Exhibition | Dai Chenlian, 'Waxing and Waning of the Augustness III' at ShanghART, M50, Shanghai, China

ShanghART Gallery presents Dai Chenlian's solo exhibition 'Waxing and Waning of the Augustness III' at its M50 space in Shanghai from April 10 to May 29, 2026. The show is the final chapter of the artist's 'Mother Trilogy,' centering on his mother's life from 1954 to 2025. Through a reconstructed old house made from loom parts, along with painting, installation, performance, sound narration, and shadow puppetry, the exhibition explores themes of memory, migration, and female resilience, drawing on a line by Tang dynasty poet Li Shangyin.

SOPAC's Herb + Milly Iris Gallery presents "INSPIRED MINDS: Young Artist Exhibition"

The South Orange Performing Arts Center (SOPAC) presents "INSPIRED MINDS: Young Artist Exhibition" in its Herb + Milly Iris Gallery from May 14 through August 16, 2026. Over 300 students from 20 area high schools submitted more than 1,000 original works; 70 pieces were selected for the show, spanning photography, digital art, painting, drawing, sculpture, fiber arts, and ceramics. An opening reception will be held on May 14.

Ocean County Artists' Guild presents "Proof I Was Here" by Conni Freestone

Conni Freestone's solo exhibition "Proof I Was Here" opens June 1, 2026 at the Ocean County Artists' Guild in Island Heights, New Jersey, running through the end of the month. The show spans three interconnected spaces and explores themes of existence, memory, and identity through photography, featuring images of Bruce Springsteen, Asbury Park cars, Havana's aging vehicles, and Route 66 remnants, alongside self-portraiture. An opening reception on June 7 includes live music by Johnny Kasun and Timmy Basskidd Douglas, and a RiverJAM event on June 16 features additional performances.

PinchukArtCentre opens new exhibition at the Venice Biennale

The PinchukArtCentre has opened a new exhibition titled "Still Joy — From Ukraine Into the World" as part of the official parallel program of the 61st Venice Biennale. The show, which opened on May 7 at Palazzo Contarini Polignac and runs through August 1, features works by over 20 international and Ukrainian artists exploring joy as an act of resilience and humanity. Central to the exhibition are testimonies from Hlib Stryzhko, a marine veteran who returned from Russian captivity, which are transformed into sculptural elements. Notable works include a protest performance by Yurii Hruzinov at the Russian pavilion, a video installation of Kyiv rave parties by Malashchuk and Khimei, and installations by Future Generation Art Prize laureates Ashfika Rahman and Zhanna Kadyrova.

FYI Calendar: Arkansas Living Treasure Longhua Xu’s exhibit at Fort Smith RAM continues through June 21

The article is a calendar of arts and community events in the Fort Smith, Arkansas area, compiled by features writer Dustin Staggs. It lists dance and theater performances, plant swaps, life drawing classes, historical society events, and multiple art exhibitions. Among the visual art highlights are "Soul Taking Shape," an exhibition by Arkansas Living Treasure Longhua Xu at the Fort Smith Regional Art Museum (RAM) running through June 21, along with other shows at RAM and Arts On Main featuring works by local artists and student artists.

Why artists’ love for opera will never die

This article explores the enduring fascination that visual artists have with opera, tracing a historical lineage from figures like Oskar Kokoschka and David Hockney to contemporary practitioners such as William Kentridge and Tacita Dean. It examines how opera's fusion of music, drama, and visual spectacle has inspired artists to create set designs, costumes, and even direct productions, often blurring the boundaries between fine art and performance.

In Savona there is a new contemporary culture festival that aims to make tradition dialogue with the most emerging research

A Savona c’è un nuovo festival di cultura contemporanea che mira a far dialogare la tradizione con le ricerche più emergenti

A new contemporary culture festival called Brucia has launched in Savona, Italy, with its zero edition running from May 9 to 17, 2026. Organized by the under-30 association Fiammiferi, founded by Teresa Raineri, the festival transforms the Fortezza del Priamàr and Teatro Chiabrera into a diffuse laboratory of artistic practices, including performances, concerts, exhibitions, workshops, and meetings. A highlight is the solo show [Çigae] by artist Gaia De Megni, curated by Gabriele Cordì, which explores themes of return and belonging through a Ligurian lens, featuring her film 'La tigre e i gabbiani' (2019).

Nick Cave at the 2026 Biennale. Seven works between loss, memory and protest

Nick Cave è alla Biennale 2026. Sette opere tra perdita, memoria e protesta

Nick Cave presents "Two Points in Time at Once" at the 2026 Venice Biennale, a project spanning seven locations across Venice. The installation features a series of bronze works, including the "Amalgam" series (Seated, Origin, Plot, Resuscitation, Meditation) along with "Grapht" and "Siren." This marks a significant material shift from Cave's iconic fabric Soundsuits to bronze, exploring themes of loss, memory, trauma, and protest through a more static yet politically charged presence.

