Jeamin Cha wins Hermès Foundation Missulsang
Korean media artist Jeamin Cha has been awarded the 21st Missulsang prize by the Hermès Foundation. She will receive KRW 30 million and production support for a solo exhibition at Atelier Hermès in Seoul, opening in May 2027.
South African visual activist Zanele Muholi has won the prestigious 2026 Hasselblad Award, one of the highest honors in photography. The award, which includes a cash prize and a major exhibition at the Hasselblad Foundation in Gothenburg, Sweden, recognizes Muholi's decades-long dedication to documenting and celebrating Black LGBTQIA+ communities in South Africa and beyond. Their powerful portraits and self-portraits challenge historical erasure and create a profound visual archive of resistance and existence.
À la Tate Modern, la bouleversante renaissance de Tracey Emin
Tracey Emin has returned to the Tate Modern for a major retrospective titled "A Second Life," marking a poignant milestone in her career. The exhibition features over a hundred works, including the iconic and once-scandalous "My Bed," which first catapulted her to international fame during the 1999 Turner Prize. This survey explores her evolution from the "enfant terrible" of the Young British Artists to a Dame of the British Empire, showcasing her multidisciplinary practice across painting, sculpture, and installation.
Art Dubai returns to Madinat Jumeirah from 15–17 May 2026 for a special 20th-edition programme that reflects on the fair's evolution and reaffirms Dubai's role as a global cultural hub. Presented in partnership with A.R.M. Holding and Dubai Culture, the fair features approximately 75 presentations from commercial galleries, institutional partners, and cultural initiatives, with around 60% of participating galleries drawn from the region. Highlights include the Made Forward presentation from Dubai Collection, the 20th edition of the Global Art Forum titled 'Before and After Everything', and an exhibition of modern Arab art from the Barjeel Art Foundation. The fair also introduces an innovative risk-sharing model where booth costs are payable based on sales performance, and entry is free for all visitors.
Artist Sarah Rosalena has completed a monumental 27-foot tapestry titled "Threading the Boundless: Omnidirectional Terrain" (2025), commissioned for the Los Angeles County Museum of Art’s (LACMA) new David Geffen Galleries. The work utilizes an industrial-scale jacquard-rapier loom to weave complex patterns that distort NASA satellite imagery of Earth and Mars. By blending her Wixárika maternal weaving traditions with computational craft, Rosalena transforms scientific data into a tactile, atmospheric landscape that challenges traditional methods of planetary mapping.
Philip Mould & Company in London is hosting a new exhibition titled "Elizabeth I: Queen and Court," featuring four rare portraits of the Tudor monarch alongside depictions of her closest advisors and political rivals. The show traces Elizabeth's visual evolution from a pious young princess to a formidable, iconographic ruler, highlighting how she utilized fashion and symbolism to solidify her authority and manage public perception during a period of immense political and religious transition.
Artnet News reports on the rediscovery of Colombian artist Luis Fernando Zapata (1951–1994), whose solo booth at Art Basel Miami Beach features works from 1988 to 1994 that resemble ancient artifacts. The booth, titled “The Immemorial: The Transcendence of Luis Fernando Zapata,” is presented by Bogotá’s Galería Elvira Moreno in the fair’s Survey sector, which highlights historically significant art made before 2000. Zapata’s pieces—including totemic shields, a mud-brown sarcophagus with cuneiform-like glyphs, barques, steles, and his “excavaciones”—are mostly hand-sculpted papier-mâché, evoking ritual and imagined cosmologies. Diagnosed HIV+ in the mid-1980s, Zapata died in 1994, leaving a body of work that has remained largely absent from the queer canon and art-world consciousness until now.
The second edition of the Atlanta Art Fair took place at Pullman Yards, a historic 27-acre former rail works in the Kirkwood district. The fair, directed by Kelly Freeman, featured around 80 dealers and attracted a diverse crowd, including many high school and college students, with a casual atmosphere far removed from typical art fair elitism. Freeman emphasized teaching the city how to use an art fair, prioritizing accessibility and long-term engagement over immediate sales.
