The New Victoria & Albert Museum Opens in April: Once Again in East London

Ad aprile inaugura il nuovo museo del Victoria&Albert. Ancora una volta nell’East London

The Victoria & Albert Museum has announced the official opening date for the V&A East Museum, a new five-story cultural landmark in London’s Queen Elizabeth Olympic Park. Designed by architects O’Donnell + Tuomey, the museum will debut on April 18, 2026, featuring two permanent galleries titled "Why We Make" that showcase over 500 objects ranging from Renaissance paintings to contemporary fashion by Vivienne Westwood. The entrance will be anchored by a monumental bronze sculpture by Thomas J Price, marking the start of a robust contemporary commission program.

NGA Nights & Alexandria Art Scene: Celebrating Spring and an Artist’s Legacy

The National Gallery of Art in Washington, D.C. hosted its popular 'NGA Nights' series, featuring a 'Garden Party' theme that blended paper flower crafting with after-hours gallery access. The upcoming April event, 'United We Create,' shifts focus to the West Building to highlight five centuries of American creativity as part of the 'Celebrating American Art' exhibition and the broader America250 celebrations.

Two Exhibits, Four Artists and a Lot to Think About

The Maude Kerns Art Center is currently hosting two concurrent exhibitions, "Witness: Earth & Sky" and "Consume & Dispose," curated by Liberty Rossel. The shows feature the work of four artists—Rich Bergeman, Amanda Thomas, Rolf Huber, and Jennifer Bucheit—whose practices converge on themes of environmental stewardship, colonial history, and social justice. From Bergeman’s infrared photography documenting indigenous Kalapuya lands to Thomas’s use of toxic mine drainage in her ceramic glazes, the works utilize specific materials and historical research to challenge viewers' perceptions of the landscape and industrial impact.

Exhibition | Bertrand Lavier, 'Brushstroke n.7' at MASSIMODECARLO Pièce Unique, Pièce Unique, Paris, France

French artist Bertrand Lavier is presenting a solo exhibition titled 'Brushstroke n.7' at MASSIMODECARLO Pièce Unique in Paris. The exhibition centers on a single, sinuous steel sculpture that translates the traditionally flat, expressive painterly gesture into a three-dimensional physical entity. This presentation marks Lavier's sixth solo show with the gallery and continues his decades-long exploration of the boundaries between painting, sculpture, and the readymade.

The non-renewal of Sébastien Allard confirms the Louvre's metamorphosis

Le non renouvellement de Sébastien Allard confirme la métamorphose du Louvre

Christophe Leribault, the new president of the Louvre, has decided not to renew the contract of Sébastien Allard as director of the painting department, a position Allard held since 2014. This move is part of a broader shift in leadership style and institutional direction under Leribault, who is described as fostering genuine social dialogue and actively participating in meetings, in contrast to his predecessor.

Two Sales at Christie's

Deux ventes chez Christie's

Christie's in Paris is hosting two significant sales featuring masterpieces from the legendary Veil-Picard collection, which had been largely inaccessible to the public and scholars for decades. Highlights include a perfect Watteau drawing unseen on the market since 1900 and two major Hubert Robert paintings commissioned by the famed salonnière Madame Geoffrin, offering a rare glimpse into 18th-century Parisian interiors.

Jamie Robertson’s soft heat at Houston Center for Photography, Houston

Jamie Robertson’s solo exhibition, "soft heat," at the Houston Center for Photography presents a series of infrared photographs documenting Southern wetlands, including Caddo Lake and the Great Dismal Swamp. Using archival pigment prints and a zine titled "Alligatorwatergreen," Robertson utilizes thermosensational imagery to transform dense marshlands into ethereal, snow-like landscapes. The work incorporates archival figures, such as a liberated formerly enslaved man named Osman, to highlight the historical role of swamps as sites of maroonage and Black resistance.

CARTIER FOUNDATION. A THIN LINE BETWEEN EXTRACTIVISM AND CULTURAL RECLAMATION

FUNDACIÓN CARTIER. UNA DELGADA LÍNEA ENTRE EXTRACTIVISMO Y REIVINDICACIÓN CULTURAL

The Cartier Foundation inaugurated its new Paris headquarters on October 25 with the exhibition "Exposition Générale." The curatorial approach and, most notably, the labyrinthine architectural design by Jean Nouvel have drawn criticism from the specialized press, described as disappointing and patchwork. The new space, a dense black cube in central Paris, represents a radical departure from the foundation's previous luminous, glass-walled hall, forcing a complete rethinking of how to present its 40-year collection.

