The article examines the philosophical and literary significance of laughter in François Rabelais's work, particularly *Gargantua and Pantagruel*, contrasting his celebratory view with the predominantly negative assessments of laughter in Western philosophy from Plato to Hobbes. It highlights how Rabelais channels a durable tradition of folk humor as a form of affirmative relief from oppression and official solemnity.
Artist-filmmaker John Smith discussed his latest autobiographical film, 'Being John Smith,' in an interview with Nataliia Serebriakova following a screening. The film explores his lifelong relationship with having one of the most common English names, a subject he was finally inspired to tackle after witnessing a Pulp concert where the crowd became a unified mass during the song "Common People." He describes the project as cathartic, addressing the daily jokes and challenges of individuality tied to his name.
The Wildlife Photographer of the Year exhibition has opened at Shrewsbury Museum and Art Gallery (SMAG) in Shropshire, UK, running until 20 June 2026. On loan from the Natural History Museum in London, the show features over 60,000 entries judged anonymously by an international panel, including a striking image of a lioness and cobra by Gabriella Comi. Alongside the main exhibition, a community photography competition highlights local Shropshire photographers focusing on 'Wildlife on your doorstep'.
Yakima Valley College (YVC) art students are showcasing their work in the annual Student Art Show at Larson Gallery. The exhibition features artwork created for class assignments from spring and fall quarters of 2025 and winter quarter of 2026, spanning mediums such as ceramics, painting, drawing, printmaking, photography, and design. Awards and honorable mentions were presented at the opening reception on May 5, and many pieces are available for purchase. The show runs through Saturday, May 30, with free admission.
L'édition 2026 du Salon du Dessin
The 2026 edition of the Salon du Dessin, a specialized drawing fair, is underway at the Palais Brongniart in Paris. The fair features a new 'young collectors' pathway designed to appeal to those not spending hundreds of thousands, alongside the traditional stand for anonymous works. Major pieces, like two allegorical drawings by Grégoire Huret, sold immediately at the opening, and the event maintains its characteristic scholarly yet warm atmosphere with notable new exhibitors.
The seventh edition of "Una Boccata d'Arte," an initiative by Fondazione Elpis, will bring contemporary art to 20 remote villages across all 20 Italian regions. Twenty artists, each paired with a curator, will create site-specific projects that will be inaugurated simultaneously on June 20-21, 2026, and remain on view until October 4. A key innovation this year is that artists and curators spent extra time engaging with local communities before designing their works, fostering deeper connections. Examples include Greek artist Vasilis Papageorgiu transforming a traditional tablecloth from a resident of Tredozio, and Francesco Alberico collaborating with a socio-health facility in Bressanone to create a bird-themed installation.
Ecco com’è il chiacchieratissimo Padiglione Russia della Biennale di Venezia. Foto e video
The Russian Pavilion at the 2026 Venice Biennale has opened amid intense controversy over its unauthorized participation. The pavilion, housed in a 1914 building recently restored by Italian architects 2050+, features a program of musical improvisations, ensemble performances, techno concerts, and interactive actions, including free used clothing. The space is designed as a fragrant flower shop with a chill-out room featuring a conifer grove and video installations. The exhibition, titled "L’Albero Radicato nel Cielo" (The Tree Rooted in the Sky), is organized by young poets, musicians, and philosophers who prefer to remain anonymous as a collective, coordinated by the Gnessin Russian Academy of Music. However, due to sanctions, the pavilion is only open from May 5 to 8, as organizers cannot obtain the necessary permit to operate beyond the private opening.
ClearStory Arts in Chattanooga is hosting an exhibition titled "The Inexpressible Contained," running through January 31, 2026, featuring original works by 13 local artists inspired by anonymous unsent letters collected during citywide mailbox pop-ups. During the opening reception on January 2, 2026, artist Anna Wise was moved to tears when the author of one of the letters she illustrated purchased her watercolor painting, titled "Shadows." The exhibition includes diverse media such as paintings, mosaics, ceramics, fiber arts, and a full-size puppet, with a desk where visitors can write their own anonymous letters.
The Greytown Art Gallery has launched the third edition of its annual "Full Circle" exhibition, featuring nearly 100 anonymous works created on small, circular formats. The opening event, officiated by South Wairarapa mayor Fran Wilde, included an auction of the pieces, which are priced at a flat rate of $200 to ensure affordability. The exhibition showcases a mix of emerging and established artists from across the Wairarapa region, challenging them to work outside traditional rectangular constraints.
The Grand Palais in Paris has announced a major monographic exhibition dedicated to the Swedish pioneer Hilma af Klint, running from May 6 to August 30, 2026. This comprehensive retrospective aims to showcase the artist's visionary abstract works, which predated the recognized beginnings of the abstract movement by several years.
The South Dakota Art Museum will present "Over a Hundred Thousand Images Later: Dan Kane, a Retrospective" from June 28 to September 28, 2025. The exhibition showcases the career of Dan Kane, a South Dakota-born photographer who has lived in Berlin for decades, featuring his analog black-and-white photographs that explore the male nude and South Dakota landscapes. Curated by Hunter O'Hanian, the show includes works from 1987 onward and is supported by anonymous and named sponsors.
The New York Times article explores how contemporary art galleries are increasingly turning to overlooked or forgotten artists from art history, giving them a second act through exhibitions and market attention. These galleries research historical figures who were marginalized, underappreciated, or simply lost to time, and reintroduce their work to collectors and institutions, often leading to rediscovery and renewed critical interest.
「NCAR×AWARE 女性アーティストリサーチフェローシップ」の第1回採択者が決定
The National Center for Art Research (NCAR) and Archives of Women Artists, Research and Exhibitions (AWARE) have announced the first recipients of their joint research fellowship dedicated to women artists in Japan. Sculptor and critic Nodoka Odawara and Tokyo Photographic Art Museum curator Yuri Yamada were selected from 19 applicants to conduct specialized research on marginalized female figures in Japanese art history. Odawara will focus on pioneering female sculptors Kamono Ota and Toko Kuhara, while Yamada will investigate early female photographers from the Meiji to early Showa eras, including Ryu Shima and Yoshino Hanawa.