Artist Tschabalala Self will co-chair the 2026 Met Gala, marking her first attendance at the event, which launches the Costume Institute's new exhibition “Costume Art.” She collaborated with designer Brandon Blackwood, a friend, to create her gown and style her look for the evening.
The Los Angeles County Museum of Art (LACMA) has opened a new café operated by the upscale organic grocery chain Erewhon on its W.M. Keck plaza. The café, located in the plaza's northeast pavilion with a view of Alexander Calder's 1964 sculpture, opened for member previews on April 19th and will be accessible to the general public starting May 4th, running through the summer season.
Christina Quarles opened a solo exhibition titled 'The Ground Glows Black' at Hauser & Wirth's Los Angeles gallery. The show, which runs from February 24 to May 3, 2026, features new works by the artist, with photography documentation provided by Fredrik Nilsen.
Luc Tuymans at David Zwirner
Belgian painter Luc Tuymans has opened a new solo exhibition, "The Fruit Basket," at David Zwirner's Los Angeles gallery. The show, running from February 24 to April 4, 2026, presents a series of new paintings by the influential artist, continuing his decades-long exploration of the medium.
Aesop, the skincare and fragrance company, has released a collection of festive holiday kits designed for creatives, focusing on hand and workspace care. The kits include themed sets like “Party in the Greenhouse” and “Too Many Cooks in the Kitchen,” featuring products such as geranium-infused balms and pumice hand wash. Cultured magazine partnered with Aesop to highlight the creative spaces of New York artists and chefs, including Fernando Mastrangelo, Flynn McGarry, and Eny Lee Parker, who opened their studios and kitchens to showcase their rituals.
Malo Chapuy's painting *Virgin with Codex* (2025) appears on the cover of Art in America's new talent issue. In an interview from his Paris studio, Chapuy explains how he reinterprets medieval and early Renaissance Flemish painting by mixing its motifs with contemporary and sci-fi elements, such as gothic cathedral spaceships and QR codes designed to function like medieval manuscripts for future postapocalyptic monks. He describes his process as making "forgeries," using traditional techniques like oil on wood panels, homemade lead white, and self-carved frames to mimic aged Old Master works while addressing themes of ecological collapse, apocalyptic anxiety, and planetary exile.
The Frick Collection in New York has announced a three-year partnership with Louis Vuitton, under which the fashion house will sponsor three upcoming exhibitions, a curatorial research associate position, and a year of the museum's free First Fridays program. The partnership launches with Louis Vuitton's Cruise 2027 collection show, designed by Nicolas Ghesquière, held in the Frick's first-floor galleries on May 20. The sponsored exhibitions include “Siena: The Art of Bronze, 1450–1500” (fall 2025), “Painting with Fire: Susanne de Court and the Art of Enamel” (spring 2027), and a third exhibition on 19th-century paintings (late 2027). The Louis Vuitton Curatorial Research Associate will be Yifu Liu, currently a curatorial fellow at the Frick, who will research Asian porcelain and cross-cultural exchange between Europe and China.
London-based artist Anouska Samms has accused the Metropolitan Museum of Art's Costume Institute and curator Andrew Bolton of displaying a garment in the spring 2026 exhibition "Costume Art" that she claims is a counterfeit of her collaborative work. Samms says the piece, titled Corpus Nervina 0.0, was inspired by a 2023 hair dress she co-created with fashion designer Yoav Hadari for his label Psycheangelic. Despite a contract giving Samms sole ownership of the hair-based textile's intellectual property, the museum's wall label credits only Hadari and states Samms's textile was not used. Samms's lawyer, Jon Sharples, says the museum initially expressed interest in acquiring the original dress but later shifted to a remake after Hadari reported water damage, then stalled entirely before the exhibition opened.
Pedro Reyes's new sculpture 'Tlali' (2026), a four-meter-tall Olmec-inspired volcanic-stone female face installed at the Los Angeles County Museum of Art (Lacma), has sparked criticism in Mexico. An open letter signed by nearly 80 cultural figures, published on the art criticism site Cubo Blanco, alleges the work is a new version of a 2021 project that was canceled after backlash. That earlier project, 'Tlalli', was meant to replace a Christopher Columbus statue on Mexico City's Paseo de la Reforma but faced opposition from over 300 cultural figures who argued a male, non-Indigenous artist should not represent Indigenous women. The site later became the 'Glorieta de las Mujeres que Luchan', an anti-monument against gender violence.
Israel is making a controversial return to the 2025 Venice Art Biennale after its pavilion was locked in 2024 with a note demanding a ceasefire in Gaza. The artist representing Israel, Belu-Simion Fainaru, will present his project "Rose of Nothingness" in the Arsenale, while Russia also returns to the Biennale after its Giardini pavilion was reassigned to Bolivia in 2024. The Art Not Genocide Alliance (ANGA) has renewed calls for a boycott and is organizing strike action to disrupt the event, accusing Israel of genocide.
