Hong Kong’s art market showed signs of a significant rebound during the March art week with two rare "white glove" auctions, where every lot was sold. Christie’s led the momentum with a 100 percent sell-through rate totaling HK$655.8 million, followed by Sotheby’s, which achieved HK$548.4 million and set a record for the most valuable work by a female artist sold at auction in Asia with Joan Mitchell’s La Grande Vallée VII.
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The Netflix series Ripley, an adaptation of Patricia Highsmith’s novel, utilizes the works of Caravaggio as a central narrative and aesthetic device. The show follows Tom Ripley, a grifter who travels to Italy and eventually adopts the identity of a wealthy acquaintance after committing murder. Throughout the series, Ripley encounters several of Caravaggio's masterpieces, including The Seven Acts of Mercy and David with the Head of Goliath, which serve as dark mirrors to his own descent into violence.
Newly released documents from the Jeffrey Epstein files suggest a direct link between billionaire collector Leon Black and the disgraced late antiquities dealer Douglas Latchford. An inventory titled "Leon Black/ Narrows South East Asian Art Inventory" found in Epstein’s emails lists 12 Southeast Asian works purchased by Black for $23.85 million. Among these is a $7 million bronze Shiva that matches the description of a piece featured in Latchford’s 2004 book, raising significant questions about the provenance of Black's collection.
Spanish political leaders are embroiled in a heated dispute following a formal request from the Basque regional government to loan Pablo Picasso’s 'Guernica' to the Guggenheim Museum Bilbao for its 90th anniversary. Officials in Madrid have dismissed the request as provincial, while Basque leaders argue for the work's return to the region it depicts; meanwhile, the Museo Reina Sofía maintains its long-standing policy against moving the fragile masterpiece.
The Artist’s Window charity has launched a massive 660-square-metre pop-up exhibition titled Art Space within the Festival Place shopping centre. Featuring 17 professional and amateur artists, the showcase includes a diverse range of media such as fine art, photography, and upcycled furniture. The venue also functions as an interactive studio, offering community workshops and "Stay and Play" sessions for families throughout its run.
The estate of Jewish art dealer Oscar Stettiner has filed a new lawsuit in the New York State Supreme Court against the Nahmad family, seeking the restitution of Amedeo Modigliani’s 1918 painting "Seated Man With a Cane." The suit alleges that the $25 million portrait was looted by the Nazis in Paris and is currently held by the International Art Center, which the plaintiffs claim is a shell company controlled by the Nahmads. This legal action follows a 2012 dismissal of a similar claim by Stettiner’s grandson, Philippe Maestracci, due to a lack of standing.
The Trump administration has filed an emergency motion to overturn a federal judge's ruling that halted a $400 million, 90,000-square-foot ballroom renovation at the White House. U.S. District Judge Richard Leon previously ordered a stop to the project following a lawsuit by the National Trust for Historic Preservation, which argues the president lacks the unilateral authority to alter the historic site. The administration's appeal claims the construction pause creates grave national security risks and that the court lacks the authority to interfere with presidential renovations.
The Bavarian Parliament has unanimously ordered a comprehensive investigation into revelations that the state returned Nazi-looted artworks to the families of high-ranking Nazi officials instead of their rightful Jewish owners. A report by the Commission for Looted Art in Europe (CLAE) exposed that state-owned museums in Munich profited from these stolen works for decades, in some cases selling them back to Nazi descendants at nominal prices or keeping them in public collections.
Edmonia Lewis’s monumental marble sculpture, 'The Death of Cleopatra', debuted to massive acclaim at the 1876 Centennial Exhibition in Philadelphia before vanishing into a bizarre century-long obscurity. After failing to sell, the two-ton masterpiece transitioned from Chicago saloons to a racetrack—where it served as a grave marker for a horse—and eventually sat neglected at a shopping mall construction site, exposed to vandalism and the elements.
The Greytown Art Gallery has launched the third edition of its annual "Full Circle" exhibition, featuring nearly 100 anonymous works created on small, circular formats. The opening event, officiated by South Wairarapa mayor Fran Wilde, included an auction of the pieces, which are priced at a flat rate of $200 to ensure affordability. The exhibition showcases a mix of emerging and established artists from across the Wairarapa region, challenging them to work outside traditional rectangular constraints.
