‘Get in the Game’ at PAMM puts sports and art on a level playing field

The Pérez Art Museum Miami (PAMM) presents 'Get in the Game: Sports, Art, Culture,' an exhibition running through August 23 that bridges the worlds of sports and visual art. Featuring over 100 works by international artists alongside sports memorabilia—including vintage sneakers, racing equipment, and FIFA World Cup soccer balls from 1930 to 2023—the show is organized by the San Francisco Museum of Modern Art and adapted for Miami with local additions. Curated by PAMM director Franklin Sirmans and co-curator Fabiana A. Sotillo, the exhibition is divided into six thematic sections such as Fandom, Winning and Losing, and Mind and Body, aiming to make both sports and art accessible to all visitors.

How Claude Monet’s reluctant sojourn reignited his career

A new exhibition, "Monet and Venice," has opened at the de Young Museum in San Francisco. It centers on the pivotal 1908 trip to Venice that the 68-year-old Claude Monet was initially reluctant to take, showcasing over 20 of the luminous, atmospheric paintings of the city he produced there. The show also includes over 100 related items, featuring works by Canaletto, Turner, Sargent, and Whistler, as well as photographs and books, to contextualize Monet's Venetian achievement.

Can you recognize the photographers behind these 15 iconic shots?

Saurez-vous reconnaître les photographes qui se cachent derrière ces 15 clichés iconiques ?

Beaux Arts Magazine published a quiz challenging readers to identify 15 iconic photographs and their creators, from Nicéphore Niépce to Cindy Sherman. The quiz marks the bicentennial of photography in 2026–2027, featuring pioneers of the 19th century alongside contemporary masters, covering genres from photojournalism to intimate portraiture and formal experimentation.

Between Tropes and Treats at NADA New York

The 12th annual New Art Dealers Alliance (NADA) fair opened at the Starrett-Lehigh Building in Manhattan, featuring a wide array of contemporary works. Critic Rhea Nayyar notes that while many booths felt interchangeable due to prevalent trends like zany sculptures, shiny materials, and kitschy vibrancy, several standout pieces offered genuine engagement. Highlights include Elena Roznovan's maternal ephemera embedded in concrete with bondage tape, Kelly Tapia-Chuning's deconstructed serapes addressing colonial violence, and Niniko Morbedadze's folkloric illustrations.

BLANCA DE LA TORRE Y EL “MUSEO ANFIBIO”: “A MÍ ME INTERESA EL PÚBLICO, NO NECESARIAMENTE LAS MASAS”

Blanca de la Torre, director of the Institut Valencià d’Art Modern (IVAM), discusses her concept of the "Museo Anfibio" (Amphibious Museum) in an interview for Artishock Revista's series on Ibero-American museum leaders. She proposes reimagining the museum as a relational institution that mediates between physical and symbolic territories, communities, and ecosystems, structured around two axes: Territories-Earth and Aquatic Environments. The interview is part of a series leading up to International Museum Day, with previous entries including Nicolás Gómez Echeverri of the Banco de la República de Colombia.

SACHA INGBER: TWO

Brazilian artist Sacha Ingber presents 'Two,' a solo exhibition at Uffner & Liu in New York, featuring works in pigmented resin, ceramics, and functional objects that explore themes of pairing, connection, and codependence. The show includes paired notebooks, ceramic figures sharing handles, and a backgammon board designed for two players, all emphasizing the relational space between objects and bodies.

art abbas akhavan venice biennale canadian pavilion

Abbas Akhavan has transformed the Canadian Pavilion at the Venice Biennale into a greenhouse-like installation titled "Abbas Akhavan: Entre chien et loup." The pavilion's wooden doorway has been replaced with glass, revealing a pond with pinkish water illuminated by sunlight and LED grow-lamps. Visitors encounter mossy boulders, a vintage fur coat sprayed with water, sharpened bronze sticks, and custom frosted mirrors that blur the architecture. The centerpiece will be three giant Bolivian water lilies, grown from seeds sent from Kew Gardens to Padua, which will gradually take over the pond over the summer. The exhibition is curated by Kim Nguyen, commissioned by the National Gallery of Canada, and supported by the Canada Council for the Arts.

Where to go on Potsdamer Straße?

Wohin auf der Potsdamer Straße?

