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Nine Lessons on My Path From Engagement to Leadership

The article is an excerpt from the forthcoming field resource 'Curating Engagement,' featuring a first-person reflection by an arts professional. The author outlines nine lessons learned over two decades of practice, moving from engagement-focused roles to institutional leadership. Key lessons emphasize curiosity as a foundational practice, engagement as a form of service to communities rather than extraction, and the importance of site and history as collaborators in curatorial work.

The 5 Best Booths at Art Cologne Palma Mallorca 2026

Art Cologne has officially relaunched its satellite fair in Palma, Mallorca, nearly two decades after its initial 2007 debut. The 2026 edition features 88 participating galleries and runs through April 12, showcasing a curated selection of international and local talent within the Balearic Islands' evolving cultural landscape.

New York Gallery The Hole Sued Over Back Rent, Accused of Not Paying Artists and Workers

The Hole, a prominent New York-based contemporary art gallery, is facing multiple lawsuits and allegations of financial instability. Legal filings from landlords at both its Bowery and Tribeca locations indicate significant rent arrears totaling over $180,000, alongside unpaid real estate taxes. Founder Kathy Grayson confirmed the closure of the gallery’s Los Angeles outpost, attributing the crisis to a sharp decline in sales starting in late 2023 and a destabilizing period of rapid expansion.

frieze seoul 2025 exhibitor list

Frieze Seoul 2025 will bring together 120 galleries from over 30 countries for its fourth edition, running September 4–6 at the COEX convention center with a preview day on September 3. The fair coincides with Kiaf Seoul and is split into three sections: the main Galleries section (90 exhibitors), Focus Asia (10 solo presentations of emerging artists), and Frieze Masters (20 booths covering works from the Middle Ages to the 20th century). Blue-chip participants include Gagosian, Hauser & Wirth, Pace Gallery, and David Zwirner, alongside leading Korean galleries such as Gallery Hyundai and Kukje Gallery. Five galleries have graduated from Focus Asia to the main section, and 20 first-time participants join the main section.

frieze sells to hollywood kingpin ari emanuel in 200 million deal

Frieze, the art fair and media company, has been sold to Ari Emanuel, the former CEO of Endeavor, in a deal valued at around $200 million. The acquisition, reported by the Financial Times, covers Frieze's seven global fairs, its magazine, and its London exhibition space, No. 9 Cork Street. Emanuel, who stepped down as Endeavor CEO in March following the $25 billion acquisition of the conglomerate by Silver Lake, will own Frieze through a new company backed by a consortium of investors. Simon Fox will remain CEO, and the deal is expected to close in the third quarter of 2025.

Meet Me in New York: Alix Vernet

The Chicago art scene takes center stage with a curated guide to six essential exhibitions coinciding with the EXPO Chicago 2026 art fair. Highlights include Josh Brainin’s immersive two-channel video installation at Tala and a thematic exploration of Chicago’s urban infrastructure hosted at the Chicago Cultural Center, showcasing a diverse range of media from digital video to architectural critique.

Work in Progress: Akinsanya Kambon

Akinsanya Kambon’s work is featured as a highlight in a curated guide of six must-see exhibitions during the EXPO Chicago 2026 art fair. The selection spans a diverse range of media and venues, including Josh Brainin’s frantic two-channel video installations at Tala and a thematic exploration of urban infrastructure hosted at the Chicago Cultural Center.

Who Do Chicago’s Art Fairs Serve?

