WTF Is an “A-Corp”?

Hyperallergic's daily newsletter announces that Noah Fischer's comic "Prospect Heights Ghost Story" won a 2026 New York Press Club Award, thanks to collaboration with the Economic Hardship Project (EHRP). The edition also covers anti-Trump guerrilla protest art in Washington, D.C., including an arcade game titled "Operation Epic Furious: Strait to Hell" that satirizes the White House's foreign policy. Other stories include Ridgewood, Queens emerging as a new art hotspot, a feature on Francisco de Zurbarán's religious paintings, and Paddy Johnson's guide to what an "Artist Corporation" (A-Corp) is and whether artists should start one. The newsletter also reports that the Belgian Pavilion at the Venice Biennale closed on May 8 as part of cultural workers' strike for Palestine, and that nearly half of the artists in the international exhibition plus 22 national pavilions withdrew from awards consideration in solidarity with the jury's resignation.

Ulysses Jenkins (1946–2026), A Black Radical Imagination

The article is a personal tribute by curator Erin Christovale to the late artist Ulysses Jenkins (1946–2026), chronicling their decade-long friendship and collaboration. Christovale recounts how she first encountered Jenkins's video work at the William Grant Still Arts Center in Los Angeles, and how a conversation with Otolith Group's Kodwo Eshun led to her curating Jenkins's work. She describes key moments including Jenkins's video "Planet X" (2006) about Hurricane Katrina, his 1979 work "Two-Zone Transfer" featuring Kerry James Marshall in blackface masks, and the 2021 retrospective "Ulysses Jenkins: Without Your Interpretation" co-curated with Meg Onli at the Institute of Contemporary Art Philadelphia, which later traveled to the Hammer Museum and Julia Stoschek Foundation.

Art Busan Is Building a More Sustainable Art Market

Art Busan, celebrating its 15th anniversary, will be held from May 21 to 24, 2026, at BEXCO in Busan, South Korea, bringing together over 110 galleries from 18 countries. The fair introduces two new integrated segments: DEFINE, which expands the fair to include collectible design, furniture, and craft, and LIGHTHAUS, which transforms gallery booths into curated spatial experiences to encourage deeper engagement. These initiatives aim to move beyond purely transactional sales and speculative momentum.

Fundación Casa Wabi x ArtReview Open-Call Residency Prize 2026–27

Fundación Casa Wabi and ArtReview have announced the ninth annual open-call residency prize for three artists or collectives, offering a residency at Casa Wabi in Puerto Escondido, Oaxaca, Mexico. The residency includes lodging, studio space, meals, and support for a community project, with applications due by 14 June 2026 and winners notified in July 2026. The prize aims to foster cultural cross-pollination between artists and local communities, with past winners including artists from Australia, the UK, Germany, Argentina, Brazil, and Mexico.

Playinghouse Presented the Téte-a-Téte Exhibition at MDW 2026

Playinghouse, an emergent New York art and design platform, presented the group exhibition "téte-a-téte" at two locations during Milan Design Week 2026: Villa Pestarini and Certosa District. Curated by Margherita Dosi Delfini, assistant curator at the Design Museum, the show featured site-responsive works by independent talents including Anna Dawson, Romain Basile Petrot, Caleb Engstrom, Liyang Zhang, Atelier Fomenta, Maha Alavi, and Francesco Rosati. The exhibition emphasized contextualized domestic settings over sterile white cubes, with pieces in eggshell, glass, rubber, and metals that responded to each venue's architectural history.

Frieze New York will Open With 68 Galleries from 26 Countries, and Other News.

Frieze New York will open on May 13, 2026, at The Shed with 68 galleries from 26 countries, marking its 15th edition. The fair emphasizes Central and South American galleries, supported by new committee members Fátima González and Omayra Alvarado, alongside blue-chip exhibitors like Gagosian, Hauser & Wirth, and Pace. In other news, Phillips set a watch auction record with its $96.3 million Geneva sale, the Met Gala generated $1.56 billion in media value, and ICFF announced a November 2027 edition. Tiffany & Co. and the CFDA launched a new jewelry design scholarship.