Ariana Papademetropoulos has debuted a new solo exhibition titled "Glass Slipper" at Thaddaeus Ropac’s gallery in Paris. The show features a diverse range of works, including hyper-realistic paintings of dry-cleaned dresses, surrealist landscapes featuring floating chairs, and a central immersive installation. This centerpiece consists of a mattress and a fish tank filled with 150 kissing fish, accompanied by a commissioned ambient soundtrack by Nicolas Godin of the band Air, designed to evoke a meditative, ritualistic experience.
Artists Space in New York is hosting the first comprehensive U.S. survey of photographer David Armstrong, featuring over 90 works spanning three decades. While often associated with Nan Goldin and the Boston School, the exhibition highlights Armstrong’s distinct evolution from raw black-and-white 1970s downtown portraits to his later blurred landscapes and Renaissance-inspired color photography.
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Anishinaabe artist Henry Guimond has designed a mission patch for Canadian astronaut Jeremy Hansen to wear during the Artemis II lunar mission. The artwork features seven symbolic animals representing the Seven Sacred Laws of Anishinaabe custom, intended as a universal message for humanity that will literally travel beyond Earth's orbit.
Renowned sculptor Melvin Edwards, a pioneer of the Black Art Movement who transformed welded steel into powerful explorations of African American identity, has passed away at the age of 88. Edwards was best known for his "Lynch Fragments," a series of over 300 compact, wall-mounted assemblages that utilized industrial materials like chains, meathooks, and barbed wire to evoke the history of racial violence and the struggle for civil rights. His career spanned over six decades, beginning with a breakout solo show at the Santa Barbara Museum of Art in 1965 and a landmark exhibition at the Whitney Museum of American Art in 1970.
A federal judge has ordered an immediate halt to Donald Trump’s $400 million White House ballroom project, ruling that the administration cannot proceed without explicit congressional authorization. Despite the President's claims that the project is privately funded by "patriot donors," U.S. District Judge Richard Leon emphasized that the President is the "steward" rather than the owner of the White House, reinforcing long-standing statutes regarding construction on federal land.
A federal judge has issued a preliminary injunction to halt President Donald Trump’s controversial $400 million overhaul of the White House’s East Wing, which includes the construction of a massive new ballroom. Despite the ruling, the National Capital Planning Commission voted to approve the project, following the submission of over 30,000 public comments, the majority of which were negative. The legal challenge, led by the National Trust for Historic Preservation, argues that the President lacks the constitutional authority to bypass Congress and use private funds for major structural changes to the historic landmark.
Galerie has curated a selection of eight essential solo gallery exhibitions across the United States for April, highlighting diverse practices from New York to Los Angeles. Key features include David Smalling’s debut at Templon, where he employs Old Master techniques to critique gender expectations and social hierarchies, and Zhang Huan’s first New York solo show in over a decade at 125 Newbury, which pairs his legendary 1990s performance documentation with his signature incense ash paintings.
Melbourne-based artist Sid Pattni is gaining international recognition for his unique fusion of portraiture and traditional Indian embroidery. Following a transformative residency in New Delhi, Pattni has developed a practice that reclaims colonial-era imagery by framing figures within vivid, beaded borders inspired by Mughal miniatures. His work explores the complexities of the Indian diaspora and the fluid nature of identity, moving beyond conventional portraiture to incorporate ancestral craft techniques.
The Arts Council of East Orange has officially opened the “Gallery Under the Stairs” at City Hall, marking a significant revival of the city’s cultural programming. The inaugural exhibition features the work of Warren Murray, his late brother Russell Murray, and Janette Crayne Belcher, highlighting themes of family legacy and community storytelling. The event served as a public debut for Warren Murray, who began painting to honor his brother’s artistic memory, turning a personal grieving process into a community-facing creative practice.
The Trenton City Museum at Ellarslie has launched "African American Abstractions," a major exhibition featuring the works of James E. Dupree, Femi J. Johnson, and Kenneth J. Lewis. Curated by Janis Purcell, the showcase spans three galleries and explores the intersection of vibrant color, form, and cultural narrative. The exhibition is supported by public programming, including an abstract art workshop and an artists' roundtable discussion.
