fashion versace ss26 campaign mexico city

Versace has launched its Spring/Summer 2026 campaign, commissioning three photographers—Steven Meisel, Frank Lebon, and Tania Franco Klein—to create distinct visual contributions. Klein, a Mexican photographer based in Mexico City, shot her portion entirely in her home city, using local talent and crew. Her images are intimate, psychological, and reference her own past projects, including a recreation of her grandmother's earthquake-destroyed room. The campaign was directed by Dario Vitale and features a soundtrack by the duo New York.

art lorenzo amos young artist

Lorenzo Amos, a 23-year-old painter based in New York, held his debut solo exhibition at Gratin gallery last fall. The show featured paintings that blend Abstract Expressionist mark-making with the composed clarity of David Hockney portraits, all rooted in the intimate space of his living room-studio. Amos describes his approach as "Material Realism," where image and paint become inseparable, and his work as "painting about painting." He cites his friend Alex as a key influence, emphasizing the freedom found in imperfection.

art young artists list anniversary

Cultured magazine celebrates the tenth anniversary of its Young Artists list by reuniting 27 artists from past editions for a photoshoot at MoMA PS1, photographed by Dana Scruggs. The article reflects on the 247 artists featured since 2016, noting their diverse backgrounds—from MFA graduates to autodidacts—and includes candid responses from artists about challenges like financial survival, creative evolution, and absurd collector questions.

design fashion black bourgeois aesthetic rob franklin

The article is a personal essay by a writer reflecting on the play "Purpose" and its depiction of a Black political family's home, which triggers memories of his own childhood in the Morehouse College president's residence. He observes a recent surge in popular culture's portrayal of Black bourgeois aesthetics, citing examples like the Met Gala exhibition "Superfine: Tailoring Black Style," Ralph Lauren's Oak Bluffs collection, and the HBO series "And Just Like That…" with its focus on the Todd Wexley family's art-filled apartment.

parties ruba katrib lawrence kumpf hosting

Blank Forms celebrated its ninth anniversary with performances by Dez Andrés, Douglas Sherman, and 7038634357 at the Ukrainian National Home in the East Village. The article, written by Ruba Katrib and Lawrence Kumpf, offers a personal glimpse into their New York apartment, filled with books, records, art from friends, and a curated sound system, alongside recipes and anecdotes about hosting artists, musicians, and curators for dinners and listening sessions.

culture jamieson webster psychoanalysis ai sex

Psychoanalyst Jamieson Webster launches a new column for CULTURED titled "Neurotica," exploring the intersection of psychoanalysis, technology, and sexuality. In the debut installment, she interviews artist and theorist Mindy Seu about her work "A SEXUAL HISTORY OF THE INTERNET," which traces how sex workers were integral to developing digital platforms like chat rooms, e-commerce, and webcams, only to have their innovations co-opted by Big Tech. Webster reflects on how AI, chatbots, and online intimacy are reshaping human desire, pleasure, and relationships, drawing on Freud's pleasure-principle and contemporary anxieties about AI psychosis and digital dependency.

parties samsung frame tv cultured collection

CULTURED magazine partnered with Samsung to launch the "CULTURED Collection," a series of contemporary artworks available on the Samsung Art Store for owners of Samsung's The Frame and QLED TVs. A pop-up gallery in Chelsea, New York, and a dinner event celebrated the launch, featuring works by artists including Adam Pendleton, Dominique Fung, Oscar yi Hou, Theresa Chromati, Andrea Marie Breiling, Chris Martin, and Emma Webster. The event drew a cross-section of art and tech insiders, including Art Basel CEO Noah Horowitz, Samsung executives, and collectors.

food daniel humm eleven madison park sothebys

Daniel Humm, the chef behind Eleven Madison Park, has curated a selection of artworks for Sotheby's Contemporary Curated sale, drawing parallels between composing a meal and assembling an exhibition. In an interview with CULTURED, Humm discusses his approach, which was influenced by a transformative encounter with Claude Monet's Water Lilies at the Musée de l'Orangerie in Paris, and his selections include works by Roni Horn, Alex Katz, Keith Haring, and Sarah Crowner.