Insider’s Look at Curating a Show Inspired by the Declaration of Independence’s 250th Anniversary [Interview]

The Fabric Workshop and Museum (FVM) in Philadelphia has opened "Some American Dreams," an exhibition marking the 250th anniversary of the U.S. Declaration of Independence. Curated by Hilde Nelson, FVM curatorial fellow, the show features 27 works by 20 artists created during the museum's Artist-in-Residence Program over four decades. The exhibition includes pieces in furniture, sculpture, textiles, clothing, video, and photography, and is on view until June 14, 2026. In an interview with My Modern Met, Nelson discusses her curatorial approach, which poses the question, "What if 'America' is not one project, but many?" and explores how these multiple Americas are affirmed, resisted, or remade through the artworks.

Mario Schifano al Palazzo Esposizioni di Roma. Una grande mostra che ci insegna a guardare

Palazzo Esposizioni in Rome has opened a major exhibition dedicated to Mario Schifano (1934–1998), running alongside a solo show by Marco Tirelli titled "Anni Luce." The exhibition, curated by Daniela Lancioni, explores Schifano's work through the lens of Kazimir Malevich's Suprematism, particularly his 1915 "Black Square." It features Schifano's early monochromes from 1960, his painting "Chiamato K. Malewič" (1965), and a rarely seen pre-1960 phase including landscapes and informal works from 1956–1959, which have often been marginalized in his official catalog.

A new foundation for contemporary art has been born in Spain. Collector Gabriel Calparsoro told us about it

In Spagna è nata una nuova fondazione per l’arte contemporanea. Il collezionista Gabriel Calparsoro ce l’ha raccontata

The Calparsoro Foundation, a new contemporary art foundation, has been launched in Spain by collector Gabriel Calparsoro. Its inaugural event was the presentation of Isaac Julien's video installation "Once Again … (Statues never die)" at the Museo Lazaro Galdiano in Madrid. The foundation aims to share Calparsoro's private collection of around 180 works, which focuses on North American and international artists addressing political and social issues related to ethnic and gender minorities.

A Vienna una grande mostra dedicata a Daumier, l’artista della satira

The Albertina Museum in Vienna is hosting a major retrospective titled "Honoré Daumier – Mirror of Society," dedicated to the French artist Honoré Daumier (1808–1879). The exhibition features lithographs, drawings, paintings, and sculptures, with significant loans from the Städel Museum in Frankfurt. Daumier, known for his sharp satire and acute social observation, critiqued political abuses and social injustices of 19th-century European society. The show also recalls a previous Daumier exhibition held at the Albertina in 1936, which served as a political statement against Nazi oppression.

A New York si è svolta un’asta di oggetti di design con risultati clamorosi (specchi da 30 milioni e altro ancora)

On April 22, 2026, Sotheby's in New York auctioned the first part of the Jean and Terry de Gunzburg collection, comprising around 125 exceptional design and contemporary art pieces. The sale, held at the Breuer Building, achieved a complete sell-out and became the most valuable design auction ever in the United States, totaling $96 million. A highlight was a new auction record for Claude Lalanne: a set of fifteen mirrors originally commissioned by Yves Saint Laurent sold for over $30 million, surpassing the previous record set by her husband François-Xavier Lalanne's Hippopotame Bar.

Picture gallery in transformation: recent gifts

MASP — Museu de Arte de São Paulo Assis Chateaubriand will present the exhibition "Picture gallery in transformation: recent gifts" starting May 15, as part of its Latin American histories series. The show features two sets of silkscreen prints recently added to the museum’s collection: 51 prints (2002–2007) by the Argentine collective Taller Popular de Serigrafía, which combined art and activism during the 2001 economic crisis, and the series "Ink and blood: 1968–2009" by Mexican artist Abraham Cruzvillegas, comprising 41 facsimiles of protest ephemera from Latin American social movements. The exhibition is curated by MASP artistic director Adriano Pedrosa, curator Regina Teixeira de Barros, and curatorial assistant Matheus de Andrade.

Exhibition | Haegue Yang, 'Leap Year' at Hayward Gallery, London, United Kingdom

The Hayward Gallery in London is presenting 'Leap Year', the first major UK survey of internationally celebrated artist Haegue Yang. The exhibition spans Yang's career from the early 2000s to the present, featuring key works from her Light Sculptures and Sonic Sculptures series alongside three new commissions. Yang's practice incorporates a vast range of media—from paper collage and performative sculpture to immersive sensory installations—using household and industrial objects such as drying racks, light bulbs, metal-plated bells, and hanji (Korean paper) to explore themes of labour, migration, and displacement.

