Le Lacma inaugure son nouveau bâtiment
The Los Angeles County Museum of Art (LACMA) has inaugurated its new David Geffen Galleries building, a massive horizontal structure spanning Wilshire Boulevard. Designed by architect Peter Zumthor, the $720 million project features 32,000 square meters of exhibition space across 90 non-hierarchical galleries, a free public park level, and a radical departure from traditional museum departmental organization.
Gilles Bloch : « Le Muséum a besoin de 1,1 milliard d’euros »
Gilles Bloch, president of the Muséum national d’histoire naturelle in Paris, has issued an urgent call for €1.1 billion in funding to address the critical state of the institution's infrastructure. Ahead of its 400th anniversary in 2026, a diagnostic report reveals that 74% of the museum's 120 buildings are in poor condition, with several galleries currently closed to the public or suffering from inadequate climate control. The requested funds would cover €500 million in emergency repairs to stabilize decaying structures and a further €600 million for long-term modernization and energy efficiency upgrades.
Première représentante autochtone du Pérou à la Biennale de Venise, Sara Flores ouvre les portes de son atelier au cœur de l’Amazonie
Sara Flores, a 76-year-old artist from the Shipibo-Konibo Indigenous community in the Peruvian Amazon, has been selected as the first Indigenous artist to represent Peru at the Venice Biennale. In her open-air studio deep in the rainforest, she creates large-scale geometric compositions in the kené ("true drawing") tradition, using natural dyes from local plants. She is also co-founder of the Bakish Mai Multiversity, an educational institution dedicated to Indigenous knowledge and artist residencies, alongside Matteo Norzi, one of the two curators of the Peruvian pavilion. The article offers an intimate portrait of her life, her matriarchal family, and her creative process.
Alice Riehl fait pousser un arbre de porcelaine plein d’humanité à Jouy-en-Josas
Artist Alice Riehl has unveiled a major porcelain installation titled "Herbarium Interior" at the Musée de la Toile de Jouy in Jouy-en-Josas. The work, a sprawling tree with leaves, branches, and roots, is crafted from porcelain and was inspired by the museum's historical textile collections. The installation is part of a solo exhibition, and a concurrent presentation of her work, "Porcelain Florilegium," is on view at New York's Museum of Arts and Design.
A French parliamentary commission released a report on May 13 detailing severe security deficiencies in French museums, following a December 2025 heist at the Louvre where French Crown Jewels worth $100 million were stolen. The report, overseen by MPs Alexis Corbière and Alexandre Portier, draws on over 20 hearings and highlights that only 25% of surveyed museums have a finalized security plan, with the Louvre itself criticized for dilapidated conditions and ignored audit warnings from 2017 and 2019 that predicted the thieves' modus operandi. Former Louvre director Laurence des Cars, who resigned in February, faced criticism for delays in implementing a security master plan.
The Walker Art Center in Minneapolis has announced it is severing ties with its in-house restaurant, Cardamom, following the eatery's decision to replace front-of-house staff with a QR code ordering system. The move by the restaurant would have resulted in the immediate termination of sixteen hosts and servers, sparking plans for worker protests and picketing.
The article recounts the author's train journey from London to Venice for the 61st Venice Biennale, highlighting the environmental benefits and pleasant experience of traveling by rail versus flying, despite higher costs and longer duration. It then focuses on the Biennale's central exhibition "In Minor Keys" curated by the late Koyo Kouoh, which foregrounds environmental themes through works that engage with earth, nature, and ecological stakes, featuring artists like Otobong Nkanga, Célia Vasquez Yui, Theo Eshetu, Linda Goode Bryant, and Annalee Davis.
The article analyzes the shifting dynamics of the global art market, reporting that regions outside the traditional 'big three' hubs of the US, UK, and China have increased their market share from 17% in 2015 to 24% in 2025. This shift is driven by nationally protective regulations like Brexit and tariffs, which have stifled the free circulation of contemporary art. While the US market remains dominant at 44%, countries such as South Korea, Switzerland, Japan, and Australia have seen growth, and emerging cultural energy is noted in places like Bangkok, Warsaw, Margate, and Qatar.
