The Whitney Biennial has announced the 56 artists selected for its 82nd edition, opening March 8, 2026. Curated by Marcela Guerrero and Drew Sawyer, the exhibition explores themes of relationality, kinship, infrastructure, and the US role in global affairs. The curators visited over 300 studios worldwide, and the list includes many emerging and lesser-known artists, with most participants under 45 and a significant number identifying as queer.
Eduardo F. Costantini, founder of the Museo de Arte Latinoamericano de Buenos Aires (Malba), announced the acquisition of the Daros Latinamerica Collection in Zurich, adding 1,233 works by 117 artists to the museum's holdings. This roughly doubles Malba's collection to 3,000 works, with a major expansion project planned to accommodate the new pieces, set to begin next fall to mark the museum's 25th anniversary. Highlights include works by Doris Salcedo, Ana Mendieta, Julio Le Parc, Alfredo Jaar, Lygia Clark, and Jesús Rafael Soto, with 75 artists new to Malba.
Guy Cogeval, the former director of Paris's Musée d'Orsay, died on November 13 at age 70 after a long illness. A specialist in 19th-century art and the Nabis, Cogeval led the Musée d'Orsay from 2008 to 2017, overseeing a major renovation of 80 percent of its galleries and merging it with the Musée de l'Orangerie. He previously directed the Montreal Museum of Fine Arts and the National Museum of French Monuments, and curated acclaimed exhibitions including "Hitchcock and Art" and "Édouard Vuillard, Master of Post-Impressionism."
The article analyzes the auction performance of Chinese artists born after 1990 (post-90s) in the first half of 2025, based on data from the Artnet Price Database and the Artnet Intelligence Report. It highlights a shift from short-term speculation to longer-term competition, with the market showing more robust structure including stratified pricing and wider transactional geography. Key figures include Li Hei Di, whose large-scale painting sold for HK$2.67 million at Sotheby’s Hong Kong, and other artists like Zhang Zipiao, Yuan Fang, and Wang Qianyao achieving consistent mid-range prices between HK$300,000 and HK$800,000. Sales in Hong Kong reached HK$12.4 million, while artists also entered Western markets in New York and London.
Emma McIntyre, a New Zealand-born painter known for her oxidation technique using rust on canvas, has rapidly ascended in the art world. After earning MFAs in Auckland and Pasadena, she joined mega-gallery David Zwirner in 2024, with additional representation by Château Shatto in Los Angeles and Air de Paris. Her auction record was set at Phillips London in October 2025, with her work "Seven types of ambiguity" selling for $225,100. McIntyre's practice blends material experimentation—including iron oxide pigments and bubble wrap—with references spanning Greek myth to Rococo art.
Helen Frankenthaler, the pioneering Color Field painter known for her luminous, stain-soaked canvases, is the subject of a renewed wave of exhibitions. The Palazzo Strozzi in Florence and the Guggenheim Museum Bilbao recently hosted a major survey of her work, while the Museum of Modern Art in New York is currently presenting "Helen Frankenthaler: A Grand Sweep" in its atrium. Next year, the Kunstmuseum Basel will open the largest exhibition of her art in Europe to date, marking her first solo museum show in Switzerland. The article also recounts her biography—her privileged upbringing on the Upper East Side, her studies at the Dalton School and Bennington College, her relationships with Clement Greenberg and Robert Motherwell, and her invention of the soak-stain technique in 1952, which helped birth Color Field painting.
A water pipe burst at the Musée du Louvre in Paris on November 26, damaging 300 to 400 archival documents related to Egyptian history in the Mollien Pavilion. The leak, which also posed a fire risk due to a nearby electrical cabinet, was followed by a smaller leak days later. Employees, represented by a coalition of unions including CGT, CFDT, and Sud, have voted unanimously to begin a rolling strike next Monday, demanding urgent renovations and the hiring of 200 new staff to restore the workforce to 2014 levels. The Louvre's director Laurence des Cars had previously warned that the museum's buildings were in "poor condition" and "no longer water tight," and a major renovation was announced, but pipe repairs were not scheduled until September 2026.
