Lo Brutto Stahl presents "Where It Doesn’t Reach," a group exhibition featuring works by Bas Jan Ader, Hélène Janicot, and Park McArthur, running from March 27 to May 2, 2026, at both its Basel and Paris locations. The show brings together three artists whose practices explore absence, gesture, and the limits of perception, with the press release and floor plan available on the gallery's website.
The Center for Art, Research and Alliances in New York presents "The Earth, the Fire, the Water, and the Winds: For a Museum of Errantry with Édouard Glissant," running from February 28 to May 10, 2026. The exhibition focuses on the Martinican poet and philosopher Édouard Glissant's personal art collection, tracing how his key concepts—opacity, relation, and creolization—emerged through his engagement with artworks and artists. It features works by artists such as Agustín Cárdenas, Victor Anicet, Eduardo Zamora, Gerardo Chávez, José Gamarra, and M. Emile, and travels from Instituto Tomie Ohtake in São Paulo.
At the 2026 Met Gala, Puerto Rican superstar Bad Bunny arrived in a transformative look that made him nearly unrecognizable. He wore a black pussy-bow blouse, wrap blazer, and trousers, with prosthetics and makeup by Mike Marin turning him into an old man, accessorized with a cane. The gala's theme, inspired by the Metropolitan Museum of Art's 'Costume as Art' exhibition, had a dress code of 'Fashion is Art,' and Bad Bunny's choice specifically highlighted the aging body, aligning with the exhibition's focus on the body at all stages.
Alfabeto di pane e amore per gli animali. La mostra di Uri Aran al Museo Madre di Napoli
Uri Aran's solo exhibition at the Museo Madre in Naples, curated by director Eva Fabbris, explores language, communication, and connection through a range of works including video, sculpture, and an edible alphabet made of bread. The show, titled "Untitled (I love love)" after a video work, invites viewers into a space where meaning is fluid and inclusive, challenging rigid linguistic structures. Key pieces include the video "Untitled (I love you)" (2012), where Aran addresses plastic animals, and "Untitled (Bread Library)" (2025), a bread alphabet that visitors can rearrange to create new messages.
Die Biennale muss offen bleiben – auch für Russland
The article argues against calls to exclude Russia from the Venice Biennale, focusing on the controversy surrounding the Russian pavilion's planned exhibition titled "Der Baum ist im Himmel verwurzelt" (The Tree Is Rooted in Heaven). The pavilion is set to feature musicians from Russia, Argentina, Mali, and Mexico, and its theme revolves around the idea that politics is time-bound. The author contends that while the demand to exclude Russia is understandable given the geopolitical context, it is dangerous because once a biennial begins disinviting states, it undermines the very concept of the international exhibition.
The Westchester Regional Library in Miami is hosting "Circular Reflections," an exhibition featuring over 80 contemporary Cuban artists, each working within a 21-inch circular format. Organized in collaboration with the Miami-Dade Public Library System, the show opened on April 3 and runs through June 25. Curated by Miami-based artist and independent curator Miguel Rodez, the project began nearly a decade ago and has evolved into a traveling, ongoing documentation of Cuban visual culture. Artists like Ismael Gómez Peralta discuss how the circular constraint challenged traditional rectangular composition, pushing them to rethink spatial organization while maintaining their individual visual languages.
The UAE Pavilion at the 61st Venice Biennale presents 'Washwasha,' an exhibition curated by Bana Kattan with assistant curator Tala Nassar. The show features six artists—Mays Albaik, Jawad Al Malhi, Farah Al Qasimi, Alaa Edris, Lamya Gargash, and Taus Makhacheva—whose works explore the concept of whispering in Arabic, encompassing oral history, language, rumor, and daily noise. Installations include glass sculptures, sound-based pieces from barbershops and farms, and a reconstructed hammam installation by Al Malhi that plays recordings of wedding rituals. The exhibition runs until November 22.
WHAT Museum in Tokyo is hosting a group exhibition titled “Corrugated/Coral — Eight Practices to Project Architecture Afar,” on view until September 13, 2026. The show features installations by eight teams of architects, including Altemy, Office Yuasa, Garage, Group, Domino Architects, Toshiki Hirano, Rui Architects, and Tetsuo Hatakeyama + Taiki Yoshino + Archipelago Architects Studio. One highlighted work is “Darkness, Afterglow,” where visitors follow written instructions to sit in a darkened room and interact with light and a book, offering a conceptual experience of architectural thinking.
La mostra che punta a farti ricordare gli Anni Settanta spunta in una ex edicola di Siena
The former newsstand in Siena, transformed into an exhibition space by the association Giallo Menta in 2023, opens its seventh artistic intervention. From May 9 to June 20, 2026, artist Luigi Presicce presents a site-specific installation titled "La Mamma," which turns the small architectural space into a scenic device exploring the concept of birth while reappropriating elements of Italian popular culture from the 1970s. The installation simulates an underwater environment, an aquarium where "sea monkeys" live under human gaze, referencing a 1970s pop myth where these fantastic creatures were sold in packets and dissolved in water.