The article previews the Gallery Weekend Berlin, focusing on the Potsdamer Straße art scene. It highlights several exhibitions, including Adam Gordon's "Months Turn to Years" at Galerie Isabella Bortolozzi, which transforms the space into a secluded enclave with quiet paintings. Other featured shows include luminous color experiments, soap foam as an art form, and works exploring identity.

As Told By: Slavs and Tatars at Rossi & Rossi

Slavs and Tatars, the research-based art collective, opened their first solo exhibition in Hong Kong titled “胡 ( هو / who) are you?” at Rossi & Rossi, running until May 9, 2026. The show gathers iconic projects and new commissions across various media, playfully probing the philosophical question of identity and belonging. Co-founder Payam Sharifi discusses works such as the handblown glass melon sculptures in "Dark Yelblow" (2025), which explore cultural stereotypes and the figure of the Other, and the "Love Me, Love Me Not" series, which recovers original place names and scripts to reveal the layered complexity of empires.

Greta Thunberg, Hugh Bonneville sign letter defending Southbank Centre chair Misan Harriman

A petition signed by Greta Thunberg, Hugh Bonneville, and other prominent figures defends Misan Harriman, the photographer and chair of London's Southbank Centre, against what the letter calls a "dishonest smear campaign." The controversy stems from two incidents: Harriman shared a social media post about a stabbing attack in Golders Green, noting that a Muslim victim received less press coverage than two Jewish victims, and later posted a video reflecting on the rise of the right-wing Reform party, citing a conversation about the Holocaust. Right-wing outlets like The Daily Telegraph accused him of equating Reform's electoral success to the Holocaust, leading to widespread backlash. Harriman denies making such equivalences, and nearly 70,000 people have filed complaints with the press regulator IPSO—the largest campaign in its history.

‘It’s about processing’: the artist who spent three months recreating the most poignant moments with her ex

Photographer Diana Markosian has created a new project titled "Replaced," in which she spent three months recreating intimate moments from her past relationship with an ex-partner. To document the experience of falling in and out of love, she hired an actor to play her ex and traveled with him to locations they once visited together, including Miami, Paris, Naples, Capri, and Nice. The series blurs documentary and fiction, using staged reenactments to process grief, heartbreak, and healing.

‘Your homes will be destroyed, your family killed’: the US has dropped millions of war propaganda leaflets – but do they work?

The United States military has been dropping propaganda leaflets in psychological operations (psyops) for over a century, from World War I through the Gulf War and the wars in Iraq and Afghanistan. A new interactive exhibit at Pioneer Works in Brooklyn, organized by the digital archive group Khajistan, displays hundreds of these leaflets, including those dropped on Japan during World War II and in more recent conflicts. However, declassified internal documents, such as a 1971 US Air Force report, reveal that leaflets were often used as toilet paper, cigarette rolling paper, or souvenirs by enemy soldiers, undermining the official narrative of their effectiveness.

Fiona Connor at Maureen Paley

Fiona Connor presents her exhibition "I haven't arrived yet, Closed Down Clubs" at Maureen Paley in London, running from March 28 to May 16, 2026. The show includes a press release, checklist, and 14 images documenting the works on view, all courtesy of the artist and the gallery.

Amalia Pica at Herald St

Herald St in London is presenting "Daisy Chain," an exhibition of new work by Argentine-born, London-based artist Amalia Pica, running from March 19 to May 16, 2026. The show includes a press release, checklist, and 14 exhibition images documented by photographer Jack Elliot Edwards.

Markus Brunetti’s Monumental Photos Venerate European Ecclesiastical Landmarks

Bavarian photographer Markus Brunetti, working with collaborator Betty Schöner, has spent over two decades traveling across Europe in a converted firetruck photo lab to capture monumental composite photographs of basilicas, cathedrals, and other ecclesiastical landmarks. Their process involves taking thousands of meter-by-meter shots of each structure over several years, then meticulously layering and arranging them into high-resolution images that correct perspective to create a striking one-point view. Brunetti's current solo exhibition, "Facades IV" at Yossi Milo gallery in New York City, features recent works including "Roma, Basilica di San Pietro" (2007-2026), which required seven visits over nineteen years to complete.

