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AI Art Copyright Supreme Court Ruling

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The U.S. Supreme Court has declined to hear an appeal from computer scientist Stephen Thaler, effectively upholding lower court rulings that AI-generated artwork cannot be copyrighted. The case centered on a 2012 digital work titled "A Recent Entrance to Paradise," which Thaler claimed was created autonomously by his AI system, DABUS. By refusing the case, the court leaves in place the U.S. Copyright Office's stance that copyright protection requires "traditional human authorship."

Pussy Riot slams Russia’s return to Venice Biennale

Russia is set to return to the Venice Biennale for the first time since the 2022 invasion of Ukraine, presenting a project titled "The tree is rooted in the sky" focused on folklore and multilingual cultures. The Russian pavilion, commissioned by Anastasia Karneeva and supported by Putin’s cultural envoy Mikhail Shvydkoy, will feature a filmed three-day festival. The Biennale organizers defended the inclusion, citing a policy of non-censorship for any country recognized by Italy that owns a pavilion in the Giardini.

DUALITY – Artist Opening Reception

Jackson Junge Gallery has launched its first group exhibition of the year, titled DUALITY, which showcases the work of 24 artists exploring the concept of the diptych. Each participant created two interconnected pieces designed to be viewed as a single entity, focusing on themes of opposition such as light and dark, authority and resilience, or realism and abstraction. Featured works include Sabrina Katz’s textural explorations of Lake Michigan and Julian Guyton’s sociopolitical commentary on the American experience.

Blue Phrog Gallery closing doors in downtown Montevallo

The Blue Phrog Gallery, a staple of the downtown Montevallo art scene for over 15 years, has announced its permanent closure. Founded in 2009 by Phil and Suzanne Hurst in a repurposed bank building, the gallery served as a primary venue for Alabama-based artists and University of Montevallo students to showcase and sell their work. The building at 955 Main Street is currently listed for sale following the recent passing of co-founder Phil Hurst.

Taína Cruz Interview

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Taína H. Cruz has emerged as a central figure in the 2024 New York art season, achieving the rare feat of being featured simultaneously in the Whitney Biennial and MoMA PS1’s "Greater New York." A 2023 Yale MFA graduate, Cruz has become the literal face of the Whitney Biennial, with her painting "I Saw the Future and It Smiled Back" displayed on a massive billboard outside the museum. Her work, which often explores Black female identity through a lens of folklore, horror, and celebrity culture, is characterized by a moody and unsettling atmospheric quality.

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The historic San Francisco Art Institute campus, which shuttered in 2023 following bankruptcy, is being revitalized as the California Academy of Studio Arts (CASA). Founded by billionaire philanthropist Laurene Powell Jobs, the new center will offer a free, unaccredited, year-long studio program for up to 30 emerging visual artists. The initiative aims to foster an experimental environment inspired by Black Mountain College, providing mentorship, workshops, and public engagement platforms.

Michelangelo's Pietà Altarpiece for His Own Tomb Restored and Returned to Public View

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The Opera del Duomo Museum in Florence has unveiled the newly restored Bandini Pietà, a monumental sculpture Michelangelo carved for his own tomb between 1547 and 1555. The two-year conservation project, funded by the Friends of Florence Foundation, removed centuries of accumulated dust, wax, and plaster residue from the 5,900-pound marble block, which the artist famously left unfinished after discovering flaws in the stone.

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The Art Institute of Chicago is considering a major expansion that could involve relocating or reshaping the historic Chicago Stock Exchange Trading Room. Located on the museum's east side, the 5,700-square-foot room is a preserved architectural landmark originally designed in the 1890s and saved from demolition in the 1970s. While no final decisions have been made, museum officials identified this area as having the highest potential for increasing gallery capacity to showcase more of the institution's permanent collection.

jet le parti on founding sibyl a new model of art intelligence and hub for collecting 2750663

Self-taught artist Jet Le Parti has launched Sibyl, a Los Angeles-based cultural platform and research-led advisory that operates outside the traditional gallery system. Drawing on his background in neuroscience and philosophy, Le Parti developed Sibyl as an extension of his independent practice and previous ventures like Base 36 and Relaispunkt. The platform functions as a private collection and advisory service, leveraging direct relationships with collectors to bypass traditional intermediaries and formalize a network built on artistic trust.

director of museo national de colombia liliana angulo cortes dies at 51 art centers in beirut pause programming amid war morning links for march 5 2026 1234775819

Liliana Angulo Cortés, the trailblazing director of the Museo Nacional de Colombia, has died at age 51. As the first Afro-Colombian artist to lead the historic institution, she was instrumental in diversifying the museum's collection and shifting its focus toward colonial remembrance and the representation of Black and Indigenous communities. Meanwhile, major art centers in Beirut, including the Sursock Museum and the Beirut Art Center, have suspended operations due to escalating regional conflict and airstrikes.

