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art bites robert rauschenberg talking heads album cover

Robert Rauschenberg designed the cover for Talking Heads' 1983 album *Speaking in Tongues*, creating a limited-edition LP package with three plastic discs featuring cyan, magenta, and yellow designs that produced a full-color, kinetic composition when overlaid on the spinning record. The project stemmed from a friendship between Rauschenberg and frontman David Byrne, who met after Byrne saw Rauschenberg's photo collages in a New York gallery. Despite production challenges that limited the design to a special edition, the album won a Grammy for best album cover.

artists business art

Artnet News asked several working artists—Manuel Mathieu, Hanna Salomonsson, Aki Sasamoto, Nigel Hall, Sharmistha Ray, and Miljohn Ruperto—to share the practical and philosophical lessons that sustain their creative practices. Topics include building trust with collaborators, navigating financial uncertainty, setting up shared studio spaces, using recycled materials, maintaining optimism at age 82, reframing rejection, and adapting to the expectation that artists must act as entrepreneurs before their first gallery show.

10 art restorations in 2025

In 2025, a series of major art restorations unveiled transformative discoveries in masterpieces by Caravaggio, Raphael, and Artemisia Gentileschi, among others. Caravaggio's final work, *The Martyrdom of St. Ursula* (1610), owned by Intesa Sanpaolo, was cleaned ahead of Rome's "Caravaggio 2025" exhibition, revealing hidden faces and a soldier's helmet previously only visible by x-ray. At the Vatican Museums, a decade-long restoration of the Raphael Rooms concluded with the revelation that two allegorical figures in the Hall of Constantine were painted by Raphael himself, not just his assistants, rewriting art history. Meanwhile, Artemisia Gentileschi's *Hercules and Omphale* (ca. 1635–37), damaged in the Beirut explosion, underwent emergency conservation by the Getty.

this artemisia gentileschi painting is unlike any of her others heres why

A previously unknown painting by Artemisia Gentileschi, *Hercules and Omphale* (ca. 1635–37), was identified after being damaged in the 2020 Beirut port explosion. The work, which hung in Beirut’s Sursock Palace, underwent a three-year conservation at the J. Paul Getty Museum and is now on view at the Columbus Museum of Art in the exhibition *Artemisia Gentileschi: Naples to Beirut*. It depicts the Greek myth of Queen Omphale enslaving Hercules, a rare subject for Gentileschi that subverts traditional gender roles.

txst black history 101 mobile museum visit aclu challenge

Texas State University (TXST) canceled a scheduled appearance of the Black History 101 Mobile Museum at its San Marcos campus for Black History Month 2026, prompting a First Amendment challenge from the American Civil Liberties Union (ACLU) of Texas. The museum's founder, Khalid El-Hakim, had been invited by a campus activities director on October 13, 2025, but the invitation was rescinded on October 28 after consultation with supervisors and leadership. The ACLU's letter to TXST president Kelly Damphousse cited a 2023 Texas Senate bill banning DEI programs at public universities and the state's political climate as reasons for the cancellation, though the university denied the DEI ban was the cause.

guggenheim bilbao urdaibai expansion scrapped

The Guggenheim Bilbao has scrapped plans for a €100 million satellite expansion in Spain's protected Urdaibai biosphere reserve after nearly two decades of legal challenges and local opposition. The museum's board of trustees, including the Basque regional government and the Solomon R. Guggenheim Foundation, voted to halt the project due to insufficient public support and scientific objections. The two-site expansion would have placed cultural facilities in Gernika and Murueta, but environmental groups argued that up to 140,000 annual visitors would damage wetlands crucial for migratory birds.

the detroit museum of arts confronts art history while wrestling with its future

The Detroit Institute of Arts (DIA) has reinstalled its African American galleries, moving them from the back of the museum to a prominent location beside Diego Rivera's iconic "Detroit Industry Murals" (1932–33). The reinstallation is framed by a quote from Alain Locke's 1925 essay "The Legacy of the Ancestral Arts," envisioning the museum as an instrument of cultural education and repair. Complementing this is "Contemporary Anishinaabe Art: A Continuation" (through April 5), the first comprehensive survey of art from the Indigenous inhabitants of the Great Lakes region. The DIA began collecting African American art in 1943 and in 2001 became the first US museum to name a curator devoted to that field, Valerie J. Mercer, who still serves as curator and head of African American art.

louvre strike

On December 15, 2025, the Musée du Louvre in Paris was forced to close as approximately 400 of its 2,100 employees went on strike, picketing outside the museum's glass pyramids and turning away visitors. The strike follows a series of crises at the institution, including a $102 million jewel heist in broad daylight two months prior, a flooding incident from a burst water pipe in November, and ongoing concerns about deteriorating facilities, long lines, and substandard restrooms and dining areas. Workers are demanding higher wages and better conditions, with three trade unions—CGT, SUD, and CFDT—warning in an open letter that staff feel like "the last bastion before collapse."

