Malo Chapuy Reimagines Medieval Art on the Cover of our New Talent Issue

Malo Chapuy's painting *Virgin with Codex* (2025) appears on the cover of Art in America's new talent issue. In an interview from his Paris studio, Chapuy explains how he reinterprets medieval and early Renaissance Flemish painting by mixing its motifs with contemporary and sci-fi elements, such as gothic cathedral spaceships and QR codes designed to function like medieval manuscripts for future postapocalyptic monks. He describes his process as making "forgeries," using traditional techniques like oil on wood panels, homemade lead white, and self-carved frames to mimic aged Old Master works while addressing themes of ecological collapse, apocalyptic anxiety, and planetary exile.

Sotheby’s Launches Museum Partnership Series, Starting with Exhibition by New York’s Hispanic Society Museum & Library

Sotheby's has launched a new exhibition initiative called 'In Residence' at its Breuer building on Madison Avenue, starting with a presentation of three paintings by Spanish master Joaquín Sorolla from the collection of the Hispanic Society Museum & Library. The inaugural show, titled 'In Residence: The Hispanic Society Sorollas,' opened Monday and runs through June 1, featuring works including 'Sea Idyll' (1909), 'Louis Comfort Tiffany' (1911), and 'Señora de Sorolla in a Spanish Mantilla' (1902). This marks the first partnership between Sotheby's and the Hispanic Society, and the first edition of a broader program inviting museums to stage focused exhibitions inside the Breuer building, which previously housed the Whitney Museum and the Met Breuer.

British artist says the Met ‘should take responsibility’ for dress copyright dispute

British artist Anouska Samms has publicly criticized the Metropolitan Museum of Art in New York over a copyright dispute involving a dress displayed in the Met Gala opening exhibition. Samms claims the museum included a garment called the Nervina Hair Dress, which she says is a copy of her collaborative work Hair Dress, created with fashion designer Yoav Hadari during their residency at the Sarabande Foundation. The Met had expressed interest in acquiring the original dress for its Costume Art exhibition but shelved those plans in December. Samms says she was not credited or paid, while Hadari acknowledges her IP rights over the textile but asserts the design and construction are his own. The Met has declined to comment, directing the artists to resolve the matter themselves.

Es Devlin Is Creating a Living Portrait of the Entire U.K.

British artist Es Devlin has launched a participatory public artwork titled "A National Portrait for the National Portrait Gallery," inviting all 69 million U.K. residents to upload selfies that are transformed into charcoal-and-chalk-style portraits using an AI model trained on Devlin’s drawings. The portraits appear on a framed screen in the museum’s History Makers gallery, and the project runs through October 27, accompanied by online and onsite drawing classes.

Is This a JMW Turner Self-Portrait? One Scholar Has Doubts

Art historian James Hamilton has published a paper in the JMW Turner Society’s magazine arguing that a famous portrait long believed to be a self-portrait by JMW Turner was actually painted by John Opie, a British portrait artist 14 years Turner’s senior. Hamilton notes that the work is an anomaly in Turner’s oeuvre, which is dominated by landscapes and seascapes, and that its dramatic lighting closely resembles Opie’s style. He suggests Opie may have given the painting to Turner, and that its authorship became misattributed after Turner’s death when his vast bequest of artworks was transferred to the nation and eventually housed at the Tate.

The Best Booths at 1-54 Contemporary African Art Fair, From Surrealist Fantasias to Afro-Brazilian Imaginings

The 1-54 Contemporary African Art Fair has returned to the Starrett-Lehigh Building in Chelsea, New York, featuring over 20 galleries from Africa and the diaspora, with a special focus on Brazil and Afro-Brazilian perspectives. The fair, running through Sunday, includes first-time participants from Lagos, São Paulo, Nassau, and New York, and highlights five standout booths: Sulette van der Merwe's surrealist paintings at Blond Contemporary, Modou Dieng Yacine's Senegalese wrestler-inspired works at 193 Gallery, Ekene Ijeoma's Black Forest Library community project, Rommulo Vieira Conceição's aluminum works at Aura, and the curated section "Brazil Beyond Brazil" featuring 10 artists selected by Igor Simões.