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Kenny Schachter explores the existential threat posed by the rapid advancement of Artificial Intelligence and its projected impact on the global economy by 2028. Citing the Citrini Report, he highlights a future of mass unemployment among white-collar professionals—the primary demographic for art consumption—who account for over 50% of discretionary spending in the U.S. As tech leaders like Jack Dorsey begin significant workforce reductions attributed to AI, the financial foundation of the art market appears increasingly precarious.

London art market springs back to life in Sotheby's Modern and contemporary evening sale

Sotheby’s Modern and contemporary evening sale in London signaled a resilient recovery for the UK art market, totaling £131 million with fees and achieving a 98% sell-through rate. Despite geopolitical tensions and post-Brexit economic concerns, the auction room was notably crowded, driven by high-profile works from the collection of billionaire Joe Lewis. The evening's top lot was a 1972 Francis Bacon self-portrait, which sold for £16 million, while a major painting by Leon Kossoff shattered the artist's previous auction record.

Sotheby’s Opens the London Spring Marquee Sales With a £131M White-Glove Night

Sotheby’s London kicked off the spring auction season with a "white-glove" Modern & Contemporary Evening Sale, totaling £131 million ($176 million). Despite significant geopolitical instability and market anxiety following recent escalations in the Middle East, the auction achieved a 100 percent sell-through rate across 54 lots. Key highlights included works by Andy Warhol, a Claude Monet landscape once owned by John Singer Sargent, and a Jean-Michel Basquiat painting that sold for £3.7 million after a mid-sale renegotiation.

Artlink is back—the “PRISM Exhibition”—a variety of artistic mediums culture and multifaceted forms

Artlink has launched the 2026 Art Detour season in Arizona with the 13th annual Art D’Core Gala and the opening of the “PRISM Exhibition” at Biltmore Fashion Park. The month-long celebration features a diverse showcase of works from 18 local artists, spanning mediums such as sculpture, digital art, painting, and textiles. The exhibition serves as the flagship event for a series of community-focused programming running throughout March designed to connect creators with local businesses and patrons.

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Conceptual artist Anicka Yi has joined Pace Gallery, where she will be represented in partnership with Gladstone Gallery, 47 Canal, and Esther Schipper. Known for her research-heavy practice that utilizes scents, bacteria, and robotics, Yi cited Pace CEO Marc Glimcher’s background in biology and the gallery's history with light and space pioneers as primary reasons for the move. Her work will be featured in the New Museum’s upcoming expansion inaugural exhibition, "New Humans: Memories of the Future."

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The Royal Ontario Museum (ROM) in Toronto has appointed Nicholas R. Bell as its new director and CEO, effective July 6. Bell, who currently leads the Glenbow museum in Calgary, succeeds Josh Basseches following a decade-long tenure. During his time at Glenbow, Bell was noted for securing a $250 million capital campaign and implementing a landmark free-admission policy, the first of its kind for a major Canadian museum.

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The United States Holocaust Memorial Museum has acquired a rare original copy of Captain America Comics No. 1, donated by Riot Games co-founder Brandon Beck. Published in 1940 by Jewish creators Jack Kirby and Joe Simon, the issue is iconic for its cover art depicting Captain America punching Adolf Hitler. The acquisition also includes Captain America Comics No. 46, which features one of the earliest pop-culture depictions of a concentration camp liberation.

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The exiled Belarus Free Theatre will stage a major exhibition titled "Official. Unofficial. Belarus." as an official collateral event at the 61st Venice Biennale. In the absence of a formal national pavilion, the group show will occupy the Church of San Giovanni Evangelista, featuring works by artists like Sergey Grinevich and Vladimir Tsesler that utilize religious iconography and prison materials to critique state surveillance and political repression.

‘Shaping Community & Shifting Narratives’ art exhibit opening reception to take place March 6

The Flint Institute of Arts Museum & Art School is hosting the opening reception for 'Shaping Community & Shifting Narratives,' an exhibition featuring works by 12 women artists of African descent aged 60 and older. Representing the communities of Flint, Lansing, and Detroit, the show includes a diverse range of media such as ceramics, painting, glass, and fiber arts. A special tribute will be included for the late textile artist Ernestine Bains, whose legacy is being carried forward by her granddaughter, Camille Baines.

The 2026 Spring Arts Preview: Our picks in Art + Design

Atlanta’s 2026 spring season features a major homecoming for artist Amy Sherald, whose mid-career retrospective 'American Sublime' arrives at the High Museum of Art following a high-profile withdrawal from the Smithsonian over censorship concerns. Other museum highlights include an exploration of Isamu Noguchi’s design work at the High, the U.S. International Poster Biennial at MODA, and a soccer-themed exhibition at the Michael C. Carlos Museum.

