A federal jury has found Daniel Sikkema guilty of orchestrating the murder-for-hire of his estranged husband, New York art dealer Brent Sikkema. The 75-year-old gallerist was stabbed 18 times in his Rio de Janeiro townhouse in January 2024, a crime that sent shockwaves through the art community. Senior editor Valentina Di Liscia reports on the verdict and the grim details of the case.
A shortlist of artists including Thomas J Price and Tavares Strachan is competing to design a new public monument honoring jazz legend Billie Holiday in Queens, New York. The New York City Department of Cultural Affairs has revealed six commission proposals for the project, which aims to celebrate Holiday's groundbreaking legacy as a vocalist and cultural icon. Separately, the Museum of the City of New York is opening the Puffin Foundation Center for Social Activism, dedicated to civic engagement and social justice.
A Christie's auction in New York saw Jackson Pollock's "Number 7A" sell for approximately $181 million, contributing to a total of $1.1 billion in sales for the evening. The auction, covered by Vanity Fair and the New York Times, featured intense bidding between figures like Iwan Wirth and Alex Rotter, while names such as Jeff Bezos and Ken Griffin were speculated to be involved. Combined with sales from Sotheby's and Phillips, the week generated around $2.5 billion. Meanwhile, a separate controversy erupted in France over artist Claire Tabouret's new stained-glass windows for Notre-Dame Cathedral, with critics arguing they violate heritage protection laws. Additionally, the Fondation Beyeler faces allegations that a Cézanne watercolor in its current exhibition may be Nazi-looted art from the collection of Jewish paper wholesaler Gustav Schweitzer.
Don LePan, a novelist, book publisher, and painter, argues that public art galleries across Canada are failing to display their permanent collections, using the MacKenzie Art Gallery in Regina as a prime example. During a visit in early March, LePan found that none of the gallery's extensive permanent collection—which includes works by Group of Seven artists, European masters like Picasso and Gauguin, and modernists such as Agnes Martin—was on view. Instead, the entire exhibition space was devoted to three special shows: a photographic and conceptual art exhibition by Plains Cree artist Joi T. Arcand, a selection of works by 2025 Governor General’s Awards in Visual and Media Arts recipients, and an Indigenous art exhibition. LePan praises these exhibits but criticizes the gallery's decision to completely exclude its permanent collection.
Nancy Graves (1939-1995), a major figure in American art who first gained recognition in 1969 at the Whitney Museum in New York, is the subject of a gallery exhibition presenting works from 1977 to 1990. Her multidisciplinary practice encompasses sculpture, painting, drawing, and film, drawing on scientific and cultural references. The featured works showcase an experimental approach based on layering, assemblage, and dynamic colors reminiscent of Abstract Expressionism, inspired by art history, archaeology, and her travels. Graves refused a fixed style, instead exploring the memory of forms and their reinterpretation in a free, layered visual language that is now being rediscovered.
The Journal des Arts issue of May 15, 2026, covers multiple art-world stories: the Venice Biennale opening amid controversy, France's final adoption of a law on restitution of colonial-era looted cultural property, the new V&A East museum targeting younger audiences, tensions in Giverny where Monet's legacy does not benefit all, and the structuring of the Nabis art market.
This issue of Le Journal des Arts covers several major art news stories: the opening of the Venice Biennale amid a tense climate, the final adoption of a French law on the restitution of cultural property looted during colonization, the new V&A East museum targeting younger audiences, the uneven economic benefits of Monet's legacy in Giverny, and the structuring of the Nabis art market.
Une décision de justice favorable aux vitraux contemporains à Notre-Dame
A French court has ruled in favor of keeping contemporary stained-glass windows installed at Notre-Dame Cathedral, rejecting a legal challenge from traditionalists who sought their removal. The decision upholds the controversial replacement of 19th-century grisaille windows designed by Eugène Viollet-le-Duc with modern works by artist Pierre Soulages and others, as part of the cathedral's post-fire restoration.