The article reviews "Legacies: Asian American Art Movements in New York City," an exhibition at 80WSE in New York, curated by Howie Chen, Jayne Cole Southard, and christina ong, running from September 11 to December 20, 2024. Billed as the first institutional survey of Asian American artists in New York City, the show features 90 artists and spans the period from 1969 to 2001, centering on three key organizations: Godzilla: Asian American Art Network, the Basement Workshop, and the Asian American Arts Centre. The exhibition highlights how many of these artists did not solely make work about their race, complicating the link between identity and art, and includes lesser-known pieces such as David Diao's 1974 painting "Odd Man Out" and a provocative 1985 photograph by Hanh Thi Pham.
The article recounts the author's personal rediscovery of Art Nouveau, sparked by encountering an iron doorknob shaped like a Belgian endive at the Bröhan Museum in Berlin. It explores the movement's history, its German variant Jugendstil, and the philosophical debate between Walter Benjamin and Theodor Adorno over its merits—Benjamin criticizing it as a superficial escape from industrial reality, Adorno defending its utopian desire to reconcile art, nature, and technology. The piece also notes a contemporary resurgence of interest in the style.
Qatar has unveiled a new museum dedicated entirely to the late Indian Modernist artist M.F. Husain, titled Lawh Wa Qalam: M.F. Husain Museum. Located in Doha's Education City, the museum houses over 150 artworks spanning from the 1950s to his death in 2011, including paintings, poetry, photography, tapestries, sculptures, and installations. The museum, opened on November 28 by the Qatar Foundation chaired by Sheikha Moza bint Nasser, fulfills a long-held dream of the artist, who was granted Qatari citizenship in 2010 after self-imposed exile from India. The building was designed by architect Martand Khosla based on a sketch Husain himself created for his envisioned museum.
This article explores the rediscovery of Roman sculpture during the Renaissance and its profound influence on artists like Raphael, Donatello, Michelangelo, and Leonardo da Vinci. It details how Roman sculptors, inspired by Greek methods after the conquest of Greece in 146 B.C.E., created highly realistic works that served both artistic and political purposes, glorifying emperors and reinforcing imperial power. The piece highlights six iconic Roman sculptures—including the Equestrian Statue of Marcus Aurelius, the Colossus of Constantine, Trajan's Column, and the Augustus of Prima Porta—describing their historical context, artistic features, and enduring legacy.
A long-lost painting by Peter Paul Rubens, a dramatic crucifixion scene dated to around 1614–15, was discovered among the possessions of a deceased Parisian homeowner during a routine appraisal. Auctioneer Jean-Pierre Osenat identified the work and consulted Rubens expert Nils Büttner, who confirmed its authenticity through x-ray imaging and pigment analysis. The painting sold at auction on November 30 for €2.3 million ($2.7 million), exceeding its presale estimate of €1–2 million.
A 1906 self-portrait by German modernist Paula Modersohn-Becker, titled *Selbstbildnis nach halblinks (Self-Portrait Looking Slightly Left)*, sold for €1.3 million ($1.5 million) at Berlin's Grisebach auction house on Thursday—more than quintupling its low estimate and more than doubling the artist's previous auction record. The work was acquired by an unnamed European private collector. The painting had previously been seized by the Nazis as "degenerate" art from the St. Annen Museum in Lübeck and was later acquired by the collector Bauer, who aimed to rehabilitate persecuted artists.
A herd of 100 life-size elephant sculptures, handcrafted by 200 Indigenous artisans from South India, has arrived at Art Basel Miami Beach as part of "The Great Elephant Migration," a global public art and conservation project. The sculptures are made from lantana camara, an invasive plant, and are modeled after individual elephants from the Nilgiri Biosphere Reserve. Organized by Ruth Ganesh and the Coexistence Collective, the installation aims to promote coexistence between humans and wildlife, with proceeds from sculpture sales funding 22 conservation NGOs. The elephants have toured the U.S., appearing in Newport, Rhode Island, Manhattan's Meatpacking District, and now Miami Beach, where they have drawn enthusiastic crowds—and even a reported incident of a couple having sex on one of the sculptures, prompting police patrols.
The winter collaborations issue of Art in America explores the often unglamorous, slow-paced nature of creative work, challenging the social-media-driven perception of art-making as fast and dramatic. The issue features pieces on Ira Sachs's film *Peter Hujar's Day*, which depicts the artist's mundane daily routine, and an interview with Chicago-based artists Nick Cave and Bob Faust, who discuss their collaborative practice and the perceived lack of drama in their process. Other highlights include features on Talia Chetrit's fashion-art boundary work, Mernet Larsen's multi-perspective paintings, and the role of licensing agreements with artists' estates.