Expo Chicago and its satellite fairs serve as a complex barometer for the Midwestern arts ecosystem, highlighting both the successes of local representation and the tensions of institutional growth. While galleries like Andrew Rafacz and Corbett vs. Dempsey demonstrate viable career paths for Chicago-based artists like Melissa Leandro and Gabrielle Garland, the fair's shifting structure reveals a narrowing field for smaller nonprofits.

aicon lawsuit art dealing new york brothers dutta

Two New York art galleries run by dueling brothers are locked in a legal battle over the use of the name "Aicon." Projjal Dutta, representing Aicon Contemporary, filed a lawsuit in New York Supreme Court in October against his brother Prajit Dutta and director Harry Hutchison, who run Aicon Art and ArtsIndia.com. The suit alleges that the defendants have misleadingly used the names "Aicon Gallery" or simply "Aicon" instead of the agreed-upon "Aicon Art," causing confusion in the art market. The brothers previously operated the legacy Aicon Gallery together for 20 years before parting ways in 2019, but they still share the same address and phone number at 35 Great Jones Street.

How MEGA Art Fair Became Milan Art Week’s Social Club

MEGA Art Fair held its third edition in Milan, transforming a former perfume factory into a social and exhibition hub during Milan Art Week and Design Week. The fair, which ran from midday to midnight over an extended period, positioned itself as an alternative to traditional art fairs by prioritizing relaxed social connection, community engagement, and public programming over a purely commercial atmosphere.

It’s LACMA’s World, and Hollywood Wants to Play in It

The Los Angeles County Museum of Art (LACMA) celebrated the opening of its new David Geffen Galleries with a star-studded gala that raised nearly $11.5 million. The event brought together architect Peter Zumthor, museum director Michael Govan, and a high-profile mix of Hollywood celebrities, artists, and major donors. The $720 million building, Zumthor's first major project in the United States, marks the culmination of a decades-long development process and is set to open to the public next week.

How Expo Chicago’s One-of-a-Kind Curatorial Forum Came to Be

Expo Chicago has distinguished itself within the global art fair circuit through its unique Curatorial Forum, a partnership with Independent Curators International (ICI) that began in 2014. Originally conceived by Tony Karman and Renaud Proch, the program has evolved from a small gathering into a major national convening that provides curators with professional development, networking opportunities, and a platform for thought leadership. The initiative has been so successful that ICI established its only year-round satellite office in Chicago to support the local curatorial community.

Yerba Buena Center for the Arts Appoints Essence Harden as Senior Curator

Yerba Buena Center for the Arts (YBCA) in San Francisco has appointed Essence Harden as senior curator, effective May 18. Harden currently serves as curator of Expo Chicago and has organized the Focus section of Frieze Los Angeles since 2024, roles they will continue with YBCA's support. An independent curator, Harden recently co-curated the 2025 Made in L.A. biennial at the Hammer Museum and previously held positions at the California African American Museum, Orange County Museum of Art, Art + Practice, Museum of the African Diaspora, and Oakland Museum of California. A Bay Area native, Harden's hiring marks a homecoming.

Blanc gallery celebrates 15 years in Chicago's historic centre of Black enterprise

Blanc gallery in Chicago's Bronzeville neighborhood celebrates its 15th anniversary with the exhibition 'In Retrospect' (1-29 March), featuring works from its earliest years alongside new pieces. Founded by chef Cliff Rome and real estate developer Eileen Rhodes, the gallery opened on a historic block of Black enterprise, initially showcasing artists like Olalekan Jeyifous and Amanda Williams. Over the years, it has exhibited influential Black artists, architects, and designers including Norman Teague and Faheem Majeed, while also serving as a community hub with outdoor film screenings, music, and partnerships with institutions like the Museum of Contemporary Art Chicago (MCA) and Expo Chicago.

Chicago’s Neighbors and Barely fairs show the strengths of smaller, alternative formats

Chicago’s art week is being defined by the success of alternative, small-scale satellite fairs like Barely Fair and Neighbors, which offer an intimate counterpoint to the massive Expo Chicago. Barely Fair, located in a storefront in McKinley Park, features 32 exhibitors presenting works in 20-inch-square miniature booths. This format encourages rigorous curation and creative risk-taking from a mix of artist-run spaces and established galleries, with price points ranging from $20 to $8,000.

tony karman expo chicago director steps down

Tony Karman, the longtime director of Expo Chicago, will step down from his role at the end of June, remaining as president in an advisory capacity while the fair searches for a new director. Karman founded Expo Chicago in 2011, succeeding Art Chicago, and has led the fair through 14 editions, including its most recent one last month with 170 exhibitors and over 35,000 visitors. The transition follows Frieze's acquisition of Expo Chicago and the Armory Show in July 2023, and comes amid broader ownership changes at Frieze itself, which was recently sold to a company founded by Ari Emanuel and is now fully owned by private equity firm Silver Lake.