The French Senate has definitively adopted a law on the restitution of cultural property looted during the colonial period, marking a major legislative step in France's approach to colonial-era artifacts. The law establishes a legal framework for returning objects held in French public collections to their countries of origin, potentially affecting thousands of items in museums across the country.
The latest issue of Le Journal des Arts (n°677, May 15, 2026) covers several major art-world stories: the Venice Biennale opening amid controversy, the final adoption of a French law on the restitution of cultural property looted during colonization, the V&A East museum's strategy to attract younger audiences, the uneven economic impact of Monet's legacy on the town of Giverny, and the structuring of the market for Nabis artists.
Dubaï veut donner le change en annonçant un nouveau musée d’art numérique
Dubai has announced plans for a new Museum of Digital Art (MODA), designed by Adrian Smith + Gordon Gill Architecture, the firm behind the Burj Khalifa. The five-story museum will be located in the DIFC Zabeel District and feature permanent and temporary exhibitions, immersive experiences, educational spaces, and a digital twin for global access. The announcement comes amid regional turmoil, including Iranian missile and drone strikes on the UAE in March 2025 that damaged infrastructure, disrupted tourism, and reduced the 20th edition of Art Dubai from 120 galleries to just 50 stands.
The Journal des Arts' issue No. 677, dated May 15, 2026, leads with the opening of the Venice Biennale amid a tense climate. Other top stories include the final adoption of a French law on the restitution of cultural property looted during colonization, the V&A East museum's strategy to attract younger audiences, a report on how Monet's legacy in Giverny does not benefit everyone locally, and an analysis of the structuring market for the Nabis artists.
Les 10 festivals de l’été à Paris et en Île-de-France qui vont faire grimper les températures dès juin
Beaux Arts Magazine lists ten summer festivals in Paris and Île-de-France running from June to August 2026, including the debut of the Art & Environment festival by Art of Change 21 (May 26–June 6), the multidisciplinary Paris l'été festival (July 11–31), the documentary food festival EATFILM (June 11–14), and the Anticipation festival at the Gaîté Lyrique (June 18–21). These events span art, environmental activism, cinema, dance, and performance, taking place at iconic venues such as the Louvre, Grand Palais, Palais de Tokyo, and the Jardin des Traverses.
Pour la 9e édition du Printemps Asiatique Paris, le K-art à l’honneur
The 9th edition of Printemps Asiatique Paris, running from June 3 to 12, 2026, places Korean art (K-art) at center stage, celebrating Franco-Korean friendship. The event moves from its previous location to the refined spaces of Galerie Charpentier and includes a "Parcours galeries" route featuring around twenty Parisian galleries. Participating galleries include Louis & Sack with Lee Hyun Joung's memorial landscapes, Magna Gallery with Hoon Moreau's oak sculptures, and Françoise Livinec with works by Bang Hai Ja. Other highlights include Jean-François Cazeau gallery showing major Asian artists like Zao Wou-Ki, Léonard Tsuguharu Foujita, and Yayoi Kusama; Mingei gallery presenting Japanese bamboo basketry from the 8th century to today; Sinapango gallery with lacquer objects including a Ming-dynasty erotic incense box; and Jacques Barrère gallery with a large Goryeo-dynasty bodhisattva sculpture. The Musée national des Arts asiatiques – Guimet mounts complementary exhibitions on Silla civilization treasures and K-beauty.
Sur l’île Seguin, le nouveau centre d’art Large dévoile son bâtiment spectaculaire et une première expo tournée vers l’histoire de Renault
On Île Seguin, the new contemporary art center Large unveiled its spectacular building designed by Catalan firm RCR Arquitectes during a press preview on May 21. The center, backed by real estate developer Emerige and its president Laurent Dumas, will open to the public on October 17. Its inaugural exhibition, curated by Cecilia Alemani, explores the history of the automobile and the island's industrial past as the site of Renault factories from 1929 to 1992, featuring works by 55 contemporary artists including Julio Le Parc, Nina Beier, Thomas Bayrle, Mohamed El Khatib, and Giulia Andreani.
