The Brooklyn Museum is presenting an exhibition titled "Art of Manga," showcasing the artistic and cultural significance of manga as a visual art form. The show explores the history, techniques, and global influence of manga, featuring original drawings, printed works, and immersive installations.
The Icelandic Art Center will present "Pocket Universe," a multidisciplinary exhibition by artist, poet, composer, and filmmaker Ásta Fanney Sigurðardóttir, representing Iceland at the 61st Venice Biennale. The exhibition, held at the Icelandic Pavilion's new location at Docks Cantieri Cucchini, explores shifting perspectives through hope, imagination, and belief, blending sound, performance, moving image, sculpture, and installation. It features a moving image work centered on a character called "Creature Zero" searching for the "original rock," and incorporates themes of luck, chance, and transformation through playful, game-like structures.
The Nelson-Atkins Museum of Art in Kansas City has introduced a new exhibition, "Personal Best," designed to welcome international visitors during the 2026 FIFA World Cup. The exhibition blends fine art and athletics, connecting the global sporting event with Kansas City's cultural scene. The museum offers free general admission, making it an accessible attraction for soccer fans attending six matches at Arrowhead Stadium starting June 16, 2026.
Mexican artist Paulina Carretero's exhibition "Reminiscence and Furor" is moving from the Laredo Center for the Arts to La Posada Hotel starting May 8. The show, which opened in March for International Women's Month, features paintings that pay tribute to seven historical women artists: Artemisia Gentileschi, Berthe Morisot, Georgia O'Keeffe, Tamara de Lempicka, María Izquierdo, Remedios Varo, and Yayoi Kusama. Carretero created two works for each artist—one capturing their spirit and another reflecting her personal vision. The exhibition also includes a large-format painting titled "El Juego de la Consciencia (The Game of Consciousness)" that incorporates magical realism. Carretero will mark the closing at the Laredo Center for the Arts on May 1.
A Milano arriva la prima mostra-mercato dedicata interamente al modernariato del Novecento
The article announces the arrival of SOMO (Solo Modernariato), Italy's only fair dedicated entirely to 20th-century modernariato, in Milan. After two years in Alzano Lombardo near Bergamo, the event will take place at Superstudio Più in Via Tortona 27 on May 23-24, 2026. It will feature over 70 exhibitors from across Italy, showcasing furniture, lamps, and objects produced between the post-war period and the 1980s, targeting collectors, architects, interior designers, and a new generation of enthusiasts.
Alex Burchmore reviews 'The Hooligans,' an exhibition that explores the Maoist concept of hooliganism in the context of contemporary Chinese art. The show features works by artists like Xiao Lu, who famously fired a gun at her installation during the 1989 'China/Avant-Garde' exhibition, as well as Zhu Yu and He Yunchang, known for incorporating human body parts and surgical procedures into their art. The exhibition contrasts these transgressive acts with more market-friendly works, such as Zhu Yu's gilded plate paintings and Hu Yinping's commercial-style figurines, highlighting the tension between artistic rebellion and commercial success.
Los Angeles is preparing a comprehensive Cultural Olympiad for the 2028 Olympic and Paralympic Games, led by LA28 senior vice president Dwayne Jones and executive director Nora Halpern. The program will feature free sports movie screenings, live music, food experiences, art installations, community events, and special exhibitions at local museums. Sixteen local artists have been commissioned to create posters honoring the games, with a dedicated gallery exhibition planned for July 2027. A new digital calendar and mapping tool will help residents and visitors navigate the cultural offerings, and institutions like LACMA, the LA Philharmonic, and the Museum of Latin American Art have already expressed support.
Alisan Fine Arts is presenting 'New Voices in Paris Now: Between Memory and Matter' at Alisan Atelier in Hong Kong as part of its 45th anniversary programme. The exhibition features four contemporary Chinese artists—Li Donglu, Qi Zhuo, Shi Qi, and Yao Qingmei—who currently live and work in Paris. Each artist explores themes of memory, cultural identity, and material transformation through diverse media including oil painting, eroded film, paper reliefs, and blown-glass sculptures. The show runs parallel to 'The Chinese Avant-Garde in Paris' at the gallery's Central location, both part of the French May Arts Festival.
Miet Warlop, a Belgian artist known for her avant-garde theater work, is representing Belgium at the 2026 Venice Biennale with a performance-installation titled "IT NEVER SSST." The project transforms the Belgian Pavilion into a chaotic, sensory-filled space where performers climb wooden structures, bang drums, and break plaster boards inscribed with multilingual text, reflecting the noise and misunderstandings of contemporary life. Curated by Caroline Dumalin, the pavilion blurs the line between theater and visual art, with live performances occurring only part of the time while sculptors continuously remake plaster reliefs throughout the Biennale's run.
Artist Gary Baseman has opened his first hometown solo show in over a decade, titled “Off the Menu,” inside the long-shuttered Johnie’s Coffee Shop on Wilshire and Fairfax in Los Angeles. The exhibition features about 40 colored pencil drawings, mostly executed on real menus from iconic L.A. restaurants such as Musso & Frank, Canter’s Deli, and Genghis Cohen, as well as newer spots like Jon & Vinny’s. The whimsical show, which launched in conjunction with the opening of the Wilshire and Fairfax subway station, runs through June 14 and celebrates the dining culture and community of the Fairfax neighborhood.