The FLAG Art Foundation, based in New York, has pledged £1 million ($1.3 million) to London's Serpentine Galleries to establish a new biennial artist prize. Named the Serpentine x FLAG Art Foundation Prize, it will award £200,000 ($265,000) to an international artist who has been exhibiting for fewer than ten years, along with an exhibition at both institutions and a catalog. The first winner will be selected in 2026, with exhibitions at Serpentine in 2027 and FLAG in 2028. The prize is funded by collector Glenn Fuhrman's foundation and is the largest contemporary art prize in the UK.
The Louvre will raise ticket prices by 45 percent for non-E.U. visitors starting January 14, 2026, with tickets increasing to €32 ($37) for travelers from the U.S., U.K., and China, while E.U. visitors continue to pay €22. The price hike, announced on November 27, is expected to generate €15–20 million annually to fund modernization plans, following intense criticism over aging infrastructure and a $102 million jewel heist in October. The museum also faces structural issues, including the temporary closure of parts of its Sully wing due to fragile support beams, and has implemented an €80 million security master plan.
A Renoir painting that had been missing for a century sold for $2 million at auction in Paris. The work, titled *L’enfant et ses jouets – Gabrielle et le fils de l’artiste, Jean* (circa 1910), depicts the artist’s young son Jean with his nursemaid Gabrielle. It had never been published or exhibited and was discovered in remarkably good condition. Auction house Joron-Derem offered the painting in its Tableaux Modernes sale at Hôtel Drouot on November 25, where an international collector secured it for a hammer price of €1.45 million ($1.68 million), with buyer’s fees bringing the total to about €1.8 million ($2 million). The painting had been gifted by Renoir to his pupil and close friend Jeanne Baudot, then passed to her adopted son Jean Griot, who kept it in his bedroom until his death in 2011.
This article explores Andy Warhol's lifelong passion for perfume, detailing how the Pop Art icon collected and wore fragrances, created his own scent called "You're In / Eau d'Andy" in 1967, and produced screen-prints of Chanel No. 5 bottles as part of his "Ads" series in 1985. It notes that the Andy Warhol Museum in Pittsburgh holds his half-used bottles, referred to as his "Permanent Smell Collection," and that his love of scent was tied to his Catholic upbringing and work as a window display designer.
A Tiffany Studios stained-glass window, the Goddard Memorial Window, sold for $4.2 million at Christie's Design Sale on June 12, 2025, exceeding its high estimate of $3 million. Commissioned in 1909 by Mary Edith Jenckes Goddard for St. Luke's Episcopal Church in East Greenwich, Rhode Island, the window features a pastoral landscape with an apple blossom tree, symbolic of youth. The sale follows a surge in the Tiffany window market, including a record $12.4 million sale at Sotheby's in November 2024 and recent acquisitions by the Metropolitan Museum of Art and Crystal Bridges Museum.
Museo Jumex in Mexico City will host "Fútbol y Arte. Esa misma emoción" (Football & Art. A Shared Emotion), an exhibition timed to the 2026 FIFA World Cup. Opening March 28 and running through July 26, the show features around 100 works by 60 international artists, including Marta Minujín, Graciela Iturbide, Melanie Smith, and Rafael Ortega. Curated by Guillermo Santamarina with exhibition design by Mauricio Rocha, the museum will be transformed into elements symbolic of soccer, with sections exploring gender, community, identity, and the political dimensions of the game. New commissions by Diego Berruecos, Iñaki Bonillas, and Sofía Echeverri are included, along with a sculptural installation by Tercerunquinto made from recycled Estadio Azteca seats.
The Keith Haring Foundation has appointed Simon Castets, a French American curator formerly of Luma Arles and the Swiss Institute, as its next executive director, effective January 12. Castets will oversee the foundation's collection of Haring's work, its archives, and its grant-making program, which disbursed $7.7 million in 2025, including major gifts to the Studio Museum in Harlem and Bard College's Center for Curatorial Studies. Upcoming exhibitions include a Brant Foundation show on Haring's early work and Crystal Bridges Museum's "Keith Haring in 3D."
