anonymous was a woman 2025 grant winners

Anonymous Was a Woman, a grant-making organization supporting woman-identifying artists, has announced 15 recipients of its $50,000 grants for 2025. The winners include Candida Alvarez, Park McArthur, Lola Flash, Kunié Sugiura, and Sonya Kelliher-Combs, among others. Founder Susan Unterberg, who initially remained anonymous, revealed herself in 2018 and named the organization after a Virginia Woolf quotation. The grants are primarily for artists over 40, and the organization has recently expanded to fund environmentally minded projects.

j paul getty trust glenn lowry lionel sauvage board

The J. Paul Getty Trust has appointed Glenn D. Lowry, former director of New York's Museum of Modern Art, and Lionel M. Sauvage, a French philanthropist and collector, to its board of trustees, effective in 2026. Lowry led MoMA for 30 years, overseeing major expansions and the integration of PS1, while Sauvage holds leadership roles at Les Arts Décoratifs and other cultural institutions.

ken jacobs film artist dead

Ken Jacobs, a pioneering experimental filmmaker who blurred the boundaries between cinema and visual art, died at 92 in New York from kidney failure, according to his son, filmmaker Azazel Jacobs. A key figure in the postwar New York underground alongside Jack Smith and Jonas Mekas, Jacobs challenged conventional filmmaking through works like "Blonde Cobra" (1963) and "Tom, Tom, the Piper's Son" (1969), using techniques such as live radio accompaniment, slow motion, and looping to deconstruct the medium. He studied painting under Abstract Expressionist Hans Hofmann and described his own work as "Abstract Expressionist cinema," often drawing direct comparisons between film and painting.

hauser amp wirths uk profits drop

Hauser & Wirth's UK subsidiary reported an 87% decline in pretax profit for 2024, falling to $1.6 million from $12.5 million the previous year, as revenue dropped by more than half to $91.4 million. The gallery attributed the downturn to a sharp fall in secondary-market sales, which can fluctuate significantly based on a few high-value transactions. The UK entity represents only a small portion of the gallery's global business, which the founders said remained aligned with the prior year's successful performance. Separately, the gallery's hospitality arm, Artfarm Group, posted a wider pretax loss of $24 million despite a 16% rise in turnover.

sothebys to sell rene magritte work bought by family of nazi executed wwii resistance fighter

A René Magritte painting, *La Magie Noire* (1934), will be auctioned at Sotheby’s Paris on October 24 with a high estimate of €7 million ($8.1 million). The work has remained in the same private collection for nearly a century, having been acquired directly from the artist by the family of World War II resistance heroine Suzanne Spaak, who was executed by the Gestapo in 1944 for helping Jewish children escape Nazi persecution. The painting depicts Magritte’s wife, Georgette Berger, and is the first of ten portraits in which the female body merges with sky, stone, and spirit.

pritzker art collection sothebys breuer

Sotheby's will open its first auction season in the Breuer building this fall with the Pritzker collection, a private cache of paintings never before seen outside a Chicago living room. The collection, built by Cindy and Jay Pritzker, carries an overall estimate north of $120 million, with the lead lot being Vincent van Gogh's 1887 still life *Romans Parisiens (Les Livres jaunes)*, estimated at close to $40 million. Other highlights include works by Paul Gauguin, Henri Matisse, Max Beckmann, Ernst Ludwig Kirchner, Joan Miró, Camille Pissarro, and a 15th-century sea chart by Petrus Roselli.

mickalene thomas racquel chevremont harassment allegations

Artist Mickalene Thomas has been accused in a legal filing of fostering an abusive work environment and mismanaging funds involving her former romantic partner Racquel Chevremont. Chevremont, a model, curator, and reality TV star, filed a summons in the Supreme Court of the State of New York on August 8, alleging she was not properly compensated for work done for Thomas, that Thomas diverted significant funds and business opportunities, and that she subjected Chevremont to quid pro quo harassment and a hostile work environment. The summons states their romantic relationship ended in 2020 but their professional ties remained strained, and Chevremont is seeking $10 million in damages.

sam barsky sweaters kohler r u still painting

Sam Barsky, a self-taught knitter who learned from a library book in 1999 after dropping out of nursing school due to chronic illness, creates intricate pictorial sweaters entirely freehand without patterns. His sweaters depict landscapes and landmarks—such as Central Park, the London Bridge, and the Twin Towers—and he often photographs himself wearing them at the actual sites. His first museum solo exhibition, “It’s Not the Same Without You,” recently closed at the John Michael Kohler Arts Center in Wisconsin, and his work also appeared in the group show “R U Still Painting???” in Manhattan alongside artists like assume vivid astro focus and Uri Aran.

