A major bronze sculpture by Henry Moore, 'King and Queen' (1952-53), will be the top lot at Christie's 20th/21st Century evening sale in London on March 5. The work, estimated at £15 million ($20.5 million), is the first cast from an edition and the only one remaining in private hands, having been acquired directly from the artist by its current anonymous owner.
A new video game titled 'Relooted' has been released, casting players as vigilantes in an Afrofuturistic future who must reclaim looted African artifacts from Western museums before they are hidden away. Developed by South African studio Nyamakop, the game tasks players with repatriating up to 70 specific, real-world contested treasures, including the Bangwa Queen and the Maqdala Crown, through heist-style gameplay.
A time capsule designed by British architect Norman Foster has been buried in Washington D.C. to mark the 250th anniversary of American independence. The titanium box features 13 facets and stars representing the original colonies, and contains letters from King Charles III and President Donald Trump, along with soil from George Washington's ancestral home. It was presented by Virginia governor Glenn Youngkin and U.K. officials to the U.S. Department of Interior, and is not to be opened until July 4, 2276.
The Rijksmuseum in Amsterdam has announced an $11.5 million permanent sculpture garden, funded by a €60 million donation from the Don Quixote Foundation. Designed by Foster + Partners and landscape architect Piet Blanckaert, the garden will transform three areas of the museum grounds into a permanent display of Modern and contemporary sculpture, featuring works by Alberto Giacometti, Louise Bourgeois, Alexander Calder, Henry Moore, and Roni Horn. Three existing pavilions will be converted into exhibition spaces, and the garden is slated to open later this year, pending local council approval.
France's historic loan of the Bayeux Tapestry to the British Museum has sparked controversy over the proposed £800 million ($1.1 billion) insurance cover, which critics argue is unsuitable for such a fragile, 950-year-old textile. Art historians and conservators have raised concerns that the U.K.'s Government Indemnity Scheme does not cover damage from preexisting conditions or inherent vice, and that no sum can adequately insure an irreplaceable heritage object. A French petition calling on President Emmanuel Macron to cancel the loan has garnered over 75,000 signatures, but the U.K. government has proceeded with plans, including a practice "dry run" using a facsimile and a custom crate designed to minimize vibrations.
The National Gallery in London will host "Van Eyck: The Portraits" in November, a landmark exhibition uniting all nine of Jan van Eyck's surviving portraits for the first time. This includes masterpieces like *The Arnolfini Portrait* (1434) and loans from the Gemäldegalerie in Berlin, the Groeningemuseum in Bruges, and the Kunsthistorisches Museum in Vienna, alongside the recently conserved *Portrait of a Man (Self Portrait?)* (1433).
France’s Bayeux Tapestry will be loaned to the British Museum in 2026, with the UK Treasury providing an indemnity guarantee of approximately £800 million ($1 billion) to cover potential damage or loss during transport and display. The guarantee, part of the UK government’s indemnity scheme, is a contingent liability—no upfront payment is required unless something goes wrong. The tapestry will travel by truck via the Channel Tunnel in a specially designed crate, displayed behind protective screening, and remain in London until July 2027. The loan is part of a broader cultural agreement between Britain and France, announced by President Emmanuel Macron during his July state visit to London.
Mathaf: Arab Museum of Modern Art in Doha has appointed Lebanese architect Lina Ghotmeh to lead a major campus expansion, announced as the institution celebrates its 15th anniversary. The project will redesign the ground floor lobby and library as an open majlis-inspired space, expand the cafe and shop, add a monumental portrait by Yan Pei-Ming, and later transform the plaza and parking area into artist studios, ceramics facilities, glass and material labs, and a sound studio in collaboration with Tarek Atoui. Mathaf director Zeina Arida called the plan 'a new chapter' for the museum.
Artnet News offers a lighthearted holiday guide with seven art-historical conversation starters designed to deflect awkward family small talk. The article reveals quirky facts such as a secret apartment atop the Eiffel Tower, the Surrealists' party game 'Exquisite Corpse,' Leonardo da Vinci's role as a wedding planner for Milan's nobility, Marcel Duchamp paying his dentist with a fake check, and Frank Lloyd Wright inspiring Lincoln Logs.