Frick Inks Three-Year Partnership with Louis Vuitton, with Support for Exhibitions and Free Fridays

The Frick Collection in New York has announced a three-year partnership with Louis Vuitton, under which the fashion house will sponsor three upcoming exhibitions, a curatorial research associate position, and a year of the museum's free First Fridays program. The partnership launches with Louis Vuitton's Cruise 2027 collection show, designed by Nicolas Ghesquière, held in the Frick's first-floor galleries on May 20. The sponsored exhibitions include “Siena: The Art of Bronze, 1450–1500” (fall 2025), “Painting with Fire: Susanne de Court and the Art of Enamel” (spring 2027), and a third exhibition on 19th-century paintings (late 2027). The Louis Vuitton Curatorial Research Associate will be Yifu Liu, currently a curatorial fellow at the Frick, who will research Asian porcelain and cross-cultural exchange between Europe and China.

‘Blood can either be a connective tissue or something used for division’: Jordan Eagles on his show a Pioneer Works

Jordan Eagles presents "Bases Loaded," a solo exhibition at Brooklyn's Pioneer Works that explores his lifelong fandom of the New York Mets through works made with donated blood and medical waste. The show features three bodies of work: large-scale reproductions of New York Post covers about the team, cast-resin sculptures of home plate filled with blood and family artifacts, and T-shirts given to blood donors at the Mets ballpark that Eagles cropped and splashed with blood from HIV-positive gay men, arranged by color into orange and grey factions.

‘We can all coexist’: artist Es Devlin uses selfies to unite UK in portrait of a nation

Artist Es Devlin has created a new installation at the National Portrait Gallery in London titled 'A National Portrait for the National Portrait Gallery,' made in collaboration with Google Arts & Culture Lab. The work invites people across the UK to upload selfies, which are transformed into charcoal-and-chalk-style portraits using an AI model trained on Devlin's own hand-drawn works. These portraits then appear on a constantly evolving projected carousel, blending and dissolving into one another. Devlin, known for designing visual worlds for Beyoncé, Adele, and the London Olympics closing ceremony, describes the piece as a non-verbal space for coexistence amid national division.

Most famous image of JMW Turner not a self-portrait, says expert

Dr James Hamilton, a leading Turner expert, has claimed that the most famous portrait of JMW Turner—long believed to be a self-portrait and featured on the UK £20 banknote—is actually by the painter John Opie. Hamilton argues that the work, dated around 1799, was mistakenly included in the Turner Bequest after the artist's death in 1851, when his studio was in disarray and the attribution was never properly verified. He points to stylistic evidence, including Opie's characteristic use of dramatic light and shadow, and calls on Tate Britain to reattribute the painting.

Artist Alleges Hair Dress in the Met’s ‘Costume Art’ Show Copies Her Design

London-based artist Anouska Samms has accused the Metropolitan Museum of Art's Costume Institute and curator Andrew Bolton of displaying a garment in the spring 2026 exhibition "Costume Art" that she claims is a counterfeit of her collaborative work. Samms says the piece, titled Corpus Nervina 0.0, was inspired by a 2023 hair dress she co-created with fashion designer Yoav Hadari for his label Psycheangelic. Despite a contract giving Samms sole ownership of the hair-based textile's intellectual property, the museum's wall label credits only Hadari and states Samms's textile was not used. Samms's lawyer, Jon Sharples, says the museum initially expressed interest in acquiring the original dress but later shifted to a remake after Hadari reported water damage, then stalled entirely before the exhibition opened.

A Lucas Cranach the Elder Masterpiece Once Hung in Hitler’s Munich Apartment

A Lucas Cranach the Elder painting, *Cupid complaining to Venus* (1526–27), once hung in Adolf Hitler's Munich apartment, according to a report by the Art Newspaper. The work was identified in a 1940s photograph published in a 1978 furniture catalog and later in a 2023 article by art historian Birgit Schwarz, who confirmed Hitler's ownership via a 2006 discovery of an album at the Library of Congress. After World War II, American journalist Patricia Lochridge took the painting from a warehouse in Berchtesgaden and smuggled it to the US. The National Gallery in London acquired it in 1963 from A. Silberman Galleries, which falsely claimed it came from the 1909 auction buyer's heir; it had actually been purchased from Lochridge.