Luscious Hair Sculptures Sprout Like Branches in a Symbiotic Exhibition

Artists Merryn Omotayo Alaka and Sam Frésquez have created a collaborative exhibition titled "Your Birth is My Birth" at Jane Lombard Gallery in Chicago. The show features synthetic hair sculptures made from Kanekalon, suspended from the ceiling and spread across the floor like organic growths. Five distinct "species" of sculptures—Listening Roots, Hearing Bells, Mother & Child, Stacking Pearls, and Umbra Pods—draw inspiration from epiphytes, non-parasitic plants that grow on host specimens. The works explore themes of symbiosis, interdependence, and genetic inheritance, with mirrored forms emerging within vertical tendrils.

Kim Dacres Revitalizes Sleek Tires, Chains, and Gears in Defiant Sculptures

Kim Dacres transforms discarded auto and bicycle rubber into sculptural portraits that celebrate Black hairstyles and community. Her new exhibition "Lost on a Two Way Street" at Charles Moffett in New York features busts with braided buns and gear-like crowns, alongside flat wall works evoking Victorian cameos. The show also includes reimagined U.S. flags with Black and brown figures, addressing the current political climate and the gap between national symbols and lived reality.

Matt Browning “All Woodcarvings Remain Slow Motion Mobiles” at Kunstverein München

Matt Browning's exhibition "All Woodcarvings Remain Slow Motion Mobiles" at Kunstverein München presents a decade of his carved Douglas fir sculptures. Each piece is a chain-link form cut from a single block of wood, revealing interior voids and grids without any assembly, showcasing his meticulous technique since 2013.

Kumu to unveil Kristi Kongi's largest solo exhibition 'Chromatic Drift'

Estonian painter Kristi Kongi's largest solo exhibition, 'Chromatic Drift,' will open at the Kumu Art Museum on May 22. The exhibition fills the museum's great hall, courtyard, and windows with new works featuring earthy tones like purple, brown, and burgundy, described by curator Ann Mirjam Vaikla as reflecting the aesthetics of the Anthropocene. The show is accompanied by a book with essays by Sara Garzón, Sirje Helme, and Vaikla, and includes works created during Kongi's residency at Cerámica Suro in Guadalajara, Mexico.

Jes Chen Makes a Knock at the Door Feel Like an Accusation

London-based artist Jes Chen presents "Occupied" (2026), an interactive installation that strips AI technology down to a knock sensor, a screen, and a live AI system. Viewers knock on a door-like interface and receive varied responses—defensive, evasive, or silence—generated in real time. The work draws from Chen's childhood memory of having her bedroom door lock removed, transforming privacy and vulnerability into a behavioral system. Recent presentations at the London Design Festival, Edinburgh Fringe, and Generative Art Conference 2025 have showcased Chen's restrained, psychologically charged approach to AI art.

Of This Earth: Transforming Culture and Country Through First Nations Ceramics

The National Gallery of Australia presents 'Of This Earth: Transforming Culture and Country Through First Nations Ceramics,' an exhibition featuring over thirty works by twenty-eight Aboriginal and Torres Strait Islander artists, including Thancoupie, Billy Bain, Nicole Foreshew, and Janet Fieldhouse. The show highlights diverse ceramic techniques and narratives drawn from the National Collection, emphasizing cultural continuity and contemporary expression.

Antonia Papatzanaki: Unseen Brought to Light Exhibition Opens May 22

Mosaic ArtSpace in Long Island City, NY, presents Antonia Papatzanaki: Unseen Brought to Light, a solo exhibition running from May 22 to September 30, 2025. The show features Papatzanaki's stainless steel light sculptures, inspired by microscopic imagery such as cellular formations and plant tissues, creating immersive environments that blend art, science, and technology. The opening reception is on May 22, 5-8 PM.

Cultural Compass: Cello takes centre stage, Antwerp galleries open their doors and wartime art

This week's cultural agenda in Belgium highlights three major events: the 75th anniversary of the Queen Elisabeth Competition, which focuses on cello for only the third time since 2017, featuring 64 young cellists from over 20 countries; the 12th edition of Antwerp Art Weekend, spanning 88 venues with a strong emphasis on emerging talent and politically engaged works; and a new exhibition at the Permekemuseum exploring Constant Permeke's formative years in wartime England. The competition includes a world premiere of 'Caffeine' by Belgian composer Harold Noben, and the winner will receive the use of Pablo Casals' historic 1733 Goffriller cello.