Harry Bertoia Gets His Moment

The city of Detroit is experiencing a significant Harry Bertoia revival, centered around the rediscovery and restoration of a massive 26-foot suspended sculpture. Originally commissioned in 1970 for a Michigan mall and long presumed lost or destroyed during building demolitions, the steel-wire and brass work was found languishing in a basement in 2017. Following an extensive restoration process, the monumental piece has been installed in General Motors' new global headquarters at the historic Hudson’s site, a feat that required complex engineering and a five-story opening in the building's facade.

At the Venice Biennale, the Cuba Pavilion presents "Hombres Libres" by Roberto Diago

The Republic of Cuba has announced its participation in the 61st Venice Biennale with a solo exhibition by artist Roberto Diago titled "Hombres Libres" (Free Man). Curated by Nelson Ramirez de Arellano Conde and located at Il Giardino Bianco, the installation features a series of sculptural heads crafted from salvaged materials like oxidized metal, wood, and plastic. These works, characterized by prominent surface scars, are designed to confront viewers and provoke a dialogue about the enduring nature of memory and dignity.

Diego Perrone “There’s a certain Slant of light” at Umberto Di Marino Gallery, Naples

Diego Perrone presents his first solo exhibition at Umberto Di Marino Gallery in Naples, titled "There’s a certain Slant of light." Taking its name from an Emily Dickinson poem, the show explores the concept of lateral, non-frontal light through a series of experimental works. The exhibition features Perrone’s signature technical mastery, including intricate glass sculptures and works on paper that manipulate transparency and shadow.

Senior Thea Merritt Curates Exhibition About Artist Robert E. Mueller

Monmouth University senior Thea Merritt has curated the exhibition "Robert Mueller: Man and Machine" at the Ice House Gallery, focusing on the interdisciplinary legacy of the late artist and scientist Robert E. Mueller. Drawing from a massive estate donation of 1,500 objects, Merritt selected works that highlight Mueller’s unique fusion of electronic science, philosophy, and fine arts. The show represents the culmination of Merritt's work cataloging the collection and her research into contemporary curatorial practices.

A Faceless Mary Magdalene by Artemisia Gentileschi Goes to Auction

Va in asta una Maria Maddalena di Artemisia Gentileschi senza volto

The Viennese auction house Dorotheum has announced the sale of a rare, fragmented painting of Mary Magdalene by the Baroque master Artemisia Gentileschi. Dating from the artist's influential Florentine period (1615–1618), this autograph version of a work held in Palazzo Pitti is notably missing its central element: the head and shoulders of the saint have been physically cut from the canvas. Despite this dramatic mutilation, which experts speculate may have occurred in post-war Berlin, the work is estimated to fetch between €100,000 and €150,000 at the Old Masters auction on April 28, 2026.

Protection and Constraint are Two Sides of the Same Coin: An Exhibition in Rome Proves It

Protezione e costrizione sono due facce della stessa medaglia. Una mostra a Roma lo dimostra

The gallery Monti8 in Rome is hosting a group exhibition titled "The Bell Jar," co-curated by Massimiliano Maglione. Inspired by Sylvia Plath’s 1963 novel, the show features seven international artists—Camilla Alberti, Ruby Chen, Mounir Eddib, Stephen Buscemi, Naomi Hawksley, Steffen Kern, and Amber Wynne-Jones. The exhibition explores the dual nature of the glass bell jar as both a protective shield for precious objects and a suffocating barrier that isolates the subject from the world.

Philippe Halsman's Portraits Feature the Entire 20th-Century Cultural Elite: The Exhibition in Veneto

Nei ritratti di Philippe Halsman c’è tutta l’élite culturale del Novecento. La mostra in Veneto

The Palazzo Pinato Valeri in Piove di Sacco, Italy, is hosting a comprehensive exhibition dedicated to the legendary photographer Philippe Halsman. The show traces his career from his early 1930s Parisian portraits to his iconic American period, featuring his surrealist collaborations with Salvador Dalí and his famous "Jumpology" series. The collection includes intimate and experimental portraits of 20th-century icons such as Marilyn Monroe, Albert Einstein, Alfred Hitchcock, and Sophia Loren.