Milwaukee’s art scene is preparing for a busy April season anchored by the city’s quarterly Gallery Night on April 17 and 18. Key highlights include the Milwaukee Art Museum’s 18th annual Art in Bloom, which pairs floral arrangements with works from the permanent collection, and the Milwaukee Institute of Art and Design’s (MIAD) senior capstone exhibition. Other notable shows include Var Gallery’s 12th annual "30x30x30" challenge and Gabrielle Marie Stone’s "Snack Shop" at Kim Storage Gallery.
President Donald Trump has unveiled a rendering for his planned presidential library in downtown Miami, envisioned as a 47-story skyscraper. The proposal features a gold entranceway, a 20-foot-tall golden statue of the former president, and a replica of the Oval Office, alongside a hotel and office space. The project is being designed by architecture firm Bermello Ajamil and is reportedly seeking to raise nearly $1 billion in donations to fund the construction on highly valuable waterfront land.
Melvin Edwards, the pioneering sculptor known for his powerful steel assemblages and "Lynch Fragments" series, has died at the age of 88 in Baltimore. Edwards was a trailblazer who reframed Minimalism by infusing it with political and cultural weight, becoming the first Black sculptor to have a solo exhibition at the Whitney Museum in 1970. His work utilized industrial materials like chains and barbed wire to address histories of enslavement, anti-Black violence, and global conflict while maintaining a sophisticated abstract language.
The Berkeley Art Museum and Pacific Film Archive (BAMPFA) has launched "Routed West: Twentieth-Century African American Quilts in California," the first major thematic exploration of the 3,000-piece Eli Leon bequest. Curated by Elaine Yau, the exhibition features over 100 quilts by approximately 80 artists, tracing the migration of improvisational textile traditions from the American South to the Bay Area. The show highlights how these portable objects served as both functional necessities and vital forms of self-expression for Black women during the mid-20th century Great Migration.
The 345 Art Gallery in Chicago’s East Garfield Park hosted "Vinyl Queens! Black Women in the DJ Scene," a photography exhibition by Yolanda Chioma Richards of Imagery By Chioma LLC. The exhibit features visual storytelling portraits that document the artistry and cultural impact of Black women DJs, coinciding with Women’s History Month. The event included a 30-minute panel discussion and live performances, highlighting the intersection of music culture and professional photography.
The Northern England-based charity New Light Art has announced the forced sale of its prestigious permanent collection due to a critical lack of funding. Comprising over 80 works by prominent Northern artists such as Norman Ackroyd and Anne Desmet, the collection will be auctioned at Anderson & Garland in Newcastle on April 2, 2025. The decision follows the departure of a long-term patron and rising logistical costs, with proceeds intended to keep the charity’s exhibition and education programs operational.
The Fayetteville (NC) Chapter of The Links, Inc. is hosting a major art exhibition titled "The Curated Collection" on March 28 at the Embassy Suites in Fayetteville. The event features two prominent Black artists: sculptor Woodrow Nash, known for his "African Nouveau" style and his public monument to Sojourner Truth, and painter Charly Palmer, whose work has graced the cover of Time magazine. Attendees will have the opportunity to purchase original sculptures and paintings while learning about art collecting.
The Portland Art Museum (PAM), the oldest art museum in the Pacific Northwest, has recently completed a significant 100,000-square-foot expansion to enhance its public and gallery spaces. The museum's diverse collection of over 50,000 objects is particularly noted for its holdings in Native American art, English silver, and graphic arts. Current highlights include the Joe and Shelley Voboril Gallery’s focus on Plains regional works and the 'Conductions: Black Imaginings II' series of in-gallery activations.
The Mississippi Museum of Art has launched "L.V. Hull: Love Is a Sensation," the first major museum retrospective dedicated to the late self-taught African American artist L.V. Hull. The exhibition showcases Hull’s vibrant, immersive practice of transforming her Kosciusko home and everyday found objects—ranging from sneakers and fan blades to television sets—into a dense, kaleidoscopic art environment. The show is presented in partnership with the L.V. Hull Legacy Center and features individual artworks, archival ephemera, and documentary footage.
Ugandan visual artists are confronting the disruptive rise of generative artificial intelligence, which many local creators view as a tool for intellectual property theft. Prominent figures like batik artist Nuwa Wamala Nyanzi highlight the lack of consent, credit, and compensation as AI models scrape internet data to replicate unique artistic styles. The local industry is currently navigating a precarious landscape where traditional techniques meet digital automation, raising urgent questions about the future of creative labor in East Africa.