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Actor Adrien Brody debuted a new exhibition titled "Made in America" at Eden Gallery in New York, featuring paintings that incorporate pop culture icons like Mickey Mouse, Donald Duck, and Marilyn Monroe alongside collage elements and text. The show has garnered significant media attention, including a profile in the New York Times and praise from Cultured and Interview magazine, partly fueled by the sale of one of Brody's paintings for $425,000 at the amfAR Cannes Gala. However, the art press, including Artnet News, has been highly critical, with ARTnews reviewer Alex Greenberger describing the works as ugly, derivative, and lacking nuance.

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Jeffrey Gibson has installed four large bronze animal sculptures—a deer, a coyote, a squirrel, and a hawk—on the facade of the Metropolitan Museum of Art in New York, collectively titled “The Animal That Therefore I Am.” At a talk with Met curator Jane Panetta, Gibson explained that the works draw on his early paintings on brain-tanned elk hides and his ongoing exploration of Indigenous kinship philosophies, which honor all living beings as extensions of ourselves. The sculptures, each adorned with ceremonial regalia inspired by Native American traditions, are designed to be viewed as four-sided paintings and connect the museum’s Central Park location to Gibson’s home in the Hudson River Valley.

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Amy Sherald's exhibition "American Sublime" will now open at the Baltimore Museum of Art (BMA) in November, after the artist canceled its planned iteration at the Smithsonian's National Portrait Gallery in July over censorship concerns. The show, which features some 50 works and is one of the largest presentations of Sherald's work, was originally organized by the San Francisco Museum of Modern Art and is currently on view at the Whitney Museum through August 10. Sherald, who attended the Maryland Institute College of Art and previously served on the BMA's board, called the BMA presentation a homecoming.

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Dan Nadel, a critic known for championing overlooked American artists, has been appointed curator of drawings and prints at the Whitney Museum in New York. His appointment comes ahead of the opening of his upcoming Whitney exhibition “Sixties Surreal,” which will explore Surrealism’s impact on American art from 1958 to 1972. Nadel previously organized acclaimed shows at Karma gallery, including a pivotal 2018 exhibition of Gertrude Abercrombie, and has held curatorial roles at the Lucas Museum of Narrative Art and the Jan Shrem and Maria Manetti Shrem Museum of Art. The Whitney also announced the appointments of Jennie Goldstein as curator of the collection and Roxanne Smith as assistant curator of the collection.

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Nearly five years after closing at the height of the Covid-19 pandemic, the influential New York alternative art space Art in General is relaunching under new leadership. Xiaoyu Weng, currently director of the Tanoto Art Foundation and former head of modern and contemporary art at the Art Gallery of Ontario, has been appointed as the organization's new director. The revived nonprofit will not have a permanent physical location initially but will stage exhibitions across New York, starting with a fundraising show at YveYANG Gallery on August 22. New board members include gallery founder Yve Yang, digital strategist Jiajia Fei, artist Paul Pfeiffer, and curator Jeanne Gerrity.

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The second edition of the Aspen Art Fair opened at the historic Hotel Jerome with over 40 exhibitors from more than 15 countries, more than doubling its size from the previous year. The fair is one of three major events during Aspen Art Week, alongside Intersect Aspen Art and Design (now in its 15th edition) and the AIR Festival, a $20 million initiative by the Aspen Art Museum. Dealers and advisers, including Paul Henkel of Palo Gallery and Christian Gundin of El Apartamento, noted that while there are too many art fairs globally, Aspen's smaller, hyper-focused format attracts serious collectors and fosters stronger relationships. Blue-chip galleries like Sean Kelly and Marianne Boesky also participated, with Boesky having a long history in the town.

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Amy Sherald's portrait of a Black transgender Statue of Liberty, titled *Trans Forming Liberty* (2024), has appeared on the cover of *The New Yorker* after the artist canceled a planned iteration of her traveling survey at the Smithsonian's National Portrait Gallery, alleging censorship. Sherald said museum leadership objected to the painting and proposed replacing it with a video discussion that would include anti-trans views. The work is currently on view at the Whitney Museum, where her survey 'American Sublime' runs through August 10. The Smithsonian later stated it sought to contextualize rather than replace the work, while the Trump administration praised the removal as a 'principled and necessary step' amid broader scrutiny of the institution's exhibitions.

