For their 30th anniversary, Pokémon enter the museum: Gotta catch 'em all!

Pour leurs 30 ans, les Pokémon entrent au musée : attrapez-les tous !

The Musée en Herbe in Paris is hosting a major exhibition titled 'Admirez-les tous ! Une exposition hommage à Pokémon' to celebrate the 30th anniversary of the Pokémon franchise. The show features original Game Boy consoles, early trading cards, preparatory drawings for the animated series, and insights from the French translator who named the creatures. It also highlights how Pokémon have entered the global visual heritage.

Record $236.3m Klimt leads Sotheby’s first night of auctions in Breuer Building

Sotheby's first evening auctions in its new Manhattan headquarters, the former Whitney Museum building designed by Marcel Breuer, achieved a record total of $605.1 million ($706 million with fees) on November 18. The night was headlined by the sale of 24 works from the collection of the late billionaire Leonard Lauder, which alone brought in $456.2 million. The standout lot was Gustav Klimt's 'Bildnis Elisabeth Lederer (Portrait of Elisabeth Lederer, 1914-16)', which sold for $205 million ($236.3 million with fees) after a nearly 20-minute bidding war, becoming the second-most-expensive painting ever sold at auction. A subsequent contemporary art auction added $148.8 million ($178.5 million with fees) across 44 lots.

Gustav Klimt portrait sale breaks modern art record

Gustav Klimt's portrait of Elisabeth Lederer sold for $236 million (£180 million) at Sotheby's in New York, setting a new record for the most expensive work of modern art ever sold at auction. The painting, completed between 1914 and 1916, depicts the daughter of Klimt's most important patrons and was part of the collection of the late cosmetics billionaire Leonard Lauder, who had purchased it in 1985. The sale took place during Sotheby's first evening sale at its new Manhattan headquarters, with bidding starting at $130 million and narrowing to two contenders before the hammer fell at $236 million.

Christie’s $700M Night, Trump’s $7.25M Rockwell & Bonhams’ Big Names

The article reports on major auction results from Christie's, Bonhams, and other houses, including a $700 million evening sale at Christie's and a Norman Rockwell painting sold for $7.25 million linked to former President Donald Trump. It also highlights notable consignments and bidding activity from high-profile collectors and estates.

A Jean-Michel Basquiat Rarity And Banksy's Spray-Painted Flag Head To Frieze London 2025

Frieze London 2025 returns for its 23rd edition from October 15-19 in Regent's Park, featuring over 280 international galleries. Major auction houses are staging blockbuster sales during the week, including Sotheby's evening and day sales in partnership with Celine, Christie's 20th/21st Century Evening Sale and a trilogy of drawings from the Klaus Hegeswich collection, and Phillips' Modern & Contemporary sales. Highlights include a Jean-Michel Basquiat rarity, Banksy's spray-painted flag, a Francis Bacon portrait, a Picasso etching, and a Lucian Freud self-portrait estimated at up to $16 million.

Inside Pauline Karpidas’s Legendary Surrealist Collection Bound for Auction

The legendary Surrealist collection of the late Pauline Karpidas, a renowned art patron and collector, will be auctioned at Sotheby's London in September 2025. The sale spans approximately 250 lots from her eccentric London home, featuring masterworks by René Magritte, Leonora Carrington, Salvador Dalí, Max Ernst, and Les Lalannes. The collection is expected to fetch over £60 million ($81 million), the highest estimate ever placed on a single collection at Sotheby's Europe. Highlights include Magritte's 'La Statue volante' (1940–41), estimated at £9–12 million, and works acquired directly from the estates of Surrealist figures like André Breton and Paul Éluard.

Art Basel Qatar

Art Basel has announced the launch of Art Basel Qatar, a new international art fair set to debut in Doha. The fair will be held under the patronage of Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani, chairperson of Qatar Museums, and is expected to bring together leading galleries from around the world. The announcement marks a significant expansion of the Art Basel brand into the Middle East, following its existing fairs in Basel, Miami Beach, Hong Kong, and Paris.

What does Giovanni Muciaccia do after Art Attack? He continues to spread culture and tells us all about it in this interview

Cosa fa Giovanni Muciaccia dopo Art Attack? Continua a divulgare cultura e ci racconta tutto in questa intervista

Giovanni Muciaccia, the beloved host of the children's art show "Art Attack" that aired in Italy from 1998 to 2004 and again from 2011 to 2014, continues his mission of art education through books, theater performances, and a new online series. Now also an artist and collector himself, Muciaccia discusses his journey from television presenter to full-time art communicator, explaining how his early passion for art was sparked by a middle school teacher and deepened during his time filming in London, where he visited the newly opened Tate Modern and began studying contemporary art.

