative as a dialogue with youth, but the museum has not withdrawn or modified the contest.
A public art installation from Fort Worth, Texas, titled "Do Something Good For Your Neighbor," has been selected for display at the 19th International Architecture Exhibition — La Biennale di Venezia in Venice, Italy. The weathered steel pavilion, located on Lake Como in Fort Worth's historic Como neighborhood, was designed by Matt Niebuhr and David Dahlquist of the Art Studio at RDG Planning & Design. Built in 2021 and owned by Fort Worth Public Art, it is one of 54 projects featured in the exhibition "PORCH: An Architecture of Generosity," commissioned by the U.S. State Department and organized by the Fay Jones School of Architecture and Design at the University of Arkansas, in partnership with DesignConnects and the Crystal Bridges Museum of American Art. The installation honors community leaders William H. Wilburn, Sr. and Amon G. Carter Sr., and features custom carved benches with phrases from a historic local newspaper.
The Minneapolis Institute of Art (Mia) faced summer 2024 without a major blockbuster exhibition, a significant challenge since special exhibitions typically drive up to 30% of annual attendance. Programming manager Anna Dilliard responded by launching "Meet at Mia," a 16-week outdoor series of Thursday night events including concerts, film screenings, and community rides in the museum's courtyard. The initiative built on a successful pilot event in August 2023 and grew from 700 attendees to 1,500 at its first official event, transforming a potential attendance slump into a season of community engagement.
Sámi artists from Norway are gaining international recognition, with milestones including the rebranding of the Nordic Pavilion as the Sámi Pavilion at the 2022 Venice Biennale, a major mural by Outi Pieski in Oslo, and a forthcoming Hyundai commission by Maret Anne Sara at Tate Modern. Despite this visibility, decades of advocacy have failed to establish a dedicated Sámi art museum; thousands of works purchased with government funds remain in storage. The Norwegian parliament's recent truth and reconciliation report acknowledged historical injustices, but activists like Synnøve Persen and scholars like Katrine Rugeldal argue that existing institutions are insufficient and that a museum must be built on Sámi terms, potentially nomadic or pan-Nordic.
Artspace111 in Fort Worth, Texas, has opened the call for entries for its 12th annual Texas Juried Exhibition, inviting Texas artists aged 18 and over to apply by June 2. This year's guest juror is acclaimed North Texas artist Jon Flaming, known for his cubist-inflected works and cowboy identity. The exhibition will run from July 26 to August 23, with $15,000 in prizes awarded, including a $10,000 top prize named the Edmund Craig Memorial Award, which also offers a solo or group exhibition opportunity at the gallery during its 2025-2026 season.
Eleven Warsaw galleries opened their doors to eleven international counterparts for the second edition of Constellations, a gallery-sharing event running until May 10. Organized by Piktogram, Dawid Radziszewski, Stereo, and Wschód, the initiative pairs galleries from Basel, Berlin, Bucharest, Frankfurt, London, Naples, Paris, Shanghai, Stockholm, and Vienna with Polish art spaces like Foksal, Raster, and experimental newcomer Turnus. Highlights included Iris Touliatou's installation "untitled (still not over you)" at Import Export, which won the Friends’ Art Prize, funding an acquisition for the Museum of Modern Art in Warsaw (MSN).
Hervé Barbaret, aged 60, will step down as director general of France-Muséums on April 30, returning to the Cour des comptes (Court of Auditors). He had led the organization since 2019. Barbaret, a former student of the École Nationale d'Administration (ENA) and a senior counselor, previously served as general administrator of the Louvre, overseeing the Louvre-Lens project, the Department of Islamic Arts, and Louvre Abu Dhabi. He also directed the Mobilier national and was secretary general of the Ministry of Culture. France-Muséums coordinates French museum expertise internationally, from Louvre Abu Dhabi to a project in New Delhi. His successor has not yet been announced.
