The Museum Rietberg in Zürich has opened the exhibition 'A Kind of Paradise,' which critically reexamines colonial-era photography through the work of 20 contemporary artists from the global diaspora. The show is structured into four thematic sections—Shapeshifters, Confrontation, Care, and In the Photo Fantastic—and transforms archival images from tools of colonial power into sites of reinterpretation and resistance.
International Outdoor, a Farmington Hills-based advertising firm, has launched an "open-air museum" across Metro Detroit featuring the work of French pop-street artist Jisbar. The initiative utilizes over 57 billboards and digital panels across three counties, displaying vibrant mashups of art history icons like the Mona Lisa with pop culture figures such as Bart Simpson and SpongeBob SquarePants. The exhibition, which runs through mid-June 2026, aims to transform the regional landscape into a public gallery accessible to commuters.
The Bolton Library and Museum has launched its Open Art Event, featuring 120 works selected from over 150 submissions by local creatives. The exhibition showcases a diverse array of mediums, including painting, sculpture, digital art, and photography, with Richard Wood taking the top £1,000 prize for his industrial landscape 'Ghost Chimneys.' Other honors included the Young Artist Award presented to Olivia Edge and an upcoming visitor's choice award sponsored by Bromley Art Supplies.
Indiana University Kokomo faculty, students, and alumni were well represented at the 127th Annual Exhibition by Indiana and Ohio Artists at the Richmond Art Museum. Minda Douglas, associate professor of fine art, won the Kevin McCurdy and Lisa Caiazzo Purchase Award for her print “Monarch Watch.” Anna Marcum, a recent BFA graduate, received the Johnson Family Merit Award for her self-portrait and had another painting selected. Aaron Pickens, associate professor of fine art and new media, had two oil paintings juried into the show, and junior Zoe Callender had her painting “Market Fish” selected. The exhibition runs through January 10, 2026.
An art exhibition titled "Sligo's Dream Horizons – A Celebration of Local Creativity" has opened at the ATU Library in Sligo, featuring works by artists supported by HSE Disability Services' Ballytivnan Training Centre. The exhibition, which runs from November 25 to December 12, 2025, showcases the artists' unique perspectives on Sligo's scenic beauty and cultural landmarks, guided by art tutor Jenny Cooper. The project was developed in collaboration with Johanna Archbold and the ATU Library team.
The Art Guild of the Delta Annual Showcase 2025 opened on November 13 at Los Medanos College's Library gallery, featuring works by local Delta-area artists. Curator Sarah Lee introduced the event, where artists including Marsha Mees, Rosalinda Grejsen, Rick Haley, Julee Richardson, Susan State, Carol Ligon, and Kathy Emerick presented and discussed their pieces, ranging from clay sculptures and mixed-media works to photography and jewelry. Highlights included Mees's Kintsugi-inspired mixed-media pieces, Richardson's Steampunk dolls and a ceramic commentary on gun violence, and Haley's serendipitous beach photograph.
Redland Art Gallery in Cleveland, Australia, is launching three new exhibitions in late November 2025, each exploring themes of sea, light, and local creativity. The season features "Water Works" by acclaimed Queensland artist Joe Furlonger, whose expressive paintings and ceramics capture the beauty and danger of the sea; "Some Things Too Bright to See" by emerging Brisbane artist Holly Anderson, focusing on light across water; and "In Focus 2025 – Flourish," an annual community exhibition showcasing local artists. The exhibitions run through January 2026 and include artist talks, workshops, and a People's Choice Award.
Southampton City Art Gallery will reopen on Saturday, March 7, 2026, following a successful refurbishment program. The reopening exhibition, 'Levitate Me: Desire, Ecstasy and The Sublime,' is a major solo show by acclaimed British artist Emma Richardson, featuring new oil paintings that explore desire, euphoria, and the natural world through a female lens. Richardson, who was born in Southampton and lived there for much of her life, has also selected works from the city's collection to display alongside her own. Other reopening displays include highlights from the internationally renowned collection (with public input on artwork selection), recently acquired works shown for the first time, rarely seen works on paper digitized during the closure, and photographs of the refurbishment by architectural photographer Joe Low. The project was supported by a £2.23 million grant from the Department for Culture, Media and Sport's Museum Estate and Development Fund (MEND), administered by Arts Council England.
The City of West Hollywood’s Arts Division will host an artist reception on October 24 for 'Heart of WeHo,' a new group exhibition celebrating the city’s 40th anniversary. Featuring 27 local artists, the show presents paintings, photography, sculpture, and mixed media that depict West Hollywood’s landmarks, history, and everyday spaces—from iconic nightlife and architecture to quieter corners and imagined futures. The exhibition is on view at the West Hollywood Library through May 2026.
