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A Midwest Frieze: Kate Sierzputowski Takes the Reigns as Director of Expo Chicago From Founder Tony Karman

Kate Sierzputowski has officially stepped into the role of Director at Expo Chicago, succeeding longtime founder Tony Karman following the fair's acquisition by Frieze. As the fair prepares for its April 2025 edition at Navy Pier, Sierzputowski is overseeing a significant transition that includes a streamlined roster of 130 galleries and a more integrated branding presence from the Frieze parent company.

In Munich, Two Artists Imagine Futures Both Playful and Epic

The Munich gallery Filser and Gräf is presenting a two-person exhibition titled "Medèn ágan – Nothing in Excess," featuring artists Paris Giachoustidis and Toshihiko Mitsuya. The show uses the ancient Greek maxim as a curatorial framework, with Mitsuya's delicate, reflective aluminum sculptures and Giachoustidis's paintings of futuristic, cosmic landscapes exploring themes of balance, scale, and humanity's place in the universe.

technologies of relation mass moca 2750592

MASS MoCA has launched "Technologies of Relation," a group exhibition featuring 12 artists who explore the complex, non-binary relationship between humanity and artificial intelligence. Curated by Susan Cross, the show moves beyond dystopian narratives to investigate how artists can reclaim agency over corporate-produced technologies. Featured works range from Roopa Vasudevan’s hand-drawn QR codes that mimic textiles to Neema Githere’s hammock installations that literalize the concept of a digital network.

rabkin foundation 2025 arts journalism grant winners 1234750766

The Dorothea & Leo Rabkin Foundation in Portland, Maine, has named eight recipients of its 2025 Rabkin Prize for visual arts journalists. Each winner receives an unrestricted $50,000 grant. This year's honorees are Tempestt Hazel, Jessica Lynne, Nicole Martinez, Brandy McDonnell, America Meredith, Eva Recinos, Paul Chaat Smith, and J Wortham. The foundation also commissioned portraits by photographer Kevin J. Miyazaki and will publish a series of interviews with the winners starting September 10.

can art act as silent diplomacy these sculptors think so 2652392

A 4.9-meter stainless steel sculpture titled "Chaînes de Lumière" was unveiled on March 15, 2025, in Bikfaya, Lebanon, by artist duo Pierre and Cedric Koukjian. The work, composed of seven monumental links, was inaugurated in the presence of local officials including Bikfaya Mayor Nicole Gemayel, former President Amine Gemayel, Swiss Ambassador Marion Weichelt, and several UN envoys. It is part of a series of chain-motif sculptures installed globally, with previous works like "X-Link" (2022) in Geneva, Switzerland, and future installations planned for London and Bristol.

Sara Flores on Representing Peru at the 61st Venice Biennale

Sara Flores will represent Peru at the 61st Venice Biennale in 2026 with an immersive exhibition titled 'From Other Worlds.' The presentation, curated with Issela Ccoyllo and Matteo Norzi, will feature large-scale kené paintings, ethereal sculptures, and a video work in the Arsenale, aiming to create portals to Shipibo-Konibo ancestral knowledge and Indigenous futures.

ART AGAINST COLLAPSE 193 ARTISTS IMAGINE ALTERNATIVE FUTURES

The Nevada Museum of Art has launched 'Into the Time Horizon,' a massive, multi-year exhibition occupying its entire 120,000-square-foot building. Featuring 193 artists from across the globe, the show is organized into seven thematic sections that survey environmental art and confront the climate crisis, while proposing hopeful pathways forward grounded in care and collective responsibility. It will be on view in full until September 2026, with parts remaining until 2027.

Cara and Diego Romero: Tales of Futures Past

The Figge Art Museum in Davenport, Iowa, is presenting "Cara and Diego Romero: Tales of Futures Past," an exhibition featuring the work of photographer Cara Romero (Chemehuevi) and potter Diego Romero (Cochiti). The show highlights the artistic dialogue between the married couple, whose individual practices merge popular culture, ancestral traditions, and the supernatural to explore Indigenous identity, historical narratives, environmental racism, and ancestral evolution. The exhibition is supported by the Carl & Marilynn Thoma Foundation.

