smithsonians national museum of asian art returns three looted sculptures to india 1234771247

The Smithsonian's National Museum of Asian Art announced it will return three looted bronze sculptures to India: "Shiva Nataraja" (ca. 990), "Somaskanda" (12th century), and "Saint Sundarar with Paravai." Provenance research linked the works to art dealers known for trafficking looted antiquities. The museum partnered with the Photo Archives of the French Institute of Pondicherry in 2023, finding the bronzes had been photographed in Tamil Nadu temples between 1956 and 1959 and removed in violation of Indian laws. This follows the museum's December return of three Khmer-period sculptures to Cambodia, also determined to be looted.

nazi looted painting argentina recovery 1234750637

Argentine authorities believe they have recovered a Nazi-looted painting by Italian Baroque artist Giuseppe Ghislandi, which appeared in a real estate listing for a home in Mar del Plata. The home belongs to Patricia Kadgien, the daughter of a Nazi official, who initially faced accusations of obstructing the investigation but later turned over the painting to the Civil Court. The work was once owned by Jewish dealer Jacques Goudstikker, who fled Amsterdam during the Nazi rise and died shortly after; it is listed as missing in a registry of lost art.

san jose wreck found coins 2657641

Researchers have confirmed the identity of the Spanish galleon San José, which sank off the coast of Colombia in 1708 carrying billions of dollars in gold, silver, and gems. Using high-resolution photographs and digital models from remotely operated vehicle surveys, they identified hand-struck coins (cobs) minted in Lima in 1707, along with Chinese porcelain and cannon inscriptions, as key evidence. The findings were published in the journal Antiquity on June 10.

"Dispossessions in the Americas" Confronts the Colonialism That Invades All Territory

The article reviews "Dispossessions in the Americas," a group exhibition at Wrightwood 659 in Chicago curated by Jonathan D. Katz and Eduardo Carrera. Featuring works from 1960 to 2025, the show examines colonial legacies in the Americas, focusing on the forced dispossession of land, culture, and language from indigenous, Afro-descendant, queer, and trans communities. The review critically questions how a polished, architecturally prestigious venue can coherently display art about socially voiceless communities without falling into voyeurism or fetishization of pain.

Comment | Dave the Potter finally becomes a complete artist

David Drake, also known as Dave the Potter, was an enslaved African American ceramicist and poet in 19th-century South Carolina who inscribed his stoneware jars with defiant poetry at a time when teaching enslaved people to read or write was a crime. The article argues that despite his recognized genius, Drake was not fully an artist during his lifetime because he was denied the fundamental right to own, control, and benefit from his creations—a right the Berne Convention calls 'inalienable.' Only recently, after the Museum of Fine Arts Boston returned two of his jars to his heirs, has Drake begun to receive the full recognition and economic justice that define true artistic status.

Q&A: How does UVA’s ‘Fuego Eterno’ exhibit explore indigenous sovereignty?

The article is a Q&A with an artist and co-director of the Global Spanish Initiative at the University of Virginia (UVA), discussing the exhibition 'Fuego Eterno.' The show, which opened August 29, features artists from indigenous and Afro-descended communities across the Americas and its diasporas, exploring themes of indigenous sovereignty, Nahua cosmologies, border resistance, and diaspora. The exhibition includes the co-director's own artworks and is accompanied by a symposium, a workshop with Peruvian artist Venuca Evanán Vivanco, a film screening, and a closing party.

On a Majorcan Estate, a Collage Made Over Hundreds of Summer Holidays

A descendant of one of Majorca's oldest families has preserved and now showcases a unique, sprawling collage within her 18th-century family estate. The artwork was created over hundreds of summer holidays by her mother and aunt, who meticulously assembled it using materials like magazine clippings, postcards, and fabric.

For the 2026 Venice Biennale, the RojoNegro duo brings a collective ritual to the Mexico Pavilion

Per la Biennale Arte 2026 il duo RojoNegro porta nel Padiglione del Messico un rituale collettivo

The article announces that the RojoNegro collective, formed by María Sosa and Noé Martínez, will represent Mexico at the 61st Venice Biennale in 2026 with a project titled "Actos invisibles para sostener el universo." Curated by Jessica Berlanga Taylor, the installation combines organic materials, sound, video, and performance to create a ritualistic space that invokes invisible presences, memories, and energies. The work draws on decolonial perspectives, centering Indigenous and Afro-descendant cosmogonies as living knowledge systems, and aims to activate a dialogue between situated ritual practices and the global context of the Biennale.

In Dim Light, New Histories Emerge

Museo Afro Casa Silvana in Humacao, Puerto Rico, is hosting 'Dim Light: Afro-Puerto Rican Photography,' the first collective exhibition dedicated exclusively to Afro-Puerto Rican photographers. Featuring ten artists from the island and its diaspora, the show explores themes of spirituality, family, and resistance through a lens of self-representation. The works were previously debuted at the 3rd Black Brazil Art Biennial before returning to Puerto Rico for this landmark presentation.

East Coast painter dives into life, water and legacy in new exhibition

East Coast artist Prudence Davis has unveiled her latest exhibition, "Going with the Flow," at the Matawhero Art Gallery. The collection features a series of paintings deeply inspired by the local landscape and the artist's personal connection to the ocean. Davis, who comes from a significant artistic lineage, uses this body of work to explore her environment through fluid, nature-focused compositions.

Umbrella Gallery presents "Afrocentric" artist reception

The Umbrella Gallery is hosting an exhibition titled "Afrocentric," which showcases visual and mixed media art celebrating the African diaspora. The show focuses on African and Afro-descendant perspectives, exploring themes of heritage, cultural memory, identity, self-definition, migration, resistance, joy, and futurism. It aims to present history as a living presence through echoes of ancestral storytelling.