bill dilworth new york earth room caretaker dead

Bill Dilworth, the longtime caretaker of Walter De Maria's "The New York Earth Room," died on December 10, 2024, at age 70 from a stroke. His death was reported by The New York Times on Saturday. Dilworth tended the 1977 installation—280,000 pounds of dirt piled two feet high—for 35 years, from 1989 until his retirement in 2024. Managed by the Dia Art Foundation, the piece has been open to the public since 1980 and became a cult favorite, even inspiring a lookalike in a music video by pop star Lorde. Dilworth, an abstract painter, also maintained another De Maria work, "The Broken Kilometer," through his wife Patti, who served as its caretaker.

philadelphia museum boom 1940s art design

The Philadelphia Museum of Art has opened "Boom: Art and Design in the 1940s," a major survey featuring over 250 works including painting, photography, jewelry, ceramics, fashion, and furniture. The exhibition draws entirely from the museum's own collection, with around 40 percent of the works never exhibited before. It includes early pieces by celebrated figures like Jackson Pollock and Lee Krasner, as well as works by queer artists such as Paul Cadmus, Beauford Delaney, and Romaine Brooks, alongside self-taught artist Horace Pippin. Chief curator Jessica Smith emphasizes that the show aims to present a more complex, multivalent narrative of the decade beyond the dominant story of Abstract Expressionism.

the first homosexuals queer art show

An exhibition titled "The First Homosexuals" has opened at Wrightwood 659 in Chicago, curated by queer art historian Jonathan David Katz and associate curator Johnny Willis. Spanning over 300 artworks, the show traces how the coining of the term "homosexual" by Hungarian writer Karl-Maria Kertbeny in 1868 reframed artistic expressions of identity and sexuality, featuring works by artists such as Hokusai, Utamaro, Bertel Thorvaldsen, George Catlin, Saturnino Herrán, Richmond Barthé, Romaine Brooks, and Tamara de Lempicka. The exhibition includes sections on pre-colonial indigenous cultures, colonialism and resistance, and queer art icons.

impressionism auction industry

This year marks the 150th anniversary of Impressionism, which began in 1874 when 31 artists including Paul Cézanne, Claude Monet, and Berthe Morisot staged a groundbreaking exhibition in Paris. To commemorate the sesquicentennial, international institutions are hosting exhibitions such as the Musée d'Orsay's "Paris 1874: Inventing Impressionism," while Artnet and Morgan Stanley have collaborated to analyze auction data from 2014 to 2023, examining the market for works by approximately 120 Impressionist and Post-Impressionist artists. Despite perceptions that Impressionism has lost its luster, the number of lots offered at auction has remained steady, averaging 6,091 annually over the decade.

museums bet major paintings on super bowl win

The Seattle Art Museum and the Clark Art Institute in New England have placed a wager on the Super Bowl, each betting a major landscape painting from their collection on their respective home teams. Seattle Art Museum director Kimerly Rorschach has offered Albert Bierstadt's "Puget Sound on the Pacific Coast" (1870), while Clark Art Institute director Michael Conforti has put up Winslow Homer's "West Point, Prout's Neck" (1900). The losing museum will loan its painting to the winner for three months, covering all shipping and expenses.

rashid johnson guggenheim museum retrospective review

Rashid Johnson's mid-career retrospective, "Rashid Johnson: A Poem for Deep Thinkers," has opened at the Solomon R. Guggenheim Museum in New York, filling the rotunda with paintings, sculptures, photographs, and films. Curated by Naomi Beckwith and Andrea Karnes, with Faith Hunter, the exhibition includes Johnson's well-known "Anxious Men" works alongside lesser-seen films like *Threeness* (2005), which challenge viewers' expectations. The show features recurring target motifs, as seen in the outdoor sculpture *Black Steel in the Hour of Chaos* (2008), and explores themes of looking, being looked at, and the fluidity of Black identity.

7 unique hotel experiences around the world for inspired travelers

7 expériences hôtelières inédites à travers le monde pour voyageurs inspirés

Beaux Arts Magazine presents a curated selection of seven unique hotel experiences worldwide, designed for art-loving travelers. The featured properties include a converted convent in Nice (Hôtel du Couvent, opened summer 2024), a Louis XIII-era castle near Fontainebleau (Domaine de Fleury), a five-star hotel in Amboise (Relais d'Amboise) with artworks by Bernar Venet, and a mountain inn in Sils-Maria, Switzerland (Chesa Marchetta) operated by art dealers Iwan and Manuela Wirth. Each destination blends historic architecture, exceptional landscapes, and artistic elements to offer immersive stays.