walton ford gagosian tutto cheetah marchesa luisa casati

Walton Ford's new series of paintings, on view at Gagosian in New York through April 19, centers on the Marchesa Luisa Casati and her two cheetahs. The works depict the Milanese heiress and Futurist muse in early 20th-century Venice, but the animals—not the glamorous woman—command the focal point. Ford, known for subverting natural history illustration, uses watercolor to balance trompe-l'oeil realism with painterly abandon, developing the characters across multiple canvases with Italian titles referencing literature by Casati's lover, poet Gabriele D'Annunzio.

maria balshaw tate

Maria Balshaw, the director of Tate, will step down in the new year after nine years at the helm, the museum announced Friday. Appointed in 2017, Balshaw was the first woman to lead the institutional network, which includes Tate Modern and Tate Britain. Her tenure was marked by a substantial diversification of Tate’s collection and programming to spotlight new art forms, indigenous artists, and artists from the Global South. She also oversaw the launch of a landmark £150 million endowment fund for Tate Modern to address financial woes. Memorable exhibitions included surveys of pre-internet digital artists, modern art in Nigeria, and retrospectives for Leigh Bowery, Isaac Julien, Yoko Ono, and Emily Kam Kngwarray.

hamza walker winner 2026 audrey irmas award ccs bard

The Center for Curatorial Studies at Bard College (CCS Bard) has awarded its 2026 Audrey Irmas Award for Curatorial Excellence to Los Angeles–based curator Hamza Walker. Walker, executive director of the Brick (formerly LAXART) since 2016, will receive $25,000 and be honored at CCS Bard’s spring gala in April. He is recognized for exhibitions featuring artists like Elizabeth Paige Smith, Gregg Bordowitz, and Postcommodity, and for cocurating the acclaimed "Monuments" exhibition with the Museum of Contemporary Art, Los Angeles, which examines artists' responses to Confederate monument removals. Walker also secured a $1 million donation from collectors Jarl and Pamela Mohn to fund the Brick's move to a new Hollywood space and its rebranding.

ultra contemporary chinese artists market

The article analyzes the auction performance of Chinese artists born after 1990 (post-90s) in the first half of 2025, based on data from the Artnet Price Database and the Artnet Intelligence Report. It highlights a shift from short-term speculation to longer-term competition, with the market showing more robust structure including stratified pricing and wider transactional geography. Key figures include Li Hei Di, whose large-scale painting sold for HK$2.67 million at Sotheby’s Hong Kong, and other artists like Zhang Zipiao, Yuan Fang, and Wang Qianyao achieving consistent mid-range prices between HK$300,000 and HK$800,000. Sales in Hong Kong reached HK$12.4 million, while artists also entered Western markets in New York and London.

jacques louis david versailles

The Palace of Versailles has agreed to reexamine the provenance of a Jacques-Louis David sketchbook from 1790 after a Radio France investigation revealed it was looted by the Nazis during World War II. The sketchbook was stolen from Professor Lereboullet in July 1940, sold by Munich's Karl and Faber gallery in 1943, then acquired by dealer Otto Wertheimer before being purchased by Versailles in 1951. The museum claims it was unaware of the theft, and France's ministry of culture has promised further research and discussions with the descendants.

architecture houses lost los angeles fires

A week after wildfires erupted across Los Angeles, the city remains under critical threat as the Pacific Palisades, Eaton, Hollywood Hills, and San Fernando Valley fires have forced the evacuation of roughly 200,000 residents, destroyed about 12,000 buildings, and claimed at least 24 lives. Among the losses are culturally and architecturally significant structures, including the Bunny Museum in Altadena, the historic Will Rogers ranch, the Altadena Community Church (designed by Harry L. Pierce), the Andrew McNally House (a Queen Anne-style mansion by Frederick Roehrig), Richard Neutra's Benedict and Nancy Freedman House, and Gregory Ain's Park Planned Homes in Altadena. Adrian Scott Fine of the Los Angeles Conservancy described the destruction as "a mass erasure of heritage."