‘A watershed moment’: Major Brisbane art exhibition opens at prestigious London museum

The Queensland Art Gallery | Gallery of Modern Art (QAGOMA) has exported a major exhibition, "Rising Voices: Contemporary Art from Asia, Australia and the Pacific," to the Victoria & Albert Museum in London. The show, which runs until January 10, 2027, features works collected over 30 years through QAGOMA's Asia Pacific Triennial of Contemporary Art, including pieces by Australian artists Michael Cook, Naomi Hobson, Shirley Macnamara, Ken Thaiday Sr, and Judy Watson, as well as artists from China, Japan, New Zealand, Sri Lanka, Papua New Guinea, and beyond.

May 2026 Opportunities: Open Calls, Residencies, and Grants for Artists

Colossal's May 2026 opportunities roundup lists multiple open calls, residencies, and grants for artists worldwide. Featured opportunities include the Scenerium 2026 Art Award (deadline May 7), the Hopper Prize offering $4,500 and $1,000 artist grants (deadline May 12), and the SaveArtSpace Billboard Art Open Call curated by Gigi Chen (deadline May 7). Other listings include the YICCA Art Prize, CIFRA Award, Cass Art Prize for the U.K. and Ireland, Sunshine Coast National Art Prize in Australia, an opportunity to get published in Artistonish magazine, and the Abbey Mural Prize.

Gala Porras-Kim: Future spaces replicate earlier spaces

Gala Porras-Kim presents her first exhibition at kurimanzutto in Mexico City, titled "Future spaces replicate earlier spaces," running from April 11 to June 13, 2026. The show brings together works that examine how museums and conservation institutions reclassify objects removed from their original contexts, using reconstruction and resituating to explore their spatial, material, and temporal conditions. Central to the exhibition is the installation "The motion of an alluvial record" (2024), which recreates the humid marshland atmosphere of the Yucatán Peninsula inside the gallery, contrasting with the controlled climates of museums. Other works include drawings replicating wall decorations from the Techinantitla complex in Teotihuacan, which were fragmented and sold on the black market, and graphite drawings of objects by artist Brígido Lara, whose "original interpretations" of Totonac ritual clay objects were mistakenly catalogued as Pre-Hispanic artifacts in major museums.

Expansion plans for Rome's Galleria Borghese draw fierce response

Rome's Galleria Borghese, a 17th-century villa museum housing masterpieces by Caravaggio, Bernini, and Canova, is facing controversy over a privately funded feasibility study for a potential expansion. Sponsored by Italian engineering firm Proger, the €900,000 initiative would fund an international architecture competition to explore adding exhibition and visitor space to the Villa Borghese Pinciana grounds. Museum officials cite operational constraints: the historic interiors limit access to 360 visitors per two-hour slot (about 4,000 daily), reservations require weeks of waiting, many works remain in storage, and accessibility is poor. Visitor numbers hit a record 630,760 in 2025, up from 506,000 a decade earlier. Preservation groups including Italia Nostra Roma and Amici di Villa Borghese have objected to any new construction in the sensitive historic landscape. Director Francesca Cappelletti emphasized at a May 18 press conference that no project exists yet and the museum is only beginning a study process, with a winner possible by year's end.

Sophie Rivera's first survey focuses on experimentation

El Museo del Barrio in New York has opened "Sophie Rivera: Double Exposures," the first career survey of the Puerto Rican American photographer (1938-2021). The exhibition reassesses Rivera's practice, highlighting her experimental work beyond her well-known 1978 series "Nuyorican Portraits," which depicted Puerto Rican sitters in Manhattan's Morningside Heights. Curated by Susanna V. Temkin, the show features works across portraiture, photojournalism, and experimental image-making, including the color photograph "Alternators" (1975, printed 1986), which Rivera donated to the museum in the late 1980s.