Jodhpur Arts Week, inaugurated on 1 October 2025, transforms the historic city of Jodhpur into an open-air art gallery for the first time. Founded by Sana Rezwan and curated by the Public Arts Trust of India (PATI), the week-long festival features exhibitions, installations, panel discussions, and workshops across iconic sites such as Toorji Ka Jhalra, Ghanta Ghar, Mandore Gardens, and heritage hotels like Daspan House and Khaas Bagh. Highlights include a video projection by Raqs Media Collective, a neon installation by Chila Kumari Singh Burman, and works by artists Gaspard Combes, Richa Arya, Jenjum Gadi, Awdhesh Tamrakar, and others, blending contemporary art with Rajasthan's traditional crafts.
Visiting artist Hao Wang presented paintings and sculptures at Vineridge Academy in Virgil, Ontario, on September 20, showcasing work created during a residency inspired by the landscapes of Niagara-on-the-Lake. The exhibition included large canvases of local scenery and abstract scenes, as well as charred wood sculptures made with a chainsaw. Wang, who is from China and does not speak English, communicated through student translator Cyrus Au-Yeung, expressing how the town's atmosphere and colors influenced his art. The residency program, launched last year by principal Michael Miao, houses international artists on campus and retains some works for the school's collection.
An exhibition titled 'Reclaim, Repurpose, Reimagine (RRR)' will open at Sonoma State University's Art Gallery on September 4, 2025, featuring works by five Bay Area artists: Mia Feuer, Bryan Keith Thomas, Arleene Correa Valencia, and Richard Lang and Judith Selby Lang of One Beach Plastic. Co-curated by SSU faculty members Eileen Parent and Stefan Kiesbye, the show transforms discarded objects into art across mediums like sculpture, fiber arts, painting, photography, and mixed media, exploring themes of resilience, diversity, vulnerability, and cultural identity. It also includes pieces from The Recology Artstart Student Hub (TRASH) summer art residency program, with a public reception on opening day and an artist talk on September 25.
Wellington City Council has announced a new location for Toi Pōneke Arts Centre at Market Lane, offering 1,959 square meters of floor space across three levels. The facility will include artist studios, offices, a workshop space, dance and drama rehearsal rooms, a gallery, and a cultural/pōwhiri space. The move is part of the Council's Long-term Plan, with a total budget of $6 million for design and fit-out. Applications for limited-term artist studios, arts offices, and workshop space will open on 27 August 2025 and close on 28 September 2025.
Dr. David Clardy, a cardiologist at Sanford Health in Fargo, has his travel photography displayed above the baggage claim area at Hector International Airport. The exhibition, installed on June 17, 2025, pairs landscape and portrait images from his travels to Cambodia, Ethiopia, and Peru. Clardy, who began taking photography seriously in 1999 and resumed in 2016 after a break, participated in workshops with National Geographic photographers and now shares his work through the airport's ArtWORKS program, which places local art in public spaces.
Zimbabwean artist Richard Mudariki, creator of the Art World Passport project, was denied a visa by the Swiss embassy in Pretoria to attend the Africa Basel art fair in Switzerland. The project, which sells physical booklets at art events for attendees to document their experiences, symbolically addresses barriers faced by artists from the global South in accessing Western institutions. Mudariki had planned to debut the project in Europe at Africa Basel but was forced to appear via video link after the visa rejection, citing unreliable documentation for his stay.
ASA, an anonymous photographer, captured a candid iPhone X image in Bastia, Corsica, during the summer of 2018. The photograph shows a woman walking through strong sunlight, reduced to a silhouette against burned facades. ASA waited patiently for the right passerby, later imagining the woman might be heading to a romantic appointment, though they emphasize the work is about shape, movement, and contrast rather than identity.
Antonio Somera discovered 26 steamer trunks belonging to early 20th-century Filipino migrants in a Stockton, California basement in 2005. The trunks' contents, including a pillowcase embroidered with the phrase "HOW CAN YOU FORGET ME," form the core of the exhibition "How Can You Forget Me: Filipino American Stories" at the Smithsonian's National Museum of American History in Washington DC, offering an intimate look at the lives of the Manong Generation of laborers.
Photographer Rich-Joseph Facun documents life in Athens, Ohio, in his project '1804,' focusing on the profound influence of Ohio University on the town. His images and interviews capture the socioeconomic and cultural dynamics, including strained housing markets, a nightlife economy driven by students, and the town's identity as a "company town" shaped by the university's calendar and employment.