art pat steir khajistan hc westermann

Pat Steir's early installation "Mirage 1975" has been restaged at Hauser & Wirth's Soho location, marking the 50th anniversary of her first-ever installation originally at the State University of New York in Oneonta. The exhibition runs through August 15, 2025, and coincides with the publication of the monograph "Pat Steir Paintings 2018–2025." Separately, the exhibition "Spasial Program by Khajistan" is on view at SculptureCenter in Long Island City through July 28, 2025, presenting a vast archive of rare, illicit, and suppressed media artifacts from the Islamicate world, curated by Lahore-born filmmaker Saad Khan.

alison saar david c driskell prize 2

Alison Saar has been named the 2025 recipient of the David C. Driskell Prize by Atlanta’s High Museum of Art, recognizing her significant contributions to the African American art canon. The announcement was made in New York at a celebration held at the Fifth Avenue Hotel in partnership with CULTURED, with a formal gala planned for September featuring a performance by John Legend. Saar, a Los Angeles native known for her commanding sculptures and mixed-media works exploring race, gender, and spiritual identity, joins past honorees including Naomi Beckwith, Ebony G. Patterson, Amy Sherald, and Rashid Johnson.

Your guide to Christie's 20/21 auction week in New York

Christie's is holding its 20/21 auction week in New York from May 9–22, 2026, featuring seven live auctions and two online sales at its Rockefeller Center galleries. Highlights include the dedicated sale "MASTERPIECES: The Private Collection of S.I. Newhouse" (led by Constantin Brancusi's *Danaïde* and Jackson Pollock's *Number 7A, 1948*), the Impressionist and Modern Art Day Sale, and "Defined Space: The Collection of Henry S. McNeil, Jr.," which focuses on Minimalist works by Donald Judd and Dan Flavin. Other consignors include prominent collectors Agnes Gund, Marian Goodman, and Joanna Carson. The public can view works for free from May 9–21.

Marian Goodman’s personal collection of Gerhard Richters

Christie's will auction seven paintings by Gerhard Richter from the personal collection of legendary gallerist Marian Goodman in May 2026, headlining a series of sales titled "Breaking Ground: The Private Collection of Marian Goodman." The group includes the iconic 1982 work *Kerze (Candle)*, estimated at $35–50 million, and spans Richter's career from 1982 to 2009. Goodman, who died in 2024, began representing Richter in 1985 after writing him a letter, and her collection reflects their decades-long professional and personal relationship.

Andrew Cranston’s Paintings of Dreamlike Domesticity

Scottish artist Andrew Cranston has opened a new solo exhibition titled 'I’m going in a field' at Modern Art gallery in London. The show features eleven paintings that blend landscape, memory, and domestic scenes, drawing inspiration from the artist's childhood in Hawick, Scotland, and his reflections on activities like golf, which he views as a form of landscape experience.

The Delicate Bouquet of Roses and Peonies by Redouté and Thilo Westermann at Malmaison

Le délicat bouquet de roses et de pivoines de Redouté et de Thilo Westermann à Malmaison

An exhibition titled "Roses & Pivoines" has opened at the Château de Bois-Préau in Malmaison, France, pairing the 19th-century botanical watercolors of Pierre-Joseph Redouté with contemporary glass-painting works by German artist Thilo Westermann. Redouté, famous for his meticulous rose and peony illustrations commissioned by Empress Joséphine Bonaparte, is shown alongside Westermann's pointillist technique on glass, which he developed from 2014 onward. The show also includes works by Jan-Frans van Dael and Cornelis van Spaendonck, plus scent stations for visitors to smell rose essences.

Alice Riehl Grows a Porcelain Tree Full of Humanity in Jouy-en-Josas

Alice Riehl fait pousser un arbre de porcelaine plein d’humanité à Jouy-en-Josas

Artist Alice Riehl has unveiled a major porcelain installation titled "Herbarium Interior" at the Musée de la Toile de Jouy in Jouy-en-Josas. The work, a sprawling tree with leaves, branches, and roots, is crafted from porcelain and was inspired by the museum's historical textile collections. The installation is part of a solo exhibition, and a concurrent presentation of her work, "Porcelain Florilegium," is on view at New York's Museum of Arts and Design.

Ça bouchonne à Venise

The latest issue of Le Journal des Arts (No. 677, May 15, 2026) leads with the opening of the Venice Biennale amid a tense climate. Other top stories include the final adoption of a French law on the restitution of cultural property looted during colonization, the V&A East museum's strategy to attract younger audiences, tensions in Giverny over the uneven economic benefits of Monet's legacy, and a market analysis showing the structuring of the Nabis art market.