French artist JR is presenting two solo exhibitions in China: “La Vie en Mouvement” at Perrotin Shanghai and “Kaleidoscope” at Galleria Continua in Beijing. The shows feature works from the past two decades, including photographs of ballerinas in unexpected urban settings and an installation that appears to crack open the gallery wall to reveal a Summer Palace pavilion. In an interview, JR discussed how architecture shapes his images, his resistance to being labeled an activist, and his reflections on past projects in Shanghai’s now-vanished shantytowns.
French authorities arrested five additional suspects in connection with the historic theft of Napoleonic jewelry from the Louvre Museum, Paris prosecutor Laure Beccuau announced on Thursday. The coordinated raids took place in Paris and its northern suburbs, with one suspect identified through DNA evidence. The investigation has advanced by studying encrypted communications from seized phones. The heist occurred on October 19, when four masked thieves broke into the Apollo Gallery during opening hours, stealing nine artifacts worth approximately $102 million, though one crown was dropped during the escape. Two suspects were previously arrested on October 25, one at Charles de Gaulle Airport. The stolen jewels remain unrecovered, and authorities are searching the black market for them.
Artnet News profiles five ultra-contemporary artists working in China today, highlighting their practices amid shifting cultural narratives, economic pressures, and technological change. Featured artists include Xia Yu, known for tempera paintings of everyday life, and Ye Linghan, who creates monumental "data portraits" from smartphone screenshots. The article details their backgrounds, notable exhibitions, market prices, and upcoming projects, emphasizing their growing appeal to collectors and curators.
Rhea Dillon, a 29-year-old artist and writer, is preparing for three exhibitions opening over the summer: a group show at the Whitney Independent Study Program (ISP), a solo exhibition at Heidelberger Kunstverein, and a booth in the Statements section of Art Basel Switzerland. Her work, which draws on Black and Caribbean intellectual traditions, uses everyday objects and symbols to critique postcolonial diasporic identity, as seen in sculptures like *Caribbean Ossuary* (2022) and *Swollen, Whole, Broken...* (2023). Dillon also discusses her linguistic approach, explored in drawings at Paul Soto Gallery, where she repeats and redefines the shape of a spade to transform a racial slur into new forms.
Kim Kardashian wore an orange fibreglass breastplate to the 2024 Met Gala, created by the east London design duo Whitaker Malem (Patrick Whitaker and Keir Malem) in collaboration with British pop artist Allen Jones. The breastplate was cast from a mould derived from Jones's 1969 sculpture "Hatstand," finished by car bodyshop MPS Body and Paint in Kent, and paired with a hand-painted leather skirt. Kardashian directly contacted the duo in early April, flew to the UK for fittings, and chose the piece to interpret the gala's "fashion is art" dress code, which explored the dressed and undressed human body.
DEL AMOR QUE MUEVE EL SOL Y LAS OTRAS ESTRELLAS. ENTREVISTA A AMALIA CROSS
The Museo de la Solidaridad Salvador Allende (MSSA) in Santiago has inaugurated a major collection-based exhibition titled "Del amor que mueve el sol y las otras estrellas," curated by art historian Amalia Cross. The show revisits the museum's unique history—from its origins during Salvador Allende’s presidency and the international "Operation Truth" to its period of exile following the 1973 coup and its eventual return to Chile. Featuring works by global icons such as Alexander Calder, Lygia Clark, and Yoko Ono, the exhibition emphasizes movement and collective action across various mediums including sculpture, video, and installation.
This article is a sales listing for David Hockney's limited-edition lithograph 'V' from the 1991 portfolio 'Hockney's Alphabet', offered by Baldwin gallery for £1,850. The work is signed by the artist and editor, comes with a certificate of authenticity, and is printed on Exhibition Fine Art Cartridge paper in an edition of 250. The listing includes a biography of Hockney, noting his iconic California pool paintings, his record-breaking $90.3 million sale at Christie's in 2018, and his representation by major international galleries.