The Claire Fontaine collective and Ugo La Pietra open the new season of the Fondazione La Rocca in Pescara

Il collettivo Claire Fontaine e Ugo la Pietra aprono la nuova stagione della Fondazione La Rocca di Pescara

The Fondazione La Rocca in Pescara has announced its upcoming exhibition program for 2026-2027, including a solo show by Ugo La Pietra (June–October 2026) and a solo exhibition by the feminist conceptual collective Claire Fontaine (December 2026–March 2027). The foundation has also appointed Simone Ciglia as its new Chief Curator, who will work alongside the presidency to shape future artistic research. The season opens with La Pietra's 'Alla finestra,' curated by Giacinto Di Pietrantonio, featuring around seventy works exploring the window as a threshold. Claire Fontaine's 'Manuale d’uso,' curated by Ciglia, is conceived as an exhibition-essay based on Anita Chari's monograph. Additionally, the foundation launches 'FLR Incontra,' a public program of interdisciplinary talks and performances.

Monuments in Motion

Denkmäler in Bewegung

Berlin-based artist Sarah Ama Duah, who transitioned from fashion to sculpture, creates works that explore Afro-German memory culture. Her practice includes beeswax portraits, found objects like Delft porcelain and baroque vases, and performances at venues such as the Humboldt Forum. In 2025, she received the Wolfram Beck Prize for Sculpture. Duah's early fashion work, including silicone garments shown at the Fashionclash Festival in Maastricht, evolved into sculptural investigations of clothing, body, and space, leading her to study performance and sculpture at the Berlin University of the Arts under Jimmy Robert.

The Great Shitshow

Die große Shitshow

Florentina Holzinger has transformed the Austrian Pavilion at the Venice Biennale into a radical performance installation titled "Seaworld Venice." The piece features naked performers suspended from meat hooks, a performer ringing a bell while dangling upside down from a crane, a woman on a jetski circling inside a flooded pavilion, and a system where visitors are invited to urinate into portable toilets, with the waste processed and recirculated into the water. The work combines extreme physical stunts, nudity, and bodily fluids to create a visceral, immersive experience that has drawn long queues and stunned reactions from the art world.

Shit has the power to destabilize systems of order

"Scheiße hat die Kraft, Ordnungssysteme zu destabilisieren"

Aline Bouvy, the artist representing Luxembourg at the Venice Biennale, has created a film essay titled "La Merde" that centers on excrement as its main character. Originally conceived as a performance, the work explores themes of bodily circulation, transformation, and the grotesque, using feces to challenge societal taboos and systems of order. Bouvy discusses the film's development with curator Stilbé Schroeder, noting that the Biennale provided the resources and time to realize the project, which will later travel to the Kunstverein in Salzburg.

Can a Venice Biennale Pavilion Be Rock ‘n’ Roll? At the Belgium Pavilion, Miet Warlop Makes the Case.

Miet Warlop, a Belgian artist known for her avant-garde theater work, is representing Belgium at the 2026 Venice Biennale with a performance-installation titled "IT NEVER SSST." The project transforms the Belgian Pavilion into a chaotic, sensory-filled space where performers climb wooden structures, bang drums, and break plaster boards inscribed with multilingual text, reflecting the noise and misunderstandings of contemporary life. Curated by Caroline Dumalin, the pavilion blurs the line between theater and visual art, with live performances occurring only part of the time while sculptors continuously remake plaster reliefs throughout the Biennale's run.

Study Shows Engaging with Art as Effective as Exercise in Slowing Aging

A new study by University College London, published in the journal Innovation in Aging, reveals that engaging with arts and culture can slow biological aging at a rate comparable to exercise. Researchers found that attending performances or visiting galleries once a month led to a 3 percent reduction in aging speed, while weekly engagement produced a 4 percent slowdown. Those who participated in the arts at least weekly were biologically at least a year younger than non-participants, outperforming weekly exercisers, who were only six months younger biologically. The study tracked 3,356 adults from 2010 to 2012 using survey data and blood tests, measuring aging via epigenetic clocks that analyze DNA changes.

Aux châteaux de Malmaison et de Bois-Préau, le festival des Premiers Romantiques fait dialoguer musique et nature

The Festival des Premiers Romantiques takes place from May 22 to 25 at the châteaux of Malmaison and Bois-Préau in Rueil-Malmaison, France. The event features concerts on period pianos (including an 1806 Erard pianoforte and an 1847 Streicher), performed by musicians from La Nouvelle Athènes collective, alongside an exhibition titled "Roses & Pivoines" showcasing works by Pierre-Joseph Redouté and contemporary German artist Thilo Westermann. The festival celebrates Romantic-era music and nature, set in the recently restored château and its emblematic gardens, once the botanical passion of Empress Joséphine.

