Artist Veronica Fernandez opened a solo exhibition titled "Prey" at the Anat Ebgi gallery. The show features a notable shift in her practice, moving from typically monumental canvases to smaller-scale paintings that explore themes of claustrophobia, survival, and the uneasy tension between comfort and foreboding in domestic and communal spaces.
Collector R Parmar has launched Enzo Art Fair, a new boutique satellite fair debuting during Frieze Week Los Angeles in Echo Park. Hosted at Parmar’s Alabaster Projects warehouse, the fair features nine New York-based galleries, including Magenta Plains and Silke Lindner, and operates on a non-traditional, cost-free model for both exhibitors and attendees.
A roundup of current and upcoming exhibitions at over 20 galleries and art spaces in Boulder County, Colorado, is provided. Listings include lithographs by Santa Fe artist Rodney Carswell at 15th Street Gallery, Jorge Vinent's recycled-material works at Ana's Art Gallery, Margaret Johnson's "Emergence" at BMoCA at Frasier, and group shows at Liminal Light Gallery and the New Local Gallery, among many others. Exhibition dates range through mid-2025, with venues spanning commercial galleries, nonprofit centers, libraries, and museum spaces.
This article lists current and upcoming art exhibitions in Boulder County, Colorado, including a student showcase from the Boulder Valley School District at Canyon Theater and Gallery, a show by the Colorado South Asian Artist Group at Bus Stop Gallery, and a historical exhibit on racism at the Lafayette Swimming Pool at Collective Community Arts Center. Other featured venues include BMoCA at Frasier, Groundworks Art Lab, and the Museum of Boulder, with works by artists such as Rodney Carswell, Jorge Vinent, Margaret Johnson, and Melody Melamed.
This article lists dozens of current and upcoming art exhibitions across Boulder County, Colorado, featuring a wide range of venues from commercial galleries like 15th Street Gallery and Ana’s Art Gallery to nonprofit spaces such as Art Parts and the Boulder Museum of Contemporary Art (BMoCA). Highlights include lithographs by Santa Fe artist Rodney Carswell, Jorge Vinent's recycled-material works in "We Choose Earth," and student showcases at Canyon Theater and Gallery. The roundup also covers community-focused shows like "Racism & Discrimination at the Lafayette Swimming Pool 1934" and group exhibitions at Liminal Light Gallery and The New Local Gallery.
The Halsey Institute of Contemporary Art at the College of Charleston is presenting "Make Room," a solo exhibition by South Korean-born, Atlanta-based artist In Kyoung Chun. The show features a mix of paintings and site-specific installations, including transparent houses and suspended structures that explore the artist's experience as an immigrant. By blurring the lines between interior and exterior spaces, Chun’s work invites viewers into environments that reflect on the fragility and resilience of home.
Art Basel Hong Kong 2026 returned to the Hong Kong Convention and Exhibition Centre from March 25–27, featuring 240 galleries from 42 countries and territories. The 13th edition introduced new sectors including Echoes, dedicated to works made within the past five years, and Zero 10, a digital art initiative making its Asia debut. The fair also transformed its Encounters sector with a collective curatorial framework based on the Five Elements, led by Mami Kataoka and three other Asia-based curators. Robb Report India covered the event through the perspectives of Indian artists Siddharth Kerkar and Jayesh Sachdev.
This article documents three journeys into and out of Yunnan, China, spanning from 1874 to 2023. It begins with British interpreter Augustus Raymond Margary's failed colonial expedition to establish a trade route, which ended in his violent death and contributed to unequal treaties opening Southwest China. It then follows a Naxi student named Xueshan in 1937, whose railway journey introduced modern timekeeping to the region, and finally describes the construction of the Burma Road, a critical WWII supply route. The narrative concludes with the artist Cheng Xinhao retracing these routes on foot from Kunming toward Burma over a year and a half, reflecting on history, bodily experience, and the layers of infrastructure that have reshaped the landscape.
MEGA Art Fair held its third edition in Milan, transforming a former perfume factory into a social and exhibition hub during Milan Art Week and Design Week. The fair, which ran from midday to midnight over an extended period, positioned itself as an alternative to traditional art fairs by prioritizing relaxed social connection, community engagement, and public programming over a purely commercial atmosphere.
The Philadelphia Art Museum has opened a new exhibition surveying the career of the late American artist Noah Davis, featuring over 60 works from 2007 to his death in 2015. The show, curated by Eleanor Nairne and Wells Fray-Smith, is the final stop of an international tour organized with DAS MINSK in Potsdam, the Barbican in London, and the Hammer Museum in Los Angeles. It includes paintings, sculptures, and works on paper that chronologically map Davis's multimedia practice, with a final room dedicated to his last three paintings.
