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Artist with links to Banksy now working from new studio in north Norfolk

Arthur Buxton, a master printer who previously worked with Banksy's former manager Steve Lazarides and has produced prints for artists including Sir Peter Blake, has relocated from Bristol to the village of Corpusty in north Norfolk. There, he has established his own printmaking workshop and studio, describing the move as a dream come true. An exhibition of his recent prints, titled "Slugs and Snails and Puppy Dog Tails," is currently on view at the Allen Hall Gallery in Glandford until January 18, exploring themes of dreams, nightmares, and fantasies.

Rope used to topple Colston statue to be sold

A rope used to pull down the statue of slave trader Edward Colston in Bristol during a 2020 Black Lives Matter protest, along with a Banksy T-shirt given to one of the 'Colston Four' defendants, is being auctioned by Auctioneum Ltd. The lot is expected to fetch between £10,000 and £15,000 in a specialist sale on December 29, 2025. The four protestors were acquitted of criminal damage in 2022 after a jury trial.

Comment | Bristol's Spike Island has become an environmental beacon—here's why it makes financial sense for others to follow suit

Spike Island, a creative hub in Bristol housed in a historic tea packing factory, has been recognized by the Gallery Climate Coalition (GCC) as a model of environmentally sustainable practice. After an energy audit revealed that 85% of its emissions and running costs came from heating the leaky 1950s building, the organization installed solar panels and began a major retrofit. Since March, the panels have saved 6,000 kilograms of CO2, and further upgrades—including heat pumps and insulation—are planned as part of a long-term capital masterplan developed with Max Fordham and 6a Architects.

Venice Banksy mural removed as part of ‘innovative’ restoration project

A fading Banksy mural, *Migrant Child* (2019), depicting a child holding a flare and wearing a life vest, was removed from the façade of the 17th-century Palazzo San Pantalon in Venice on Wednesday night. Restorers cut out the wall section using angle grinders and hand tools from a barge, in an operation funded by the banking group Banca Ifis, the building's owner. The work—one of only two Banksy pieces officially attributed in Italy—had deteriorated significantly due to six years of exposure to the elements, with about a third of the image lost. It will undergo analysis and restoration under Federico Borgogni, who previously oversaw the removal of Banksy's *Aachoo!* in Bristol.

The Artist Who Keeps Remaking His Childhood Home

The New York Times profiles an artist who repeatedly recreates his childhood home through various artistic mediums, exploring memory, loss, and the passage of time. The article details how the artist reconstructs the house from memory, using materials ranging from drawings and sculptures to immersive installations, each iteration reflecting a different emotional or psychological state.

Is Banksy getting personal? New lighthouse mural prompts speculation over its philosophical meaning

Banksy has unveiled a new mural on Instagram after a six-month hiatus, depicting a black lighthouse with the stenciled phrase “I want to be what you saw in me.” The work, located in Marseille’s Rue Félix Fregier, marks the first time the artist has referred to himself in the first person in a public mural. Speculation about its meaning ranges from a tribute to a deceased artist known as Lonely Farmer to a moment of rare self-reflection, though Banksy’s studio Pest Control declined to comment.

Vibrant Sea Creatures Spring to Life in Lisa Stevens’ Textured Sculptures

Bristol-based artist Lisa Stevens creates vibrant ceramic sculptures inspired by marine life. Her work features sea urchins, coral, and nudibranchs, transformed into unique pieces with colorful glazes and textures that often blend aquatic forms with celestial and anatomical references.

This ICA Exhibition Skewers Art’s Culture of Capitalism

The Institute of Contemporary Art (ICA) has opened a new exhibition titled "Genuine Fake Premium Economy," featuring works by artists Jenna Bliss, Buck Ellison, and Jasmine Gregory. Curated by Nicole Leong, the show critiques the culture of capitalism within the art world, using appropriation and mimicry to highlight contradictions and hypocrisies. The artists, all born in the mid-1980s in the United States, came of age professionally after the 2008 financial crisis, and their works incorporate advertising imagery, reality television, luxury brand aesthetics, and private wealth management vocabulary. Bliss's video works include a scripted reality TV episode set in an art fair booth before the crash, while Ellison has invented a fictional private bank called Orlo & Co., and Gregory reproduces Patek Philippe advertisements with the watches erased.

Three exhibits: Figures, charcoal and celebration

Artist and curator Kat Knutsen has launched "Curious Figure 3," the third iteration of an exhibition series dedicated to the human form. Now hosted at the Star Store building in New Bedford, the show features 42 artists from across 21 states, including notable works by Joe Vaux and Judith Peck. The exhibition's move to the Star Store follows the displacement of the Co-Creative Center from its original location due to private development.

Study highlights link between cultural engagement and workforce levels

A new study from the Creative Industries Policy and Evidence Centre (Creative PEC) reveals a strong correlation between the number of people working in arts, culture, and heritage occupations in English local authorities and the rates of public participation in cultural activities. Analyzing data from DCMS's Participation Survey 2023–24 and the Office of National Statistics Labour Force Survey, the report found the strongest link between cultural employment and art gallery attendance, followed by literary events and live dance. London boroughs dominated the top rankings, with Cambridge, Brighton and Hove, Oxford, Bristol, and Waverley also showing high correlations, though exceptions like Stoke-on-Trent and York highlighted local variations in specific art forms.

Contemporary art gallery to open in Stroud

A new permanent contemporary art gallery called Five Valleys Gallery is opening in Stroud this month. Located within the Home of Vintage in the Five Valleys Shopping Centre, it will feature a professionally curated selection of up to 36 artists, primarily from the local Stroud and Five Valleys area, as well as from Bristol, Bath, and London. The gallery's offerings include award-winning landscape painting, ceramics, glass, and sculpture.

RWA calls for artist submissions to the 172 Open exhibition

The Royal West of England Academy (RWA) in Bristol has issued a call for artist submissions to its 172nd Open exhibition, a long-running annual open-call show that invites artists from across the UK to submit works for consideration. The exhibition provides a platform for both established and emerging artists to display their work in a historic institutional setting.

Mixed-media group exhibition ‘MUD METAL OIL’ comes to Centrespace

A mixed-media group exhibition titled ‘MUD METAL OIL’ is opening at Centrespace, a gallery in Bristol. The show brings together multiple artists working across diverse materials and processes, exploring themes of materiality and transformation through sculpture, painting, and installation.

Trescott Street Gallery in Taunton opens 'Artist's Choice' exhibit

The Trescott Street Gallery in Taunton has launched its "Artist's Choice" exhibition, a member-led showcase running through March 28. Featuring over 70 works across various media—including oil, acrylic, pastel, and photography—the exhibition intentionally lacks a specific theme to allow for maximum creative freedom. The show highlights a broad spectrum of talent, ranging from emerging youth artists to seasoned professionals.

Seaport Art Walk accepting artist proposals for 2026 exhibition

The Seaport Art Walk in New Bedford, Massachusetts, is now accepting artist proposals for its 2026 edition, which will run from July 9 to October 31, 2026. The juried outdoor exhibition, themed “Good Trouble” in honor of the late Rep. John Lewis and the 250th anniversary of the Declaration of Independence, invites submissions of temporary sculptures, murals, or photography exploring civil disobedience, community organizing, and cultural resistance. Proposals are due by February 23, 2026, with stipends ranging from $250 to $2,500 per artwork.