A think tank and a philanthropic foundation have launched a $1 million accelerator grant program for museum and performing arts leaders. The initiative, a partnership between Remuseum (an initiative of Crystal Bridges Museum) and the Doris Duke Foundation, will award up to ten $100,000 grants and provide a year-long residency program to help leaders develop innovative strategies to boost relevance and financial stability.
Pop star Olivia Rodrigo has released the music video for her new single "Drop Dead," filmed on location at the Palace of Versailles. Directed by Petra Collins, the production marks the first time a music video has been granted permission to film inside the palace's royal apartments, including the Queen's Bedroom and the Grand Couvert Antechamber. The video features Rodrigo performing alongside historic masterpieces, such as Pierre Mignard’s 17th-century tapestry "Apollo and the Muses on Mount Parnassus."
Somalia's inaugural pavilion at the Venice Biennale has sparked significant backlash from the nation's domestic art community. Four major Somali art spaces and nine local artists issued a joint statement criticizing the pavilion for failing to include or consult artists currently living and working within Somalia. The controversy centers on the selection of three diaspora artists based in Europe and the appointment of a Venice-based co-curator, which critics argue ignores the cultural workers who have rebuilt the country's art scene under difficult conditions.
Actor Frances McDormand and performance artist Suzanne Bocanegra have debuted a new iteration of their multi-sensory installation, 'CRADLED', at Hauser & Wirth’s downtown Los Angeles location. Developed in collaboration with the Shaker Museum, the exhibition features adult-sized cradles and Shaker furniture designed for care and infirmity. The performance-based installation explores themes of mortality, loneliness, and communal care through the lens of Shaker craft and spiritual tradition.
Billionaire art collector and entertainment mogul David Geffen has reached a private settlement with his estranged husband, David Armstrong, ending a contentious legal battle. The divorce proceedings gained significant public attention due to the absence of a prenuptial agreement and serious allegations of exploitation and psychological manipulation leveled by Armstrong. While the financial terms remain confidential, the settlement concludes months of litigation over spousal support and asset division following their two-year marriage.
Sarah Miriam Peale, a member of the prominent Peale art dynasty and arguably the first professional woman artist in the United States, is finally receiving long-overdue institutional recognition. Despite a prolific sixty-year career painting portraits of political figures and still lifes in Baltimore and St. Louis, her legacy was largely overshadowed by her uncle Charles Willson Peale and her male cousins. Her independence as an unmarried woman who supported herself entirely through her craft marked a radical departure from the gender norms of the 19th century.
The Hole, a prominent New York-based contemporary art gallery, is facing multiple lawsuits and allegations of financial instability. Legal filings from landlords at both its Bowery and Tribeca locations indicate significant rent arrears totaling over $180,000, alongside unpaid real estate taxes. Founder Kathy Grayson confirmed the closure of the gallery’s Los Angeles outpost, attributing the crisis to a sharp decline in sales starting in late 2023 and a destabilizing period of rapid expansion.
Artist Gisela Colón is the subject of two concurrent solo exhibitions: "Radiant Earth" at the Bruce Museum in Connecticut and "The Mountain, The Monolith" at the Museo de Arte Contemporáneo de Puerto Rico. This dual presentation marks a significant career milestone and a homecoming for the Puerto Rican-born artist, who has built an international profile over the past decade with installations from Desert X AlUla to sites near the Pyramids of Giza.
Three artists have installed site-specific works at The Peninsula Hong Kong hotel as part of its annual Art in Resonance program, coinciding with Hong Kong Art Week. Angel Hui's 'Swimming in Light' features embroidered goldfish imagery on plastic bags and the hotel's glass frontage, Albert Yonathan Setyawan's 'Metamorphic Modulation' fills a circular structure with 700 ceramic elements, and William Lim's 'Walking on a Bright Future' is a textile and spatial intervention in the hotel's café.
Michael Govan, director of the Los Angeles County Museum of Art (LACMA), has broken his silence regarding the museum’s controversial new David Geffen Galleries in an interview with Vanity Fair. The $720 million structure, designed by Pritzker Prize-winning architect Peter Zumthor, is scheduled to open next month following years of heated debate over its unconventional design, the demolition of previous museum buildings, and escalating costs. Govan defended the project’s horizontal, single-floor layout as a necessary evolution for the 21st-century museum, moving away from traditional geographic and chronological hierarchies.
Vatican conservators are currently undertaking a delicate restoration of Michelangelo’s 16th-century masterpiece, The Last Judgement, to remove a white film caused by tourist sweat. The accumulation of lactic acid and calcium carbonate, exacerbated by record-high visitor numbers and rising temperatures, has created a "cataract" effect that obscures the fresco's original vibrancy. Using distilled water and Japanese rice paper, specialists are cleaning the monumental work to reveal long-hidden details in the figures of Christ and the surrounding saints.
tintoretto genesis cycle restored
Four paintings from Tintoretto’s 16th-century “Stories from Genesis” cycle have been reunited in Venice for the first time in two centuries following an extensive restoration. The exhibition at the Gallerie dell’Accademia features three works from the museum’s permanent collection alongside a crucial loan from the Uffizi Galleries, all of which underwent a year-long conservation process to remove centuries of darkened varnish and grime.