The best galleries in Colombo for art and design lovers

The article highlights the best galleries and cultural spaces in Colombo, Sri Lanka, which is emerging as a vibrant cultural hub in Asia. It features established venues like the Sapumal Foundation, founded by painter Harry Pieris, the Barefoot Gallery, and the Colombo National Museum, alongside newer spots such as the Museum of Modern and Contemporary Art Sri Lanka and Millennium Art Contemporary. Notable artists mentioned include Tilak Samarawickrema, Chamila Gamage, and the historic '43 Group, which includes George Keyt and Lionel Wendt. The article also spotlights Radicle, Colombo's newest gallery, which recently hosted Priyantha Udagedara's solo exhibition "Terra Nullius."

Black.2; Family Values; Studio Exhibition

Amelia Winata reviews three concurrent group exhibitions in Melbourne galleries: 'Black.2' at Void_Melbourne (15 Nov–20 Dec 2025), 'Family Values' at Futures (6 Dec–20 Dec 2025), and 'Studio Exhibition' at Haydens (6 Dec 2025). The article opens with a metaphor comparing the gallery-goer's experience to the rescue ship Carpathia navigating icebergs, reflecting the glut of end-of-year group shows in Melbourne's commercial spaces. Winata visits each space, describing the deco-chic building housing Void_, the formalist black-themed works by artists like Nick Devlin, Elvis Richardson, Sarah Goffman, and Suzie Idiens, and the broader context of Melbourne's gallery scene.

뉴뮤지엄 DEMO2026 Art, Design, and Technology Festival(6/3-5) - Lounge

NEW INC, the New Museum's cultural incubator, has announced the full schedule for DEMO2026, a three-day art, design, and technology festival running from June 3–5 at the New Museum's newly expanded OMA-designed building on the Bowery. The festival features keynote speakers including multimedia artist Lawrence Lek, cultural historian Dr. Sarah Elizabeth Lewis, artist and Ojas sound system founder Devon Turnbull, NTS Radio founder Femi Adeyemi, and artist-engineer Xin Liu. Public programming includes demonstrations, performances, workshops, and talks showcasing projects by 39 current NEW INC members, with a Track Showcase on view through June 10. This marks the first edition of DEMO held in the New Museum's expanded space since its reopening.

Two Museum Exhibitions Reframe Amazon Civilizations

Two museum exhibitions, one at Americas Society in New York and another at the Musée du quai Branly – Jacques Chirac in Paris, are reframing perceptions of Amazon civilizations by centering the artistic and cultural traditions of the region's Indigenous peoples. The New York show, "Amazonia Açu" (on view through April 18, 2026), features works by artists including Sara Flores, Sheroanawe Hakihiiwe, PV Dias, and the film collective Colectivo Tawna, blending mediums and challenging Western distinctions between art and craft. The Paris exhibition, "Amazônia – Indigenous Creations and Futures" (through January 18), presents the Amazon as a culturally rich, inhabited ecosystem rather than a pristine wilderness.

Manhattan’s New Museum to collaborate with Fondazione Sandretto Re Rebaudengo on artist commissions

The New Museum in Manhattan is partnering with Fondazione Sandretto Re Rebaudengo, founded by Italian patron Patrizia Sandretto Re Rebaudengo, to launch the New Futures Production Fund. This initiative will support the production and exhibition of new works by international artists, with Italian-born Diego Marcon as the first commissioned artist. Marcon's new work will debut in a solo exhibition at the New Museum next year before traveling to the foundation in Turin. The collaboration coincides with the New Museum's expansion, a seven-story addition designed by Rem Koolhaas and OMA's Shohei Shigematsu, which will double its exhibition space.

That Lovely Land of Might-Have-Been at The Falstaff Project

A new group exhibition, "That Lovely Land of Might-Have-Been," opened at The Falstaff Project in El Paso, featuring works by over twenty artists including Haydee Alonso, Diamond Stingily, and Edward Thomasson. Curated by artist Miguel Bendaña, the show presents a diverse range of media, from video installations to other contemporary forms, and will run from January 29 through March 8, 2026.

How UK museums are embracing citizens’ assemblies to help frame their futures

UK museums are increasingly turning to citizens' assemblies to involve the public in shaping institutional policy and direction. The National Gallery in London launched its NG Citizens panel in 2024, following Birmingham Museums Trust's 2024 citizens' jury of 26 local residents. The Imperial War Museum and London's Migration Museum have also announced plans for similar assemblies. The National Gallery's panel, formed through a civic lottery of 15,000 invited households, will meet from November 2025 to March 2026 to develop recommendations on the gallery's purpose, priorities, and public value—though it will not directly select exhibitions or acquisitions.