Banksy's painting *Girl and Balloon on Found Landscape* sold for $18 million (£13.3 million) at a Fair Warning auction held at Tiffany & Co.'s Landmark store in New York. The 2012 work, which reimagines a traditional pastoral landscape with the artist's iconic balloon motif, was purchased by an anonymous US bidder after a phone battle. The result places it among the three highest auction prices ever achieved for a Banksy artwork, surpassing *Sunflowers From Petrol Station* and trailing only *Game Changer* and *Love Is in the Bin*.
Surrey Art Gallery in British Columbia is hosting a series of events throughout May 2026, centered on the exhibition "In the Shadow of the Pavilions: Expo 86 and Contemporary Art." Highlights include a Family Art Jam on May 3, an artist talk with Leah Murray on May 7, a symposium titled "Expo Lines: Expo 86 and Contemporary Art" on May 9, and a curator’s tour with Jordan Strom on May 28. The events explore the artistic legacy of Vancouver’s 1986 world’s fair, which drew 22 million visitors, and feature works by over 50 artists including Bill Reid, Robert Davidson, Debra Sparrow, and Paul Wong.
Kayem, a New England-based hot dog brand, has partnered with the Museum of Fine Arts, Boston (MFA) to create an exhibition exploring the cultural significance of hot dogs in American history. The collaboration uses artworks and artifacts from the museum's collection to trace the hot dog's journey from its European origins to its status as a quintessential American food, highlighting its presence at events like baseball games, state fairs, and presidential inaugurations.
The article announces the East Coast debut of the 'Art of Manga' exhibition at the Brooklyn Museum. This marks the first time the show, which explores the history and cultural impact of Japanese manga, is presented on the East Coast of the United States.
This issue of Le Journal des Arts (No. 676, May 2, 2026) covers a range of visual art news: the Whitney Biennial's perceived neutrality, the increasing complexity of art taxation in 2025, an interview with Bourges mayor Yann Galut about scaling back the Bourges 2028 project, the opening of a contemporary gallery at Angers Cathedral, the abandonment of the Frigos artist site in Paris, and a profile of auctioneer Hubert L'Huillier.
The article reviews Joan Semmel: In the Flesh, a retrospective exhibition at The Jewish Museum in New York (December 2025 – May 2026). The author describes an initial discomfort with Semmel's graphic nude paintings of aging female bodies, but after researching the artist's significance in feminist art, comes to appreciate her unapologetic honesty. The show is arranged chronologically, tracing Semmel's evolution from works like Erotic Yellow (1973) to later paintings that grow in confidence and freedom, all while maintaining a focus on female embodiment and pleasure from a female perspective.
The Santa Cruz Museum of Art & History (MAH) is celebrating its 30th anniversary with two concurrent exhibitions: “This is Thirty: Celebrating the MAH and Our Creative Community,” which mixes permanent collection works with new acquisitions, and “The Things We Did and Didn’t Do,” an archival installation by local artist Joshua Moreno. The museum originated from a merger of the Santa Cruz Historical Society and the Art Museum of Santa Cruz County, delayed by the 1989 Loma Prieta earthquake, and opened in 1996. The exhibits feature earthquake-related artworks, pieces by founding director Charles Hilger, and contributions from the family of Executive Director Ginger Shulick Porcella, including wearable art by her late mother-in-law Yvonne Porcella.
Animierte Körper
Latefa Wiersch presents her exhibition "Atlas Studios" at the Istituto Svizzero in Rome, featuring unsettling, puppet-like sculptures that resemble film sets. The works explore themes of bodily helplessness, imperfection, and geopolitical displacement, drawing on her earlier project "Hannibal" at the Dortmunder Kunstverein, which addressed post-migrant German realities and the demolition of a housing complex. The new installation references the Atlas Studios in Ouarzazate, Morocco, and the history of cinema, with figures made from rags and nylon stockings that appear as actors or set workers.
Jeff Bezos and his wife Lauren Sánchez Bezos served as honorary co-chairs and sponsors of this year's Met Gala, sparking widespread protests and calls for boycotts. Guerrilla activist group Everyone Hates Elon plastered New York with anti-Bezos signage, and activists placed 300 bottles filled with fake urine inside the Metropolitan Museum of Art to highlight Amazon workers' bathroom break complaints. New York Mayor Zohran Mamdani declined his invitation, and the absence of celebrities like Meryl Streep and Zendaya fueled speculation about a boycott, though representatives denied any coordinated protest. Despite the controversy, the gala proceeded with many attendees and is expected to raise more than last year's $31 million for the Costume Institute.
