A rare cassette tape containing one of the earliest known recordings of rapper Tupac Shakur, made in 1988 at his friend Ge-ology's home, is being auctioned by the music collecting platform Wax Poetics with an estimate of $120,000–$150,000. The sale includes other personal artifacts like handwritten lyrics and photos from Tupac's pre-fame years in Baltimore, with bidding ending February 11.
The Santa Fe home of the late actor Gene Hackman and his wife Betsy Arakawa has been listed for sale at $6.25 million. The 13,000-square-foot hilltop compound, designed by architect Ed Boniface, includes a main residence, guesthouse, and a studio where Hackman painted, all set within a gated community with expansive mountain views.
Three paintings by Bob Ross sold for up to thirteen times their high estimates at a Bonhams Skinner auction, raising $1.3 million for American Public Television. The top lot, 'Change of Seasons' (1990), painted live on his TV show, fetched $787,900, setting a new high for Ross at a traditional auction house.
The Obama Foundation has commissioned artist Theaster Gates to create an expansive frieze for the Pendleton Atrium of the Obama Presidential Center (OPC), set to open on Chicago’s South Side in 2026. The installation will draw from the Johnson Publishing Company image archive and the Howard Simmons photographic collections, celebrating the visual archives of Ebony and Jet magazines. Gates, who founded the Rebuild Foundation in 2009, will join nine other artists—including Kiki Smith, Nick Cave, Marie Watt, Jenny Holzer, and Idris Khan—whose works were announced in September for the OPC campus.
On a frigid December evening, eleven women artists gathered in the lobby of 125 Maiden Lane in downtown Manhattan to view and discuss Langdon Graves's exhibition "Mental Model," produced by Art in Buildings. The group, called Gossip, is a long-running artist crit collective founded in 2009 by Cranbrook Academy of Art graduates including Jessica Stoller and Kelli Miller, originally named "Get Out" before being renamed by member Virginia Wagner after Silvia Federici's writings on gossip. The group now has about 20 members, including Jenna Gribbon, Erin M. Riley, and Julie Curtiss, and meets regularly in studios and galleries for critical feedback and creative exchange.
Miami Beach announced Ximena Garrido-Lecca as the winner of its 2025 Legacy Purchase Program, acquiring her copper-rope work "Modulations – Sequence XXIX" for the municipal collection. The piece, shown with Livia Benavides Gallery, was selected by public vote and has been installed at the Miami Beach Convention Center. Separately, the sixth edition of the No Vacancy public-art program placed 12 site-specific installations in hotel lobbies across the city, running from November 13 through December 20, with $35,000 in total prizes.
A 1987 Bob Ross painting, *Cabin at Sunset*, sold for $1.04 million in a benefit auction hosted by late-night comedian John Oliver, setting a new auction record for the artist. The work was painted during the second episode of the 10th season of Ross's television series *The Joy of Painting*. The online sale, which concluded November 24, included 65 eclectic lots—from presidential wax figures to a signed bucket of dolls—and raised funds for the Public Media Bridge Fund, which supports independent broadcasters amid federal cuts to public broadcasting.
Parisian auction house Gros and Delettrez is offering a 66 million-year-old Triceratops prorsus skull on December 11, with an estimate of €300,000–€500,000 ($345,615–$576,025). The specimen, which surfaced from Wyoming's Lance Formation, is exceptionally complete with over 70 percent of its original bones and all three original horns intact. This marks the auction house's first dinosaur offering and will christen its new Rive Gauche headquarters, with the skull going on view on December 9 alongside works by Pablo Picasso and Pierre Soulages.
Phillips held its Modern and contemporary art evening sale in New York on Wednesday night, achieving $67.3 million in total sales—a 24.4 percent increase from the same auction last November. The sale featured 33 lots with a 94 percent sell-through rate, including a triceratops fossil that sold for $5.4 million through a partnership with natural history dealer Christian Link. Top lots included Francis Bacon's *Study for Head of Isabel Rawsthorne and George Dyer* (1967) at $16 million with premium, Jean-Michel Basquiat's *Exercise* (1984) at $3.8 million, and two works by Ruth Asawa. Only one artwork, a Jadé Fadojutimi, failed to sell, and there were no withdrawals.