Exhibition catalogs printed in China

Les catalogues d’expositions imprimés en Chine

Le Journal des Arts reports on several developments in the art world: the return of American Rousseau works to Paris, the growing trend of outsourcing museum reception services, the New Museum's expansion, challenges facing the Musée des tissus, and Art Brussels adapting to contemporary trends. These stories cover a range of topics from exhibition logistics to institutional change.

The Centre Pompidou Expands to South Korea

Le Centre Pompidou s’exporte en Corée du Sud

The Centre Pompidou has opened a new satellite institution, the Centre Pompidou Hanwha, in Seoul, South Korea. The 11,000-square-meter venue, located in the 63 Tower and designed by the Wilmotte et Associés agency, is a partnership with the Hanwha Foundation of Culture and coincides with the 140th anniversary of Franco-Korean diplomatic relations. The opening was highlighted by a recent site visit from French President Emmanuel Macron and Centre Pompidou president Laurent Le Bon.

Boats and trains, not planes: reflections on a greener—but sometimes greenwashed—Venice Biennale

The article recounts the author's train journey from London to Venice for the 61st Venice Biennale, highlighting the environmental benefits and pleasant experience of traveling by rail versus flying, despite higher costs and longer duration. It then focuses on the Biennale's central exhibition "In Minor Keys" curated by the late Koyo Kouoh, which foregrounds environmental themes through works that engage with earth, nature, and ecological stakes, featuring artists like Otobong Nkanga, Célia Vasquez Yui, Theo Eshetu, Linda Goode Bryant, and Annalee Davis.

Art in America’s Summer “New Talent” Issue Names 20 Artists to Watch

Art in America, the sister publication of ARTnews, has announced its Summer 2026 "New Talent" issue, featuring 20 emerging artists selected by the magazine's editors. The list includes international artists working across various mediums, such as Joeun Kim Aatchim, Jenny Calivas, Kiah Celeste, Malo Chapuy, Mitchell Charbonneau, Isaiah Davis, Elizabeth Glaessner, Juliana Halpert, Craig Jun Li, Kinlaw, Koyoltzintli, Kyung-Me, Chyrum Lambert, Terran Last Gun, Satchel Lee, Claudia Pagès Rabal, Ren Light Pan, Emma Safir, Frank Wang Yefeng, and Alexa West. Profiles of each artist appear in the print edition and will be published online in the coming weeks.

Political Fallout Rocks Venice Biennale Prize System

Dozens of artists participating in the 2026 Venice Biennale have withdrawn from consideration for the newly created Visitor Lion awards, replacing the traditional Gold and Silver Lion prizes. A total of 57 artists from the main exhibition and 22 national pavilions signed a statement published on e-flux on May 9, acting in solidarity with the five-person prize jury that resigned on April 30 over the continued participation of Russia and Israel. The jury had objected to awarding prizes to artists from countries whose leaders face International Criminal Court charges, including Russian president Vladimir Putin and Israeli prime minister Benjamin Netanyahu. In response, the Biennale organizers postponed the awards ceremony to November 22 and introduced visitor voting, a move they described as consistent with openness and dialogue. Meanwhile, the Russian Pavilion, which returned after lending its space to Bolivia in 2024, faced protests, closure after previews, and a €2 million funding pull by the European Union for the 2028 Biennale.

Venice Biennale Artists Decline Consideration for Golden Lions Chosen by Public Vote

Nearly half of the artists in the main exhibition of the Venice Biennale have signed a statement declining consideration for the Golden Lion awards, in solidarity with the jury that resigned last month. The statement, published by e-flux, includes prominent names such as Alfredo Jaar, Tuan Andrew Nguyen, Otobong Nkanga, and Walid Raad, as well as national pavilion representatives from France, Lithuania, and the Netherlands. The Biennale had planned to replace the jury-selected Golden Lions with "Visitor Lions" decided by public vote, but the artists' refusal marks an unprecedented protest within the exhibition.

Pleasure, parody and propaganda: rethinking the art of illustration in a new history of the genre

D.B. Dowd's new book "Reading Pictures" offers a sweeping 400-page history of illustration, tracing the genre from the Diamond Sutra frontispiece in Tang China (AD868) to Molly Crabapple's Gaza reports in 2015. The book examines key works such as Jules Chéret's 1891 poster for the Alcazar d'Été Club, Stuart Davis's caustic covers for The Masses, and Duong Ngoc Canh's Vietnamese propaganda poster, arguing that illustrations are meant to be "read" rather than admired like museum paintings.