Frida Kahlo's painting *El sueño (La cama)* (1940) sold at Sotheby's New York for $54.7 million on Thursday night, setting a new auction record for any artwork by a female artist. The sale, which lasted under five minutes, exceeded the previous record held by Georgia O'Keeffe's *Jimson Weed/White Flower No. 1* ($44.4 million in 2014). The painting was backed by an irrevocable bid and came from the collection of Selma Ertegun, offered as part of a Surrealist group titled "Exquisite Corpus." Anna Di Stasi, Sotheby's head of Latin American art, placed the winning bid on behalf of a client.
Frida Kahlo's 1940 self-portrait *El sueño (La cama)* sold for $54.7 million at Sotheby's New York on November 20, far exceeding its pre-sale estimate of $40–60 million. The painting, consigned by the estate of Selma Ertegun, was won by a phone bidder handled by Sotheby's senior vice president Anna Di Stasi. The sale broke Kahlo's previous auction record of $34.9 million set in 2021 for *Diego y yo*, as well as the record for a Latin American artwork and the overall record for a work by a woman artist at auction, surpassing Georgia O'Keeffe's $44.4 million *Jimson Weed/White Flower No. 1*.
Mattel and the Museum of Modern Art (MoMA) have announced a five-year global partnership, launching their first collaborative collection of seven MoMA-inspired Barbie dolls. The debut lineup includes a Van Gogh Barbie featuring a gown inspired by *Starry Night* (1889), alongside other dolls drawing from iconic artworks. This new collection follows Mattel's earlier 2015 Museum Collection, designed by Linda Kyaw, which included Barbies styled after works by Gustav Klimt, Leonardo da Vinci, and Vincent van Gogh, such as a Da Vinci Barbie modeled after the *Mona Lisa* and a Klimt Barbie based on *Portrait of Adele Bloch-Bauer I* (1907).
Filmmaker Ira Sachs has released a new film titled *Peter Hujar's Day*, based on a 1974 audio recording and subsequent book by writer Linda Rosenkrantz. The film captures a single day in the life of photographer Peter Hujar, who died of AIDS-related complications in 1987, as he recounts mundane details and artistic anxieties to Rosenkrantz. Starring Ben Whishaw as Hujar and Rebecca Hall as Rosenkrantz, the movie adapts a transcript Rosenkrantz rediscovered and published in 2021. Sachs describes the project as an exploration of portraiture, light, and emotion, contrasting with his earlier, more turbulent film *Passages*.
Singer-songwriter Jewel, a Grammy nominee and former sculpture student, will debut her first solo exhibition titled "Matriclysm: An Archeology of Connections Lost" at Salone Verde in Venice from May 10 to November 22, 2025, coinciding with the 62nd Venice Biennale. The show, presented by Crystal Bridges Museum of Art and organized by curator-at-large Joe Thompson, features new paintings, sculptures, tapestries, installations, and sound works exploring feminine power, climate change, and universal connection. Highlights include a massive plaster sculpture of a pregnant woman created with artist Patrick Bongoy, a glass installation produced at the Toledo Museum of Art, and works incorporating data from NASA, NOAA, Stanford University, and UC Berkeley.
Artist Friedrich Kunath, known for his sincere yet absurd paintings, discusses his unlikely friendship with tennis star Reilly Opelka, who is also an art collector. The two share a mutual obsession with each other's crafts—Kunath coaches Opelka in tennis, while Opelka seeks Kunath's insights on artists like Philip Guston. Kunath is preparing for his solo debut at Pace Gallery in New York this November, following his move from Blum Gallery, which closed shortly after. He reflects on the loneliness of both tennis and art, and his creative process, which draws heavily from music and film.
The J. Paul Getty Trust has appointed Glenn D. Lowry, former director of New York's Museum of Modern Art, and Lionel M. Sauvage, a French philanthropist and collector, to its board of trustees, effective in 2026. Lowry led MoMA for 30 years, overseeing major expansions and the integration of PS1, while Sauvage holds leadership roles at Les Arts Décoratifs and other cultural institutions.
Italian fashion house Dolce & Gabbana announced that its exhibition “From the Heart to the Hands” will travel to the Institute of Contemporary Art, Miami, opening February 6, 2026, and running through June 14. Curated by fashion historian Florence Müller, the show features over 300 pieces from the brand’s archival and recent collections, including its Alta Moda, Alta Sartoria, and Alta Gioielleria lines, displayed in immersive rooms inspired by art, architecture, folklore, and the dolce vita. The exhibition also includes collaborations with visual artists such as Quayola, Alberto Maria Colombo, Obvious, Vittorio Bonapace, and Felice Limosani.