The Kochi-Muziris Biennial, South Asia's largest contemporary art biennial, has announced the 66 artists from over 20 countries participating in its 2025 edition, titled “For The Time Being.” Running from December 12 to March 31 across venues including Aspinwall House and Pepper House in Kochi, India, the event features around 50 new commissions and a theme centered on the body, memory, and temporality. The announcement comes after the 2023 edition was marred by controversy, with more than half of its 90 artists signing a public letter alleging communication breakdowns, unpaid fees, and production issues, as well as the Kerala government reportedly pulling out of a deal to acquire the main venue.
Chinese artist Ai Weiwei has accused the German newspaper Die Zeit of publishing a “distorted and unjust” article about him, following an earlier incident in which he claims the paper censored an article it commissioned him to write. In a series of posts on X, Ai detailed how Die Zeit’s magazine, Zeit Magazin, invited him to write a piece in July, then revised and ultimately refused to publish it—an act he calls censorship. He later agreed to an interview with Die Zeit journalist Olivia Kortas in Kyiv, where he had just unveiled a large-scale installation at Pavilion 13 responding to armed conflict. Ai alleges that Kortas had not seen the exhibition and that her published article, titled “The Annoyance,” contained distortions and subjective judgments, particularly regarding his statements on arms deliveries to Ukraine.
The 36th São Paulo Bienal, curated by Bonaventure Soh Bejeng Ndikung and his team, explores the theme of humanity through six chapters, from the primordial to the transcendent. The exhibition features works by artists such as Precious Okoyomon, Frank Bowling, Aline Baiana, Gervane de Paula, Frankétienne, and Sharon Hayes, with a focus on textiles, sound, and jewel-toned aesthetics. The curators draw inspiration from avian migration and estuaries, structuring the show like tributaries connecting "the river to the sea," a phrase echoing Palestinian sovereignty without explicit mention. Highlights include Okoyomon's installation of dirt and plants, a career-spanning Frank Bowling survey, and Gervane de Paula's playful wood carvings that reveal subtle, provocative details upon close inspection.
Christie’s has secured the collection of Robert F. Weis and Patricia G. Ross Weis for its November sales in New York, with 80 lots valued at over $180 million. The collection spans Cubism to Abstract Expressionism and includes major works by Picasso, Matisse, Mondrian, and Rothko, with top estimates reaching $50 million. The Weis family, founders of Weis Markets, assembled the collection over more than seventy years, and 18 lots will be sold in a single-owner sale ahead of Christie’s 20th-century evening sale.
A new biography of James Baldwin, titled "Baldwin: A Love Story" by Nicholas Boggs, frames the writer's life through his relationships with four key figures: the painter Beauford Delaney, Lucien Happersberger, Engin Cezzar, and Yoran Cazac. The article focuses on Baldwin's formative bond with Delaney, who served as mentor and artistic inspiration, teaching Baldwin about light, music, and cultural heritage in his Greenwich Village studio.
Ai Weiwei has traveled to Ukraine's eastern front, visiting Kharkiv under Russian bombardment and meeting soldiers, poets, and cultural figures resisting the invasion. He documented the trip on Instagram with stark images and was photographed in black fatigues marked "Khartiia," a volunteer unit now part of Ukraine's National Guard. His next project is a major installation in Kyiv titled "Three Perfectly Proportioned Spheres and Camouflage Uniforms Painted White," opening September 14 at Pavilion 13, a renovated Soviet-era hall, commissioned by Ribbon International.