Christie’s London will auction the third and final part of Sam Josefowitz’s Rembrandt print collection on December 3, featuring 101 etchings by the Dutch master. The sale, titled “The Sam Josefowitz Collection: Graphic Masterpieces by Rembrandt van Rijn – Part III,” follows two previous installments that together brought £13.5 million. A highlight is the rare portrait *Arnout Tholinx, Inspector* (circa 1656), estimated at up to £2.5 million, described as the last impression in private hands. The collection was amassed by Josefowitz, a Lithuanian-born entrepreneur who built a mail-order business before his death in 2015.
A rare Rembrandt counterproof print, "The Goldweigher" (1639), was discovered in a Victorian chest in the Norfolk studio of the late theater designer Alan Barlow. His son, Edward Barlow, found the print while sorting through the studio and initially assumed it was a common reproduction. After examination by Cheffins auction house, it was identified as an original preparatory print, with reversed orientation, a Strasbourg lily watermark, and black chalk lines indicating Rembrandt's hand. It will be auctioned on December 3 with an estimate of £10,000–£20,000.
The British Museum held its inaugural fundraising ball, modeled after the Met Gala, raising over £2.5 million ($3.3 million) through ticket sales and a silent auction. The event, attended by celebrities including Mick Jagger, Janet Jackson, Tracey Emin, James Norton, and Naomi Campbell, also secured a £10.3 million pledge from the Garfield Weston Foundation for the museum's Visitor Welcome Program. However, the evening was marred by controversy: a protester from Energy Embargo for Palestine gained access and demonstrated against the museum's £50 million sponsorship from BP, and Greece's culture minister Lina Mendoni criticized the museum for hosting the event near the Elgin Marbles, accusing it of disrespecting the ancient sculptures.
The British Museum's inaugural fundraising gala on October 18 was interrupted by a protester from the group Energy Embargo for Palestine. The woman, who gained access to the Great Court by working as a waitress, took the stage next to board chair George Osborne holding a sign reading 'DROP BP NOW.' She criticized the museum for accepting a £50 million sponsorship from BP, an oil and gas company she accused of causing climate collapse and enabling genocide in Gaza. The gala, co-chaired by Isha Ambani of Reliance Industries, raised over $2 million from ticket sales and featured a silent auction, including a pet portrait by Tracey Emin and a private tour of Coco Chanel's Paris apartment.
The Walker Art Gallery in Liverpool, UK, has included British naval hero Horatio Nelson in a "Queer relationships" collection, citing his contested final words "Kiss me, Hardy" as evidence. The museum added Daniel Maclise's *The Death of Nelson* (1859-1864) and Benjamin West's 1806 painting of the same name to an online article about LGBTQ+ love. This follows a similar move by London's National Maritime Museum, which examined Nelson through a "queer lens" during a "Queer History Night" event last year.
Michael Rakowitz's survey exhibition "Allspice" at the Acropolis Museum in Athens explores themes of cultural displacement, looting, and historical narrative through works like his series "The invisible enemy should not exist" (2007–), which reconstructs looted artifacts from Baghdad's National Museum of Iraq using Arabic food wrappers and newspapers. The show also features his 2004 video "Return," documenting his effort to import Iraqi dates labeled as "product of Iraq" to the US after decades of sanctions, and includes interventions with the museum's own collection, such as a Cypriot head he linked to Assyrian art.
The British Museum in London has announced a new fundraising event called the British Museum Ball, scheduled for October 18, with a pink theme inspired by the colors and light of India, tied to its exhibition 'Ancient India: Living Traditions.' The gala will be co-chaired by Isha Ambani, a patron of the Nita Mukesh Ambani Cultural Centre in Mumbai, and will feature a silent auction, music by Anoushka Shankar and Jules Buckley, and a guest list including Zadie Smith, Naomi Campbell, Idris Elba, Miuccia Prada, and others. Proceeds will support the museum's international partnerships and its goal of making its collection more accessible worldwide.
