Morton Contemporary Gallery exhibition will combine art, music and light

Morton Contemporary Gallery in Philadelphia will open “Alchemy: The Sound of Color,” a new exhibition combining painting, music and light, on Saturday, June 6. The show is a collaboration between Los Angeles artist Donna Isham and Emmy and Grammy-winning composer Mark Isham, marking their first exhibition in Philadelphia. It will feature large-scale installations that blend Donna Isham’s paintings with original music, animation and light effects, alongside additional paintings. The opening reception runs from 6 to 8 p.m. on June 6, is free and open to the public, and includes wine and a chance to meet the artists.

Catherine Couturier Gallery presents Sander Vos: "Interpolation" opening reception

Catherine Couturier Gallery in Houston is presenting "Interpolation," a solo exhibition featuring the work of Dutch-born, London-based artist Sander Vos. This marks Vos's first solo show in Houston, showcasing photographs that deconstruct portraits and everyday objects through layering and spatial manipulation inspired by Cubism. The exhibition opens with a reception and runs through June 20.

Emma Donnersberg to open Paris gallery

Interior designer Emma Donnersberg will open her first Paris gallery on 20 October 2025 in Saint-Germain-des-Prés. The inaugural exhibition will feature paintings by Mexican artist Ileana García Magoda alongside new furniture pieces by Donnersberg, including the Marigold sofa and chairs from her Cloud and Rainbow collections. Donnersberg, who studied at Tulane University and Parsons School of Design, began her career at Christie’s in New York and Paris before founding E. Donnersberg Interiors in Manhattan in 2008.

Exhibitions on view in July at Southwest Florida art centers

Southwest Florida is home to over a dozen art centers, and in July 2025, 24 exhibitions are on view across venues from Sarasota to Marco Island. Highlights include Art Center Sarasota's 'Vice and Virtue: Annual Juried Regional Show,' juried by curator Jessica Todd, exploring morality and duality; Venice Art Center's solo shows by Karen Weih and Cosette Kosiba; the 'Over the Bridge' exhibition at Visual Arts Center in Punta Gorda featuring B.A. Wikoff and Lily Obsitnik; and the 'Member’s Showcase Exhibit' at the same venue. Satellite shows and the DeSoto Arts Center's annual art show round out the month's offerings.

The Next Wilmington Art Loop Opens Friday, June 6, 2025

The next Wilmington Art Loop, a free citywide art exhibition, opens on Friday, June 6, 2025, from 5–9 PM. Now in its 38th year, the event is a partnership between the Mayor’s Office of Cultural Affairs and Out & About Magazine. Participating venues include The Delaware Contemporary (featuring RADIUS and ARC 25 exhibitions), Wilmington’s Redding Gallery (hosting the City of Wilmington Employee Juried Art Show and a display on the Tubman-Garrett statue), The Mezzanine Gallery (showcasing Jen Hintz Eggers), MKT Gallery (presenting Troy Jones’s “Ancestral Echoes: Masks We Wear”), and Bridge Art Gallery. A free shuttle, provided by the City of Wilmington Parks & Recreation Department, will run from The Delaware Contemporary parking lot, with riders voting on additional gallery stops.

The Porn Effect

Der Porno-Effekt

Maja Malou Lyse received a bizarre phone call nearly three years ago from the CEO of the world's largest sperm bank, who offered her 20 liters of discarded sperm for artistic purposes. She accepted and created an installation for the Danish Pavilion at the Venice Biennale, working with porn stars to explore how images shape bodies and desire.

Alchemist of Colors

Annina Roescheisen, a German-born artist now based in New York, presents her work in Venice during the opening days of the Venice Biennale. Her paintings are created through an alchemical ritual where she mixes pigments, charcoal, ash, ink, herbs, and salts, producing pulsating fields of color that blur the line between the visible and invisible. A self-taught artist who never attended art school, Roescheisen draws on art history and philosophy, with a particular passion for medieval art. Her series "Flying Dragons" references the ancient Physiologus, and she has also produced watercolors based on drawings made with her eyes closed to explore how visual perception changes from childhood to adulthood.