THE MET GETS A NEW GREAT HALL BY PETERSON RICH OFFICE

Peterson Rich Office (PRO) has designed a new Great Hall Gallery for the Metropolitan Museum of Art, occupying 12,000 square feet across five sequential rooms in a former exterior courtyard adjacent to the landmark Great Hall. The renovation exposes and celebrates historic exterior façades from the 1880s and 1890s, creating a layered architectural experience. The space is intended to host rotating exhibitions, particularly the Costume Institute's annual spring show, and is currently under construction.

Campbell River Art Gallery presents Sacred in All Forms

The Campbell River Art Gallery (CRAG) is presenting a new group exhibition titled "Sacred in All Forms: Artists Reclaim the Divine Feminine Across Bodies, Lands, and Worlds," curated by Jenelle Pasiechnik. The show features four contemporary artists—Sandeep Johal, Xiaojing Yan, Kourtney Jackson, and Aaron McIntosh—whose works in textiles, video, sculpture, installation, and mixed media explore the sacred in everyday life, the body, relationships, and nature. The exhibition runs from May 7 to August 8, 2026, with an opening reception on May 9. Public programs including artist talks, workshops, and community conversations will accompany the show.

Exhibition | Tommaso Spazzini Villa, 'The Time That’s Left' at TOTAH, New York, United States

TOTAH gallery in New York presents 'The Time That’s Left', a solo exhibition of works by Italian artist Tommaso Spazzini Villa, opening May 14, 2026. The show expands on his recent large-scale mural on West 45th Street in Hell’s Kitchen, moving from public space to an intimate gallery setting. It features graphite drawings traced across antique book pages—sacred texts, epic poetry, theatre scores—depicting root-like forms that challenge linear language, alongside metal box sculptures with wire, light, and dried leaves that create fleeting shadow dioramas.

Art Lovers Movie Club: Elisabeth Brun, ‘Big Tech Blues’, 2025

ArtReview's Art Lovers Movie Club presents Elisabeth Brun's film 'Big Tech Blues' (2025), an auto-documentary that follows a small village in northern Norway as it resists the installation of a SpaceX Starlink 'Gateway' transmission site. The film blends personal essay, documentary footage, and interviews with residents who protest the hub over concerns about noise pollution, radiation, and environmental impact on the rural coastline. Brun contrasts slick Starlink promotional material with slow, intimate scenes of the landscape and community organizing on Facebook, highlighting the irony of using digital tools to fight digital infrastructure.

On Arte and France Culture, all the secrets of the unicorn

Sur Arte et France Culture, tous les secrets de la licorne

The article discusses the enduring cultural presence of the unicorn, from churches to toy stores and LGBTQIA+ parades, coinciding with the exhibition "Licornes!" at the Musée de Cluny (through July 12, 2026), which centers on the museum's famed tapestry *La Dame à la licorne*. It highlights two complementary media programs: an episode of the radio show *Le Cours de l'histoire* on France Culture and a documentary on Arte, both exploring the mythical animal's many transformations across history.

Your guide to free self-care: 8 L.A. wellness events you can’t miss in May

The Los Angeles Times article highlights a curated list of free wellness events in Los Angeles for May, with a focus on the first annual Sacred Music and Healing Festival at the World Stage Performance Gallery in Leimert Park on May 23. Executive Director Dwight Trible explains that the festival blends jazz, Indigenous traditions, and healing arts to offer a wellness experience rooted in culture and community, featuring music, yoga, tai chi, and presentations on herbs and meditation.

Yoo Young-kuk’s inner landscapes spotlighted in Seoul retrospective

The Seoul Museum of Art (SeMA) has opened its largest-ever retrospective of pioneering Korean abstract painter Yoo Young-kuk, titled "Yoo Youngkuk: A Mountain Within Me," marking the 110th anniversary of his birth. Running through Oct. 25 at SeMA's Seosomun branch, the exhibition brings together 178 works, including 115 oil paintings, drawings, photographs, archival materials, and previously unseen pieces, as well as BTS RM's collection "Mountain." Rather than a chronological format, the show begins in 1964—the year of Yoo's first solo exhibition—and moves backward and forward through time, highlighting his geometric compositions and bold primary colors inspired by the mountains and sea of his hometown Uljin.