In 2025, several established art fairs were cancelled or postponed, including the Art Dealers Association of America's Art Show in Manhattan, Taipei Dangdai, Photofairs Hong Kong, and the India Art Fair's Mumbai expo. Amid these retrenchments, a wave of smaller, alternative art fairs emerged in cities like New York, Paris, and the Berkshires, organized by gallerists and curators seeking new formulas focused on coalition, affordability, and intimacy. Examples include Esther in Manhattan (co-founded by Margot Samel and Olga Temnikova), the Arrival Art Fair in North Adams (co-founded by Yng-Ru Chen, Crystalle Lacouture, and Sarah Galender Meyer), 7 rue Froissart in Paris (organized by Sara Maria Salamone and Brigitte Mulholland), and Post-Fair in Santa Monica (founded by Chris Sharp).
The Philadelphia Art Museum is presenting an exhibition of works by the late artist Noah Davis, running from January 24 to April 26, 2026, in the Morgan, Korman, and Field Galleries. The show features paintings such as "Untitled" (2015), "40 Acres and a Unicorn" (2007), "Isis" (2009), "Mary Jane" (2008), and "1975 (8)" (2013), drawn from private collections and the Mellon Foundation Art Collection, with works courtesy of David Zwirner.
The Fabric Workshop and Museum (FVM) in Philadelphia has opened "Some American Dreams," an exhibition marking the 250th anniversary of the U.S. Declaration of Independence. Curated by Hilde Nelson, FVM curatorial fellow, the show features 27 works by 20 artists created during the museum's Artist-in-Residence Program over four decades. The exhibition includes pieces in furniture, sculpture, textiles, clothing, video, and photography, and is on view until June 14, 2026. In an interview with My Modern Met, Nelson discusses her curatorial approach, which poses the question, "What if 'America' is not one project, but many?" and explores how these multiple Americas are affirmed, resisted, or remade through the artworks.
The exhibition "Monuments" opens on 23 October in Los Angeles, co-curated by Hamza Walker, Bennett Simpson, and artist Kara Walker, and staged at both the Museum of Contemporary Art, Los Angeles (MOCA) and the Brick. It features nearly 20 decommissioned Confederate statues—including the melted-down Robert E. Lee monument from Charlottesville—displayed alongside contemporary works by artists such as Leonardo Drew, Martin Puryear, Nona Faustine, Kahlil Robert Irving, Bethany Collins, and Walter Price. The show was inspired by the 2017 Unite the Right rally and the subsequent removal of dozens of monuments across the US.
The Skirball Cultural Center in Los Angeles opens a new exhibition titled "Outsiders, Outcasts, Rebels + Weirdos: Punk Culture 1976-86," tracing the evolution of punk music and culture over a decade. Featuring nearly 400 original fliers, posters, photographs, clothing, and pins, the show highlights punk's spread from New York to the UK and then to the West Coast, with a special focus on Los Angeles' contributions and the often-overlooked role of Jewish musicians and icons. The exhibition opens as punk celebrates its 50th anniversary, with events like the Sex Pistols' upcoming tour.
The Henry Moore Institute in Leeds presents 'Phantasmagoria: Folkloric Sculpture for the Digital Age,' a major group exhibition exploring how digital technologies are reshaping contemporary sculpture. The show features works by artists including Joey Holder, Jürgen Baumann, and Danielle Brathwaite-Shirley, who fuse ancient folklore, occult practices, and modern digital tools such as AI, 3D printing, and video game mechanics. Highlights include Holder's immersive installation 'The Woosphere' with arcade-style consoles and Brathwaite-Shirley's interactive boat sculpture 'PIRATING BLACKNESS/BLACKTRANSSEA.COM.' The exhibition draws on the historical concept of phantasmagoria—18th-century theatrical spectacles using smoke and light—to critique the seductive illusions of digital capitalism.
New York Art Week featured a range of exhibitions that blended banality with body horror, drawing comparisons to a malfunctioning theme park ride. The article highlights several shows that juxtapose mundane, everyday objects with grotesque, unsettling imagery, creating a disorienting experience for viewers. Artists presented works that explore the fragility and absurdity of the human body, often using visceral materials and jarring installations to provoke discomfort and reflection.
The article lists the most expensive Mark Rothko paintings ever sold at auction, highlighting record-breaking sales such as *No. 6 (Violet, Green and Red)* (1951), which fetched $186 million in 2014, and *Orange, Red, Yellow* (1961), which sold for $86.9 million in 2012. Other notable works include *No. 1 (Royal Red and Blue)* (1954) at $75.1 million and *No. 10* (1958) at $81.9 million, demonstrating the enduring high demand for Rothko's abstract expressionist canvases in the secondary market.
The Seoul Museum of Art (SeMA) has opened a major retrospective on Korean abstract artist Yoo Young-kuk titled "A Mountain Within Me" at its Seosomun main branch. The exhibition, marking the 110th anniversary of the artist's birth, is the largest ever mounted on Yoo, featuring 178 works including 115 oil paintings and 15 canvases from the artist's family's private holdings shown publicly for the first time. Curated by Yeo Kyung-hwan, the show defies chronology, beginning in 1964 and moving backward through Yoo's Tokyo years and the lost decade after Korea's liberation, then forward through his geometric abstractions of the 1960s and 1970s, culminating in his late "mind-image abstraction" phase after 1980.