Christie's reported that its auction sales for the first half of 2025 totaled $2.1 billion, identical to the same period last year, suggesting the art market may be stabilizing. However, the $2.1 billion figure marked a 22 percent drop from the first half of 2023, indicating stabilization at a lower level. The house sold seven of the top 10 works at auction, led by Piet Mondrian's *Composition with Large Red Plane, Bluish Gray, Yellow, Black, and Blue* (1921) for $47.6 million from the collection of Barnes & Noble founder Leonard Riggio. Luxury sales rose 29 percent, while Old Master sales increased 15 percent, but Asian art and Classics fell 28 percent and 32 percent respectively. The Americas led buyer activity at 45 percent, followed by EMEA at 34 percent and APAC at 21 percent.
A rediscovered watercolor sketch by Man Ray, created in 1913 when he was in his early twenties, has resurfaced after decades in an attic and sold for £18,000 ($24,000) at Dreweatts auction house in Newbury, England, on July 10. The work, titled *Nude Playing Musical Instrument [Study for “Tapestry Painting”]*, is a preparatory study for a lost larger oil-on-linen tapestry and offers rare insight into the artist's pivotal transition from traditional painting to avant-garde experimentation inspired by European modernism encountered at the 1913 Armory Show.
A London-based dentist, Dr. Rory Mac Sweeney, has published a new analysis of Leonardo da Vinci's "Vitruvian Man" (c. 1490) in the Journal of Mathematics and Arts. Using his professional training, Sweeney identifies an equilateral triangle hidden between the figure's legs, which he links to "Bonwill's triangle," a 19th-century dental principle describing optimal jaw function. He argues that Leonardo intuitively encoded geometric relationships—including a tetrahedral ratio of approximately 1.64—that anticipate modern understanding of biological architecture.
Chinese artist and activist Ai Weiwei will debut a major new installation in Kyiv, Ukraine, this fall at Pavilion 13, a Soviet-era glass exposition hall that recently reopened as a cultural venue after renovation by architectural firm Forma. The work, titled *Three Perfectly Proportioned Spheres and Camouflage Uniforms Painted White* (2025), features metal spheres inspired by Leonardo da Vinci's mathematical illustrations, encased in camouflage fabric thinly painted white, exploring themes of concealment, reality, and war. Commissioned by the nonprofit Ribbon International, the installation will be on view from September 14 to November 30, 2025, alongside a site-responsive intervention by Berlin-based artist Sam Lewitt.
A high-profile Hong Kong real estate family, the Parkview group, explored an art-backed loan with Sotheby’s earlier this year, offering over 200 works by artists including Andy Warhol, Pablo Picasso, Salvador Dalí, Yue Minjun, Qi Baishi, and Zao Wou-Ki. The deal collapsed due to logistical challenges around transporting and warehousing the large collection at Sotheby’s facilities. Parkview clarified that no agreement was reached and no loan is expected, while Sotheby’s did not comment.
The Bienal de São Paulo has announced the 120 artists for its 2025 edition, titled “Not All Travellers Walk Roads – Of Humanity as Practice,” opening September 6 at the Ciccillo Matarazzo Pavilion. Curated by Bonaventure Soh Bejeng Ndikung, the selection was inspired by bird migration patterns and rivers, aiming to avoid nation-state classifications. Notable participants include Isa Genzken, Firelei Báez, Wolfgang Tillmans, Forensic Architecture, and 19 Brazil-based artists, alongside 20 deceased figures such as Bertina Lopes and Ernest Cole.
London's auction houses held seven sales of Modern British art this week, achieving £22.3 million (including buyer's premium) against a presale estimate range of £21.3 million to £31.7 million. A total of 547 of 705 lots sold, a 77.6% sell-through rate. Bonhams struggled, with half its top lots unsold, including a Henry Moore bronze estimated at £1–2 million, but Pyms gallery and art adviser Wentworth Beaumont bought key works below estimate. Sotheby's raised £6.4 million, led by Edward Burra's *Striptease, Harlem* (1934) at £842,500, and a Paul Nash watercolor tripled its estimate to £212,500. Christie's achieved the highest total at £12 million, topped by Barbara Hepworth's *Figure (Sunion)* (1960), bought by Pyms gallery for over £800,000.