‘She had a fresh, informed eye’: mural depicting late Venice Biennale curator Koyo Kouoh displayed in lagoon city

A mural honoring Koyo Kouoh, the late curator of the 2025 Venice Biennale, has been unveiled in Venice. Created by US artist Derrick Adams, the collage titled "Heavy is the head that wears the crown" adorns the facade of the Palazzetto dello sport Giobatta Gianquinto near the Arsenale. Kouoh died on 10 May 2025 at age 57 after a cancer diagnosis. The tribute was organized by curator Francesco Bonami, who had invited Kouoh to join the jury for the 50th Venice Biennale in 2003.

How the adoption of canvas in Venice changed the way artists painted

Art historian Cleo Nisse has published a new book, *Venetian Canvas and the Transformation of Painting*, examining how 16th-century Venetian painters such as Titian, Veronese, and Tintoretto pioneered the use of canvas as a painting support. Nisse reveals that canvas was not a uniform material—artists experimented with different weaves, including tabby and herringbone patterns, and even repurposed sailcloth and tablecloth-quality fabrics to achieve specific visual effects. The book argues that canvas was already familiar in the late Middle Ages for banners and alternatives to tapestry, and that Vittore Carpaccio was the first master of the medium, varying canvas types for expressive purposes in his *Legend of St Ursula* series.

Online Auctions Continue to Draw in First-Time Art Buyers as Sales Grow

Online-only sales of fine art at Christie’s, Sotheby’s, Phillips, Bonhams, and Artnet Auctions reached $423.9 million in 2025, an 8 percent increase from 2024. The number of lots sold remained steady at 29,623, but the average price per work rose 8.6 percent to $14,309. Sales were 270 percent higher than in 2019, before the pandemic accelerated the shift to digital auctions. Christie’s reported that 63 percent of new buyers in 2025 made their first purchase online.

Wildenstein dispute over Monet work highlights art market opacity

A long-running dispute involving the Wildenstein art dynasty has resurfaced over a 2004 transaction for Claude Monet's *Adolphe Monet Reading in a Garden* (1867). The painting was acquired by Guy Wildenstein through a €4.5m deal that included works by Pierre Bonnard and Alfred Sisley, among them Monet's *Marine, Amsterdam* (1874). That work was later resold via Christie's, but a 2020 sale attempt revealed that the original canvas had been lost during a transfer process, significantly reducing its value. Court-appointed specialists concluded in 2024 that the alteration predated the transaction and that the gallery likely knew of the damage. The sellers have filed a claim alleging "vitiated consent" under French law, with a court date set for 7 May in Rouen. The disputed Monet now reportedly belongs to billionaire Larry Ellison.

Sharjah Biennial Lines Up 109 Artists for 2027 Edition, Titled ‘What Remains, Sits Restive’

How Art Firms Are—or Should Be—Using A.I. Right Now

Art firms are increasingly experimenting with artificial intelligence, but concrete use cases remain limited and industry-specific tools are still in their infancy. A new partnership between Bonhams and tech company ARTDAI aims to apply AI to market analytics, valuation, and specialist research, while companies like Artsy and Artnet are integrating AI capabilities into their platforms. Industry experts, including former Art Basel chief Marc Spiegler, note that the art market's small size has historically discouraged tech development, but AI now makes high-performance tools accessible to smaller businesses.

Remembering Napoleon Jones-Henderson, an AfriCOBRA Founding Member Who Imbued Art and Life with Exuberant Energy

Napoleon Jones-Henderson, a founding member of the influential African American artist collective AfriCOBRA, has died. Born in Chicago in 1943, he studied at the Sorbonne and the School of the Art Institute of Chicago, where he was mentored by Bauhaus textile artist Else Regensteiner. In 1969, he co-founded AfriCOBRA, becoming known as "the weaver" of the group for his vibrant textile works that incorporated metallic threads and found objects. He later moved to Boston, taught at Massachusetts College of Art and Design, and maintained a prolific studio practice in Roxbury for over 50 years, creating works focused on empowerment, Pan-Africanism, and racial justice.