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British sculptor Joanna Allen is the subject of her debut solo exhibition, “Subconscious Playground,” at London’s Bowman Sculpture, on view through May 30, 2025. The show features works in bronze, marble, clay, and plaster that explore the terrain between conscious and unconscious mind, moving between morphed figuration and pure abstraction. Allen discusses the influence of Surrealism, particularly the 100th anniversary of André Breton’s Surrealist Manifesto, and cites mid-century artists like Picasso, Bacon, and Giacometti as inspirations for her raw, psychologically rooted practice.

Tefaf Maastricht: exhibitions to see beyond the fair

As the art world descends on the Netherlands for the TEFAF Maastricht fair, several major regional museums are launching significant exhibitions to capture the international audience. Key highlights include the Mauritshuis’s bird-themed survey co-curated by Simon Schama, the Rijksmuseum’s exploration of Ovid’s Metamorphoses featuring loans from the Galleria Borghese, and a massive Yayoi Kusama retrospective at Museum Ludwig in Cologne marking the institution's 50th anniversary.

UC Irvine finalizes acquisition of Orange County Museum of Art

The University of California, Irvine has finalized its acquisition of the Orange County Museum of Art, creating a new unified institution named the UC Irvine Langson Orange County Museum of Art. The merger combines OCMA's 53,000-square-foot, $98 million facility in Costa Mesa with UC Irvine's academic resources, bringing together over 9,000 works of art. The museum will also showcase UC Irvine's Gerald Buck Collection and Irvine Museum Collection, while the Jack and Shanaz Langson Institute and Museum of California Art continues operating on campus. OCMA staff have joined UC Irvine, and a national search for an executive director is underway.

Orange County Museum of Art in talks to merge with University of California, Irvine

The University of California, Irvine (UCI) has entered talks to take over the Orange County Museum of Art (OCMA), a move announced last week. The discussions come shortly after OCMA director Heidi Zuckerman revealed she will leave when her contract expires in December. If an agreement is reached, the proposal will go to the University of California Board of Regents this autumn. The potential merger follows OCMA's reopening in a new $94 million building in 2022 and the upcoming edition of its California art biennial.

The non-renewal of Sébastien Allard confirms the Louvre's metamorphosis

Le non renouvellement de Sébastien Allard confirme la métamorphose du Louvre

Christophe Leribault, the new president of the Louvre, has decided not to renew the contract of Sébastien Allard as director of the painting department, a position Allard held since 2014. This move is part of a broader shift in leadership style and institutional direction under Leribault, who is described as fostering genuine social dialogue and actively participating in meetings, in contrast to his predecessor.

500-year-old Aztec ritual offering uncovered in Mexico City

Archaeologists from Mexico's National Institute of Anthropology and History have uncovered a 500-year-old Aztec ritual offering at the Templo Mayor site in Mexico City. The discovery consists of six volcanic stone boxes containing greenstone sculptures, thousands of marine shells, copal spheres, and pendants, all forming a complete ceremonial assemblage from the reign of Emperor Moctezuma I (1440-1469).

GEORGE FEBRES: TRANSLATION, IRONY, AND LIBERATION. AN ECUADORIAN ARTIST IN THE DIASPORA

The article examines the life and work of George Febres (1943–1996), an Ecuadorian artist who spent most of his career in the United States, primarily in New Orleans. Febres’s practice blends Pop Art, Neo-Surrealism, and Southern US culture with his experiences as a migrant and queer subject, using bilingualism and ironic tropical imagery to create a hybrid, irreverent body of work. Despite his significance, no works by Febres exist in Ecuadorian public collections, and no major retrospective has been held in his home country, reflecting a broader erasure of queer narratives from national art history.

May Book Bag: from a guide on entering the art world to a publication about artists influenced by Ovid’s Metamorphoses

The May Book Bag article from The Art Newspaper reviews four new art-related publications. It covers "Metamorphoses: Ovid and the Arts," edited by Francesca Cappelletti and Frits Scholten, which examines Ovid's influence on Western art through works by artists like Titian, Caravaggio, and Louise Bourgeois. Other featured books include Hettie Judah's "How to Enter the Art World," a practical guide for emerging artists; "Derrick Adams: Prints," showcasing the artist's printmaking from 2019-2025; and "Whistler's Legacy" by Daniel Sutherland, which explores the legacy of James Abbott McNeill Whistler through his close associates.