Holocaust Museum LA, the first survivor-founded and oldest Holocaust museum in the United States, will reopen after a 10-month closure as part of the new $70-million Goldrich Cultural Center in Pan Pacific Park. The 70,000-square-foot campus, debuting June 14, doubles the museum's original footprint and includes three pavilions, a 200-seat theater, exhibition galleries, a rooftop garden, and a Holocaust-era boxcar. The center is named after the late Jona Goldrich, a Holocaust survivor and co-founder of the museum, and was designed by architect Hagy Belzberg.
Alfabeto di pane e amore per gli animali. La mostra di Uri Aran al Museo Madre di Napoli
Uri Aran's solo exhibition at the Museo Madre in Naples, curated by director Eva Fabbris, explores language, communication, and connection through a range of works including video, sculpture, and an edible alphabet made of bread. The show, titled "Untitled (I love love)" after a video work, invites viewers into a space where meaning is fluid and inclusive, challenging rigid linguistic structures. Key pieces include the video "Untitled (I love you)" (2012), where Aran addresses plastic animals, and "Untitled (Bread Library)" (2025), a bread alphabet that visitors can rearrange to create new messages.
Otis College of Art and Design held its annual O-Launch Exhibition Weekend on May 15 and 16, 2026, in Los Angeles. The event featured a campus-wide exhibition of graduating student work across all majors, including Animation, Environmental Design, Fashion Design, Fine Arts, Game and Entertainment Design, Graphic Design, Illustration, Product Design, and Toy Design. Highlights included an industry preview for employers, an alumni reception, and the Fashion Design program's runway show, which showcased collections from junior and senior students along with mentor projects from brands such as St. John, Vince, Activision, Nike, Vuori, and Wilson Sporting Goods.
A new contemporary art gallery, kumalo | turpin, has opened in Johannesburg's Parktown North neighborhood, housed within the Nine Yards precinct. The gallery launched with an exhibition titled "gender/genre," featuring works by women artists across sculpture, painting, and photography. Co-founders Zanele Kumalo and MJ Turpin, the latter formerly co-director of the Kalashnikovv Gallery, aim to showcase emerging artists from the global majority. The opening attracted a crowd of local art-world figures, collectors, and creatives, including Marc Lubner, Niki Judelman, and photographer Trevor Stuurman.
Amsterdam-based studio Imagination of Things, co-founded by Vitor Freire and Monique Grimord, has launched "Unruly Play," an interactive digital archive featuring 169 artworks, designs, games, and participatory projects. The repository includes notable works such as Rael San Fratello's "Teeter-Totter Wall" and the Wind Phone project, alongside a 12-foot puppet that travels the world. The archive is searchable by theme or through a shuffle feature, aiming to showcase projects that invite surprise, camaraderie, and unexpected encounters with imagination and joy.
Artist and choreographer Nikima Jagudajev presents "Like", a new commission and exhibition at Scuola Piccola Zattere in Venice, running from 7 May to 18 October 2026. The work merges film and video game into a playable experimental piece, housed in the nonprofit's palazzo in Dorsoduro.
Rising Melbourne and Battersea Arts Centre (BAC) have announced that British artist and game designer Danielle Brathwaite-Shirley will design the ninth hole artwork for the playable exhibition 'The Art of Mini Golf' when it travels to London this summer. The exhibition, formerly known as 'Swingers', will take over BAC from 17 June to 26 July, featuring nine interactive golf hole artworks by leading women artists including Miranda July, Kaylene Whiskey, Saeborg, Delaine Le Bas, Natasha Tontey, BKTHERULA, Soda Jerk, and Pat Brassington. Brathwaite-Shirley's new commission, 'Enough Is Enough', uses video game language to critique technology's impact on society, addressing issues like surveillance, censorship, and wealth inequality.
Oil painters Betz Green and Jim Green will showcase their work at the Stover Mill Gallery in Erwinna, Pennsylvania, on weekends from May 9 through May 31, with an opening reception on May 9. Betz Green creates representational, portrait-oriented still lifes with whimsical narratives, while Jim Green works in an impressionistic and expressionistic style with vibrant colors and exaggerated forms. Both artists have won top awards at local venues such as Phillips Mill and Stover Mill.
Detroit-based artist Pat Perry has launched "Liminal Bingo," a participatory photo treasure hunt open to anyone with an internet connection. Participants are encouraged to go outside, gather friends, and photograph a series of illustrated prompts—such as capturing a handshake with a stranger while both wear sunglasses—using a camera or phone. When five prompts are completed in a row, players have a bingo and submit their images via Instagram or email. Photos submitted by August will be considered for a fall exhibition at Hashimoto Contemporary in New York and a potential book.
Serpentine has launched "I DIDNT REALISE YOU THOUGHT LIKE THAT," a new online game and critical thinking tool by artist and game designer Danielle Brathwaite-Shirley. Available from May 21, 2026, on web and mobile platforms, the project extends the world of Brathwaite-Shirley's acclaimed "THE DELUSION" and explores polarization, identity, and social connection beyond the gallery. Developed with nonprofit Beyond Code Collective and supported by Glass Castle Foundation, the game places players in a post-apocalyptic universe where they encounter fictional characters and make decisions that shape narratives and determine multiple endings, drawing on real-world materials from news cycles, social media, and community testimonies.