Art Museum of Southeast Texas opens two new exhibitions tonight exploring Texas waterways and history

The Art Museum of Southeast Texas (AMSET) opens two new exhibitions today: "Julius Stockfleth: Dawn of a Century" and "Bill Pangburn: Printed Traces - A Neches River Journal." The Stockfleth exhibition features early Texas artist Julius Stockfleth's paintings of the 1900 Galveston hurricane and Texas coastal history, marking a homecoming as his work was first shown at AMSET in 1987. The Pangburn exhibition presents a new series of large-scale abstract woodcut prints inspired by the Neches River. Both run through July 5, with a free public reception tonight and a musical performance by composer Nathan Felix on May 30.

Qatar makes Venice Biennale debut with pavilion built on collaboration, food and live art

Qatar has made its debut at the Venice Biennale with an official national pavilion, marking a major cultural milestone as the first new national pavilion in the Giardini in 30 years. Led by artist Rirkrit Tiravanija, the project titled "Untitled 2026: A gathering of remarkable people" transforms the space into a living environment featuring live music, film screenings, shared meals, and ongoing performances. The pavilion brings together artists, musicians, and chefs from across the Arab world and its diasporas, emphasizing cultural exchange rather than a single national narrative.

Serakai Studio unveils dreamedcore, a multi-sensorial exhibition exploring digital nostalgia in Hong Kong

Serakai Studio presents 'dreamedcore', its second exhibition at GOLD in Hong Kong's Wong Chuk Hang district, running from June 6 to August 1. Curated by Shirley Lau and Tobias Berge, the show blends an art exhibition, concept store, and runway format to explore digital-age nostalgia through the lens of 'dreamcore' aesthetics—drawing on 1990s and early 2000s visual textures. Featuring 22 emerging multi-disciplinary artists and creative practitioners from across Asia, including Li Shuang, Wong Ping, and Peng Ke, the exhibition is divided into two chapters: 'The Lure' and 'The Twist', with a central runway stage, ambient lighting, and a mini cinema screening a video by Wong Ping.

In SF, a gallery transformed into an immense, red web of memory

The Asian Art Museum in San Francisco has opened "Chiharu Shiota: Two Home Countries," the first solo museum exhibition in the Bay Area for the Berlin-based Japanese artist. The centerpiece is "Diary," an 88-foot-long network of blood-red yarn that incorporates pages from diaries of Japanese soldiers and German citizens from World War II, creating an immersive web of memory. The exhibition also includes a crimson dress unraveling into cords, set designs for a theatrical psycho-drama, performance videos, and paper works reflecting on the artist's experience as a cancer survivor.

The Art of Performing Maintenance

This article explores the work of artist Mierle Laderman Ukeles, who in 1969 wrote her "Manifesto for Maintenance Art" after experiencing a crisis of meaning following the birth of her first child. She proposed that routine maintenance tasks—like cleaning, cooking, and laundry—could be redefined as art when performed in public, particularly in museums. The article traces her early exhibitions at the Wadsworth Athenaeum, where she swept and mopped as performance, and her later projects interviewing passersby on New York City sidewalks and embedding herself in a Manhattan office building, where she invited workers to declare their maintenance tasks art.

The weird, wiggly universe of Icelandic artist Ásta Fanney Sigurðardóttir

The article profiles Icelandic artist Ásta Fanney Sigurðardóttir, whose multidisciplinary practice spans visual art, performance, music, poetry, and filmmaking. It describes a recent performance at Reykjavik's Mengi venue where the audience was invited onstage to be stirred with an imaginary spoon, and highlights her upcoming project 'Pocket Universe' representing Iceland at the Venice Biennale, installed in a former shipyard. The piece also explores her fluid relationship with time, her admiration for artists like Meredith Monk and Laurie Anderson, and the tight-knit, artist-run creative ecosystem of Reykjavik that shapes her work.

GALLERY AN INVITATION TO ENJOY CONTEMPORARY ART IN THE CITY OF BUENOS AIRES

Gallery, a free contemporary art event in Buenos Aires, returns for its first 2026 edition on Saturday, May 16th, connecting over 40 galleries, museums, art spaces, and foundations across the Recoleta, Retiro, and Microcentro neighborhoods. Organized by Arte al Día and Pinta, the event features guided tours led by specialists, live music performances, and special activities at each meeting point. Participating venues include Rolf Art, Vasari, Fundación Klemm, ARTHAUS CENTRAL, Isla Flotante, and others, with support from the Buenos Aires City Ministry of Culture.