Nearly half of the artists in the main exhibition of the Venice Biennale have signed a statement declining consideration for the Golden Lion awards, in solidarity with the jury that resigned last month. The statement, published by e-flux, includes prominent names such as Alfredo Jaar, Tuan Andrew Nguyen, Otobong Nkanga, and Walid Raad, as well as national pavilion representatives from France, Lithuania, and the Netherlands. The Biennale had planned to replace the jury-selected Golden Lions with "Visitor Lions" decided by public vote, but the artists' refusal marks an unprecedented protest within the exhibition.
The Pinchuk Art Centre in Kyiv has transformed its Venice Biennale presentation from a glamorous celebration of young artists into a somber exhibition responding to the Russian invasion of Ukraine. This year's show, titled "Still Joy — From Ukraine into the World" (9 May-1 August) at the Palazzo Contarini-Polignac, features works by international artists like Tacita Dean and Julian Charriere alongside Ukrainian artists, as well as testimonials from soldiers collected by former marine Hlib Stryzhko. The exhibition explores how joy can persist amid trauma, with installations including pink scrolls bearing survivors' quotes, light box photographs of bombed interiors with rescued pot plants, and a sculpture of bells with displaced women's fingerprints.
The article reviews Keith Haring's early work from 1980 to 1983, currently on view at the Brant Foundation in New York. The author reflects on initially dismissing Haring's graffiti-inspired style as trite and playful, but now sees darker, prophetic themes in pieces featuring apocalyptic imagery, UFOs, nuclear power, and mindless obedience to higher powers. The exhibition, curated by Dieter Buchhart and Anna Karina Hofbauer, runs through May 31.
On May 6, 2026, the Lithuanian, Latvian, and Estonian pavilions at the Venice Biennale organized a procession in solidarity with Ukraine, walking approximately one and a half miles from the Lithuanian Pavilion in the Fucina del Futuro to the Estonian pavilion. The action honored Ukrainian cultural workers creating under war conditions and those who have died. It is one of several political protests at the contentious 2026 Biennale, including demonstrations by Pussy Riot and FEMEN at the Russian pavilion, a "Solidarity Drone Chorus" opposing Israel's inclusion, and a planned 24-hour strike by the Art Not Genocide Alliance.
The 61st Venice Biennale, titled "In Minor Keys," opens amid turmoil: its curator Koyo Kouoh died of cancer during planning, and the festival jury resigned after a controversial statement about excluding Israel and Russia from prizes, replaced by a Eurovision-style people's choice award. The main exhibition, completed by a team of five collaborators using Kouoh's plans, features over 110 artists and collectives, with highlights including works by Big Chief Demond Melanchon, Tammy Nguyen, Guadalupe Maravilla, Ayrson Heráclito, and a section focused on Michael Armitage's Nairobi Contemporary Art Institute.
The Art Not Genocide Alliance (ANGA) has announced a 24-hour strike and rally on May 8, the day before the 2026 Venice Biennale opens to the public, in protest of the Israeli Pavilion. ANGA, formed in opposition to Israel's inclusion in the 2024 Biennale, refers to the current Israeli presentation—featuring Haifa-based artist Belu-Simion Fainaru—as the "Genocide Pavilion." Over 200 artists, curators, and culture workers have signed an open letter demanding Israel's exclusion, and a separate action called Solidarity Drone Chorus involved 60 artists. ANGA is collaborating with local labor and culture organizations including Biennalocene, Vogliamo Tutt'altro, S.a.L.E. Docks, and Mi Riconosci.