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The second edition of the Aspen Art Fair returns to the historic Hotel Jerome from July 29 to August 2, marking the launch of Aspen Art Week. The fair has more than doubled its exhibitor count from 21 to 44 galleries across 15 countries, including newcomers like Sean Kelly and Marianne Boesky, alongside international participants such as Praise Shadows, Anat Ebgi, the Sunday Painter, La Loma Projects, and 193 Gallery. Programming includes talks with artists Mickalene Thomas and Issy Wood, curated home tours, and a site-specific exhibition inspired by *A Room of One’s Own*. Cofounders Becca Hoffman and Bob Chase emphasize the fair's intimate, un-boothlike atmosphere, with in-room installations transforming guest suites into salon-style exhibitions.

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Amid a sluggish broader art market, the design category is surging. Major auction houses—Sotheby’s, Christie’s, and Phillips—held design sales in early June 2025 that far exceeded expectations. Sotheby’s New York design sales totaled $37.5 million, Christie’s $23.6 million, and Phillips $4 million, representing a 62.3 percent year-on-year increase across all three houses. Notable highlights include the Goddard Memorial Window by Tiffany Studios, which sold for $4.29 million, the second-highest price for a Tiffany window at auction. The sales attracted many new buyers, with Sotheby’s and Phillips reporting over 20 percent of buyers were new to the houses.

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Joel Shapiro, the acclaimed Post-Minimalist sculptor known for his playful yet conceptually rigorous works in bronze, aluminum, and wood, died on Saturday at age 83 due to acute myeloid leukemia. His death was announced by Pace Gallery. Shapiro's career spanned decades, with his work appearing at major institutions including the Metropolitan Museum of Art and the United States Holocaust Museum. He began at Paula Cooper Gallery in the 1970s, creating tiny cast-iron houses and chairs that subverted Minimalist monumentality, before evolving toward large-scale figural sculptures made from beams of metal. His 2024 exhibition at Pace Gallery in New York featured towering works, though he resisted calling them colossal.

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Christie's June 2025 design sales totaled $23.6 million across two auctions, led by the 'American Avant-Garde: The James D. Zellerbach Residence by Frances Elkins' single-owner sale ($8.1 million) and the broader Design sale ($15.4 million). The top lot was the Goddard Memorial Window by Tiffany Studios, which sold for $4.285 million with fees to an online bidder, marking the second-highest price ever for a Tiffany Studios work. Other highlights included two Alberto Giacometti bird sculptures selling for nearly $2.9 million each, a Claude Lalanne chandelier at $1.865 million, and her sculpture 'L'Enlèvement d'Europe' at $1.134 million.

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Art in America's 2025 "New Talent" issue features 20 emerging artists chosen by the magazine's editors, including Nico Williams, Bint Mbareh, Justin Allen, Agnes Questionmark, and Brooklin A. Soumahoro. The issue also includes a postmortem on figurative painting by Barry Schwabsky, an essay on spiritual art by Eleanor Heartney, a symposium on art's purpose with seven artists, and a tribute to the late Jaune Quick-to-See Smith by Emmi Whitehorse. Other sections cover Suzanne Valadon, Hito Steyerl's book, and a debate between art fairs and biennials.

Smiljan Radic Wins the Pritzker Prize, ‘Men Retire But Women Get Fired From Museum Leadership’ Says Anne Pasternak: Morning Links for March 13, 2026

Smiljan Radic Wins the Pritzker Prize, ‘Men Retire But Women Get Fired From Museum Leadership’ Says Anne Pasternak: Morning Links for March 13, 2026

Chilean architect Smiljan Radic has won the 2026 Pritzker Prize, architecture's highest honor. The award, which had been delayed due to the Pritzker family's past associations with Jeffrey Epstein, recognizes Radic's lyrical and experimental designs that embrace fragility and dialogue with natural environments, creating what the jury described as "optimistic and quietly joyful shelter."

Recently restored castle in Norwich among five institutions shortlisted for UK's top museum prize

Five UK museums have been shortlisted for the 2026 Art Fund Museum of the Year prize. Norwich Castle Museum & Art Gallery, recently restored through a £27.5 million redevelopment, is nominated alongside the National Gallery in London, The Fitzwilliam Museum in Cambridge, The Box in Plymouth, and the V&A East Storehouse in London. The winner, to be announced on 25 June, will receive £120,000.

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Praise Shadows Art Gallery, a respected contemporary art gallery, is relocating from Brookline to a 2,000-square-foot downtown Boston storefront in the Leather District. The move was facilitated by Boston Mayor Michelle Wu and the city's Space for Creative Enterprise Downtown initiative, which helped founder Yng-Ru Chen secure a 10-year lease. The gallery opens on March 13 with a group show titled "Summoning" and has a slate of solo shows planned for Boston-based artists in 2026.

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The Flemish government in Belgium has reversed its controversial plan to dismantle Antwerp's Museum of Contemporary Art (M HKA). The original proposal would have stripped the museum of its status and transferred its permanent collection to another institution in Ghent, but following significant opposition, authorities have agreed to preserve M HKA as a museum with its collection intact.