Toronto art gallery hosting free party ahead of new exhibit

The Power Plant Contemporary Art Gallery in Toronto is hosting a free opening party on April 24 for its new exhibition, 'Colourful Parachutes: Imagining Alternative Futures Through the Power of Play.' The exhibition features interactive installations by ten international artists, including Temitayo Ogunbiyi, Leisure, Robin Rhode, and Claire Greenshaw, designed to be touched, climbed on, and altered by visitors.

Take Your Practice Further in a Visual Arts Residency at Banff Centre

The Banff Centre is accepting applications for two thematic visual arts residencies in late 2026 and early 2027. The first, "On Other Archives," focuses on reinterpreting archival methods and will be led by artists Deanna Bowen and Krista Belle Stewart with curator Tarah Hogue. The second, "Future Figurations," explores speculative futures and world-building under the guidance of artists Rajni Perera and Marigold Santos.

art shakers movement ica philadelphia religion

The article reviews "A World in the Making: The Shakers," an exhibition at the Institute of Contemporary Art, Philadelphia, running through August 9, 2026. It pairs Shaker material culture with works by seven contemporary artists, including Kameelah Janan Rasheed, who responds to the archive of Rebecca Cox Jackson, a Black Shaker leader. The exhibition explores how Shaker communal practices, craft traditions, and devotional art resonate in today's digital age, where handmade aesthetics often become lifestyle signals rather than shared experiences.

Myth, Masks, and LEGO: Ekow Nimako’s Elaborate Afrofuturistic Sculptures

Ghanaian-Canadian artist Ekow Nimako creates intricate Afrofuturistic sculptures using exclusively black LEGO bricks. His work explores African diaspora mythology, folklore, and cultural phenomena, with recent series drawing inspiration from ceremonial masks, interstellar travel, and geometric forms.

Minor Keys, Major Shifts: Sierra Leone’s Resonant Debut in Venice.

Sierra Leone has made its inaugural appearance at the 61st Venice Biennale with a pavilion titled 'Worlds of Today' located at the Liceo Guggenheim. Curated with a focus on "minor keys" rather than grand spectacles, the exhibition features Sierra Leonean artists Hawa-Jane Bangura, Ayesha Feisal, Hickmatu Bintu Leigh, and Abu Bakarr Mansaray alongside practitioners from other ECOWAS nations. The pavilion functions as a sensorial, porous space that prioritizes communal resilience and spiritual epistemologies over the commodification of identity.

Gaby Hurtado-Ramos: Last Night and Tomorrow

Gaby Hurtado-Ramos presents "Last Night and Tomorrow" at BOX 13 ArtSpace in Houston from May 22 to June 27, 2026. The exhibition explores queer social spaces—dance parties, gay bars, karaoke—through layered drawings, photographs, and prints, imagining futures of acceptance and connection. Hurtado-Ramos is an artist and educator whose practice includes risograph publishing under Rear-View Press, and they have exhibited and taught widely across the U.S.

One of London’s greatest art institutions will be transformed by a vast immersive exhibition this summer

The Barbican Centre in London has announced a massive immersive exhibition titled 'In Other Worlds,' set to open in May 2026. Led by BAFTA-nominated filmmaker and 'speculative futurist' Liam Young, the exhibition marks his first major solo show in the UK and will feature collaborations with creators from major productions like Westworld, Fallout, and Lord of the Rings. The installation will span three locations within the institution, including the Curve gallery and a car park, utilizing film, soundscapes, and costumes to explore imagined futures.

Barbican announces In Other Worlds, the first UK solo exhibition by Liam Young

The Barbican has announced In Other Worlds, the first UK solo exhibition by artist, director and BAFTA-nominated producer Liam Young, set to open from 21 May to 6 September 2026. The immersive exhibition will feature films, costumes, miniature models, comics and sound-led environments exploring speculative futures shaped by climate change and emerging technologies. A new commission, World Machine (2026), will serve as the centrepiece, imagining a planetary-scale AI system where nature and computation coexist. Other works include Planet City (2021), The Great Endeavour (2023), and After the End (2024), co-authored with Aboriginal actor Natasha Wanganeen.