The 61st Venice Biennale opened under grey skies and rain, with political tensions overshadowing the art world's premier event. The Russian pavilion, absent for two editions due to the Ukraine war, reappeared with a party atmosphere, though the Italian ministry of culture confirmed it would not be open to the public. The Ukrainian culture minister called Russia's symbolic presence powerful. The Iranian pavilion withdrew without explanation, and a protest by 60 artists from the In Minor Keys show marched through the Giardini humming in solidarity against Israel's participation. Over 200 artists, including Lubaina Himid and Alfredo Jaar, signed an open letter demanding the Israeli pavilion's cancellation. The event also proceeded without its curator, Koyo Kouoh, who died in May 2025; her curatorial team delivered the exhibition following her plans.
Photographer Will Vogt's second monograph, *Behind the Hedges*, offers an intimate glimpse into the lives of America's gilded elite, featuring images of his own social circle at hunting estates, weddings, exclusive club lunches, and golf weekends. The book, published by Schilt Publishing, includes quotes by Vogt and text by editor Jennifer Garza-Cuen from her essay 'Posture of Privilege,' capturing a world of inherited wealth and tradition.
The 61st Venice Biennale is embroiled in geopolitical controversy over Russia's return to the event in 2026, which has sparked widespread backlash. Nearly 10,000 artists and cultural leaders signed an open letter opposing Russia's participation, and the European Union withdrew €2 million in funding for the 2028 edition. Leaked emails reveal Biennale officials worked with Russian pavilion commissioner Anastasia Karneeva to circumvent EU sanctions, while Italy's culture minister Alessandro Giuli plans to boycott the opening week. Meanwhile, activists continue to push for Israel's removal from the Biennale, though Israel will be accommodated in the Arsenale this year.
The Vancouver Biennale has appointed Marcello Dantas as senior curator for its 2027-29 edition. Dantas, a Brazilian curator and art director, has worked on major projects including co-curating Desert X AlUla in Saudi Arabia, curating an Es Devlin exhibition in São Paulo, and serving as art director at Sfer Ik in Tulum. He previously contributed to the Vancouver Biennale's 2013-15 edition with a Vik Muniz project. Dantas emphasizes collaboration with local First Nations and community groups, and plans to explore themes of belonging, displacement, and public art that is ephemeral and participatory.
The Château de Chambord, a UNESCO World Heritage site and the second-most visited castle in France, has launched a €30 million ($35 million) crowdfunding campaign to fund urgent structural restorations. Decades of flooding and drought in the Loire Valley have severely compromised the foundations of the François I Wing, leading to warped walls and a 2023 incident where 20 visitors fell through a collapsing floor. Director General Pierre Dubreuil has initiated a three-phase plan to shore up the masonry, modernize accessibility, and create new educational facilities.
The U.S. Latinx Art Forum (USLAF) has appointed artist, archivist, and curator Josh T. Franco as its new executive director, succeeding founding director Adriana Zavala. Under Franco’s leadership and alongside newly promoted deputy director Mary Thomas, the organization is shifting its mission toward fostering "convivial spaces" and organic networking. This new phase includes hosting intimate dinners across major cities to connect artists with supporters and planning a major touring exhibition featuring the 75 recipients of the Latinx Artist Fellowship.
A mysterious new art fair called "The Island" is generating intrigue with plans for a super-secretive inaugural edition in the US Virgin Islands this May. Promotional materials suggest an exclusive event for mega-collectors, featuring special water sports activities and rumors of commissions from artists like Andres Serrano and Jeff Koons, with the unusual claim that all sales will be "redacted after the fact."
The advisory board of Chicago's DePaul Art Museum has sent a strongly worded letter to DePaul University leadership, condemning the decision to permanently close the 40-year-old museum on June 30. The letter, signed by board chair Scott J. Hunter and members including artists Brendan Fernandes and former Expo Chicago head Tony Karman, expresses "anger, frustration, and deep sadness" over the abrupt closure and the university's unilateral plans for the museum's 4,000-object collection.
The Reefline, a non-profit eco-art initiative, has launched its first phase of a seven-mile underwater sculpture park and artificial reef along Miami Beach. The project debuted with 'Concrete Coral' by Argentinian artist Leandro Erlich, a submerged sculpture depicting a traffic jam designed to provide a habitat for marine life. Future phases include works by Carlos Betancourt, Alberto Latorre, and Petroc Sesti, all overseen by the architecture firm OMA and founder Ximena Caminos.