10 Power Players in Paris

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The inaugural edition of Paris+ by Art Basel has opened in Paris, marking a significant shift in the city's art fair landscape. The article profiles ten key figures instrumental in shaping the French art market, including fair director Clément Delépine, dealer and committee president Marion Papillon, and institutional leaders like Suzanne Pagé of the Fondation Louis Vuitton and Rebecca Lamarche-Vadel of Lafayette Anticipations.

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Lower Manhattan is getting a new nonprofit art space called Times (styled in lowercase), founded by Summer Guthery and Francesca Sonara. Located on the fourth floor of 151 Lafayette Street above the Museum of Chinese in America, the 3,000-square-foot venue will operate for only three years. Its inaugural exhibition, featuring Danish artist Nina Beier, opens February 21 with a display of melting Cornetto ice cream cones. The space will officially open February 12 with a performance by Latvian choreographer Jana Jacuka. Guthery, previously founding artistic director of Canal Projects, and Sonara, former director of communications at Minnesota Street Project, met as graduate students at Bard College's Center for Curatorial Studies.

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The Winter Show returns to New York's Park Avenue Armory from January 23 to February 1, 2026, blending blue-chip modernism with decorative arts, design, jewelry, and antiques. The fair features a special presentation titled 'Study of a Young Collector,' curated by Patrick Monahan in collaboration with executive director Helen Allen, which imagines the private study of a next-generation collector using works from 11 international dealers exhibiting for the first time. Notable highlights include Jonathan Boos's presentation of Christo and Jeanne-Claude's early work 'Wrapped Toy Horse' (1963), priced at $450,000, and a rare copper and gilt mask by Harlem Renaissance artist Sargent Claude Johnson from 1933, priced at $245,000. Boccara Gallery also showcases modern and contemporary tapestries by artists like Man Ray and Alexander Calder.

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This week's art industry roundup covers major auction results, gallery representation changes, museum leadership shifts, and a high-profile art theft. François-Xavier Lalanne's *Hippopotame Bar* sold for $31.4 million at Sotheby's Breuer headquarters, setting a record for both the artist and design works. A Tiffany Magnolia floor lamp also set a new auction record at Sotheby's, fetching $4.4 million. Meanwhile, a New Jersey auction house quietly sold over $100,000 of Jeffrey Epstein's belongings, including artworks, without disclosing his ownership. In the gallery world, several artists changed representation, and former Clearing director John Utterson joined Thaddaeus Ropac. Museum news includes the Smithsonian's National Museum of Asian Art repatriating three Khmer-era sculptures to Cambodia, Maria Balshaw stepping down as Tate director, MoMA PS1 offering free admission starting January 1, and the Rijksmuseum planning a new branch in Eindhoven. Additionally, eight rare Matisse prints and five works by Candido Portinari were stolen from São Paulo's Mário de Andrade Library.

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Eduardo F. Costantini, founder of the Museo de Arte Latinoamericano de Buenos Aires (Malba), announced the acquisition of the Daros Latinamerica Collection in Zurich, adding 1,233 works by 117 artists to the museum's holdings. This roughly doubles Malba's collection to 3,000 works, with a major expansion project planned to accommodate the new pieces, set to begin next fall to mark the museum's 25th anniversary. Highlights include works by Doris Salcedo, Ana Mendieta, Julio Le Parc, Alfredo Jaar, Lygia Clark, and Jesús Rafael Soto, with 75 artists new to Malba.

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A rediscovered Renoir painting, *L'enfant et ses jouets – Gabrielle et le fils de l'artiste, Jean* (created before 1910), sold for over €1.8 million ($2 million) at Hôtel Drouot in Paris on November 25. The intimate portrait of Renoir's young son Jean with his nursemaid Gabrielle had remained in the same private collection for over a century, never before published or exhibited. It was offered by auctioneer Christophe Joron-Derem in the "Tableaux Modernes" sale and purchased by an international buyer, with the hammer price of €1.45 million falling within the presale estimate.

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The city of Aix-en-Provence has trademarked the name of Paul Cézanne and the phrase “Cézanne chez lui” as part of a major cultural tourism initiative called “Cézanne 2025.” The city has invested €30 million ($35 million) in a summer-long program of events, centered on a monumental retrospective of 130 works at the Musée Granet, titled “Cezanne au Jas de Bouffan.” The exhibition focuses on the artist’s family home, Bastide du Jas de Bouffan, which has undergone recent conservation and now allows visitors to see murals Cézanne painted on the walls in his twenties. Other highlights include the reopening of his first studio and the restored Atelier des Lauves, his last studio.