Frida Kahlo et Diego Rivera au MoMA de New York dans un dialogue théâtral plein d’ardeur
The Museum of Modern Art (MoMA) in New York has opened a theatrical exhibition titled "Frida and Diego: The Last Dream," curated by Beverly Adams, the museum's curator of Latin American art. The show features around twenty paintings and drawings by Frida Kahlo and Diego Rivera from MoMA's collection, alongside photographic portraits. The exhibition's dramatic staging, designed by British set designer Jon Bausor—who also worked on the Metropolitan Opera's concurrent production of "El Último Sueño de Frida y Diego"—creates a tense dialogue between the artists' contrasting styles: Rivera's political murals and Kahlo's intimate, colorful self-portraits. Highlights include Kahlo's "Self-Portrait with Cropped Hair" (1940) and Rivera's "Zapata, Agricultural Leader" (1931).
Beaux Arts Magazine analyzes Fernand Cormon's monumental 1880 painting "Caïn," currently held at the Musée d'Orsay. The article describes the scene: a prehistoric, weary clan trudges through a desert, led by a haggard patriarch, with a tired mother on a litter and hunters carrying game. Cormon's work is presented as the antithesis of classical triumph, evoking a melancholic, post-traumatic atmosphere. The painting is linked to the biblical story of Cain, who killed his brother Abel and was condemned to exile, and is accompanied by verses from Victor Hugo's poem "Conscience."
The Chicago Cultural Center is presenting 'Ornament & Information,' an exhibition featuring 62 images and no videos, as documented by Contemporary Art Daily. The show explores the interplay between decorative ornamentation and informational content in contemporary art, though specific artists, dates, and curatorial details are not provided in the available text.
Art Basel Qatar has appointed Iraqi curator Wassan Al-Khudhairi as artistic director for its second edition, scheduled for January 28–30, 2027, in Doha. The fair will be themed “between / بين,” exploring states of betweenness and fluid cultural encounters, and will feature a scaled-up Special Projects sector with large-scale, site-specific works, alongside solo gallery presentations. Al-Khudhairi, a specialist in modern and contemporary Arab art, previously served as founding director of Mathaf: Arab Museum of Modern Art in Doha and held curatorial roles at the Contemporary Art Museum St. Louis.
This travel guide explores the cultural landscape of Northwest Arkansas, focusing on the upcoming 114,000-square-foot expansion of the Crystal Bridges Museum of American Art in Bentonville, set to open June 6, 2026. The author recounts a road trip from Little Rock to the Ozarks, visiting the Arkansas Museum of Fine Arts (with its new Studio Gang-designed building), dining at Coursey's Smoked Meats, and encountering a white supremacist billboard in Harrison, while also highlighting Thorncrown Chapel by E. Fay Jones as a transcendent architectural stop.
The Garden Museum in London has launched a campaign to raise £420,000 ($560,000) to acquire the earliest known portrait of a Black British gardener, John Ystumllyn. Painted by an unknown artist in 1754, the work depicts Ystumllyn as a young man in a blue suit and waistcoat. He was abducted from West Africa as a child, trained as a gardener on the Ystumllyn estate in Wales, and later became a renowned horticulturist. The painting has been on loan to the museum since 2023, and the institution aims to permanently display it alongside another portrait of a Black gardener from 1905.
Elyse Gonzales, director of San Antonio's Ruby City art centre, is featured in The Art Newspaper's 'A brush with...' interview series. She discusses her formative experience working at Devin Borden Hiram Butler Gallery in Houston as a high school senior, which led to an internship at the Menil Collection and a master's degree at Williams College. Gonzales also shares her curatorial interests, including a forthcoming show of Tracey Rose's drawing and video works, and reveals that Ruby City was born from founder Linda Pace's dream of the building, which she sketched and commissioned David Adjaye to realize in 2007.