How Dayanita Singh Got Into Venice’s Archives

Artist Dayanita Singh mounted a major exhibition titled "ARCHIVIO" at the State Archives of Venice, which opened to the public as an exhibition venue for the first time in its history. Without institutional funding or a public relations budget, Singh relied on a "friendship economy" to install her signature "photo-pillars"—images of Indian archival documents bound in red cloth. The show attracted visitors despite the lack of traditional promotion, as documented in an interview with Hyperallergic Editor-at-Large Hrag Vartanian.

Getting Messy in the Archive at LA’s Art Book Fair

Printed Matter's Los Angeles Art Book Fair returned to the Art Center College of Design in Pasadena for its 13th edition, featuring over 250 exhibitors—slightly fewer than last year—with about a fifth participating for the first time. A common thread across the fair was the archive: publications that excavate, remix, and repurpose historical media, from a book chronicling a 1960s hoax about animal nudity to a compendium of vintage photographs that subvert male subjectivity, and a collection of found photos from abandoned houses in rural Maine. The fair also highlighted diasporic and personal archives, including a Palestinian-American artist's cassette mixtape tracing music from the Middle East and an artist-run press focusing on translation as cultural resistance.

‘Quality always rules’: VIP day sales at Frieze London 2025

Frieze London 2025 opened with VIP day sales reflecting a cautious but resilient market. Gallerists reported solid sales, including Michael Landy's 'Multi-Saint' (2013) sold to the Walker Art Gallery for €125,000, and blue-chip works at Frieze Masters such as René Magritte's 'Le domaine enchanté' (1953) for $1.6m and Gabriele Münter's 'The Blue Garden' (1909) for SFr2.4m ($3m). Dealers noted a shift from speculative frenzy to more considered buying, with collectors taking longer to decide but still investing in quality works. The fair saw strong attendance, including wealthy individuals who had left London due to UK tax changes returning to buy.

elda cerrato artist of the extraterrestrial has her long awaited new york debut

The Galerie Lelong in New York is presenting the first U.S. solo exhibition of Argentine-Italian artist Elda Cerrato, who died in 2023. The show features two distinct series: abstract "cosmovision" paintings from the 1960s exploring invisible energies, and more overtly political map-based works from the 1970s created in response to authoritarian regimes in Latin America.

art alex katz inside studio new paintings

Alex Katz presents a new body of work titled "White Lotus" at Gray Chicago, on view through September 20. The exhibition features large-scale portraits and cool, cinematic scenes inspired by a beach in Maine and Antonioni's *L'Avventura*, with only a superficial connection to the TV series *The White Lotus*. Katz, now in his late 90s, continues his seven-decade practice of prioritizing style over narrative, focusing on surfaces, garments, and glances. Concurrently, his work is also on view at SCAI Piramide in Tokyo, San Diego's Museum of Contemporary Art, and Gladstone Gallery will host a fall exhibition of his orange abstractions. The article includes an interview where Katz discusses his studio habits, influences (Fra Angelico, Veronese, Goya), and his resilience in the face of early career criticism.

The Netherlands is confronting its history of Nazi occupation – but many stolen objects remain unreturned

Arthur Brand, a Dutch art detective, was contacted by a man who discovered that his family descended from Hendrik Seyffardt, a high-ranking Nazi collaborator, and that a painting looted from Jewish art dealer Jacques Goudstikker remained in their possession. The painting, Toon Kelder's *Portrait of a Young Girl*, had hung in a relative's home near Utrecht for years. The family, who changed their name after WWII, handed the painting to Brand after the story broke in Dutch media, expressing shame and outrage over the silence surrounding their history.

How Will the Venice Biennale Impact Alma Allen’s Market?

Artist Alma Allen has been selected as America's representative at the Venice Biennale, sparking controversy due to the unusual selection process under President Trump. The pavilion is commissioned by the newly formed American Arts Conservancy, led by Jenni Parido, who previously ran a pet food lifestyle shop and entered Trump's orbit through Mar-a-Lago pet charity events. Following the announcement, Allen's galleries Olney Gleason and Mendes Wood DM dropped him, but he was quickly picked up by high-profile gallery Perrotin. The article examines how the Biennale and its attendant drama might affect Allen's market, noting his longtime collectors include Beth Rudin DeWoody, Peter Morton, Jack Pierson, and others, while his auction prices have remained modest.