Studio house museum

Hillsboro Fine Art in Dublin announces 'Studio house museum', a solo exhibition by Irish artist Eamon O’Kane, running from 5 February to 7 March 2026. The show features new paintings from his ongoing Ideal collection series, inspired by residencies and visits to iconic studios and houses of artists, collectors, and architects, including Francis Bacon’s Reece Mews studio, Eileen Gray’s E-1027, the Edith Farnsworth House, Philip Johnson’s Glass House, and others. O’Kane explores creative spaces as living archives, reconstructing environments that blend Modernist aesthetics, architectural clarity, and painterly intuition, mapping networks of influence across generations.

Newly Unearthed Letter Reveals Edvard Munch’s Influence on Paula Rego

A newly discovered 1951 letter reveals that a teenage Paula Rego was profoundly impressed by an Edvard Munch exhibition, specifically citing 'The Scream' and 'Inheritance.' This formative experience directly influenced her early work, such as her 1952 painting 'Drought,' which echoes Munch's style and themes. The letter, written to her mother, documents a pivotal artistic encounter she never publicly discussed.

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Gustav Klimt's 1908 landscape painting *Blumenwiese* (Blooming Meadow) sold for $86 million at Sotheby's, slightly above its $80 million-plus estimate. The work was part of the Leonard A. Lauder Collection, a major consignment also featuring pieces by Matisse, Munch, and Martin. Lauder had acquired the painting in 1985, drawn to Viennese modernism and Klimt's Attersee period. The sale marks the second-highest price ever for a Klimt landscape, trailing the $104.5 million record set by *Birch Forest* in 2022.

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Sotheby's modern art evening sale in New York on Tuesday night achieved $186.4 million with buyer's premium across 60 lots, with a sell-through rate of 83.3%. Top lots included Pablo Picasso's *Homme assis* ($15.1 million), Georgia O'Keeffe's *Leaves of a Plant* ($13 million), and a new auction record for Paul Signac's *Saint-Georges. Couchant (Venise)* ($8.1 million). However, the sale was overshadowed by the failure of Alberto Giacometti's *Grande tête mince*, a 1955 bronze bust estimated north of $70 million, which went unsold after bidding stalled at $64 million.

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Edvard Munch, the Norwegian Expressionist and Symbolist painter, often worked and stored his paintings outdoors on the grounds of his 45-acre estate, Ekely. This unconventional approach led to many works suffering damage from the elements, including water damage, dog paw prints, and an enduring urban legend that white smears on his iconic painting *The Scream* (1893) were bird droppings. In 2016, researchers at the University of Antwerp used X-ray radiation to debunk this myth, proving the marks were actually candle wax.

November Book Bag: from a tome of Japanese printmakers to the first Nina Chanel Abney monograph

The article reviews four new art books released in November. It covers 'Modern Japanese Printmakers: New Waves and Eruptions' by Malene Wagner (Prestel), a survey of 44 Japanese printmakers from the early 20th century to today; the debut monograph on Nina Chanel Abney (Monacelli) with contributions from Thelma Golden and Jazmine Hughes; 'Massimo Listri: Italian Palaces' (Taschen), a photographic tour of grand Italian palaces; and 'Strange Discoveries: The Art of Denton Welch' (John Swarbrooke Fine Art), a catalogue accompanying the first solo exhibition of Welch's work in over 40 years.

Maria Lassnig and Edvard Munch's exhibition

The Hamburger Kunsthalle in Hamburg, Germany, presents a major double exhibition pairing Austrian artist Maria Lassnig (1919–2014) with Norwegian painter Edvard Munch (1863–1944) for the first time. Featuring nearly 200 works—including paintings, works on paper, sculptures, films, and photographs—the show highlights parallels between the two artists across a half-century gap, tracing Munch’s influence on Lassnig and revealing new aspects of both oeuvres. Key works include Munch’s *Madonna* (1893–1895) and Lassnig’s *Traditionskette* (1983), with the exhibition organized into 13 chapters plus a prologue and epilogue exploring themes such as self-portraits, gender, nature, and mortality.