The UK government is exploring a proposal to charge admission fees for foreign tourists at national museums in England, sparking widespread opposition from cultural institutions. The idea was raised in a review of Arts Council England by Labour peer Margaret Hodge, who suggested digital ID checks could enable such a system, though she noted it would bring in less than £10 million and may not be worth the hassle. Museums like the Royal Armouries have condemned the plan as undermining universal access and projecting a lack of generosity, while the Cultural Policy Unit warns it would be logistically complex and ideologically problematic given the colonial origins of many collections.
Fairfield University Art Museum is offering an exclusive private tour to readers, as reported by the Westport Journal. The event provides a behind-the-scenes look at the museum's collections and exhibitions, allowing attendees to engage directly with curators and artworks in an intimate setting.
Museion in Bolzano, Italy, presents the first institutional solo exhibition in Italy by Evelyn Taocheng Wang, a Rotterdam-based artist born in 1981 in Chengdu. The exhibition, titled "Sweet Landscape," showcases her work across painting, writing, installation, performance, and fashion, featuring a visual language that blends poetry, subtle humor, and critical depth while intertwining art historical traditions and fragments.
The article announces a photo exhibition titled "Melting Glaciers, Water Futures from the Alps to the Nile" at the Goethe Institute in Cairo, featuring Swiss photographer Pierre Jeanneret and Egyptian documentary photographer Roger Anis. Jeanneret's work documents the rapid melting of Swiss glaciers and its impacts on hydroelectric dams, tourism, and new landscapes, while Anis explores water, climate, and human resilience along the Nile. The exhibition is part of SABBART, a cultural initiative by EUNIC Cluster Egypt focusing on climate and environmental issues, and runs from 17 May to 4 June.
The article is a roundup of visual art exhibitions and events across Vermont and neighboring New York and New Hampshire, compiled by the Vermont Visual Arts staff. It lists current and upcoming shows at venues including Espresso Bueno, Studio Place Arts, Bennington Museum, Brattleboro Museum & Art Center, UVM Fleming Museum, The Hyde Collection, Hood Museum of Art, and others, with details on dates, artists, and locations. Featured exhibitions include silk screen prints by Jodi Whalen, acrylic paintings by Heidi Broner, a group show on Vermont farms, and a Pride-themed closing reception for "Gayzing" at Studio Place Arts.
The San Diego Museum of Art is marking its 100th anniversary with what it describes as its most ambitious exhibition to date. The show brings together a wide range of works from the museum's collection and loans, aiming to celebrate a century of artistic achievement and institutional history.
The article profiles Selma Feriani, a Tunisian gallerist who opened a new purpose-built gallery in the industrial El Kram district of Tunis in January 2024. Designed with architect Chacha Atallah, the three-story space features a concrete exterior referencing traditional Tunisian hand-application techniques and a garden of olive, palm, and orange trees. Feriani, who previously ran a gallery in London's Mayfair, returned to Tunisia after the Revolution to contribute to the country's cultural renaissance. The gallery currently hosts simultaneous exhibitions: Nadia Ayari's paintings of menacing plants and Nidhal Chamekh's "Frictions," part of his broader historical project "Et si Carthage…" exploring Mediterranean power dynamics.
The article highlights several art exhibitions and installations across Los Angeles that celebrate soccer and sports culture in anticipation of the World Cup. Featured works include Lyndon J. Barrois Sr.'s "Fútbol is Life" at LACMA, featuring miniature sculptures made from chewing gum wrappers depicting historic soccer moments; Pelle Cass's "Play!" at Union Station's Metro Art Passageway Gallery, showing densely layered timelapse photographs of athletes; and Mark Dean Veca's mural "Miracle of La Brea" at the new Wilshire/La Brea Metro Station, which traces the history of the Miracle Mile. The piece also notes the recent opening of the David Geffen Galleries at LACMA and upcoming museums like Refik Anadol's Dataland and the Lucas Museum of Narrative Art.