Famous Cranach painting spotted in rare photograph of Hitler’s apartment

A rare photograph from the early 1940s reveals that Lucas Cranach the Elder's painting *Cupid complaining to Venus* (1526-27), now a masterpiece in the National Gallery, London, once hung in Adolf Hitler's private Munich apartment. The image, previously published in Germany by provenance expert Birgit Schwarz, appears for the first time in an English-language publication. The painting was acquired by the National Gallery in 1963 from E. and A. Silberman Galleries in New York, which provided a false provenance. It had been taken from a warehouse of recovered art in 1945 by American journalist Patricia Lochridge, who smuggled it into the United States.

Portrait looted by Nazis found in home of Dutch SS leader’s family

An artwork looted by the Nazis from the renowned Goudstikker collection has resurfaced in the home of descendants of Hendrik Seyffardt, a notorious Dutch SS collaborator. The painting, *Portrait of a Young Girl* by Toon Kelder, was discovered by art detective Arthur Brand after a family member contacted him, revealing that the piece had hung for decades in the home of Seyffardt’s granddaughter. Brand traced the painting to a 1940 auction where part of the looted Goudstikker collection was sold, and lawyers for the Goudstikker heirs have confirmed the work was stolen and called for its return.

A mapping of all the intersections between the 2026 Venice Biennale and the fashion world

Una mappatura di tutti gli intrecci tra la Biennale di Venezia 2026 e il mondo della moda

The article maps the growing intersection between fashion brands and the 61st Venice Biennale in 2026, detailing specific collaborations. Zegna is the main sponsor of the Italian Pavilion, supporting Chiara Camoni's project "Con te con tutto" curated by Cecilia Canziani, using materials from Zegna's Oasi Zegna and Lanificio. Bottega Veneta renews its partnership with Pinault Collection to support Lorna Simpson's exhibition "Third Person" at Punta della Dogana, curated by Emma Lavigne, and also presents a public intervention at Campo Manin. Swatch celebrates 15 years of the Swatch Art Peace Hotel with the exhibition "Flora Fantastica" at the Giardini Reali, featuring artist Elisa Insu. The newly opened Fondazione Dries Van Noten at Palazzo Pisani Moretta debuts with "The Only True Protest Is Beauty," curated by Dries Van Noten and Geert Bruloot.

Rio’s Museum of Image and Sound finally opens after 16 years in development

The Museum of Image and Sound (MIS-RJ) on Rio de Janeiro's waterfront opens to the public on May 8 after 16 years of development. The 10,000-sq.-m building, designed by Diller Scofidio + Renfro, features eight floors with panoramic views of Copacabana Beach and a façade honoring Roberto Burle Marx. The project faced multiple delays, funding suspensions, and controversy over urban redevelopment, including backlash when a nightclub on the site was demolished in 2010. Work resumed in 2021, and the $62.5 million museum was completed with public and private funds from donors like Itaú, Vale, and Rede Globo.

Polish pavilion at Venice Biennale explores fluidity of language with film recorded underwater

Poland's entry for the 2024 Venice Biennale, titled *Liquid Tongues*, is an audio-video installation by artists Bogna Burska and Daniel Kotowski. The work centers on a performance by the Chór w Ruchu (Choir in Motion), which includes both hearing and deaf performers, with much of the content filmed underwater in a Warsaw swimming pool. Presented across two screens in the Polish pavilion, the installation draws inspiration from whale song to explore alternative modes of communication, using spoken English and International Sign. The project builds on a previous performance at Warsaw's Zachęta National Gallery of Art and was developed in close collaboration with curators Ewa Chomicka and Jolanta Woszczenko.