Barbican Immersive announces 2026 exhibition from Liam Young

Barbican Immersive, the touring exhibition arm of London's Barbican Centre, has announced its 2026 exhibition "In Other Worlds," the first UK solo show by artist, director and BAFTA-nominated producer Liam Young. The exhibition will debut at the Barbican Centre from 21 May to 6 September 2026 as part of the Barbican's Summer season, before touring internationally. It features films, costumes, props, miniature models, comics, tapestries, and soundscapes that imagine hopeful futures amid environmental and technological challenges. Highlights include the world premiere of Young's film "World Machine" (2026), which envisions an AI-powered planetary supercomputer, alongside earlier works such as "Planet City" (2021), "The Great Endeavour" (2023), and "After the End" (2024).

FSU MoFA exhibition examines Indigenous relationships with water

Florida State University Museum of Fine Arts (MoFA) has opened "Water Ways: Indigenous Ecologies and Florida Heritage," an exhibition examining Indigenous relationships with water through historical artifacts and contemporary art. Curated by Elizabeth A. Cecil, the show features works by Harold García V (El Quinto), Samboleap Tol, and Wilson Bowers, alongside ancient cypress dugout canoes, ceramics, tools, and a mask from the New Orleans Museum of Art. The exhibition runs from September 18, 2025, to March 14, 2026, with accompanying events including artist talks, a symposium, and a book club.

TIERRA FUTURA: Boricua Land Futures, a solo exhibition by Shey Rivera Ríos and a group exhibition of 22 Boricua artists

The WaterFire Arts Center in Providence, Rhode Island, is presenting "TIERRA FUTURA: Boricua Land Futures," a dual exhibition featuring a solo show by Shey Rivera Ríos and a group exhibition of 22 Boricua (Puerto Rican) artists from both Puerto Rico and its U.S. diasporas. The exhibition, curated by Rivera Ríos with co-curators Ruchika Nambiar and Anabel Vázquez Rodríguez, runs from March 5 to March 29, 2026, and explores themes of land-based memory, eco-feminism, queer joy, and cultural sovereignty through diverse media.

Guatemala’s Bienal de Arte Paiz nurtures connections across geography and history

The 24th edition of Guatemala’s Bienal de Arte Paiz, titled "The World Tree" and curated by Eugenio Viola, runs until 15 February across 11 venues in Antigua and Guatemala City. It features 46 artists from 30 countries, with 31 commissioned works, making it the largest and longest edition in the biennial's history. The organizing non-profit, Fundación Paiz, has also created its first permanent exhibition venue, which soft-launched with a performance by Cuban artist Carlos Martiel.

Comment | Bristol's Spike Island has become an environmental beacon—here's why it makes financial sense for others to follow suit

Spike Island, a creative hub in Bristol housed in a historic tea packing factory, has been recognized by the Gallery Climate Coalition (GCC) as a model of environmentally sustainable practice. After an energy audit revealed that 85% of its emissions and running costs came from heating the leaky 1950s building, the organization installed solar panels and began a major retrofit. Since March, the panels have saved 6,000 kilograms of CO2, and further upgrades—including heat pumps and insulation—are planned as part of a long-term capital masterplan developed with Max Fordham and 6a Architects.

Remembering Sebastião Salgado, world builder, photographer of collective humanity and prophet of possibility

Sebastião Salgado, the legendary Brazilian photographer known for his monumental documentary projects capturing collective humanity and environmental activism, has died. Born in 1944 in Aimorés, Brazil, Salgado studied economics at the University of São Paulo and was exiled to France for political activism before turning to photography in the 1970s. He joined Magnum Photos in 1979 and went on to create epic, multi-year projects such as "Workers" (1986-93), "Migrations" (1993-99), "Genesis" (2005-13), and "Amazônia" (2011-19), which redefined documentary practice through total immersion and scale. His work earned him the Peace Prize of the German Book Trade, a UNICEF Goodwill Ambassador role, and numerous awards including the W. Eugene Smith Grant and the Royal Photographic Society’s Centenary Medal.

Annual art exhibit by incarcerated community raises $18K for scholarship

An annual art exhibition featuring works by incarcerated individuals in Arizona sold 200 pieces on May 16, raising over $18,000 for a scholarship at Arizona State University. The show, titled "{Ink}arcerated: Creativity within Confinement," displayed more than 400 artworks and drew approximately 600 visitors to a vacant retail space at the Arizona Center in downtown Phoenix. Organized by ASU criminology professor Kevin Wright, the event has raised a cumulative total of more than $70,000 since its launch in 2017, with this year's proceeds marking the largest single-show amount to date. A second public sale is scheduled for June 6 during Phoenix's First Fridays art walk.