Native Americans Played Dice Games Far Earlier Than Previously Known, Study Shows

A groundbreaking study from Colorado State University reveals that Native Americans in the western Great Plains were using dice for gaming over 12,000 years ago. Researcher Robert J. Madden identified two-sided dice made of bone or wood from archaeological sites in Wyoming, Colorado, and New Mexico, pushing the known history of games of chance back significantly further than previously recorded.

Did This Photographer’s Provocative Work Inspire a Key Plot Point in The Drama?

The new film *The Drama*, directed by Kristoffer Borgli and starring Zendaya and Robert Pattinson, features a central plot point involving a fictional photobook titled *Brainrot*. In the movie, Pattinson’s character, a museum curator, becomes obsessed with the book's provocative imagery of young women with firearms after learning of his fiancée’s past violent intentions. While *Brainrot* is a fictional creation, its aesthetic and subject matter draw significant parallels to Lindsay McCrum’s 2011 photography book, *Chicks with Guns*, which documented the diverse demographics of female gun owners in America.

Native Americans created dice more than 12,000 years ago, study finds

Archaeologist Robert J. Madden of Colorado State University has identified the world's oldest known dice, created by Native American hunter-gatherers on the western Great Plains over 12,000 years ago. By re-examining artifacts from Late Pleistocene Folsom-period sites in Wyoming, Colorado, and New Mexico, Madden discovered that these "binary lots" predate the earliest known Old World dice by more than 6,000 years. These objects are often the only decorated, non-utilitarian items found at these ancient sites, featuring artistic markings that distinguish them from everyday tools.

Knight Foundation Names 2026 Recipients of Its $50,000 Art + Tech Fellowships

The John S. and James L. Knight Foundation has announced the five recipients of its 2026 Arts + Tech Fellowships. Administered by United States Artists, the program awards $50,000 in unrestricted funds to artists LIZN’BOW, Miguel Novelo, Rhonda Holbertson, Taeyoon Choi, and Wesley Taylor. These creators, based in California, Detroit, and Miami, utilize diverse technologies including computer vision, game engines, and custom code to explore the intersection of digital systems and human experience.

Rare Winnie-the-Pooh Drawings Surface for the First Time

Two previously unseen preliminary drawings of Winnie-the-Pooh by illustrator E.H. Shepard have surfaced for the first time on the centenary of the children's classic. Brought forward by Shepard’s family, the pencil sketches depict scenes from A.A. Milne’s original 1926 book that were never fully realized or published. These rare works, along with several other preliminary sketches that did make it into print, are currently on display and for sale at Peter Harrington Rare Books in London before traveling to the New York International Antiquarian Book Fair.

Taft Museum of Art Celebrates Artist Ayana Ross in Milestone Year

The Taft Museum of Art has named Cincinnati-based painter Ayana Ross as the 2026 Robert S. Duncanson Artist-in-Residence, marking the 40th anniversary of the prestigious program. Ross, known for her figurative realism and traditional oil painting techniques, will be featured in a solo exhibition titled "Beyond the Picturesque: The American Landscape as a Site of Memory, Identity and Continuity." The showcase includes seven paintings integrated into the Taft’s historic house and Sinton Gallery, with a specific installation placed alongside the museum's famous 19th-century murals by Robert S. Duncanson.

In the Curator’s Words: James Hubbell and his brother Bert still united through art

The Oceanside Museum of Art has opened "Brothers in Arts: James Hubbell and Bert Hubbell," a poignant exhibition curated by Brennan Hubbell, the son of James and nephew of Bert. The show explores the parallel creative lives of the two brothers, who lived on opposite sides of the Pacific for sixty years—James in San Diego and Bert in Japan—yet maintained a deep spiritual and artistic connection through letters and shared philosophies. Both artists passed away within weeks of each other in 2024, shortly after a final video call that reconnected them after a period of silence.