ralph lemon artnews awards 2025 lifetime achievement

Ralph Lemon has been awarded the 2025 ARTnews Lifetime Achievement Award for his multidisciplinary practice spanning dance, drawing, painting, installation, sculpture, and writing. The article highlights his career trajectory from founding the Ralph Lemon Dance Company to disbanding it in 1995 to focus on broader artistic collaborations. Central to his work is the Geography Trilogy (1996–2004) and his long-term collaboration with Walter Carter, a former Mississippi sharecropper, whose life and family became a recurring subject. Lemon's recent exhibition "Ceremonies Out of the Air: Ralph Lemon" at MoMA PS1 (November 14, 2024–March 24, 2025), curated by Connie Butler and Thomas Lax, featured videos, found African sculptures, drawings, and a four-channel performance piece, Rant (redux), with Kevin Beasley and Okwui Okpokwasili.

legacies asian american artists 2025 artnews awards 80wse

The article reviews "Legacies: Asian American Art Movements in New York City," an exhibition at 80WSE in New York, curated by Howie Chen, Jayne Cole Southard, and christina ong, running from September 11 to December 20, 2024. Billed as the first institutional survey of Asian American artists in New York City, the show features 90 artists and spans the period from 1969 to 2001, centering on three key organizations: Godzilla: Asian American Art Network, the Basement Workshop, and the Asian American Arts Centre. The exhibition highlights how many of these artists did not solely make work about their race, complicating the link between identity and art, and includes lesser-known pieces such as David Diao's 1974 painting "Odd Man Out" and a provocative 1985 photograph by Hanh Thi Pham.

burton the meeting on the turret stairs

The article explores Frederic William Burton's iconic Victorian watercolor *Hellelil and Hildebrand, the Meeting on the Turret Stairs* (1864), held at the National Gallery of Ireland. It recounts the tragic medieval Danish ballad that inspired the painting, in which the noblewoman Hellelil and her guard Heldebrand are doomed lovers. Burton, an Irish painter influenced by the Pre-Raphaelite Brotherhood, worked exclusively in watercolor and gouache, making this delicate piece a technical marvel. The museum displays it only one hour twice weekly to protect it from light damage.

chief curator leaves george lucas museum

Pilar Tompkins Rivas, chief curator and deputy director of curatorial and collections at the Lucas Museum of Narrative Art in Los Angeles, has left the museum less than a year before its scheduled September 2026 opening. The museum stated it has no immediate plans to replace her, with George Lucas continuing to oversee curatorial direction. This departure follows a series of staffing issues, including the exit of director and CEO Sandra Jackson-Dumont in March 2025, layoffs of 22 staff members in May, and the earlier losses of curator Amanda Hunt and curator-at-large Dan Nadel. The $1-billion museum, first announced in 2017, has faced repeated delays due to the pandemic and supply-chain shortages.

art bites facts holiday small talk

Artnet News offers a lighthearted holiday guide with seven art-historical conversation starters designed to deflect awkward family small talk. The article reveals quirky facts such as a secret apartment atop the Eiffel Tower, the Surrealists' party game 'Exquisite Corpse,' Leonardo da Vinci's role as a wedding planner for Milan's nobility, Marcel Duchamp paying his dentist with a fake check, and Frank Lloyd Wright inspiring Lincoln Logs.

lucas museum of narrative art pilar tompkins rivas departs

Pilar Tompkins Rivas, chief curator and deputy director of curatorial and collections at the Lucas Museum of Narrative Art in Los Angeles, has left her post, as first reported by the Los Angeles Times. Her departure is the latest in a series of leadership exits at the institution, which is set to open on September 22, 2026. The museum was founded by George Lucas and Mellody Hobson, and Rivas was one of six women of color appointed to high-ranking roles in 2020 by then director and CEO Sandra Jackson-Dumont, who left in February. The museum laid off 15 employees in May, and CEO duties are now held on an interim basis by Jim Gianopulos, while Lucas himself oversees curatorial content.

art nouveau renaissance mucha jugendstil paris metro

The article recounts the author's personal rediscovery of Art Nouveau, sparked by encountering an iron doorknob shaped like a Belgian endive at the Bröhan Museum in Berlin. It explores the movement's history, its German variant Jugendstil, and the philosophical debate between Walter Benjamin and Theodor Adorno over its merits—Benjamin criticizing it as a superficial escape from industrial reality, Adorno defending its utopian desire to reconcile art, nature, and technology. The piece also notes a contemporary resurgence of interest in the style.

jennifer gilbert lumana detroit

Entrepreneur and art collector Jennifer Gilbert has founded Lumana, a new non-profit arts organization in Detroit's Little Village neighborhood. Housed in a repurposed 21,000-square-foot former shipbuilding and storage facility at Stanton Yards, the space is being adapted by SO–IL architectural firm with landscape design by OSD. Slated to open in Fall 2027, Lumana will feature two exhibition halls, a café, bookstore, auditorium, and educational spaces, and will house Gilbert's foundation. Gilbert plans to draw on her private art collection for exhibitions, including an inaugural show focused on Cranbrook Art Museum's Detroit collection, and is considering curatorial fellowships to commission new site-specific work.