Five Independent Souls: The Signers from New Jersey

Morven Museum & Garden in Princeton, New Jersey, is presenting "Five Independent Souls: The Signers from New Jersey," an exhibition opening May 3, 2026, through January 17, 2027. The show examines the lives of five lesser-known signers of the Declaration of Independence—Abraham Clark, John Hart, Francis Hopkinson, Richard Stockton, and John Witherspoon—through over 100 historic artifacts including manuscripts, paintings, furniture, and personal objects. It confronts the paradox that these men fought for liberty while enslaving people, and also addresses the impact of American independence on New Jersey's indigenous population. Highlights include the painting "Congress Voting Independence" (1796-1817), the first known American depiction of the vote for Independence.

EU imposes sanctions on Mikhail Piotrovsky, director of Russia's State Hermitage Museum

The European Union has imposed sanctions on Mikhail Piotrovsky, the director of Russia's State Hermitage Museum, as part of its 20th sanctions package adopted on 23 April. Piotrovsky, a vocal supporter of Russia's full-scale invasion of Ukraine, is cited for being a close associate of Vladimir Putin and for actively supporting the war, including justifying Russian cultural policies that incorporate Ukrainian museum items into Russia's State Museum Fund and enabling unauthorized archaeological excavations in occupied Crimea. The sanctions also target three other cultural officials involved in the Crimean digs. Meanwhile, Hermitage archaeologist Alexander Butyagin, arrested in Poland in December 2025 at Ukraine's request, was released in a prisoner exchange on 28 April.

The Newest Docent at This Historic Italian Palace Is a Robot

Palazzo Madama in Turin, Italy, has introduced a four-foot-tall robot named R1 as a docent for its Baroque collection. The robot, developed by the Italian Institute of Technology (IIT) under Project Convince with €4 million in EU funding, guides visitors through the former royal apartments, narrating the history of the House of Savoy and detailing paintings, tapestries, and furniture. R1 can interact with visitors via LED eyes, answer questions, and autonomously navigate the museum's first floor, though it cannot climb stairs. It has been learning on the job since 2025, completing 30 tours in December 2025, and uses corrective software to relocalize itself if lost.

How Does an Art Fair Stand Apart? TEFAF NY Has an Answer.

TEFAF New York returns to the Park Avenue Armory from May 15-19, featuring 88 dealers and galleries from 14 countries across four continents. The fair distinguishes itself from competitors like Frieze, NADA, and Independent by offering an unusually broad range of works—from Modernist paintings and contemporary sculpture to ancient artifacts, fine jewelry, and design. Notable exhibitors include Gagosian showing Kathleen Ryan’s bejeweled fruit sculptures, Thaddaeus Ropac presenting newcomer Eva Helene Pade, and Belgian dealer David Lévy pairing Keith Haring with Willem de Kooning. Design is a particular highlight this year, with galleries such as Sarah Myerscough, Gomide&Co, and Modernity Stockholm showcasing everything from Shaker-inspired chairs to Brazilian modernist furniture and Scandinavian classics.

Prize commemorates Henrike Naumann – MMK takes over estate

Preis erinnert an Henrike Naumann – MMK übernimmt Nachlass

A new prize named after the late artist Henrike Naumann has been established by the Institut für Auslandsbeziehungen (ifa) and the Zeit Stiftung Bucerius, coinciding with her posthumous presentation at the German Pavilion of the Venice Biennale. The €15,000 Henrike-Naumann-Preis für Bildende Kunst, plus €5,000 in production funds, will be awarded regularly starting this year to early- to mid-career artists whose work engages with social transformation, political fault lines, or transnational contexts. Meanwhile, the Museum für Moderne Kunst Frankfurt (MMK) has acquired Naumann's estate, which will be catalogued and made publicly accessible to ensure her work receives long-term scholarly and curatorial attention.

Designs for a Better Future

Entwürfe für eine bessere Zukunft

The Rimowa Design Prize has awarded its fourth edition to Samuel Nagel and Paul Feiler from the Schwäbisch Gmünd University of Applied Sciences for their bracelet "Nura," which translates sign language into spoken language and converts speech into written text. Other finalists include Jakob Schlenker's bird-shaped device to encourage movement in the elderly, Niklas Henning's harvesting system for restoring moors, Tobias Kremer and Yannick Stilgenbauer's inflatable cooling capsule for use without electricity, and Valerio Sampognaro's lightweight furniture that can both support and lift off. The exhibition runs until May 13 at the Berlin Kulturforum.