Must-See Museum Exhibits in New Orleans This April

New Orleans is highlighting its vibrant visual arts scene this April with two major museum exhibitions that offer deep dives into Southern identity and local art history. The Ogden Museum of Southern Art has launched "I Am the Face," an exploration of Southern photographic portraiture from the early 20th century to today, while the New Orleans Museum of Art (NOMA) is preparing to open a comprehensive retrospective of Louisiana native Robert Gordy, marking the first major presentation of his work at the institution in over forty years.

Must-See Museum Exhibits in New Orleans This April

New Orleans is highlighting its vibrant visual arts scene this April with two major museum exhibitions that offer deep dives into Southern identity and local art history. The Ogden Museum of Southern Art has launched "I Am the Face," a comprehensive survey of Southern photography and portraiture from the early 20th century to today. Meanwhile, the New Orleans Museum of Art (NOMA) is preparing to open a significant retrospective of Louisiana native Robert Gordy, marking the first major presentation of his multidisciplinary work at the institution in over forty years.

Goldfish on cars and ceramic flowers: artists take over the Peninsula Hotel in Hong Kong

Three artists have installed site-specific works at The Peninsula Hong Kong hotel as part of its annual Art in Resonance program, coinciding with Hong Kong Art Week. Angel Hui's 'Swimming in Light' features embroidered goldfish imagery on plastic bags and the hotel's glass frontage, Albert Yonathan Setyawan's 'Metamorphic Modulation' fills a circular structure with 700 ceramic elements, and William Lim's 'Walking on a Bright Future' is a textile and spatial intervention in the hotel's café.

Pixels and paintings: video games return to the V&A

The Victoria & Albert Museum hosted a special Friday Late event in collaboration with the London Games Festival, transforming its historic galleries into a playground for interactive and independent video games. Visitors could play titles like the Bafta-winning 'Thank Goodness You’re Here!' and the comedic 'Sex With Friends' amidst the museum's permanent collection, while live-coding music performances and participatory art projects like 'Robot Karaoke' and 'The Line is the Game' emphasized communal, performative experiences.

V&A Museum Has Acquiesced to Censorship Requests from Chinese Printer: Report

London’s Victoria and Albert Museum (V&A) reportedly complied with censorship demands from its Chinese printing firm, C&C Offset Printing, to alter exhibition catalogues. Internal emails revealed that the museum removed a photograph of Lenin from a Fabergé exhibition book and altered historical maps to align with Chinese government standards after the printers flagged them as "sensitive." Staff noted that while they were aware of contemporary geopolitical sensitivities, the restrictions had expanded to include historical imagery, forcing last-minute editorial changes to avoid production delays.

THE REINA SOFIA REVIVES ALBERTO GRECO S LIVING ART

The Reina Sofía Museum in Madrid is presenting a major retrospective, 'Viva el arte vivo,' dedicated to Argentine-Spanish artist Alberto Greco. The exhibition traces his evolution from early Informalist paintings to his radical conceptual practice, showcasing works from 1949 until his death in 1965, including photographs, drawings, collages, and literary pieces.

Gabrielle Goliath to Show Work Banned from Venice Biennale Outside Main Exhibition

South African artist Gabrielle Goliath will present her work 'Elegy' at the Chiesa di Sant’Antonin in Venice, after her government-appointed exhibition for the South African pavilion at the 61st Venice Biennale was abruptly canceled. The pavilion will remain empty for the event's duration, while Goliath's project, sponsored by the Bertha Foundation and London's Ibraaz, will be shown nearby from May to July.

Art Historian Paolo Baldacci Has Died; His Studies on Giorgio de Chirico and Metaphysical Art Were Fundamental

È morto lo storico dell’arte Paolo Baldacci. Fondamentali i suoi studi su Giorgio de Chirico e sulla Metafisica

Renowned art historian, critic, and professor Paolo Baldacci has passed away in Milan at the age of 81. Originally a scholar of ancient history and Roman epigraphy, Baldacci transitioned into a leading authority on 20th-century Italian art, specifically focusing on Futurism and Metaphysical painting. He was widely recognized for his monumental 1997 monograph and catalogue raisonné on Giorgio de Chirico, as well as his extensive research into the work of Alberto Savinio.