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A small Berlin auction house sold a 1930 gouache by Suzanne Duchamp for just €1,500 in 2024, and a Chicago-area firm moved a 1940 painting for only $1,000 in 2004—prices far below those of unknown emerging artists today. These works are now featured in the first-ever retrospective devoted to Duchamp at the Kunsthaus Zurich, highlighting her long neglect in favor of her more famous siblings Marcel Duchamp, Raymond Duchamp-Villon, and Jacques Villon. The exhibition traces her career from Cubist beginnings through superb Dadaist creations like "Arietta of Oblivion of the Dazed Chapel" (1920) to later, more decorative works that have divided critics.

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Chicago's annual art week unfolded with gallerist Daisy Sanchez documenting the scene for Artnet News's 'Wet Paint in the Wild' column. Sanchez, who recently co-opened Hans Goodrich gallery with Peter Anastos, attended the Renaissance Society's annual benefit, EXPO Chicago, and after-parties. The week featured artists including Joanne Greenbaum, Leah Ke Yi Zhang, B. Ingrid Olsen, and Isabelle Frances McGuire, with appearances by curators Myriam Ben Salah, Karsten Lund, and Giampaolo Bianconi, among others.

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This week's art industry roundup covers major auction results, including Sotheby's $51.8 million sale of the Saunders Old Masters collection (a record for a single-owner sale in that category) and the $12.5 million sale of the Lalanne's 'Ostrich Bar' in Paris. The Breuer Building, purchased by Sotheby's in 2023, has been landmarked by New York City, preserving its interior during renovation by Herzog & de Meuron. Art Basel announced a new fair in Doha, Qatar, launching next February with 50 exhibitors, while Untitled Art revealed 84 exhibitors for its first Houston edition. In gallery news, Yan Du will open YDP in London, Annely Juda Fine Art is moving, and Jean-Paul Engelen joins Acquavella Galleries. Gladstone Gallery hired Julian Ehrlich from Christie's. Saudi Arabia opens its first specialized art storage facility in Jeddah. Creative Australia chair Robert Morgan retires amid controversy over the Venice Biennale team appointment, and Monash University reversed a decision to cancel an exhibition.

Mexico’s art community calls for greater transparency in management of treasured collection

Over 350 Mexican cultural professionals have signed an open letter demanding greater transparency from the Instituto Nacional de Bellas Artes y Literatura (INBAL) regarding the management and export of the Gelman Collection. The collection, recently acquired by the Zambrano family and rebranded as the Gelman Santander Collection, includes 18 works by Frida Kahlo and other major 20th-century Mexican artists, with 30 pieces designated as national artistic monuments requiring state oversight.

Shreg the green ogre, a grey obsessive and Vermeer’s boiled egg – the week in art

This week's art roundup from The Guardian highlights a range of exhibitions across the UK, including Bruce Asbestos's 'Bootleg Shreg 2' at Exeter Phoenix Gallery, a playful show featuring a green ogre that parodies copyright rules. Other notable shows include Roy Oxlade's primitive paintings at Alison Jacques, May Morris's craft legacy at Lady Lever Art Gallery, a 30-year anniversary group show at Timothy Taylor, and Alan Charlton's monochrome grey works at Annely Juda Fine Art. The article also features an image of a naturally sculpted rock on Kangaroo Island, a review of the Turner Prize nominees, and a masterwork analysis of Vermeer's 'The Guitar Player' at Kenwood House, which was stolen in the 1970s and recovered with the help of a clairvoyant.

Nature by the uncool YBA, armoured ceramics and dizzying Aussie abstraction – the week in art

The article is a weekly art roundup highlighting several major exhibitions opening in London and Cambridge. It spotlights a new show of nature-themed paintings by Cecily Brown at the Serpentine Gallery, ceramics by Phoebe Collings-James at Pitzhanger Manor, a career survey of Turner Prize-winner Veronica Ryan at the Whitechapel Gallery, a Frank Bowling retrospective at The Fitzwilliam Museum, and a presentation of Aboriginal Australian art at Edel Assanti. The piece also features a powerful war photograph from Iraq and includes brief news items on topics ranging from a Matisse retrospective to potential museum entry fees.

‘What a fascinating challenge for an artist’: how Monet captured Venice in his twilight years

A major exhibition at San Francisco's de Young Museum, titled 'Monet and Venice,' brings together over 100 works, focusing on the two dozen paintings Claude Monet created during his only visit to the city in 1908. The show contextualizes his Venetian output with works by contemporaries like J.M.W. Turner, John Singer Sargent, and Pierre-Auguste Renoir, revealing that the trip was almost cancelled and was initially planned as a brief holiday.