DePaul Art Museum Advisory Board Calls on University to Save the Institution, Expressing ‘Anger, Frustration, and Deep Sadness’ Over Abrupt Closure

The advisory board of Chicago's DePaul Art Museum has sent a strongly worded letter to DePaul University leadership, condemning the decision to permanently close the 40-year-old museum on June 30. The letter, signed by board chair Scott J. Hunter and members including artists Brendan Fernandes and former Expo Chicago head Tony Karman, expresses "anger, frustration, and deep sadness" over the abrupt closure and the university's unilateral plans for the museum's 4,000-object collection.

how much should an art fair cost

Frieze, the international art fair group, has been sold to Ari Emanuel, the Hollywood power broker who previously owned it through Endeavor. Emanuel acquired Frieze via a new, unnamed company from his former entertainment conglomerate, which was recently taken private by Silver Lake. The deal, valued at approximately $200 million according to sources, includes all seven fairs, Frieze magazine, and the No. 9 Cork Street exhibition space. Simon Fox will remain CEO. The sale comes just days before Frieze New York’s 2025 edition and follows months of speculation about the fair's future ownership.

Lubaina Himid on Representing a Changing Britain

Lubaina Himid, the Turner Prize-winning artist, discusses her latest exhibition that reflects on the evolving cultural and social landscape of contemporary Britain. The show features her signature vibrant paintings and installations that explore themes of diaspora, identity, and historical narratives, drawing on her own experiences as a Black British artist.

Must-See: Rosa Loy Finds a Durable Form of Togetherness

Rosa Loy, a German painter associated with the New Leipzig School, presents a new body of work at a solo exhibition that explores themes of togetherness, collaboration, and female solidarity through her signature figurative, dreamlike style. The show features large-scale paintings and works on paper that depict pairs or groups of women engaged in shared activities, rendered in muted earth tones with subtle surrealist undertones.

Intuit Solo Show A Dream Come True For Self-Taught Morgan Park Artist Marvin Young

Self-taught artist Marvin Young, 64, who has an intellectual and developmental disability, will have his first solo exhibition, “Impressions of a City,” at the Intuit Art Museum in Chicago from April 9 to August 23, 2026. Curated by Christina Stavros, the show features Young’s vivid drawings of Chicago cityscapes, architecture, and portraits, created from memory using graphite, colored pencils, crayons, and markers. Young, who works at Envision Unlimited and Arts of Life—nonprofits supporting people with disabilities—has long dreamed of selling his art, and this exhibition marks a major milestone in that goal.

7 Shows to See During Miami Art Week 2025

Frieze has published a guide to seven must-see exhibitions during Miami Art Week 2025, highlighting a diverse range of shows across the city. Featured presentations include a solo exhibition of new works by artist Tschabalala Self at the Bass Museum of Art, a survey of Afro-Cuban abstraction at the Pérez Art Museum Miami, and a group show of emerging Latin American artists at the Rubell Museum. Other notable exhibitions include a site-specific installation by Olafur Eliasson at the Institute of Contemporary Art, Miami, and a retrospective of the late painter Purvis Young at the Museum of Contemporary Art, North Miami.