Artnet News spotlights Italian artist Armando Marrocco (b. 1939), whose early career was shaped by Lucio Fontana. After moving to Milan in 1962, Marrocco developed his "Intrecci" series—vibrant monochromatic enamel-on-cardboard works that layer and weave humble materials into substantial objects. The exhibition "Marrocco Twist" at Robilant and Voena in Paris showcases these earliest works, on view through July 22.
Wayne Thiebaud's 1961 painting *Pie a la Mode* will headline Bonhams' 20th and 21st century sale in New York on May 14, with an estimate of $1.2 million to $1.8 million. The work, which depicts a lone slice of pie with melting ice cream against a stark black background, is making its auction debut after six decades in a private collection. The 25-lot sale also includes works by Willem de Kooning, Alexander Calder, Fernando Botero, Joel Shapiro, and Ernie Barnes.
Artist Barbara Kruger has created a new typographic installation, *Untitled (Another Again)*, for the exterior of a Ukrainian Railways Intercity train. The work will be unveiled on May 1 before the train's maiden voyage from Kyiv-Pasazhyrskyi to Darnytsia Station, with a future route spanning Ukraine including stops in Lviv, Kharkiv, and Kramatorsk. Commissioned by the nonprofit RIBBON International in collaboration with Ukrzaliznytsia, the text appears in Ukrainian and English, reflecting Kruger's signature style of bold, critical messaging.
Congolese artist Jean Katambayi Mukendi has opened a solo exhibition titled "RATIO" at the KW Institute for Contemporary Art in Berlin. The show features works that interrogate fundamental dualities such as the natural versus the artificial, growth versus destruction, and the dynamics between resources and power.
The article is an interview with Ramuntcho Matta about the exhibition "Brion Gysin: The Last Museum" at the Musée d’Art Moderne de Paris. It explores the life and work of Brion Gysin, a multifaceted artist associated with Surrealism, the Beat Generation, and the invention of the Dreamachine. The exhibition traces Gysin's career through his calligraphy, painting, and multimedia works, including collaborations with William S. Burroughs and Ian Sommerville. A complementary show, "Underwood 2246449-5 (Les diables de Brion)," organized by Matta at New Galerie, features Burroughs's typewriter and related instruments.
Charles White Elementary School in Los Angeles, in collaboration with LACMA, is presenting the exhibition "From MacArthur Park, with Love" opening May 21, 2025. The show features artworks by over 100 students from the school's Visual Arts Magnet program, celebrating the MacArthur Park neighborhood through diverse media including collaborative diptychs, observational drawings, and paintings of local landmarks and bird species. The exhibition runs Saturdays from May 23 to August 1, with free drop-in art workshops.
Maine-based environmental painter Janice Kasper will headline the first Bartlett Art Talk of the 2026 season at Bartlett Woods Retirement Community on April 22. The event coincides with the exhibition "Chickadees, Alligators and Stonehenge," which features Kasper’s work alongside pieces by Cicely Aikman and Dirk McDonnell, all on loan from the Caldbeck Gallery. Kasper, whose work is held in major collections like the Portland Museum of Art, is known for dramatic oils that explore the tension between wildlife and human technology.
London-based artist Nnena Kalu (b. 1966) won the Turner Prize 2025 at a ceremony in Bradford on December 9, becoming the first artist with a learning disability to receive the prestigious award since its inception in 1984. Kalu’s practice spans sculpture, installation, and works on paper, featuring cocoon-like hanging sculptures made from unconventional materials like masking tape and VHS ribbon, as well as large-scale drawings of spiraling vortexes. She was selected from a shortlist that included Rene Matić, Mohammed Sami, and Zadie Xa, and was recognized for her presentation in the group exhibition “Conversations” at the Walker Art Gallery and her work at Manifesta 15 in Barcelona. The prize includes a £25,000 award.