A red-and-black Mark Rothko painting, *Brown and Blacks in Reds* (1957), sold for US$85.8 million at Sotheby’s New York on May 14, becoming the artist’s second-most expensive work at auction. The canvas came from the collection of Robert Mnuchin, a former Goldman Sachs partner turned gallerist, and was the star lot of a dedicated 11-lot evening sale that totaled US$166.3 million. The winning bid was placed by Sotheby’s chairman Helena Newman on behalf of a telephone client, with the hammer falling at US$74 million against an estimate of US$70–100 million. The painting was originally owned by Joseph E. Seagram & Sons and hung in the lobby of the Seagram Building, a landmark of corporate modernism designed by Ludwig Mies van der Rohe and Philip Johnson.
The Hammer Museum in Los Angeles presents "Several Eternities in a Day: Form in the Age of Living Materials," a spring 2026 exhibition running from April 5 to August 23. Curated by Jill Spalding, the show features works by artists including Edgar Calel, Guadalupe Maravilla, Carmen Argote, and others, exploring the concept of "Brownness"—a fluid identity rooted in ancestral memory, animal kinship, and a profound connection to living materials. The exhibition is organized into three acts: large-scale installations, paintings and works on paper, and ceramics, offering a visceral and immersive experience that draws on precolonial traditions across the Americas.
Artist Dozie Kanu has debuted his first mass-production collaboration with Knoll, a line of leather-tasseled tables launched in 2026 during Milan's Salone del Mobile, shortly after the opening of his solo exhibition at Fondazione ICA Milano. The Texas-born, Portugal-based artist, who first appeared in PIN–UP magazine in 2018 as an emerging design wunderkind, has since expanded his practice beyond collectible design into art, exhibition-making, film, and music. His recent projects include a documentary short screened at South by Southwest, a two-person exhibition with László Moholy-Nagy at Meyer Voggenreiter's project space piece*unique in Cologne, and a solo show at ICA Milano that dialogues with Marc Camille Chaimowicz and Jean Cocteau, featuring works alongside selections from the Nicoletta Fiorucci Foundation collection.
David Kordansky Gallery is presenting "Ripple: Furniture Sculpture and Painting after 1982," an exhibition of historic works by Swiss artist John Armleder, on view from May 7 to June 13, 2026. The show focuses on Armleder's Furniture Sculpture series from the 1980s, which incorporates functional or decorative objects alongside paintings, exploring the intersection of art, design, and everyday life. Works like FS 156 (1987) and Untitled (FS) (1987) exemplify his interest in collectivity, chance, and the viewer's role in assigning meaning, influenced by experiences such as a prison stint for refusing conscription and his time on a rowing team, as well as the experimental compositions of Erik Satie and John Cage's writings on chance.
Scottish artist William Turnbull (1922–2012) is the subject of a new exhibition titled 'Origins (1946–1959)' at Karma gallery in Chelsea, New York. The show surveys Turnbull's early career, focusing on the transformative period after World War II when he moved between Surrealist Paris and Abstract Expressionist New York. It features key works such as the sculpture 'Horse' (1946), inspired by a Parthenon marble at the British Museum, and 'Playground (Game)' (1949), reflecting his interest in phenomenology and movement. The exhibition traces his evolution from an illustrator and Slade School student to a sculptor and painter who engaged elemental forms like the horse, standing figure, and human head.
Swansea has been confirmed as the only Welsh stop on the British Art Show 10 national tour, with the exhibition taking place at the Glynn Vivian Art Gallery from February 12 to May 16, 2027. Titled 'A Chorus of Strangers,' the show will also feature venues including the new home for Elysium Gallery and potentially Y Storfa, and will explore themes of Moments of Being, Ways of Living, and States of Nature across various media. Curated by Ekow Eshun, the tour launches in Coventry in October 2026 before visiting Swansea, Bristol, Sheffield, and Newcastle-Gateshead.
Tate Britain has announced a major new exhibition, *The 90s: Art and Fashion*, opening in autumn 2026, which will be the first to examine the intersection of contemporary art, photography, and fashion during the 1990s in Britain. Featuring over 100 works by nearly 70 artists, photographers, and designers—including Sarah Lucas, Alexander McQueen, Tracey Emin, and Steve McQueen—the show explores the decade's raw experimentation, anti-establishment energy, and the rise of the Young British Artists. Curated with input from Edward Enninful, the exhibition also highlights subcultures, nightlife, and the work of figures who challenged dominant narratives around race, identity, and class.