Around the World

Einmal um die Welt

The article previews the national pavilions at the Venice Biennale, where 99 countries present exhibitions across the Giardini, Arsenale, and venues throughout the city. It highlights Iceland's pavilion, featuring Ásta Fanney Sigurðardóttir's project "Pocket Universe" at the Docks Cantieri Cucchini, a multimedia work combining performance, sound, moving image, and installation centered on a film about a creature.

Monopol is giving away 1 × 2 tickets for "Arv og miljø" at the Schaubühne Berlin

Monopol verlost 1 × 2 Tickets für "Arv og miljø" in der Schaubühne Berlin

The Schaubühne Berlin is hosting the Norwegian production "Arv og miljø" (Will and Testament) as part of the Festival Internationale Neue Dramatik (FIND). Based on Vigdis Hjorth’s controversial novel, the play follows Bergljot, a woman who confronts her estranged family during an inheritance dispute over summer houses, leading to a harrowing clash over suppressed childhood memories and the nature of truth.

Ella Maillart, intrepid photographer of the 1930s, highlighted in an exhibition in Lausanne

Ella Maillart, photographe baroudeuse des années 30 mise en lumière dans une exposition à Lausanne

Ella Maillart, a Swiss photographer and adventurer from the 1930s, is the subject of a new exhibition in Lausanne. Born in Geneva in 1903, Maillart was an Olympic sailor and champion skier before turning to travel and photography. She journeyed across the Soviet Union, Central Asia, and China, often by train, ski, or camel, documenting remote cultures and political landscapes. Her travels included a 6,000-kilometer trek from Beijing to Kashmir with British writer Peter Fleming, and a road trip from Geneva to Kabul with friend Annemarie Schwarzenbach. The exhibition highlights her photographs and writings, which blend geographical exploration, political chronicle, and personal meditation.

“100% L’Expo”: 5 Young Talents Shaping Today’s Art at La Villette

« 100 % L’Expo » : 5 jeunes talents qui font l’art d’aujourd’hui à La Villette

The Grande Halle de La Villette in Paris is hosting "100% L’Expo," a major showcase featuring emerging talents from art schools across France. Curated by Inès Geoffroy, this year’s edition highlights a diverse range of multidisciplinary installations focusing on themes of living ecosystems, diasporic memories, and new spiritualities. Notable participants include Zoé Saudrais, whose work blends activism with ceramics and textiles, and Joséphine Berthou, who presents a tense, two-screen video installation exploring social aggression.

Art (by) Dealers at White Columns

White Columns in New York is hosting "Art (by) Dealers," a group exhibition featuring works by 25 artists who also work as art dealers. Curated by Kathy Huang and Will Leung, the show runs from March 13 through April 25, 2026, highlighting the dual identities of professionals who navigate both the creative and commercial sides of the industry.

Cassandra Dias Takes an Impressionistic Approach to Painting with Thread

Cassandra Dias, a Southern California-based artist, creates lush embroideries of natural landscapes using thread painting, a technique that mimics the gestural strokes of a paintbrush. Since taking up needle and thread in 2020, she has developed an impressionistic style that captures cliffsides, vineyards, and mountains in richly textured scenes. Her forthcoming book, "Richly Stitched Landscape Embroidery: Mastering Thread Painted Scenes," is set for release in May and is available for pre-order through the Colossal Shop.

Marvel at Manabu Kosaka’s Hyperrealistic Paper Sculptures of Retro Objects

Japanese artist Manabu Kosaka creates hyperrealistic, scale replicas of everyday and retro objects using only paper. His meticulously crafted sculptures—ranging from 35mm film cameras and vintage transistor radios to luxury wristwatches and fast food—feature functional internal components like gears, levers, and moving hatches that mimic the mechanics of the original items.

Retrofuturistic Figures Emerge from Wood in Playful Sculptures by Aleph Geddis

Artist Aleph Geddis creates intricate, hand-carved wooden sculptures that blend organic forms with retrofuturistic aesthetics. His work oscillates between abstraction and figuration, drawing inspiration from his nomadic lifestyle between Japan, Bali, and the Pacific Northwest. Currently, Geddis is exploring varying scales of production, ranging from intimate, toy-like "Littles" to a massive, immersive installation designed for the upcoming Burning Man festival.

Nikima Jagudajev “Like” at Scuola Piccola Zattere, Venice

Artist and choreographer Nikima Jagudajev presents "Like", a new commission and exhibition at Scuola Piccola Zattere in Venice, running from 7 May to 18 October 2026. The work merges film and video game into a playable experimental piece, housed in the nonprofit's palazzo in Dorsoduro.