Paula Rego review – tantalising drawings with the shoeprints left on them

Victoria Miro is hosting the largest exhibition of Paula Rego’s drawings to date, curated by the artist’s son, Nick Willing. Spanning from the 1950s until her death in 2022, the show features intimate pencil sketches, pastels, and ink drawings that reveal the foundational narratives of her career, including her early childhood sketches, her fierce opposition to the Salazar dictatorship, and her advocacy for women's rights.

rediscovering luis fernando zapata

Artnet News reports on the rediscovery of Colombian artist Luis Fernando Zapata (1951–1994), whose solo booth at Art Basel Miami Beach features works from 1988 to 1994 that resemble ancient artifacts. The booth, titled “The Immemorial: The Transcendence of Luis Fernando Zapata,” is presented by Bogotá’s Galería Elvira Moreno in the fair’s Survey sector, which highlights historically significant art made before 2000. Zapata’s pieces—including totemic shields, a mud-brown sarcophagus with cuneiform-like glyphs, barques, steles, and his “excavaciones”—are mostly hand-sculpted papier-mâché, evoking ritual and imagined cosmologies. Diagnosed HIV+ in the mid-1980s, Zapata died in 1994, leaving a body of work that has remained largely absent from the queer canon and art-world consciousness until now.

Open Letter Published by Activist Group Calling for Venice Biennale to Eject Israel Signed by Nearly 200 Participating Artists and Curators

An activist group called Art Not Genocide Alliance has published an open letter demanding the Venice Biennale eject Israel from this year's exhibition. The letter has been signed by nearly 200 artists, curators, and arts workers participating in the 2026 Biennale, including members of the main exhibition's curatorial team and contributors to several national pavilions. The letter accuses Israel of genocide and apartheid, and references the 2024 Biennale where Israel's pavilion remained closed due to similar protests.

Basquiat’s 'Museum Security' leads Sotheby’s New York contemporary evening sale at US$52.7m

Jean-Michel Basquiat's 1983 painting 'Museum Security (Broadway Meltdown)' sold for US$52.7 million at Sotheby's Now and Contemporary Evening Auction in New York, becoming the fifth-most expensive Basquiat ever auctioned. The work, estimated at over US$45 million and backed by an irrevocable bid, hammered at US$45.3 million to a telephone bidder represented by Sotheby's Lucius Elliott. The auction totaled US$266.8 million with fees, selling 40 of 44 lots, and combined with the preceding Robert Mnuchin collection sale—led by Mark Rothko's 'Brown and Blacks in Reds' at US$85.8 million—the evening brought in US$433.1 million.

Inside New York’s Rogue Project Spaces

A digital cover story profiles New York City's rogue project spaces—artist-run venues like U-Haul Gallery, Desnivel, Spielzeug, Catbox Contemporary, and 95 Gallon Gallery—that operate in unconventional locations such as trash bins, moving trucks, bodegas, laundromats, buses, and cat towers. The article features interviews with founders including Maria De Victoria (Desnivel), James Sundquist and Jack Chase (U-Haul Gallery), and others, highlighting how these spaces counter the bureaucracy of institutional exhibitions by prioritizing artist freedom, intimacy, and community engagement.

Ready, Set, Go: Ten Spring Exhibitions Opening or Closing Within Six Weeks

Boston Art Review (BAR) has published a guide titled "Ready, Set, Go: Ten Spring Exhibitions Opening or Closing Within Six Weeks," highlighting a curated selection of ten spring exhibitions in the Boston area and beyond. The article provides a concise overview of each show, including opening and closing dates, venues, and featured artists, aimed at helping readers plan their art-viewing schedules during a compressed six-week window.

Los Angeles Art Scene Overview

Los Angeles

The Los Angeles art scene is experiencing a significant transformation as major blue-chip galleries like Gagosian and PaceWildenstein expand their presence in the city. This shift is driven by the influx of entertainment industry wealth and a growing interest from Hollywood figures, despite a historically smaller collector base compared to New York. Key institutional developments include Eli Broad's financial interventions to stabilize MOCA and fund new building schemes at LACMA.

Did Van Gogh’s Yellow House turn blue after his death?

New historical evidence suggests that Vincent van Gogh’s iconic 'Yellow House' in Arles underwent a dramatic color change before its destruction. While Van Gogh famously painted and cherished the building for its yellow facade in 1888, two recently highlighted paintings from the late 1930s by artists Willy Guggenheim (Varlin) and George Tomaziu depict the structure with a blue exterior. This discovery, brought to light by Ukrainian artist Yuri Pikul, indicates the building had been repainted while serving as a café-bar called the Civette Arlésienne.