In una mostra a Napoli è possibile perdersi senza urgenza in un equilibrio instabile. La recensione
The exhibition "A Gentle Collapse," curated by Marta Ferrara at Andrea Nuovo Home Gallery in Naples, explores the contemporary psychic state through a spatial and perceptual construction. Featuring works in photography, painting, engraving, and installation, the show creates a sense of instability, with meaning emerging gradually through shifts between familiar and altered forms. Artists include Dorottya Vékony, Matteo Silverii, Flora Villaumié, and Zoë Pelikan, whose works engage with themes of genetic engineering, serial accumulation, and subtle disorientation across two gallery levels.
Elysian Gallery in Alton, Illinois, is closing its original location at Mineral Springs Mall on May 10, 2026, to relocate and expand into a new concept called Elysian Gallery and Cafe at 419 E. Broadway. Owner Jeff Bohnert, a photographer, is transforming the 500-square-foot gallery into a larger, pet-friendly cultural hub featuring a cafe serving Goshen Coffee, a book nook, workspaces, and art exhibitions. The new space will open with a soft launch on May 30 during Alton Main Street's Pup Crawl, followed by a grand reopening on June 6. Bohnert and his girlfriend Janel Freeman originally opened the gallery in August 2025.
More than 100 seniors from the School of Art and Design at the University of Illinois Urbana-Champaign will showcase their final projects at Krannert Art Museum from May 9 to May 16. The Bachelor of Fine Arts Exhibition features work across all disciplines, including art education, art history, graphic design, industrial design, and studio art. Graphic design students Rinnell Borges and Natalie Mora created the exhibition's branding and catalog under the theme "Myth of Originality," drawing inspiration from fellow students' work and university archives. Individual projects include Borges's syrup packaging concept, Mora's communication guide for Latino communities, Caroline Dorion's charcoal drawings of draped female figures, and Sylvie Leyerle's children's book about her adoption from China.
The Hungarian Academy of Arts (MMA) and the Hall of Art (Műcsarnok) have opened an outdoor panel exhibition in front of the Műcsarnok building on Bajza Street to celebrate the 130th anniversary of the institution's opening. Designed by Albert Schickedanz, the building was completed in 1896 for the Millennium alongside Heroes' Square and the Museum of Fine Arts. The exhibition, which will be on view until November 22, looks back on the Műcsarnok's 130-year history, and a fall anniversary exhibition is also planned.
The Uruguay Pavilion at the 2026 Venice Biennale presents "ANTIFRAGIL," a new installation by artist Margaret Whyte, curated by Patricia Bentancur. The work combines textiles with obsolete technological objects such as old machines, motorcycle helmets, and waste fragments, embodying the concept of antifragility developed by Nassim Taleb—systems that grow stronger through disorder and instability. Whyte's practice transforms fragility and vulnerability into poetic resistance, challenging traditional hierarchies between craft and contemporary art.
The Hungarian Pavilion at the 61st Venice Biennale has opened with Endre Koronczi's exhibition "Pneuma Cosmic (Cosmic Breath)," a three-part installation based on nearly 20 years of research into visualizing air currents. The exhibition features elements including ventilation system components from the Hungarian Academy of Sciences, a video of a year-long walk seeking the most significant sigh, and a breathing wall, complemented by a composition by Máté Balogh. The pavilion opened to professionals on Wednesday and will be open to the public from May 9 to November 22.
L’arrivo dell’hotel Orient Express a Venezia riapre lo storico Palazzo Donà Giovannelli (riempiendolo di arte contemporanea)
Palazzo Donà Giovannelli, a 15th-century Venetian palace, has reopened as the flagship Orient Express hotel after an eight-year restoration led by architect and interior designer Aline Asmar d’Amman. Located in the Cannaregio district, the 5-star luxury hotel features 47 rooms, suites, and residences, blending historical frescoes and neogothic details with contemporary sculptures, Murano glass chandeliers, and custom furnishings. The property, owned by Arsenale Group since 2019, includes a transformed courtyard lobby, a secret garden, and a rotating selection of contemporary artworks displayed in a passage called Calle Meraviglia.
Barnard College's visual arts senior thesis exhibition showcases a diverse range of works from graduating students, spanning avant-garde conceptual pieces to explorations of soft domesticity. The show features paintings, sculptures, installations, and mixed-media works that reflect the students' individual artistic journeys and technical experimentation.
Artium museum in Vitoria, Spain, has opened a retrospective exhibition titled "Juana Cima: Una mirada disidente" dedicated to Cuban-born artist Juana Fernández Cima (b. 1951). The show traces her career from the late 1970s through the 1990s, highlighting her pioneering work on identity, gender, and ecology, which was progressively marginalized from the dominant artistic narrative. The exhibition is organized around five conceptual territories—Bilbao, mythical ecofeminist landscapes, insular identity, spirituality via India and Buddhism, and mountain retreat—and runs until August 30, 2026.