The New York Times Art section published an article titled "The World According to Aldwyth," profiling the artist Aldwyth, who works in paint, bricolage, and collage. The piece explores how her art delves into the history of art, ideas, and the human species, presenting her unique creative vision and thematic concerns.
Uzbekistan has launched a significant design exhibition in Milan, showcasing a collection that blends the nation's ancient cultural traditions with contemporary aesthetics. The showcase features works inspired by the arid landscapes and rich artisanal history of the Central Asian republic, marking a deliberate effort to export its unique creative identity to a global audience during a major international design moment.
The Aldrich Contemporary Art Museum in Ridgefield, Connecticut, has launched a new initiative dedicated to showcasing the work of artists living and working within the state. This regional focus aims to highlight the creative output of those residing in the shadow of New York City’s dominant art scene, providing a high-profile platform for local talent.
A new cultural initiative in Hong Kong, the 'Textile Trail,' guides visitors through several neighborhoods to explore the city's industrial past as a major Asian textile exporter. The trail features preserved factories, warehouses, and other architectural remnants that tell the story of this foundational industry.
Film producer Dorian Grinspan collaborated with a group of artists and friends to design his upstate New York home, creating a space that blends Japanese handicraft aesthetics with what he describes as 'British whimsy.' The project was a collective, evolving effort rather than a single architect's vision.
La Colombia degli Anni ’70 arriva a Milano con una mostra che pare un film
Ever Astudillo (Cali, 1948–2015) is the subject of a new exhibition at Velo Project in Milan, titled "Latin Fire." The show brings together photographs and drawings from the 1970s and 1980s, capturing the Colombian city of Cali as a silent theater of anonymous, often isolated figures. The installation also features kinetic sculptures by filmmaker Virgilio Villoresi (Fiesole, 1979), creating a dialogue between Astudillo's still images and Villoresi's fragile, hypnotic movement. The exhibition runs until May 16, 2026.
Intervista a Dries Van Noten che apre la sua fondazione su arte&artigianato a Venezia
Fashion designer Dries Van Noten is launching a new foundation dedicated to craftsmanship and art in Venice. The Dries Van Noten Foundation, opening on April 25, 2026, will be a hub for the exchange and transmission of knowledge, focusing on skills like glassmaking, textiles, ceramics, and goldsmithing. Its inaugural presentation, 'The Only True Protest is Beauty,' curated with Geert Bruloot, will fill twenty rooms of a Venetian palazzo with over two hundred works spanning fashion, glass, ceramics, design, and photography.
Latika Sridhar, a Needham native and former design engineer, is preparing for her first solo art exhibition titled "Strange Mirror," opening May 9 at Established Gallery in Brooklyn. The show features work she has created over the past two years since leaving her engineering career to focus on painting, following a fine arts summer intensive at the Pratt Institute. Her art explores themes of internal complexity, human emotion, and her own mental health journey, with the exhibition running for a month.
Marti’s on Main art gallery in Albion has officially launched its 16th season, unveiling an ambitious schedule that expands from six to eight exhibitions for 2026. The season opener features stone sculptures by George Graham and Richard Bannister, alongside a dedicated showcase of works by Albion High School art teacher Dr. Athena Nichols and five of her senior students.
The implementation of new EU regulations on the import of cultural goods over 250 years old is causing significant disruption at TEFAF Maastricht. Dealers and collectors are facing administrative hurdles, including difficulties obtaining mandatory EORI numbers and inconsistent enforcement by customs officials. These rules, which require extensive documentation for items originating outside the EU, have led to seized shipments and a general crisis of confidence among international exhibitors.
A new free exhibition at The Oxfordshire Museum will showcase the works of local artists David Lockett and Peter Ross, whose friendship and professional collaboration spans over six decades. Opening on September 6 and running through September 21, the show features landscapes, portraits, and abstract works, with many pieces available for purchase. Lockett presents recent landscapes and seascapes painted from direct observation, while Ross exhibits a selection spanning fifty years, including his 2024 Open Art Competition-winning portrait “Emma Groves, Belfast 1978.”
Pakistan's first textiles museum, The Haveli, has opened in Karachi, housed in the Modernist villa of collector Nasreen Askari and her husband Hasan Askari. The museum preserves indigenous weaving, embroidery, and dye work from the Sindh province, focusing on the material culture of diverse communities including Hindus and Muslims. Nasreen Askari began collecting these textiles in the 1970s while working as a doctor, inspired by the intricate designs on her patients' clothing that revealed their identity, religion, and social status. The collection includes rare shawls, bridal tunics, and embroidered dowry pouches called bujhki, many from nomadic and tribal communities.