A luxury condominium development in Miami's Wynwood neighborhood, branded with Frida Kahlo's name and image, has begun selling units despite construction not yet starting. The project, called the Frida Kahlo Wynwood Residences, features a 14-story tower designed by architect Carlos Ott with a massive portrait of the artist on its facade and plans for 244 furnished units priced from $500,000 to $1.6 million.
Banco Santander has announced it will manage roughly half of the Gelman Collection, one of the most significant collections of 20th-century Mexican art, which disappeared from public view in 2008. The Madrid-based bank now oversees 160 of approximately 300 works amassed by patrons Jacques and Natasha Gelman. The collection will anchor the new Faro Santander cultural center in Spain, set to open in June, through a long-term loan agreement with the Zambrano family, the prominent Mexican business family revealed to own the once-lost collection. The collection's whereabouts had been largely unknown, with only sporadic sightings in foreign institutions, after it was divided by executor Robert R. Littman despite the will's stipulation that it be shown intact in a private museum in Mexico.
Vienna will temporarily close several museums dedicated to famous composers, including the apartments of Franz Schubert, Johann Strauss, and Joseph Haydn, as part of city-wide budget cuts. The closures, announced on Wednesday, are expected to last up to two years, with Schubert's birthplace also closing for a redesign ahead of the 200th anniversary of his death in 2028. The city's cultural budget has dropped from €29.7 million in 2025 to €28.4 million this year, with further reductions planned for 2027. Other institutions, such as the Prater Museum and Hermes Villa, will also reduce opening hours.
Dorothy Waugh, a pioneering Modernist designer who created the U.S. government's first in-house National Parks poster campaign during the Great Depression, is the subject of her first-ever solo exhibition at New York's Poster House. Titled "Blazing a Trail: Dorothy Waugh's National Parks Posters," the show reunites all 17 posters Waugh designed for the National Park Service between 1934 and 1936, bold experimental works that helped define a new visual language for federal design. Guest curator Mark Resnick spent three decades tracking down Waugh's story, locating documents across the National Archives, the Library of Congress, the School of the Art Institute of Chicago, and the Jones Library in Amherst, Massachusetts.
French artist Claire Tabouret is presenting her full-scale maquettes for Notre-Dame Cathedral's new stained glass windows at the Grand Palais in Paris, in an exhibition titled "In a Single Breath." The six windows, each over 20 feet tall, were selected by a committee from over 100 submissions last December, replacing 19th-century designs by Eugène Viollet-le-Duc. The project has sparked controversy: conservation group Sites and Monuments launched a petition with over 328,000 signatures and a legal case arguing the replacement violates the 1964 Venice Charter and French historic monuments law. A Paris administrative court ruled in favor of the state in late November, but the group plans to appeal. Tabouret's designs are now being fabricated by the historic Atelier Simon-Marq glass workshop.
Sotheby's announced that $1 billion worth of fine art and luxury goods will be unveiled during Abu Dhabi Collectors' Week, running from December 2 to 5. The event includes non-selling exhibitions of high-value artworks, such as a Rembrandt drawing and Gustav Klimt's 'Dame mit Fächer,' while luxury items like McLaren racing cars, a Jane Birkin handbag, diamonds, and real estate will be offered at auction or privately, with over $150 million going to auction and $100 million in private sales.
Gustav Klimt's portrait of Elisabeth Lederer topped the list of the most expensive artworks sold at auction in 2025, achieving $236.3 million at Sotheby's New York on November 18—far exceeding its $150 million estimate and setting a new record for the artist. The painting came from the collection of the late Leonard Lauder, who died in June at age 92. Other top lots included two more Klimts from Lauder's collection, a newly offered Basquiat, and a record-setting Frida Kahlo work, alongside notable sales by van Gogh, Rothko, Mondrian, Monet, and Picasso, with many of the highest prices achieved during the blockbuster November auctions at Sotheby's and Christie's.