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The Darwin D. Martin House in Buffalo, a landmark of Frank Lloyd Wright’s Prairie School architecture, has launched a new exhibition titled “Collecting Ourselves.” The show highlights the museum's decades-long, painstaking effort to track down and repatriate the original furniture and decorative objects designed specifically for the site. While the structural restoration of the complex was completed in 2017, the task of reuniting Wright’s holistic interior vision—including his iconic Barrel chairs and intricate art glass—remains an ongoing archival and curatorial challenge.

‘It doesn’t put walls around everything’: behind the plans for Manila’s new contemporary art centre

The Ayala Foundation has announced the development of the Kontempo Center for Contemporary Art in Manila, appointing Reuben Keehan as its inaugural artistic director. Designed by architect Kulapat Yantrasast of WHY Architecture in collaboration with Lor Calma & Partners, the center will be located on the site of a former racetrack in Circuit Makati. The facility will prioritize exhibitions, commissions, and public programming over a permanent collection, featuring three large galleries and extensive green space for public art installations.

Royal Ontario Museum picks Nicholas R. Bell as next leader

The Royal Ontario Museum (ROM) has appointed Nicholas R. Bell as its next director and chief executive, effective July 6. Bell, a Vancouver native, succeeds Joshua Basseches, who led the Toronto institution for a decade. Bell joins the ROM from the Glenbow Museum in Calgary, where he was recognized for overseeing a major $200 million renovation and implementing a free admission policy.

HUB-Robeson Galleries to host exhibition by Jamaican-born interdisciplinary artist

The HUB-Robeson Galleries at Penn State University will host a solo exhibition by Jamaican-born interdisciplinary artist Krystle Lemonias titled "Puss an dawg nuh ave di same luck." Running from March 5 through July 19 in Art Alley, the showcase features textile-based installations and mixed-media works that utilize repurposed materials, such as baby clothes, to explore the intersections of labor, identity, and the Black diaspora.

New York Galleries: Openings and Closings (03/03-03/08)

The New York City gallery scene is experiencing a significant surge of activity for the first week of March 2026, with dozens of new exhibitions scheduled to open across Manhattan. Major highlights include a survey of Edouard Vuillard’s early interiors at Skarstedt, Sigmar Polke at VeneKlasen, and a comprehensive Robert Mapplethorpe presentation at Gladstone. The week also features high-profile institutional and blue-chip gallery shows, including Carol Bove at the Guggenheim and new works by Daniel Arsham and Gelitin at Perrotin.

Art Center Sarasota's 'Rooted in Community' headlines 28 exhibitions at local art centers in March

Art Center Sarasota is launching a major suite of exhibitions this March, headlined by 'Rooted in Community,' a group show celebrating the artistic contributions of Sarasota’s historically Black neighborhoods, Newtown and Overtown. The center will also host solo presentations by Herion Park, whose fiber sculptures explore familial grief and resilience, and Kendra Frorup, a Fulbright Scholar whose work investigates cultural memory and the concept of home.

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The Indianapolis Museum of Art at Newfields has officially closed The Lume, its controversial immersive digital art gallery, following the conclusion of its final exhibition on Indigenous Australian art. Since its 2021 launch, the high-tech space hosted popular digital spectacles featuring the works of Van Gogh, Monet, and Dalí, but it will now be repurposed for a new contemporary art initiative that the museum claims will expand how audiences experience art.

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London-based gallerist and advisor Varvara Roza has established a unique business model that merges commercial representation with strategic artist development and collector education. Drawing from her background as a second-generation collector, Roza’s eponymous gallery focuses on mid-career and established international artists, prioritizing long-term career sustainability over short-term market trends. Her approach emphasizes a dual perspective, acting as both a mediator of cultural value and a strategic manager for her roster.

Middle East Museums Under Threat Amid War; Morning Links March 2, 2026

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Escalating conflict in the Middle East has placed major cultural institutions under direct threat, with debris from Iranian bombings reportedly falling on Abu Dhabi’s Saadiyat Island. While the Louvre Abu Dhabi features fire-protected galleries, the lack of underground armored shelters has raised alarms regarding the safety of its permanent collection and high-profile loans from France. Simultaneously, major museums in Qatar have shuttered indefinitely as a precautionary measure against the widening regional war.

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Billionaire Ari Emanuel, whose company Endeavor recently acquired the Frieze art fairs, kicked off the VIP opening of Frieze Los Angeles by acquiring three works by 86-year-old Black quiltmaker Yvonne Wells. Emanuel entered the Santa Monica Airport venue ahead of the general VIP crowd, purchasing textile portraits of Michael Jackson, Marilyn Monroe, and Elvis Presley from New York gallery Fort Gansevoort. The transaction, facilitated by Emanuel's long-time advisor Jeffrey Deitch, set a high-energy tone for an opening day that saw brisk sales, including a $3.75 million Ed Ruscha painting at Gagosian.