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Miami's Contemporary Art Modern Project (CAMP) Gallery has opened the seventh edition of its series program, titled “Women Pulling at The Threads of Social Discourse: Don’t be Absurd.” The group exhibition features dozens of artists who created circular, tondo-like fiber works inspired by absurdist philosophers and writers such as Albert Camus, Franz Kafka, Simone de Beauvoir, Samuel Beckett, and José Saramago. Works include RemiJin Camping's cyanotype in an embroidery hoop referencing Kafka's *The Metamorphosis* and Mychaelyn Michalec's hand-tufted wool piece *The Pietà and The Swan*. The show runs through December 20, 2025.

Taipei Fine Arts Museum unveils 'Surrealism: The World in Dialogue'

Taipei Fine Arts Museum (TFAM), in collaboration with the Institute for Cultural Exchange in Tübingen, Germany, has launched its major spring exhibition "Surrealism: The World in Dialogue." Featuring over 120 works by nearly 60 international artists, the exhibition marks a century since André Breton's 1924 "Surrealist Manifesto." It juxtaposes historical avant-garde works with contemporary practices, organized into sections such as "Collective Dreams," "Body of Desire," and "Absurd Play." Highlights include Yves Tanguy's dreamscapes, Lauren Moffatt's augmented reality installation, Max Ernst's scraping-method works, Patricia Piccinini's hybrid sculptures, and works by Man Ray, Meret Oppenheim, Sarah Lucas, Luis Buñuel, and Salvador Dalí.

5 exhibitions across the globe celebrating women who shaped art and culture

Five museums across the globe are opening exhibitions this month that celebrate women who have shaped art and culture. The shows include Björk's multidisciplinary "Echolalia" at the National Gallery of Iceland in Reykjavík, Iris van Herpen's New York exhibition, Marina Abramović's historic showing at Venice's Gallerie dell'Accademia, the Tate Modern's first major Frida Kahlo retrospective, and centenary tributes to Marilyn Monroe. The article notes that despite women making up 51% of visual artists worldwide, their work remains underrepresented in public institutions, with 78% of London galleries showing more male than female artists.

Mr.’s New Museum Show Is All About Otaku Fantasy

Japanese Superflat artist Mr. has opened 'We’ll Meet Again', his first major museum solo exhibition in Japan in over a decade, at the Fukuoka Asian Art Museum. Running through June 21, 2026, the show features over 80 works including paintings, sculptures, installations, and video pieces, exploring themes of nostalgia, video games, manga, and the yanki subculture. Highlights include an immersive bedroom installation filled with beer cans and manga, a screening of his 2008 film 'Nobody Dies', and a new motorcycle work called 'itasha'.

Fall Arts Preview

The article previews the Fall 2025-26 arts and entertainment season in Richmond, Virginia, highlighting cultural venues and events across the city and surrounding counties. Key highlights include the new Foyer Gallery, which opens with a solo exhibition by Patrick Berran titled "Burn Blue," and the Allianz Amphitheater at Riverfront, which closes its inaugural season with performances by James Taylor, Leon Bridges, Steve Martin and Martin Short, and Tedeschi Trucks Band. Other venues mentioned include The National, The Valentine, and Hanover Tavern, along with events like "InLight" at Abner Clay Park and a concert by Jason Mraz.

In ‘Life Forms,’ Janny Baek Imagines a Speculative Landscape

In ‘Life Forms,’ Janny Baek Imagines a Speculative Landscape

Sculptor Janny Baek is presenting her solo exhibition *Life Forms* at Chicago's Joy Machine gallery from March 20 to May 9, 2026. The exhibition features her speculative ceramic sculptures, which blend recognizable natural forms like blossoms and creatures with unexpected, abstract elements to create imagined landscapes and primordial organisms. Using techniques like hand-building and the Japanese *nerikomi* method of patterning colored clay, Baek's work captures beings in a state of playful mutation and transformation.

Inside Clarissa, the Hottest Art Show of Frieze Week

Clarissa, a new curatorial platform from Émergent Magazine, launched its first group exhibition during Frieze Week in London. Staged across three levels of a former club and sex shop in King’s Cross, the show features a mix of established and emerging artists—including Michael Dean, Hilary Lloyd, Tobias Spichtig, Joel Wycherley, Remi Ajani, and Tiago Francez—alongside works by Patricia L Boyd, Oscar Enberg, Hamish Pearch, and others. Curated by Reuben Beren James and Albert Riera Galceran in collaboration with the nomadic collective Soft Commodity, the exhibition aims to ignore art-world hierarchies and focus on intuitive dialogues between artists across generations and geographies.