Le British Museum mise sur « l’immersion totale » pour exposer la tapisserie de Bayeux qui sera présentée à plat
The British Museum has announced plans for an exceptional exhibition of the Bayeux Tapestry, which will be displayed flat for the first time in its history, rather than hung vertically as it has been for decades in Bayeux. The 70-meter-long 11th-century embroidery depicting the Norman conquest of England will be shown in London from September 10, 2026, to July 11, 2027, with tickets priced between £25 and £33. The museum promises an 'immersive' experience featuring raking light, digital devices, and loaned objects to contextualize the 58 scenes and 626 characters.
The Metropolitan Museum of Art in New York is hosting the first-ever exhibition dedicated to Raphael in the United States, running until June 28. The show brings together over 200 works by the celebrated Renaissance master, including the enigmatic portrait *La Dame à la licorne* (1505–1506), which exemplifies Raphael's signature qualities of grace, light, and harmony.
The Lucas Museum of Narrative Art in Los Angeles will open to the public on September 22, 2026, with about 20 inaugural exhibitions curated by George Lucas himself across more than 30 galleries. The $1-billion, 300,000-square-foot museum in Exposition Park, designed by Ma Yansong of Mad Architects, will display over 1,200 objects from Lucas's collection of more than 40,000 works, including manga, comics, children's illustrations, and narrative art by artists such as Norman Rockwell, Beatrix Potter, and Dorothea Lange, with only one exhibition focused on "Star Wars" memorabilia.
Los Angeles is undergoing a major cultural expansion in 2026, with several high-profile museum openings and immersive art experiences set to debut between June and December. Key developments include Dataland 3.0, the world's first dedicated Museum of AI Arts, created by Refik Anadol Studio at The Grand LA; the Lucas Museum of Narrative Art, a 100,000-square-foot gallery in Exposition Park designed by MAD Architects; and a new permanent installation by the art collective Meow Wolf. These are joined by recurring events such as LA Pride 2026, Cali Vibes 2026, the German Currents Film Festival, the Hollywood Christmas Parade, and the L.A. County Holiday Celebration, creating a dense cultural calendar.
Internationally acclaimed Miami-based artist Edouard Duval-Carrié has been selected to represent Haiti at the 2026 Venice Biennale, the 61st International Art Exhibition of La Biennale di Venezia. Ahead of the May 9 opening, Duval-Carrié hosted a behind-the-scenes preview event at his Little Haiti studio in Miami on April 24, 2026, where he discussed his conceptual approach. His installation draws on themes of history, politics, and spirituality in Haiti and the Caribbean, reflecting evolving perspectives on the nation's past and present. Duval-Carrié collaborated with Vanessa Selk, founding artistic director of the Tout-Monde Art Foundation, to frame Haiti's presence as both a national showcase and a reflection of diasporic influence and Caribbean identity. The exhibition runs through November 22, 2026.
Starting May 11, 2026, French artist JR has begun assembling "La Caverne du Pont Neuf" (The Cave at Pont Neuf), a monumental temporary installation that will transform Paris's oldest bridge into an immersive open-air cave. The project, open to the public from June 6 to 28, 2026, features inflatable structures, optical illusions, light shows, and augmented reality technology developed by Snap's AR Studio Paris. It includes a mineral soundscape by Thomas Bangalter (formerly of Daft Punk) and is funded entirely through private means, including support from L'Amicale des Ponts de Paris and sales of JR's works.
The 61st Venice Biennale's main exhibition, 'In Minor Keys', curated by the late Koyo Kouoh, has opened after her sudden passing in 2025. Kouoh had fully planned the exhibition before her death, and a team of seven realized her vision. The show features 110 artists, including Wangechi Mutu, Nick Cave, Alfredo Jaar, and emerging talents like Ranti Bam. It opens with a poem by Refaat Alareer and an installation by Khaled Sabsabi, setting a contemplative tone amid themes of mourning, grief, and healing. The exhibition also highlights minority perspectives, including Caribbean and Central American artists, and confronts colonial histories through works like Florence Lazar's film on a hurricane-exposed necropolis.