Alessandro Giuli Threatens to Boycott the Vernissage of the Biennale

Alessandro Giuli menace de boycotter le vernissage de la Biennale

Alessandro Giuli, a prominent Italian cultural figure, has threatened to boycott the vernissage of the Venice Biennale. This action is a response to the ongoing controversy surrounding the potential return of Russia to the event, which has sparked political debate in Italy and drawn an ultimatum from the European Commission. The Biennale has also decided not to award prizes to Russia or Israel, further intensifying the situation.

337 œuvres et objets volés récupérés : la vaste opération italienne de lutte contre le trafic de biens culturels aux États-Unis

On April 29, Italy's carabinieri dedicated to cultural heritage protection announced the recovery of 337 looted or stolen artworks and objects repatriated from the United States between December 2025 and April 2026. The haul includes archaeological artifacts, archival documents, and other artworks, such as a marble head of Alexander the Great from the 1st century AD, a bronze sculpture stolen from Herculaneum, and two Egyptian basalt sculptures. The objects were dispersed through international markets using forged provenance documents, and their return involved U.S. agencies including the FBI.

New York art museum showcases Raphael's rare prints

The Murray Hill Art Museum in New York has opened an exhibition featuring 100 rare prints of works by Italian Renaissance master Raphael. The show includes engravings and lithographs from the museum's own collection as well as loans from private collectors across the United States, and was attended by local artists and collectors at its opening ceremony on April 25, 2026.

The Craziest Venice Biennale Ever: One Week Before Opening, the Jury Resigns (The Public Will Decide the Lions!)

La Biennale di Venezia più pazza di sempre: a una settimana dall’apertura si dimette la giuria (I Leoni li deciderà il pubblico!)

The entire international jury of the 61st Venice Biennale has resigned en masse just one week before the opening. The jury, chaired by Solange Oliveira Farkas and including Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, had publicly announced they would not consider countries whose leaders are accused of crimes against humanity by the International Criminal Court—effectively excluding Russia and Israel from the Golden Lion competition. This decision came amid ongoing tensions between Italian Culture Minister Alessandro Giuli and Biennale President Pietrangelo Buttafuoco over Russia's participation, as well as controversy surrounding Israel's presence. After a meeting with Buttafuoco, the jury resigned, leaving the Biennale without a key body to award its top prizes.

Art can officially be a form of therapy. Interview with Undersecretary of Culture Lucia Borgonzoni, godmother of the project

L’arte può essere ufficialmente una forma di cura. Intervista al Sottosegretario alla Cultura Lucia Borgonzoni madrina del progetto

The Italian Ministry of Culture and Ministry of Health have signed a formal protocol recognizing art as a form of therapy and care. The agreement, championed by Undersecretary of State for Culture Lucia Borgonzoni, mandates that museums, libraries, archives, and cultural institutions play a central role in developing therapeutic pathways using art to improve individual and community well-being. Borgonzoni, who has advocated for this initiative for nearly a decade, traces its origin to a 2018 study at the Sanctuary of Vicoforte that measured cortisol levels in visitors before and after viewing frescoes, showing significant stress reduction.

Future cultural professionals in Africa will be trained by six Italian museums

I futuri professionisti della cultura in Africa saranno formati da sei musei italiani

The fourth edition of the International School of Cultural Heritage (Scuola Internazionale del Patrimonio Culturale) is underway, with 23 cultural professionals from 12 African nations participating in a hands-on training program hosted by six Italian museums. After online modules and a week of lectures in Rome, the residential phase runs from April 27 to May 22, 2025, placing participants at the Museo delle Civiltà (MUCIV), the Archaeological Parks of Praeneste and Gabii, the National Archaeological Museum of Taranto (MArTA), the National Archaeological Museum of Naples (MANN), the National Archaeological Museum of Reggio Calabria (MArRC), and the National Archaeological Museum of Agro Falisco and Forte Sangallo in Civita Castellana. The program, titled "Managing Art Collections: from ancient to contemporary," focuses on collection management, conservation, and public programming, linking archaeological heritage with contemporary practices.

Scandal in Florence's Skyline? After the Black Cube and the White Cylinder, the Prism That Impales Santa Croce Appears

Scandalo nello skyline di Firenze? Dopo il cubo nero e il cilindro bianco spunta il prisma che impalla Santa Croce

A cylindrical antenna installed by the telecom company Iliad in Florence has sparked controversy after it was reported that, from certain angles, it visually overlaps with iconic landmarks such as Brunelleschi's Dome and Giotto's Campanile. The article traces a pattern of periodic scandals in Florence, including a previous uproar over the so-called "Cubo Nero" (a new building replacing a decaying theater), and notes that the antenna has actually been in place since 2023 without earlier outcry. Local artist Giacomo Costa recently photographed another white prismatic antenna in Via Ghibellina, within the UNESCO zone, that obstructs the view of Santa Croce, fueling further debate.