The Museum of Modern Art in Warsaw presents "The Woman Question 1550-2025," a major exhibition curated by Alison Gingeras that dismantles the myth that women have only recently become artists. Featuring 199 works spanning centuries, the show includes pieces by Lubaina Himid, Alina Szapocznikow, Gina Birch, Macena Barton, Betty Tompkins, and Artemisia Gentileschi, among others. The exhibition is organized into nine chapters examining themes such as Baroque women, motherhood, and war, and is accompanied by a catalogue with contributions from museum director Joana Mytkowska and other scholars.
The article examines Marcel Duchamp's enduring influence on contemporary art, focusing on his readymades such as "Fountain" (1917) and "Bicycle Wheel" (1913/1951). It notes that a major survey co-organized by the Museum of Modern Art and the Philadelphia Museum of Art, 70 years after Duchamp predicted his true public would emerge in 50 to 100 years, reaffirms his status as the most influential artist of the past century. The piece discusses how Duchamp's practice of selecting and presenting ordinary objects as art—from a urinal to a snow shovel—once shocked the art world but now seems quaint compared to later works like Maurizio Cattelan's taped banana.
The Metropolitan Museum of Art's Costume Institute will open its latest fashion exhibition, "Costume Art," in a new gallery space adjacent to the Great Hall, formerly the museum's gift shop. Curated by Andrew Bolton, the show features 400 objects from the permanent collection, organized thematically around the dressed body—exploring the naked, classical, anatomical, and mortal body—rather than chronologically. The exhibition aims to connect artistic representations of the body with fashion as an embodied art form.
Frederik Meijer Gardens & Sculpture Park will host a major exhibition of Dale Chihuly's work from May 2 to November 1. The expansive show, titled 'CHIHULY at Meijer Gardens,' will feature large-scale installations across 12 outdoor locations on the 158-acre campus, complemented by indoor gallery displays, making it the largest Chihuly exhibition in the institution's history.
The National Gallery of Australia in Canberra is currently presenting 'New Asian Art,' a permanent collection display featuring recent acquisitions and highlights from across Asia. The exhibition includes a significant suite of works by Thai-born artist Korakrit Arunanondchai, featuring video and sculptural elements, as well as pieces by Japanese fashion designer Issey Miyake, the artist collective teamLab, and painter Yoshitomo Nara, exploring themes of globalization and cultural exchange.
The Los Angeles County Museum of Art (LACMA) celebrated the opening of its new David Geffen Galleries with a star-studded gala that raised nearly $11.5 million. The event brought together architect Peter Zumthor, museum director Michael Govan, and a high-profile mix of Hollywood celebrities, artists, and major donors. The $720 million building, Zumthor's first major project in the United States, marks the culmination of a decades-long development process and is set to open to the public next week.
The National Gallery of Victoria (NGV) has secured its position as Australia’s most visited art museum, ranking 25th globally in The Art Newspaper’s 2025 attendance report. The institution welcomed over 3 million visitors across its two Melbourne locations, bolstered significantly by a record-breaking Yayoi Kusama retrospective that drew 570,537 attendees. This blockbuster exhibition became the most popular ticketed show in the gallery's history, attracting international celebrities and a high percentage of overseas tourists.
This comprehensive guide highlights the 21 premier art institutions across Australia, ranging from major state museums to specialized private galleries. The selection features iconic venues such as the National Gallery of Australia in Canberra, which houses the world’s largest collection of Indigenous art, and David Walsh’s subversive Museum of Old and New Art (MONA) in Tasmania. The list serves as a roadmap for navigating the country's diverse artistic landscape, including contemporary Chinese art at White Rabbit Gallery and significant Aboriginal works at the Araluen Arts Centre.
The article highlights a curated selection of must-see art exhibitions across the Asia Pacific region in 2026. Key shows include Zao Wou-Ki's printmaking retrospective at M+ in Hong Kong, a major Cartier jewelry exhibition at the National Gallery of Victoria in Melbourne, and a survey of Western landscape art from the Centre Pompidou collection. Other notable exhibitions feature ancient Egyptian treasures at the Hong Kong Palace Museum, as well as shows dedicated to Klimt, Van Gogh, and Vermeer in Taipei and Japan.
The Bo Bartlett Center in Columbus, Georgia, is hosting the exhibition "We Are the Drum and the Scribe: Black Art In America Collection" from January 20 to May 16. The show features over 40 works from the private collection of Najee & Seteria Dorsey and Black Art In America (BAIA), including pieces by Kerry James Marshall, Wadsworth Jarrell, David Driskell, and contemporary artists like Dr Fahamu Pecou and Alfred Conteh. A public reception is scheduled for February 19th.
The article reports on major auction results from Christie's, Bonhams, and other houses, including a $700 million evening sale at Christie's and a Norman Rockwell painting sold for $7.25 million linked to former President Donald Trump. It also highlights notable consignments and bidding activity from high-profile collectors and estates.