Comment | Time for a rethink: women artists were never meant to merely be canon fodder

Comment | Time for a rethink: women artists were never meant to merely be canon fodder

The art world is increasingly moving beyond simply adding women to the existing art historical canon, a practice long criticized by feminist historians like Griselda Pollock. Instead of merely 'expanding' the canon, new institutional approaches aim to 'difference' it by using the work of women to fundamentally re-evaluate and subvert established narratives. This shift suggests that the inclusion of previously marginalized artists should change how we perceive the masters they are often compared to.

Art Basel Qatar, Dürer portrait debate, Paula Modersohn-Becker and Edvard Munch—podcast

The Art Newspaper's podcast covers the inaugural Art Basel Qatar art fair in Doha, discussing its impact on Qatar and the Middle East art scene. It also examines a debate over a Dürer portrait in London's National Gallery, long considered a copy but now argued to be an autograph work by a new catalogue raisonné author. The episode features a double-header exhibition at the Albertinum in Dresden pairing Paula Modersohn-Becker and Edvard Munch, with co-curator Andreas Dehmer discussing key works.

February Book Bag: from Tracey Emin’s conversations about painting to a catalogue of Lucian Freud’s drawings

The article presents a selection of recently published art books, highlighting new releases on artists Tracey Emin, Beatriz González, and Lucian Freud, as well as a second volume on Arab Modernist artists. It details the content of each book, including personal reflections, career overviews, and connections to upcoming exhibitions.

Art Review | Impressionist Field Day

The Santa Barbara Museum of Art (SBMA) is hosting a major traveling exhibition, "The Impressionist Revolution: Monet to Matisse from the Dallas Museum of Art," alongside its own companion show, "Encore: 19th-Century Art from the Santa Barbara Museum of Art." The exhibition features works by Monet, Matisse, Pissarro, Berthe Morisot, and others, including rare pieces from SBMA's permanent collection such as Monet's "Villas in Bordighera." The show marks the 150th anniversary of the first Impressionist exhibition and includes related movements like Post-Impressionism, Pointillism, and Fauvism.

With works by Munch and Mamma Andersson, the British Museum reveals the darkness of Nordic noir

The British Museum in London will open a free exhibition titled "Nordic Noir" on October 9, featuring over 150 works by 100 artists. The show begins with Edvard Munch, including his woodcut "Gammel fisker (Old fisherman, 1897)", and moves chronologically to explore how Nordic artists responded to political transformations since 1944. Curated by Jennifer Ramkalawon, the exhibition highlights works by contemporary artists such as Yuichiro Sato, Anna Zimmerman, Maria Nordin, Per Kirkeby, and the Norwegian radical collective GRAS, many of which have never been seen outside the Nordic region.

The OG of Art Revolutions Comes to Santa Barbara Museum of Art

The Santa Barbara Museum of Art (SBMA) will host "The Impressionist Revolution: Monet to Matisse from the Dallas Museum of Art" from October 5, 2025, to January 25, 2026. The exhibition, which marks the 150th anniversary of the first Impressionist exhibition in 1874, features masterworks by Claude Monet, Vincent van Gogh, Henri Matisse, Paul Gauguin, Piet Mondrian, Berthe Morisot, and Edvard Munch, drawn from the Dallas Museum of Art's renowned French Impressionist collection. It traveled to Mexico City before arriving in Santa Barbara, the only West Coast U.S. venue for the show, and will later travel to Nashville, Québec, and Richmond.

Sotheby’s secures $120m Pritzker and $400m Lauder collections, with works by Matisse, Munch and Van Gogh

Sotheby’s has secured two major private collections for its autumn New York sales: the Pritzker collection, estimated at $120 million, and the Lauder collection, valued at around $400 million. The Pritzker collection includes Vincent van Gogh’s *Romans Parisiens* (1887) with a $40 million estimate, while the Lauder collection features Gustav Klimt’s *Portrait of Elisabeth Lederer* (1914-16) estimated at over $150 million, along with works by Matisse, Munch, and Martin. The sales will take place at Sotheby’s new headquarters in the Breuer Building this November.

Buffalo AKG Art Museum's new 'Northern Lights' exhibit brings Arctic landscapes to Buffalo

The Buffalo AKG Art Museum has opened a new exhibition titled 'Northern Lights,' featuring over 70 paintings of Nordic and Canadian landscapes created between 1880 and 1930. The show includes works by Edvard Munch, best known for 'The Scream,' and was curated by Helga Christoffersen. The exhibition opened on a First Friday with pay-as-you-wish admission and will run through January 2026. Consuls general of Canada and Finland joined museum staff at a press conference to highlight the cross-border significance of the collection.