DHM main building likely closed until 2031

DHM-Hauptbau wohl bis 2031 dicht

The German Historical Museum (DHM) in Berlin will remain without its main building, the Zeughaus on Unter den Linden, until at least 2031 due to further delays in its renovation. Museum director Raphael Gross announced that a binding timeline from the property owner and the federal construction authority is not expected until 2027, and a reopening before 2031 is unrealistic. In the meantime, the museum is using its modern Pei-Bau wing to host a new exhibition titled "Objekte. Geschichte. Geschichten," featuring around 200 highlights from its collection of one million objects, including a samurai armor once gifted to Adolf Hitler and objects from a refugee shelter.

Putin ‘Won’ the Venice Biennale, Quips Italian Culture Minister

Italian Culture Minister Alessandro Giuli stated that Russian President Vladimir Putin "won" the 2024 Venice Biennale, criticizing Russia's controversial return to the event. Giuli, who repeatedly denounced Russia's presence, told Corriere della Sera that Russian artists in the pavilion cannot express dissent against their regime. The Biennale faced widespread calls to remove Russia, with the EU threatening to withhold a €2 million grant, but organizers argued they lacked legal authority to exclude the country. Protests by Pussy Riot and FEMEN marked the pavilion's opening, while the Biennale's jury resigned en masse after announcing that nations charged with crimes against humanity would be ineligible for Golden Lions.

Arch Hades Turns a Venetian Palazzo Into an Emotional Landscape

British artist Arch Hades has transformed the Scoletta Battioro e Tiraoro di Venezia, a historic palazzo on Venice's Grand Canal, into an immersive solo exhibition titled “Arch Hades: Return | Ritorno,” timed to the 61st Venice Biennale. The show features site-specific paintings, sculptures, and a soundscape, anchored by the monumental 22-panel painting *Return* (2025), which draws on Greco-Roman sculpture, Symbolism, Surrealism, and Romanticism, and echoes Gustav Klimt's lost “Faculty Paintings.” New works from Hades's “Confessions” series and the mirrored chrome piece *Sphinx* (2026) further explore themes of memory, connection, and existentialism.

A Pavilion of Ruins: Germany Reconsiders Its Past in Venice

The German Pavilion at the 61st Venice Biennale features a dual presentation exploring the country's layered political history. Artist Sung Tieu has cloaked the pavilion's fascist-era facade with a mosaic reconstruction of a GDR housing estate for Vietnamese contract workers, where she lived as a child. Inside, the late Henrike Naumann's immersive installation 'The Home Front' uses furniture and design to stage a confrontation between East and West German domestic and political ideologies. Naumann died in February 2025 at age 41, but her fully realized concept was completed collaboratively by her partner and curator Kathleen Reinhardt.

The Price Points Powering the Art Market

The article, part of the Artnet Intelligence Report: Year Ahead 2026, analyzes art market performance by price bracket in 2025. The $1 million-to-$10 million range was the strongest segment, with sales totaling $3.5 billion—a 20.8% increase from 2024. Sales above $10 million rose 36.1% to $2.3 billion, boosted by high-priced masterpieces at New York's November auctions. The $100,000-to-$1 million bracket saw $3.2 billion in sales, up 6%. Meanwhile, works under $10,000 and in the $10,000-to-$100,000 range grew less than 1%, indicating cautious buyer behavior.

The forgotten Chinese conceptualists: Melbourne show brings together works by New Measurement Group

An exhibition at Buxton Contemporary in Melbourne, titled "Poetry Goes No Further Than Language: a Historical Moment of Art Becoming Art Again," brings together the complete artistic output of the New Measurement Group, a pioneering Chinese conceptual art collective from Beijing, alongside four conceptual experiments by Shanghai-based artist Qian Weikang. Curated by Carol Yinghua Lu and artist Liu Ding, the show aims to reassess early Chinese conceptual art, featuring works by the New Measurement Group (Chen Shaoping, Gu Dexin, Wang Luyan), pieces from the New Wave art movement, and new commissions by Melbourne artist Darcey Bella Arnold. The curators faced challenges locating the group's five publications, including one purchased on eBay from Europe, and used re-enactment and re-fabrication to recreate lost works like Qian's "Ladder Poem" (1990).