Mimmo Paladino torna a Milano con una grande mostra dopo anni. Sotterranea e immersiva

Mimmo Paladino returns to Milan with a major exhibition after 15 years, opening on May 16 at Palazzo Citterio's underground Sala Stirling. The show features his iconic series "Dormienti" (Sleepers), 32 anthropomorphic terracotta sculptures in fetal positions, arranged in a theatrical, immersive installation. The exhibition also includes a soundscape by Brian Eno and a selection of 15 drawings on paper from 1973, curated by Lorenzo Madaro and organized by Grande Brera and the Archivio Paladino. It runs until July 26, 2026.

A Whole Lot of Nothing at the US Pavilion

The US Pavilion at the 2026 Venice Biennale features sculptor Alma Allen's exhibition "Call Me the Breeze," curated by Jeffrey Uslip. The show presents untitled, amorphous sculptures in bronze, wood, and stone, including Colorado Yule marble. The selection process was controversial: after the Trump administration excluded the National Endowment for the Arts, the State Department initially picked artist Robert Lazzarini and curator John Ravenal, but that plan collapsed. The American Arts Conservancy, a new nonprofit led by Jenni Parido (a former pet food store operator with Mar-a-Lago ties), then took over, hiring Uslip, who approached Barbara Chase-Riboud and William Eggleston before settling on Allen. Donors include businessman John Phelan and fashion designer Tommy Hilfiger.

Leonardo Madriz’s Monuments to the Precarity of Now

Artist Leonardo Madriz presents his solo exhibition 'Do Not Be Afraid' at Parent Company, featuring five totemic sculptures constructed from rope, resin, and found objects. These works, which Madriz calls 'sentinels,' use materials like rebar, barbed wire, a fake Rolex, and a fragment of a US flag made in Vietnam to create anthropomorphic forms that appear weary and burdened.

"Etwas zaghaft, etwas ängstlich, etwas sicher"

The article surveys recent art-world commentary, focusing on a critical review of the Turner Prize shortlist in The Guardian, where Eddy Frankel calls the selection "timid, anxious, safe" and laments a self-perpetuating, elitist system. It also covers a Hyperallergic essay by Lisa Siraganian questioning whether artworks can possess personhood, sparked by Pierre Huyghe's Venice exhibition. Additionally, it reports on controversy at the Venice Biennale, where the jury preemptively excluded countries whose leaders are sought by the International Criminal Court—namely Russia and Israel—drawing sharp criticism from Die Welt's Marcus Woeller. A podcast interview with US sculptor Alma Allen, selected for the US Pavilion, rounds out the coverage.

À Bordeaux, la métamorphose du MADD

The Musée des arts décoratifs et du design (MADD) in Bordeaux has reopened its design-focused wing after three years of renovation, featuring a new entrance pavilion designed by Antoine Dufour Architectes that connects the historic Hôtel de Lalande and the former municipal prison. The overhaul includes a monumental shelving display of eighty vases by designers such as Andrea Branzi and Gaetano Pesce, a new "gallery of know-how" dedicated to rotating thematic presentations (starting with ceramics), a graphic arts cabinet showcasing the Jacques Sargos collection of over 130 drawings, and improved climate control for conservation.

‘What Color is Your Sky Today?’: The Becoming of the Image

Armineh Negahdari, a Bordeaux-based artist, presents her first institutional solo exhibition in France at the Fondation Louis Vuitton's Open Space series. Titled 'What Color is Your Sky Today?': The Becoming of the Image, the show features a new body of drawings that use charcoal, pastel, and oil paint to explore unstable morphologies between human, vegetal, and animal forms. The works resist narrative closure, emphasizing drawing as an event rather than representation, with lines that accumulate, falter, and begin again. The exhibition is on view at Gallery 8 until 30 August 2026.

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London-based painter Stephen Appleby-Barr is presenting his fourth solo exhibition with Robilant and Voena, titled “Mesocosmos,” running from May 23 to July 4, 2025. The show features a new body of work created over two years, blending Old Master techniques with contemporary life and fantasy. Appleby-Barr describes the exhibition as a self-contained universe where drawings, sculptures, and paintings interact, with the aim of allowing each medium to influence the others in unexpected ways. The artist emphasizes ambiguity and the unknown over clear resolutions, inviting viewers to form their own interpretations.

Artist Pietro Roccasalva Without Respite: Genealogy of a Resilient Motif in the Milan Exhibition

L’artista Pietro Roccasalva senza tregua: genealogia di un motivo resiliente nella mostra a Milano

Italian artist Pietro Roccasalva presents a new body of work at MASSIMODECARLO’s Casa Corbellini-Wassermann in Milan, titled "Io ti saluto luce, ma con nervi offesi." The exhibition features a series of paintings characterized by dense stratification, featuring recurring motifs like a disheveled child, a bride with a tennis racket, and metamorphic animals. These works function as visual deposits where cultural references and personal iconography overlap, creating a theatrical dialogue with the gallery’s historic architecture.