Frieze lines up more than 95 exhibitors for next Los Angeles fair

Frieze Los Angeles will return to Santa Monica Airport from February 26 to March 1, 2026, for its seventh edition, featuring more than 95 galleries from 22 countries. The fair includes returning blue-chip participants like Gagosian, Hauser & Wirth, and David Zwirner, alongside a strong local Los Angeles gallery presence and more than a half-dozen first-time exhibitors. Special sectors include Sector for emerging artists, supported by Stone Island and curated by Essence Harden, and outdoor commissions organized with Art Production Fund. The Deutsche Bank Frieze Los Angeles Film Award and the Frieze Impact Prize, presented with Titus Kaphar’s Nxthvn incubator, will also return.

Arts of Life Celebrates 25 Years

Arts of Life, a Chicago-based nonprofit supporting artists with intellectual and developmental disabilities, is celebrating its 25th anniversary with its first museum exhibition, "Community on the Make | Arts of Life 2000 – 2025," at the Design Museum of Chicago from August 11 to September 30, 2025. The retrospective features works by over 50 artists, staff, and volunteers, including founding member Veronica "Ronnie" Cuculich, and highlights collaborative pieces such as David Krueger and Ben Marcus's Love Man series. Related programs include a public reception on August 21 and artist residency hours throughout September.

Interview: Lukas Amacher Is Building a Chatbot for the Art World

Curator, collector, and entrepreneur Lukas Amacher, in partnership with developer David Simon, has launched CONTXT, an A.I.-powered chatbot platform designed for art exhibitions. The software allows visitors to ask questions about artworks via a chat interface, with answers sourced directly from an institution's curated materials like catalog essays and curator notes, rather than generic internet searches. The platform is currently being tested in a public preview with bitforms gallery.

Top Five Booths Not to Miss at Expo Chicago 2026

Expo Chicago 2026 marks a strategic shift under the new leadership of director Kate Sierzputowski and curator Essence Harden, moving away from purely commercial dealer interests toward a more artist-centric and curatorial approach. This year's iteration features a streamlined selection of galleries, allowing for greater depth and focus on individual practices. Notable highlights include Pablo Delano’s poignant installations at Embajada exploring Puerto Rican history, a diverse group showing at Marc Straus Gallery featuring artists like Marie Watt and Lucia Hierro, and a collaborative presentation by São Paulo galleries Bianca Boeckel and Verve.

A Midwest Frieze: Kate Sierzputowski Takes the Reigns as Director of Expo Chicago From Founder Tony Karman

Kate Sierzputowski has officially stepped into the role of Director at Expo Chicago, succeeding longtime founder Tony Karman following the fair's acquisition by Frieze. As the fair prepares for its April 2025 edition at Navy Pier, Sierzputowski is overseeing a significant transition that includes a streamlined roster of 130 galleries and a more integrated branding presence from the Frieze parent company.

Chicago's cultural affairs department hits crisis point

Chicago's Department of Cultural Affairs and Special Events (DCASE) is in crisis, with at least 18 staff members—about 25% of the department—leaving since Mayor Brandon Johnson appointed former legislative director Clineé Hedspeth as commissioner last year, replacing Erin Harkey (who became CEO of Americans for the Arts). Multiple formal complaints have been filed against Hedspeth alleging bullying, and staff report a lack of communication and strategic direction amid funding challenges. A new advocacy group, Artists for Chicago, delivered a letter with 270 signatures to the mayor on April 14, expressing concerns about dysfunction and unmet needs in the arts sector.

Off-Site Exhibitions Review: The Politics of Listening

Andrew Durbin reviews the national pavilions at an unnamed biennial, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The review critiques the lack of meaningful engagement in the US pavilion while praising the depth and emotional resonance of the British and German contributions.

Ayotunde Ojo Maps Interiority Under the Public Gaze

The article, a critic's guide review by Andrew Durbin, contrasts the US national pavilion presentation at an unspecified biennial with those of Britain and Germany. The US presentation is described as vacuous and lacking in meaning, while the British and German installations are praised for being incisive and moving. The review critically examines the thematic and conceptual approaches of each national pavilion, highlighting a disparity in artistic depth and engagement.