The article explores how ancient Egyptian art and design have influenced modern Western aesthetics, from Empire furniture to Art Deco. It traces the phenomenon of 'Egyptomania' back to the 19th century, when European artists and archaeologists like Dominique Vivant Denon, Jean-Léon Gérôme, and Howard Carter brought Egyptian motifs and artifacts to public attention. The piece highlights three key examples: the adoption of Egyptian-inspired Empire furniture under Napoleon, the use of Nubian tribute scenes in decorative arts, and the impact of King Tutankhamun's tomb discovery on early 20th-century design.
The British Museum has organized a new exhibition titled “Ice Age Art Now,” installed at Cliffe Castle Museum in Yorkshire, England, that presents Ice Age artifacts—carved images, figurines, and engravings dating from 24,000 to 12,000 years ago—alongside more recent artworks, including a print after Goya and a charcoal sketch by Maggi Hambling. Curated by Jill Cook, the show aims to reframe these prehistoric objects as artistic expressions rather than mere archaeological curiosities, highlighting their use of line, space, and scale to capture the observed world and communicate emotion.
Greece is building a cultural coalition with Italy to strengthen its campaign for the return of the Parthenon Marbles from the British Museum. Italy's culture minister Alessandro Giuli pledged support during a visit to Athens and announced the repatriation of 145 ancient coins. Greek culture minister Lina Mendoni is leading efforts to build international backing, and the two countries have devised joint cultural initiatives, including an exhibition of modern Greco-Italian metaphysical painters. Meanwhile, the U.K.'s Labour government has taken a neutral stance on the issue, departing from the previous Conservative government's opposition, and negotiations between Greece and the U.K. are described as "ongoing and constructive."
On Thursday, an environmental activist from the group Last Generation Canada hurled bright pink paint at Pablo Picasso's 1901 painting *L’hetaire* at the Montreal Museum of Fine Arts. The protester, identified as 21-year-old Marcel, was arrested and later released pending a court appearance; two accomplices who filmed the act were detained and released without charge. The group cited the record-breaking heat wave in Winnipeg and Manitoba as a motivation, arguing that art is meaningless on a dead planet.
Several major French cultural institutions, including the Louvre, the Château de Versailles, and potentially the Arc de Triomphe, have implemented a "differential tariff" that raises ticket prices for non-European Union visitors. Starting January 1, 2026, non-E.U. tourists will pay €30 ($35) to enter the Louvre, up from €22 ($25). The policy, first reported by Le Monde, is expected to generate up to €20 million annually for the Louvre alone, helping to fund urgent renovations estimated at €400 million over 15 years. The move follows a leaked letter from Louvre director Laurence des Cars to culture minister Rachida Dati warning of severe building deterioration, including temperature fluctuations endangering artworks and water damage. French president Emmanuel Macron has announced a sweeping restoration, but state funding will cover only a fraction of the cost.
Katsushika Hokusai's iconic woodblock print "The Great Wave" (officially *Under the Wave off Kanagawa*) is examined through three lesser-known facts. The article notes that the print, created between 1830 and 1832, is surprisingly small—less than 15 inches wide—and that its vivid blue pigment, Prussian blue, was a recent European import that revolutionized Japanese ukiyo-e prints. It also highlights Hokusai's practice of adopting over 30 different names throughout his career, which now helps scholars periodize his work.
A new exhibition at the British Museum, “Hiroshige: Artist of the Open Road,” showcases over 100 works by the Japanese ukiyo-e master Utagawa Hiroshige, including a landmark gift of 35 prints from U.S. collector Alan Medaugh. Many of the prints have never been publicly displayed before, and some are believed to be the only surviving examples of their kind. The show runs through September 7 and features landscapes, bird-and-flower prints, fan prints, and an immersive digital experience created with Outernet London.