A ‘bird of Mexico City’ strikes a revolutionary pose: Pieter Henket’s best photograph

Photographer Pieter Henket describes the creation of his portrait "La Mujer" (The Woman), part of his series "Birds of Mexico City." The image features Ixchel Paz, a young Mexican woman wearing a lucha libre wrestling mask, captured in a dignified pose on the first day of the project. Henket explains how the series evolved from an earlier project, "Birds of New York," which celebrated young people in New York during the first Trump administration. After the pandemic, he traveled to Mexico City with his husband Roger Inniss, collaborated with stylist Chino Castilla and his team, and encouraged subjects to express their identities through costume and culture.

'I wanted to catch the desperation': Dries Verhoeven on turning the Dutch pavilion into a bunker for the Venice Biennale

Artist Dries Verhoeven has transformed the Dutch pavilion at the Venice Biennale into a bunker-like space by covering its iconic glass-and-steel structure with metal shutters. Inside, visitors experience a gradually darkening environment and a raw vocal performance by 13 rotating performers, intended to evoke desperation and confusion about contemporary global crises. The work critiques the modernist ideals of openness and optimism embodied by the pavilion, designed by Gerrit Rietveld in 1953.

Pedro Reyes’s new Lacma commission sparks criticism in Mexico

Pedro Reyes's new sculpture 'Tlali' (2026), a four-meter-tall Olmec-inspired volcanic-stone female face installed at the Los Angeles County Museum of Art (Lacma), has sparked criticism in Mexico. An open letter signed by nearly 80 cultural figures, published on the art criticism site Cubo Blanco, alleges the work is a new version of a 2021 project that was canceled after backlash. That earlier project, 'Tlalli', was meant to replace a Christopher Columbus statue on Mexico City's Paseo de la Reforma but faced opposition from over 300 cultural figures who argued a male, non-Indigenous artist should not represent Indigenous women. The site later became the 'Glorieta de las Mujeres que Luchan', an anti-monument against gender violence.

The Bahamas returns to the Venice Biennale with a joy-filled posthumous collaboration

The Bahamas will return to the Venice Biennale in 2026 after a 13-year absence with a posthumous exhibition for artist John Beadle, who died in 2024 at age 60. Beadle was originally selected to represent the country in 2015 but the government withdrew funding. The exhibition, titled "In Another Man’s Yard," will feature Beadle’s work alongside that of his mentee, Lavar Munroe, using materials from Beadle’s studio including sails from Haitian migrant sloops. The pavilion is organized by commissioner Amanda Coulson and curator Krista Thompson, who raised private funds after the government declined to support the project.

A.I. Identifies Holbein Drawing as Possible Portrait of Anne Boleyn

Researchers at the University of Bradford have used artificial intelligence to analyze preparatory drawings by Hans Holbein the Younger in the Royal Collection at Windsor Castle. The AI model, which previously identified a forgotten Raphael painting, suggests that a drawing long believed to depict Anne Boleyn actually shows her mother, Elizabeth Howard, while another drawing labeled "Unidentified Woman" likely portrays Anne Boleyn herself. The findings, published in Heritage Science, are based on biometric analysis of facial features, bone architecture, and proportional relationships, offering quantifiable evidence to resolve long-standing scholarly uncertainty about the sitters' identities.

Chanel and Guggenheim Launch Transatlantic Curatorial Fellowship

Chanel and the Solomon R. Guggenheim Foundation have announced a new transatlantic curatorial fellowship, set to launch in 2027. The Chanel Culture Fund Fellowship is a one-year program for MA- and PhD-level scholars, who will begin at the Guggenheim Museum in New York before moving to the Peggy Guggenheim Collection in Venice. The announcement coincides with the start of the Venice Biennale, and the open call for fellows will begin this fall. The fellowship includes a stipend and travel support, and is designed to complement the Peggy Guggenheim Collection's existing International Fellowship.