Echoes of Memory and Quiet Revolutions

The Henrike Grohs Art Award concludes its final edition, naming Tanzanian artist Rehema Chachage as the 2026 laureate. Chachage, who works across performance, video, text, scent, and installation, creates a "performative archive" in collaboration with her mother and grandmother, transforming personal and ancestral memory into shared sensory experiences. The two finalists are Younès Ben Slimane, a Tunisian filmmaker and visual artist whose silent, disorienting works challenge cinematic narrative structures, and Egyptian artist Rania Atef, whose participatory practice turns domestic spaces into stages for revealing power dynamics. The award received over 600 applications from more than 30 African countries.

Speaking in Signs: Kwame Akoto’s Worlds Across Contexts.

Ghanaian painter Kwame Akoto, known for his vibrant signboard works blending bold imagery with urgent text, is the subject of his first major French exhibition, 'Almighty God Art Works', at the Musée du quai Branly – Jacques Chirac in Paris. In an interview with ART AFRICA, Akoto discusses how his paintings transform when moving from the streets of Kumasi—where they function as everyday spiritual and commercial communication—into a European museum context, addressing themes of translation, shared authorship, and the shifting meanings of images across cultural and institutional boundaries.

Urban Reflections, Daniel Melim on the City as Studio, Archive and Collective Space

Brazilian artist Daniel Melim discusses his exhibition "Urban Reflections" at São Bernardo do Campo in an interview with Brendon Bell-Roberts. Melim, who emerged from the graffiti and stencil cultures of ABC Paulista, describes how the city functions as an active collaborator in his practice, transforming the gallery into an expanded studio where boundaries between street, studio, and institution dissolve. The exhibition juxtaposes pivotal and previously unseen works, tracing his artistic evolution and layered urban memory.

NAFRICA–MASCHERE: The Mask Strikes Back

Curator Simon Njami discusses his exhibition 'NAFRICA–MASCHERE' at the Museo e Real Bosco di Capodimonte, which juxtaposes the fascist anthropological archives of Lidio Cipriani with contemporary artworks. The show utilizes the metaphor of the mask to explore the tension between how individuals are perceived and how they project themselves, specifically addressing the persistence of colonial logic in the modern world. By including artists from Africa, America, and Italy, Njami seeks to move beyond a binary 'colonizer vs. colonized' narrative toward a broader inquiry into human representation and power.

literature wayne koestenbaum books my lover the rabbi

Wayne Koestenbaum, a leading figure in New York's queer and literary scenes since the 1980s, is releasing his first novel in nearly two decades, *My Lover, the Rabbi*, in March. The 464-page book centers on an unnamed narrator's psychosexual affair with an aging rabbi, exploring themes of desire, repulsion, internalized homophobia, and the lingering aftermath of the Holocaust. Koestenbaum, known for his confessional prose and genre-straddling criticism—including his 1993 book *The Queen's Throat*—discusses the novel's intellectual filth, the conflation of desire and disgust, and his literary role models such as Samuel Delany and Jean Genet.

parties kid cudi documentary screening

Filmmaker Joshua Charow premiered his short documentary *Echoes of the Past* at the Miami Beach Edition, offering an intimate look at Kid Cudi's painter alter ego, Scotty Ramon, as he prepares for his first solo exhibition in Paris in 2026. The screening, attended by collector Larry Warsh and other art-world figures, showcased Cudi's experimental paintings and marked a new creative chapter for the musician-turned-visual artist.

phillip k smith sonoran desert installation

Artist Phillip K. Smith III installed "0/90/120," a site-specific work of 11 light panels, inside the historic William F. Cody house in Palm Springs, California. The installation, which ran through May, used reflective and illuminated volumes to transform the Desert Modern architect's family home, drawing the surrounding Sonoran Desert landscape indoors. Smith, who studied architecture at RISD and is known for desert-based works like "Lucid Stead" (2013) and "Reflection Field" at Coachella, created the piece to capture the rapid light changes at sunset and warp perceptions of space.