Blood, skeletons and syphilis: the story of Edvard Munch’s obsession with health

An exhibition at the Munch Museum in Oslo, titled "Lifeblood," explores Edvard Munch's lifelong obsession with health and medicine by juxtaposing his paintings, drawings, and prints with historical medical objects. The show opens with Munch's painting "On the Operating Table" (1902-3), inspired by a bullet removal surgery after a dispute with his fiancée Tulla Larsen, paired with an early x-ray of his injured hand. It features works like "The Sick Child" (1885-6) alongside tuberculosis-related artifacts such as stethoscopes, sputum bottles, and a jar of arsenic, drawing from Munch's personal experiences with illness and his family's medical background—his father and brother were doctors.

Your weekly dose of wonder: introducing The Specialist, a new podcast by Sotheby's

Sotheby's has launched a new podcast series titled "The Specialist," featuring its global specialists who share behind-the-scenes stories about extraordinary artworks and objects. Each episode focuses on a specific narrative, such as the restitution of a Kandinsky painting lost in Nazi-era Germany, the rediscovery of Rubens' "The Massacre of the Innocents," the story of the shredded Banksy artwork "Love is in the Bin," and the decade-long attribution project for a Vermeer painting. The podcast is available on Apple Podcasts and Spotify.

An expert’s guide to Edvard Munch: five must-read books on the Norwegian Expressionist

The article presents a curated reading list on Edvard Munch, compiled by Trine Otte Bak Nielsen, a curator at the Munch Museum in Oslo. The list includes five key books: Ali Smith's essay "So in the Spruce Forest" (2025), Gerd Woll's catalogue raisonné "Edvard Munch: Complete Paintings" (2009), "Living Lines: Five Contemporary Artists on Edvard Munch's Drawings" (2021) edited by Halvor Haugen, Rolf E. Stenersen's biography "Edvard Munch: Close-up of a Genius" (1944/2013), and Stanislaw Przybyszewski's "Das Werk Des Edvard Munch" (1894). The selection coincides with the museum's exhibition "Lifeblood: Edvard Munch," which explores the artist's work through themes of health and sickness.

I have seen the light and it’s Tracey Emin’s Jesus – RA Summer Exhibition review | Royal Academy of Arts

The Royal Academy's Summer Exhibition in London features over 1,600 works, with Tracey Emin's painting "The Crucifixion" as the standout piece. The critic describes Emin's work as a sincere, shocking depiction of the crucifixion that reinvigorates religious art, alongside works by Georg Baselitz, Cornelia Parker, Tamara Kostianovsky, George Shaw, Frank Bowling, and Cindy Sherman.

Edvard Munch, Reprinted: A Study in Process at Harvard Art Museums

The Harvard Art Museums have opened a new exhibition titled "Edvard Munch, Reprinted: A Study in Process," which delves into the Norwegian artist's experimental printmaking techniques. The show examines Munch's repeated reworking of his own compositions, revealing how he used printmaking as a dynamic, evolving process rather than a means of simple reproduction. It features multiple states of iconic prints such as "The Scream" and "Madonna," alongside preparatory drawings and rare proofs that trace his creative decisions over decades.

Timely rediscoveries await at Independent 20th Century

The fourth edition of Independent 20th Century fair takes place at Casa Cipriani from September 4-7, featuring 31 exhibitors and works by around 40 overlooked 20th-century artists. Highlights include solo presentations of visionaries like Gertrude Greene, Jacci Den Hartog, and Judy Pfaff, alongside lesser-known works by icons such as Pablo Picasso and Edvard Munch. New exhibitors like Mariposa Gallery (devoted to queer icon Peter Berlin) and established names like Gmurzynska (showcasing Dan Basen) join the fair, which emphasizes self-taught artists and politically poignant themes.

'Two of Us' at Simchowitz, Hill House, Los Angeles, United States on 15 Feb–11 Apr 2026

Simchowitz Gallery is presenting "Two of Us," a dual exhibition featuring Ukrainian artists Andrey Samarin and Lera Derkach at Hill House in Pasadena. The show explores the creative dialogue between the two artists, who have lived and worked together in France for the past three years while maintaining distinct individual practices. Samarin’s work focuses on the physical gesture of painting, blending abstraction and figuration influenced by German Expressionism and medieval art, while Derkach’s canvases lean into dreamlike narratives, metamorphosis, and psychological tension.