paula modersohn becker degenerate doubles auction record

A 1906 self-portrait by German modernist Paula Modersohn-Becker, titled *Selbstbildnis nach halblinks (Self-Portrait Looking Slightly Left)*, sold for €1.3 million ($1.5 million) at Berlin's Grisebach auction house on Thursday—more than quintupling its low estimate and more than doubling the artist's previous auction record. The work was acquired by an unnamed European private collector. The painting had previously been seized by the Nazis as "degenerate" art from the St. Annen Museum in Lübeck and was later acquired by the collector Bauer, who aimed to rehabilitate persecuted artists.

christo and jeanne claude 90th

A wave of exhibitions and projects is celebrating the 90th anniversary of the births of Christo and Jeanne-Claude, the late husband-and-wife duo known for monumental environmental installations. Their nephew Vladimir Yavachev, who directs their foundation, is overseeing the realization of their final permanent work, *The Mastaba* in Abu Dhabi, while temporary works like *The Gates* in Central Park are being revived through augmented reality. The anniversary also marks 30 years since *Wrapped Reichstag* and 20 years since *The Gates*.

art in america winter collaborations issue

The winter collaborations issue of Art in America explores the often unglamorous, slow-paced nature of creative work, challenging the social-media-driven perception of art-making as fast and dramatic. The issue features pieces on Ira Sachs's film *Peter Hujar's Day*, which depicts the artist's mundane daily routine, and an interview with Chicago-based artists Nick Cave and Bob Faust, who discuss their collaborative practice and the perceived lack of drama in their process. Other highlights include features on Talia Chetrit's fashion-art boundary work, Mernet Larsen's multi-perspective paintings, and the role of licensing agreements with artists' estates.

christies london to sell third part of sam josefowitzs rembrandt print collection in december

Christie’s London will auction the third and final part of Sam Josefowitz’s Rembrandt print collection on December 3, featuring 101 etchings by the Dutch master. The sale, titled “The Sam Josefowitz Collection: Graphic Masterpieces by Rembrandt van Rijn – Part III,” follows two previous installments that together brought £13.5 million. A highlight is the rare portrait *Arnout Tholinx, Inspector* (circa 1656), estimated at up to £2.5 million, described as the last impression in private hands. The collection was amassed by Josefowitz, a Lithuanian-born entrepreneur who built a mail-order business before his death in 2015.

roni horn mca denver

The Museum of Contemporary Art Denver has organized the first exhibition dedicated to conceptual artist Roni Horn's long-standing engagement with water. Titled "Roni Horn: Water, Water on the Wall, You're the Fairest of Them All," the show spans sculpture, photography, drawing, and bookmaking, exploring water's mutability, ecological resonance, and paradoxical purity. Horn, who has received a Ford Foundation grant, Guggenheim Fellowship, and three NEA fellowships, has shown at major institutions including the Menil Collection, Louisiana Museum of Modern Art, Whitney Museum, and Tate Modern, and is represented by Hauser and Wirth.

museums finances

Museums worldwide are urgently searching for new financial models as government funding declines, wealthy patrons pull back, and corporate sponsors face pressure. A global study published in January by the International Research Alliance on Public Funding for Museums found that in 37 percent of responding countries, 71 to 100 percent of museums now receive most funding from private sources. Institutions are exploring endowments, new revenue streams, and collaborative approaches, with the Louvre becoming the first French museum to create an endowment fund in 2009, raising €175 million. The $85 trillion Great Wealth Transfer offers hope, but next-generation donors prioritize transparency and meaningful engagement over prestige.

performa 2025 aria dean diane severin nguyen sylvie fleury

The article recounts the author's experience at the 2025 Performa biennial in New York, beginning on November 4 with the death of Dick Cheney and the election of Zohran Mamdani as mayor. The author attended Diane Severin Nguyen's performance "War Songs," which restaged historical protest concerts from the Vietnam War era, blending anti-war anthems with pop music. The piece also highlights missing performances by Lina Lapelytė and Ayoung Kim, and expresses anticipation for Aria Dean's play "The Color Scheme."

keith haring foundation simon castets

The Keith Haring Foundation has appointed Simon Castets, a French American curator formerly of Luma Arles and the Swiss Institute, as its next executive director, effective January 12. Castets will oversee the foundation's collection of Haring's work, its archives, and its grant-making program, which disbursed $7.7 million in 2025, including major gifts to the Studio Museum in Harlem and Bard College's Center for Curatorial Studies. Upcoming exhibitions include a Brant Foundation show on Haring's early work and Crystal Bridges Museum's "Keith Haring in 3D."