Cannes 2026 Dispatch, Part 1: Breaking False Unities

On May 8, during the pre-opening of the Venice Biennale, the independent collective ANGA (Art Not Genocide Alliance) organized a strike protesting genocide and precarity in the art world. Pro-Palestinian activists entered the Arsenale, where part of the exhibition "In Minor Keys" curated by the late Koyo Kouoh was installed, and hung posters on artworks calling for the liberation of Palestine and denouncing what they described as the Biennale's "art-washing" of Israel's reputation. The disruption blurred the line between activist intervention and the exhibition itself, as many works already addressed Palestine directly, including a poem by Refaat Alareer placed at the entrance.

A reading room for the Epstein files opens in New York

A pop-up exhibition in Tribeca, New York, has transformed Mriya Gallery into the Donald J. Trump and Jeffrey Epstein Reading Room, displaying over 3,000 bound volumes of printed Epstein files. Organized by the Washington, DC-based Institute for Primary Facts, the room holds 3,437 volumes encompassing 3.5 million pages of released documents, printed over about a month. The free exhibition runs until 21 May and requires advance booking.

From texture to 3D and optical illusion, Jack Lockhart invites the public to experience art differently

A solo exhibition titled "Beyond Imagination" by Canadian artist Jack Lockhart is on view at the Alex Dufresne Art Gallery in Callander. The show features roughly 35 paintings spanning 60 years of Lockhart's career, highlighting his evolution from traditional watercolour, acrylic, and oil painting to innovative 3D works created using ChromaDepth glasses.

Playable exhibition ‘The Art of Mini Golf’ at Battersea Arts Centre announces ninth hole artist - Danielle Brathwaite-Shirley

Rising Melbourne and Battersea Arts Centre (BAC) have announced that British artist and game designer Danielle Brathwaite-Shirley will design the ninth hole artwork for the playable exhibition 'The Art of Mini Golf' when it travels to London this summer. The exhibition, formerly known as 'Swingers', will take over BAC from 17 June to 26 July, featuring nine interactive golf hole artworks by leading women artists including Miranda July, Kaylene Whiskey, Saeborg, Delaine Le Bas, Natasha Tontey, BKTHERULA, Soda Jerk, and Pat Brassington. Brathwaite-Shirley's new commission, 'Enough Is Enough', uses video game language to critique technology's impact on society, addressing issues like surveillance, censorship, and wealth inequality.

Tom Vattakuzhy’s Mumbai exhibition follows the feeling a story leaves behind

Tom Vattakuzhy's new exhibition "Where Words End" opens in Mumbai from May 3–17, 2026, at ICIA Gallery in Kalaghoda. The show presents a series of "story paintings" that explore the emotional residue left behind after reading a narrative, focusing on moods and sensations rather than plot or illustration. Vattakuzhy, who began his career as an illustrator, shifts here toward open-ended scenes where figures appear mid-gesture and rooms feel charged with unspoken meaning, drawing from literary sources as points of departure rather than literal subjects.

A Glimpse of Summer Exhibitions in the Panhandle

Three exhibitions in the Texas Panhandle and Concho Valley showcased the work of artists Cody Arnall, Daryl Meador, and Ezra Tucker. At the Charles Adams Studio Project (CASP) Satellite Gallery in Lubbock, Arnall's show "Boredom and Failure (v.II)" featured sculptures and videos exploring imperfection, including an awning projecting a mirrored sky. In the same city, Daryl Meador's "Big Empty Blues" at Co-Opt Research + Projects presented textile art and quilts addressing labor, incorporating text from musicians and materials like waffle knit. The San Angelo Museum of Fine Arts hosted "The Art of Ezra Tucker," a survey of the artist's transition from illustration to fine art, focusing on wildlife paintings with masterful light and color.

The Biennale Must Remain Open – Also for Russia

Die Biennale muss offen bleiben – auch für Russland

The article argues against calls to exclude Russia from the Venice Biennale, focusing on the controversy surrounding the Russian pavilion's planned exhibition titled "Der Baum ist im Himmel verwurzelt" (The Tree Is Rooted in Heaven). The pavilion is set to feature musicians from Russia, Argentina, Mali, and Mexico, and its theme revolves around the idea that politics is time-bound. The author contends that while the demand to exclude Russia is understandable given the geopolitical context, it is dangerous because once a biennial begins disinviting states, it undermines the very concept of the international exhibition.