Henrike Naumann Stared Down a Divided Germany’s Past While Eyeing Our Troubled Present

Henrike Naumann, a German artist known for using secondhand furniture and design to explore political extremism and consumer capitalism, is profiled in ARTnews. The article recounts her first US exhibition, “Re-Education” at SculptureCenter in New York in 2022, where she created installations referencing the January 6 Capitol attack, juxtaposing Federal-style office furniture with a Flintstonian mancave and chairs arranged by ideological subtext. The show gained unexpected attention when German media covered it, linking her small hometown of Zwickau with New York, and she later visited Thomas Hart Benton’s murals at the Met to understand American power and aesthetics.

Fiona Pardington’s portraits of the lost birds of Aotearoa New Zealand – in pictures

Fiona Pardington has created a new series of human-scale photographic portraits of native New Zealand birds, many of which are extinct or endangered, using taxidermy specimens from regional museums. The series, titled "Taharaki Skyside," will be exhibited at the Aotearoa New Zealand pavilion at the 2026 Venice Biennale. Pardington, who has Māori and Scottish ancestry, incorporates the birds' eyes with superimposed historical landscapes to evoke their lost habitats and spiritual significance as intermediaries between human and divine worlds in Māori culture.

Mystery sitter in Holbein portrait could be Anne Boleyn, AI analysis finds

Researchers using AI have analyzed two Renaissance sketches by Hans Holbein from the Royal Collection, known as the Windsor sketch and the Unidentified Woman. The AI model, developed by Professor Hassan Ugail at the University of Bradford, compared the entire Holbein corpus and found that the Unidentified Woman may actually be Anne Boleyn, while the Windsor sketch—long thought to depict Boleyn—may instead show her mother, Elizabeth Howard. The study suggests the works were incorrectly inscribed in the 1700s, leading to centuries of misidentification.

The Devil Wears Prada 2 to Lenny Henry: your complete entertainment guide to the week ahead

The Guardian's weekly entertainment guide highlights two major art exhibitions opening in May 2025: 'Aleksandra Kasuba' at Tate St Ives (2 May to 4 October) and 'Zurbarán' at the National Gallery, London (2 May to 23 August). The Kasuba show is the first UK presentation of the Lithuanian American artist's proto-immersive 'spatial environments,' featuring early paintings, mosaics, and installations focused on utopian social harmony. The Zurbarán exhibition presents a blockbuster survey of the 17th-century Spanish Baroque master, known for his intense religious subjects and dramatic chiaroscuro.

In Venice to Install Work for the Biennale, Artist Guadalupe Maravilla Alleges Racial Profiling by Police

New York–based artist Guadalupe Maravilla, in Venice to install his work for the 2026 Venice Biennale, alleges he was racially profiled by police after leaving the Arsenale venue. Two officers demanded his documents, called backup, and attempted to handcuff him before he de-escalated the situation and left. Maravilla, known for his 'Disease Thrower' sculptures that address migration and healing, shared the incident on Instagram and provided a statement to ARTnews.

The art of politics: how global conflicts are playing out in this year's Venice Biennale

Israel is making a controversial return to the 2025 Venice Art Biennale after its pavilion was locked in 2024 with a note demanding a ceasefire in Gaza. The artist representing Israel, Belu-Simion Fainaru, will present his project "Rose of Nothingness" in the Arsenale, while Russia also returns to the Biennale after its Giardini pavilion was reassigned to Bolivia in 2024. The Art Not Genocide Alliance (ANGA) has renewed calls for a boycott and is organizing strike action to disrupt the event, accusing Israel of genocide.

Simply divine: the extraordinary supernatural visions of Francisco de Zurbarán

Francisco de Zurbarán, one of the three great Spanish 17th-century painters alongside Velázquez and Murillo, is finally receiving his first solo exhibition in the UK at the National Gallery in London. The show highlights his distinctive style of religious painting, characterized by stark chiaroscuro, sculptural realism, and a meditative stillness that makes the immaterial seem tangible. Works such as his crucified Christ and The Apparition of Saint Peter to Saint Peter Nolasco exemplify his ability to depict visions and inner spirituality, often commissioned by powerful religious foundations in Seville during the Counter-Reformation.