In a Rome Exhibition, Nature Participates in the Creation of Artworks

In una mostra a Roma la natura partecipa alla creazione delle opere

Artist Pietro Pasolini presents his latest body of work, "Ossigrafie," in the solo exhibition "Il tempo inciso" at Galleria Valentina Bonomo in Rome. Moving away from his origins as a travel photojournalist, Pasolini has developed a sustainable, experimental technique that utilizes metal plates—specifically brass and copper—interacted with by natural elements like palm leaves, vines, water, and fire. These works require months to complete, as the artist allows the natural world to act as a co-creator, moving away from the environmentally harmful chemicals associated with traditional darkroom photography.

'Two of Us' at Simchowitz, Hill House, Los Angeles, United States on 15 Feb–11 Apr 2026

Simchowitz Gallery is presenting "Two of Us," a dual exhibition featuring Ukrainian artists Andrey Samarin and Lera Derkach at Hill House in Pasadena. The show explores the creative dialogue between the two artists, who have lived and worked together in France for the past three years while maintaining distinct individual practices. Samarin’s work focuses on the physical gesture of painting, blending abstraction and figuration influenced by German Expressionism and medieval art, while Derkach’s canvases lean into dreamlike narratives, metamorphosis, and psychological tension.

Venice exhibition rethinks curating and creativity in the AI era

A new exhibition titled *Metamorphosis: Beyond the Real. Searching for Victoria Lu – When Humans and AI Think Together, the Story Begins* has opened at Ca' Foscari Esposizioni in Venice, running parallel to the 2026 Venice Biennale. The show centers on Victoria Lu, a pioneering Chinese curator whose five-decade career helped shape contemporary Asian art. It features archival materials, AI-generated works, and collaborative experiments exploring the intersection of human creativity and artificial intelligence.

Meriem Bennani, the artist who went viral during the pandemic

Meriem Bennani, a New York-based artist known for her shape-shifting practice of videos, installations, and immersive environments, gained viral fame during the COVID-19 lockdown in March 2020. She co-created the animated series '2 Lizards' with fellow artist Orian Barki, which depicted surreal, humorous conversations between anthropomorphic reptiles navigating the first weeks of the pandemic in New York City. The series, posted on Instagram, resonated widely and led to eight episodes. Bennani's broader work, including 'Life on the CAPS' (2018–2022) and 'Mission Teens' (2019), blends digital animation, live-action footage, and cultural critique, often exploring themes of diaspora, post-colonialism, and migration through dystopian, supernatural narratives.

Take a walk on the wild side with the Haas Brothers' fantastical new show

The Museum of Arts and Design (MAD) in New York has opened "Uncanny Valley," a major exhibition dedicated to the Los Angeles-based duo Nikolai and Simon Haas. The show features 85 works spanning 15 years of their practice, showcasing their signature blend of art, furniture, and craft through zoomorphic sculptures and kooky forms. Organized in collaboration with the Cranbrook Art Museum, the exhibition places these physical objects against surreal, algorithmically-generated backdrops that explore the intersection of human craftsmanship and digital technology.

Dvaita (द्वैत) or Dualities Exhibition Explores Philosophical Contrasts at The Lexicon Art

The Lexicon Art in New Delhi is set to host "Dvaita (द्वैत): Dualities," a group exhibition curated by architect and artist Ankon Mitra opening on April 18, 2026. Featuring the work of 11 contemporary artists, the show explores the philosophical concept of dualism through contrasting elements such as light and shadow, geometric and amorphous forms, and gold and silver. The exhibition design moves away from the traditional white cube format, instead utilizing the gallery space to create a physical "dance of dualities" that reflects India’s layered cultural realities.

A Testimony to Survival and Hope Amid Chaos and Destruction

Vian Sora's first solo museum exhibition in the United States, 'Outerworlds,' is on view at the Santa Barbara Museum of Art (SBMA) through September 7. The exhibition features vibrant, layered abstract paintings that the artist describes as deeply personal, including 'Forest Remains,' a 2023 SBMA acquisition that she considers a self-portrait about migration and assimilation. Sora, born in Baghdad and a survivor of the Iran–Iraq War, Gulf War, and the 2003 invasion, discussed her work in a conversation with SBMA Chief Curator James Glisson, explaining how a 2015 hysterectomy led to a dramatic shift in her style toward bold, colorful compositions. The show will travel to the Speed Art Museum in Louisville and the Asia Society Texas Center after its Santa Barbara run.