Comment le British Museum prépare l’arrivée de la tapisserie de Bayeux
The British Museum will display the Bayeux Tapestry from September 10, 2025, to July 11, 2027, in its Sainsbury Exhibitions Gallery, coinciding with the closure of the Musée de la Tapisserie de Bayeux for renovation. The 68.38-meter embroidery will be shown flat for the first time in over two centuries, in a custom-designed case with low lighting and continuous visitor flow. Tickets go on sale July 1, 2026, priced between £25 and £33, with free entry for under-16s. The exhibition includes loans such as the Junius II manuscript from the Bodleian Library and coins from the Chew Valley hoard, plus an outdoor installation by Andy Sturgeon. The UK government has provided an £800 million indemnity guarantee.
Adventures with Van Gogh, a weekly blog launched in 2018, has published its 300th post. To mark the milestone, the blog compiled a list of its most-read posts since the 200th edition in February 2023, updated with new information. Topics range from the ten most expensive Van Gogh paintings at auction (led by *Orchard with Cypresses* at $117m) to a geological feature near Saint-Rémy-de-Provence that appears in *The Olive Trees*, a defense of the suicide theory over murder, the real-life view behind *Starry Night over the Rhône*, Picasso’s granddaughter Marina Picasso quietly buying and selling a Van Gogh watercolour, and the artist’s preference for simple wooden frames over ornate gold ones.
The British Museum's exhibition "Hiroshige: Artist of the Open Road" (through September 7) showcases over 100 prints by the Japanese master Utagawa Hiroshige, including rare loans that highlight his influence on European avant-garde artists. A key display is Vincent van Gogh's own copy of Hiroshige's "The Plum Garden at Kameido" (1857), on loan from the Van Gogh Museum in Amsterdam, along with Van Gogh's squared-up tracing used for his painting. New research by British Museum senior scientist Capucine Korenberg reveals a short pencil line on the print that confirms Van Gogh used this exact copy as a guide for his tracing and subsequent painting.
Art on Location 2025 is an initiative that brings contemporary art installations to public spaces across multiple cities, transforming everyday environments into immersive artistic experiences. The program features site-specific works by emerging and established artists, aiming to make art accessible outside traditional gallery settings.
The Serpentine in London hosted its annual invitation-only Summer Party, a glitzy fundraising gala that drew a mix of art, fashion, tech, and showbiz figures. For the first time since 2000, a single artist co-hosted the event: Australian actor and humanitarian Cate Blanchett. The evening featured the Lego Group's bright orange Play Pavilion, a reimagined installation by Indian artist Subodh Gupta, and the Serpentine Pavilion designed by Bangladeshi architect Marina Tabassum. Notable attendees included sculptors Thomas J. Price and Antony Gormley, artists Grayson Perry, Es Devlin, and Yinka Shonibare, along with celebrities like Lily Allen, Beth Ditto, will.i.am, and Jessica Gunning. The event also highlighted Giuseppe Penone's exhibition 'Thoughts in the Roots' and was supported by partners including Bloomberg Philanthropies, Ruinart, Gagosian, and Google Arts & Culture.
british museum removed palestinian uk lawyers for israel
The British Museum in London removed the word 'Palestinian' from certain display texts related to the ancient Middle East, replacing it with terms like 'Canaanite.' This action followed a letter from the pro-Israel advocacy group UK Lawyers for Israel (UKLFI) to the museum's director, Nicholas Cullinan, arguing that using 'Palestine' to describe the ancient region was historically inaccurate and erased the Kingdoms of Israel and Judea. The museum stated the changes were made last year, prior to receiving the letter, and that it uses UN terminology for modern maps and 'Palestinian' as a cultural identifier where appropriate.
The Digital Art Mile returns to Basel, Switzerland, from June 16 through 22, 2025, timed to coincide with Art Basel. Organized by Artmeta and staged at the historic Rebgasse, the event features a fair, exhibition, and public program showcasing a wide spectrum of digital and computer-based practices—from 1960s early computer art to humanoid robots and autonomous AI agents. This year's edition includes roughly 11 exhibitors, with solo presentations by Nigerian digital artist Osinachi (at Kate Vass Galerie) and generative artist Tyler Hobbs (via LaCollection), as well as group shows and a conference program exploring themes like the digital art market, AI in generative practices, and institutional engagement with new media. A central exhibition, Paintboxed—part of the Tezos World Tour—examines the legacy of the Paintbox, an early digital painting system.