Schiaparelli's artistic director Daniel Roseberry debuted dramatic recreations of crown jewels stolen from the Louvre during the brand's Paris Haute Couture Week show. The pieces, worn by actor Teyana Taylor, were inspired by a pearl-and-diamond tiara and bow brooch once owned by Empress Eugénie, which were among an estimated $102 million in gems taken in a heist last October.
Seven museums in Florence have merged to form the Galleria dell'Accademia di Firenze e Musei del Bargello, creating the world's largest collection of works by Michelangelo. The new complex includes the Bargello National Museum, the Medici Chapels, Palazzo Davanzati, Orsanmichele, Casa Martelli, the former Church of San Procolo, and the Accademia, home to Michelangelo's David. Starting March 15, joint tickets will be available, with a system-wide pass costing €38 for 72 hours. Ticket prices at individual museums will rise on February 1, and three themed tours will launch in May, including one focused on Michelangelo's innovations.
Museo del Prado director Miguel Falomir announced at a press conference unveiling the museum's 2026 exhibition schedule that the institution does not need more visitors, stating it is comfortable with 3.5 million annual visitors and fears becoming "over-saturated." Falomir cited concerns about circulation around iconic works like Velázquez's *Las Meninas* and Bosch's *The Garden of Earthly Delights*, and emphasized improving visitor experience through optimizing entrances, reducing group sizes, and enforcing photography bans. The Prado, last expanded in 2007, is significantly smaller than the Louvre, which topped 2024 visitor figures with 8.7 million.
The Las Vegas Museum of Art (LVMA) has unveiled architectural designs by Pritzker Prize-winning architect Francis Kéré for its first standalone museum, a 60,000-square-foot building at Symphony Park in downtown Las Vegas. The design incorporates local stone, baobab trees, and a canopy for shade, drawing inspiration from the Mojave Desert and the city's culture, with a central staircase evoking a canyon. The museum, supported by a land donation from the city and a partnership with the Los Angeles County Museum of Art (LACMA), has raised over half of its $200 million goal and is slated to open in 2029.
The Ruth Foundation for the Arts has named five artists as recipients of its 2026 Ruth Awards: Yuji Agematsu, Ranu Mukherjee, Will Rawls, Ellen Sebastian Chang, and Anna Martine Whitehead. Each winner receives an unrestricted $100,000 grant disbursed over two years. The artists work across diverse media—from Agematsu's miniature street-detritus sculptures and Rawls's multidisciplinary choreography to Mukherjee's painting and film installations, Sebastian Chang's decades-spanning theater and film work, and Whitehead's performance art. The awards are open to artists across North America and are now in their third year.
The Stahl House, the iconic midcentury modern home in the Hollywood Hills also known as Case Study House No. 22, has been listed for sale for the first time in its 65-year history. The property, designed by architect Pierre Koenig and immortalized in a famous photograph by Julius Shulman, is priced at $25 million. Siblings Shari and Bruce Stahl, who grew up in the house, are selling it due to the challenges of maintaining it as they age. The home was originally built for $37,651 as part of Arts and Architecture magazine's Case Study program and remains the only one in the program still under original family ownership.
Hong Kong will send two artists, Angel Hui and Kingsley Ng, to represent the special administrative region at the 2026 Venice Biennale, marking the first time a duo has been selected. The Hong Kong Museum of Art (HKMoA) and the Hong Kong Arts Development Council (HKADC) are collaborating for the first time on the presentation, which will take place at the Campo della Tana as a collateral event. Hui, a gongbi ink painter born in 1991, and Ng, a media artist and associate professor born in 1980, will explore "the poetic rhythms of daily life" in dialogue with the Biennale's main exhibition theme, "In Minor Keys." The selection follows HKADC's decision in April to oust M+ museum as the exhibition's organizer, a role it had held since 2013, without citing a reason.
Manhattan District Attorney Alvin Bragg's office has successfully repatriated eight life-sized Roman sculptures that were illegally removed from Bubon, Turkey, 60 years ago. The sculptures, part of a shrine honoring Roman emperors, were sold to Americans by Turkish villagers in the 1960s without required permits. After a two-year legal battle involving two lawsuits and an arrest warrant, the final sculpture—a headless bronze piece—was surrendered by collector Aaron Mendelsohn, who had acquired it for $1.33 million. The sculpture was returned to Turkish officials at a ceremony hosted by Bragg's office, alongside dozens of other looted Turkish antiquities, including a marble head of Demosthenes seized from the Metropolitan Museum of Art.