The Myth of Sandokan on Display in Monza Between History and Imagination. The Curators Speak

Il mito di Sandokan in mostra a Monza tra storia e immaginario. Parola ai curatori

A new exhibition titled "Sandokan. La Tigre ruggisce ancora" has opened at the Reggia di Monza, exploring the enduring myth of the fictional pirate Sandokan, who first appeared in Italian serialized fiction in 1883. Curated by Francesco Aquilanti and Loretta Paderni, the show brings together ethnographic materials, costumes from the 1970s television series, weapons, books, illustrations, and archival items, including the original Dayak collection donated by Sir Charles Brooke to the King of Italy. The exhibition traces Sandokan's evolution across literature, comics, film, and television, presenting him as a layered, ambivalent hero—both ruthless pirate and justice fighter—whose story remains relevant today.

Jury for Venice Biennale's art prize resigns after refusing to recognise Israeli, Russian artists

The international jury of the 61st Venice Biennale art exhibition resigned just over a week before the May 9 prize ceremony, after announcing they would not consider artists from countries whose leaders face International Criminal Court charges—an apparent reference to Russia and Israel. The jury included president Solange Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi. In response, the Biennale established two Visitors’ Lions to be awarded by ticket-holder vote, postponed the awards to November 22, and reaffirmed that all national participations remain eligible, effectively reinstating Russian and Israeli artists.

Venezia Comics Celebrates Paolo Ongaro at Upcoming Festival

Italian cultural association Venezia Comics has announced an exhibition dedicated to comics artist Paolo Ongaro at its upcoming festival (1st–3rd May 2026). The exhibition, titled “Paolo Ongaro, il poeta dell’avventura” (“Paolo Ongaro: The Poet of Adventure”), will feature a range of his published work, with a focus on his series Spazio Chiama Atlantide. The event is organized in partnership with Storytelling Edizioni, which is also publishing the first volume of reprints of Ongaro’s stories. Ongaro, a recognized master of Italian comics born in Mestre in 1946, has worked for publishers such as Rizzoli, Mondadori, Disney, and Bonelli, and has drawn iconic characters including Tarzan, Diabolik, Mickey Mouse, and Martin Mystère. He will be present at the festival all three days for signings and chats.

No, the closed Museum of Comics in Milan has not found a new home in Brianza

No, il Museo del Fumetto chiuso a Milano non ha trovato la nuova sede in Brianza

The Museum of Comics (Museo del Fumetto) in Milan, which suspended operations in June 2025 due to a €180,000 debt to the city, has not found a permanent new home despite online rumors. Instead, the Fondazione Franco Fossati, which runs the museum, has secured temporary storage for its archive in Desio (Monza-Brianza) for up to two years, using spaces granted free of charge by the local municipality. The archive—containing over 500,000 items including publications, original boards, and memorabilia—will be cataloged and preserved there, but the museum itself remains closed to the public.

In Valcamonica il Parco archeologico di Luine ha chiuso e non si sa se e quando riaprirà: la storia

The Luine Archaeological Park in Valcamonica, Italy, closed on April 1, 2026, after the municipality of Darfo Boario Terme, led by Mayor Dario Colossi, failed to renew the management contract held by Zamenhof Art and ArchExperience. The park, which houses rock engravings dating back to the end of the Paleolithic period (about 13,000 years ago), is a UNESCO World Heritage site and a unique part of the Camunian park system. Weeks after the closure, the park remains in limbo with no clear reopening date, while multimedia installations and digital content created by the former managers are being removed. The story has received little media attention beyond local outlets.

In Piazza Navona the École française de Rome opens a space for exhibitions (all will be free admission)

A Piazza Navona l’École française de Rome apre uno spazio per le mostre (saranno tutte ad accesso gratuito)

The École française de Rome, founded in 1875 and housed at Palazzo Farnese, has opened a permanent exhibition space at Piazza Navona 62 in Rome. A current exhibition running until April 30, 2026, traces the institute's 150-year history of historical, archaeological, and social science research, highlighting its Italian and Mediterranean focus and the collaborative spirit between France and Italy. The new gallery will host a regular program of free-admission exhibitions and events dedicated to cultural heritage, archaeology, and history, starting with the show "Isole e santi – Monasteri e santuari dell’Adriatico orientale, da san Girolamo a Gregorio VII" from May 27, 2026.

Exploring Shekhawati: Rajasthan’s open-air art gallery of frescoed havelis

The article explores the Shekhawati region of northern Rajasthan, India, known as the world's largest open-air art gallery. It focuses on the 18th–20th century merchant havelis (mansions) hand-painted with intricate frescoes, many of which are now being restored as heritage hotels. The author recounts a personal stay at Malji Ka Kamra, a restored haveli in Mandawa, describing its blend of Italianate and Rajput architecture and the overwhelming frescoes covering every surface, depicting portraits, floral motifs, and scenes of daily life.