Christie’s marquee evening sales in London achieved a combined total of £197.5 million ($263.8 million), characterized by a steady, prearranged atmosphere rather than high-stakes drama. The auction house relied heavily on financial safety nets, with a 52 percent year-over-year increase in third-party guarantees ensuring the sale of 21 key lots. While the event featured a theatrical unveiling of a new rostrum designed by Sir Jony Ive, the actual bidding remained largely conservative and focused on blue-chip stability.
London’s spring art season kicks off this March with a diverse array of high-profile exhibitions across the city's major institutions. Highlights include the Serpentine Galleries hosting concurrent shows by David Hockney and Cecily Brown, while the National Portrait Gallery presents the first major UK museum survey of American photographer Catherine Opie. Other notable openings include a George Stubbs focus at the National Gallery and a comprehensive look at the Baroque architecture of Sir John Vanbrugh at the Sir John Soane’s Museum.
Designboom has curated a list of the top 10 art exhibitions of 2025, highlighting standout shows from around the world. Key exhibitions include Yayoi Kusama's new infinity room at the National Gallery of Victoria in Melbourne, Do Ho Suh's solo show 'Walk the House' at Tate Modern, Andy Goldsworthy's 'Fifty Years' land art retrospective at the Royal Scottish Academy in Edinburgh, and Steve McQueen's immersive light and sound installation 'Bass' at Schaulager Basel. The list also features A.A. Murakami's mist-filled installation at Museo della Permanente during Milan Design Week 2025.
German artist Florian Krewer, known for dreamlike paintings that blend memory and fantasy, has opened a solo exhibition titled 'Cruel The Night Café' at a former London pub, the Blue Lion on Gray's Inn Road. The show features new works and works on paper inspired by New York's evening hours. The pub was recently purchased by The Perimeter, a neighboring foundation, and will be redeveloped into an adjoining exhibition space. The article also includes a studio visit interview where Krewer discusses his South Bronx workspace, his solo practice, and his unusual Primer brush tool.
Artsy's December 2025 edition of "Artists on Our Radar" highlights five emerging visual artists who have gained attention through new gallery representation, exhibitions, auctions, or art fairs. Featured artists include British painter Imogen Allen, known for gauzy, nature-inspired works with a Gerhard Richter-like blur effect; Brazilian painter Elian Almeida, who reimagines marginalized figures in Brazilian visual culture through vibrant, narrative paintings; and nomadic American artist ektor garcia, who works with unconventional materials like wire, clay, and leather. The article details their recent exhibitions, gallery affiliations, and career milestones.
Christie's 21st Century Evening Sale on November 20 achieved $123.6 million across 45 lots, with a 98% sell-through rate. The top lot was Andy Warhol's *The Last Supper*, selling for $8.1 million with fees, while works from the collection of Stefan Edlis and Gael Neeson brought in $49.2 million. The sale included strong results for Christopher Wool, Cindy Sherman, and Diego Giacometti, though it lacked the record-breaking fireworks of earlier sessions.
Maxwell Rabb profiles nine contemporary artists who explore ghostly and spectral themes in their work, coinciding with two major museum exhibitions: Kunstmuseum Basel's "Ghosts: Visualizing the Supernatural" (through March 2026) and Tacoma Art Museum's "Haunted." The article traces the historical evolution of ghost imagery in art from Renaissance depictions to 19th-century psychological forms by Goya and Fuseli, through 20th-century surrealist and post-war treatments, and highlights living artists such as Xie Lei and Mariann Metsis who use haunting as a metaphor for memory, loss, and the unseen.
The article reviews "Georg Baselitz: A Life in Print," a comprehensive survey of the German painter's printmaking at Kode in Bergen, Norway, running from October 2025 to February 2026. Featuring 244 prints from 1964 to 2024, the exhibition showcases Baselitz's mastery of traditional techniques like etching, woodcut, and linocut, revisiting motifs from his paintings such as deer, eagles, and distorted figures. The show aims to correct the perceived neglect of prints by museums, as Baselitz himself lamented after his 2021 Centre Pompidou retrospective.