L’antica certosa vicino Siena dove il disegno è diventato una performance condivisa. Il report

The third edition of the De Linea Art Festival took place on May 2-3 at the Certosa di Pontignano near Siena, Italy. Curated by Matteo Marsan and Riccardo Guasco, the event transformed the historic monastery into a living laboratory of drawing, illustration, and performance. Nine illustrators—including Marina Marcolin, Francesco Poroli, Elisa Macellari, Gianluca Folì, Ale Giorgini, Gloria Pizzilli, Matteo Berton, Giovanna Giuliano, and Daniele Caluri—participated in a week-long residency, producing works inspired by the site and the festival's theme "Crepe e spiragli" (Cracks and Glimmers), a contemporary interpretation of a Leonard Cohen quote. Over 500 visitors attended workshops, talks, and shared creative sessions, including a workshop by Fondazione Il Bisonte and performances by actress Daniela Morozzi and graphic poet Alessandro Valenti (Alvalenti).

Here are the photos of the Austrian Pavilion at the Venice Biennale (the one full of nude performers that it is forbidden to photograph)

Ecco le foto del Padiglione Austria alla Biennale di Venezia (quello pieno di performer nude che è vietato fotografare)

The Austrian Pavilion at the 2026 Venice Biennale, titled "Seaworld Venice" and curated by Nora-Swantje Almes, features provocative performances by artist and choreographer Florentina Holzinger. The installation includes four distinct nude female performances: a performer acting as a bell clapper on the hour, a female Deposition of Christ scene with three women on a rotating vertical structure, a nude woman riding a jet ski in circles, and a reenactment of Giorgione's Sleeping Venus in a urine-filled tank. The pavilion has become the most talked-about and Instagrammed at the Biennale, drawing long queues despite a ban on photography.

Can we practice for crises in art?

"Können wir in der Kunst für die Krisen üben?"

Belgian theater director Miet Warlop is presenting her work "It never SSST" at the Belgian Pavilion during the Venice Biennale. The installation combines performance, sculpture, a radio show, and objects, featuring six performers, musicians, dancers, and a sculptor who periodically calls "Freeze" to capture movements in plaster reliefs. Warlop, known for her physically exhausting ritualistic performances like "One Song," discusses the piece's themes of ceaseless activity and the body as a resource, as well as the challenge of engaging visitors who often rush through the pavilion.

Brittany Invites Itself to the Venice Biennale: An Unusual Pavilion Dedicated to Breton Creation Moors in the Lagoon

La Bretagne s’invite à la Biennale de Venise : un insolite pavillon dédié à la création bretonne s’est amarré dans la lagune

For the 61st Venice Biennale, a group of artists and art figures from Brittany have created an unofficial "Breton pavilion" in the form of a spectacular sailboat moored on the island of San Giorgio Maggiore. The boat, designed by artist Joachim Monvoisin, features contributions from Morgane Tschiember (who sewed a sail with a black cross, the 11th-century Breton flag) and master glassmaker Andrew Erdos (who made the navigation lights). Performances during the opening week included readings by Breton authors and traditional music concerts with binious and bombardes on the Via Garibaldi.

London artist Irum Rahat’s ‘Yeh Kab Ki Baat Hai’ is a house full of memories

London-based artist Irum Rahat presents her first solo exhibition in India, 'Yeh Kab Ki Baat Hai', at Pristine Contemporary in Delhi. The show features 16 new works that draw from her upbringing in a South Asian household, transforming mundane domestic scenes—making chai, sitting in rooms, family interactions—into a visual archive of memory and intimacy. Rahat's paintings, influenced by cinema and her own photography, use soft, hazy colors to evoke nostalgia and the ambiguity of time.

Public Tour | Graduation Weekend Tour: Looking Back Toward the Future

The Mildred Lane Kemper Art Museum at Washington University in St. Louis is hosting a public tour on May 14, 2026, as part of its Graduation Weekend programming. The tour will explore the exhibition "Looking Back Toward the Future: Contemporary Photography from China," which features over forty large-scale photographs by fourteen Chinese artists created between 1993 and 2006. The exhibition is organized into three thematic sections—The Presence of the Past, East and West, and Performance and the Body—examining how artists used photography and performance to critique China's post-1989 sociopolitical and cultural shifts. This is the first time these works are on view at the museum, and they represent a significant recent addition to its contemporary Chinese art collection.

‘Currents’ multimedia installations portray Schuylkill River in new art exhibit at Fairmount Water Works

Martha McDonald will perform original songs on a glass armonica at the Fairmount Water Works in Philadelphia as part of 'Currents,' a new multimedia art exhibit. The show features installations by 10 local artists that animate the historic water system's underground corridors, coinciding with the 250th anniversary of the Declaration of Independence. Works include a 3D animation timeline of the Schuylkill River by Nadia Hironaka and Matthew Suib, photographic pieces by Julianna Foster, and an installation by Taji Ra’oof Nahl addressing water and honey bees. The exhibit runs through Aug. 8.

Sehwa Museum of Art Launches Artist-Led Hands-On Programs Open to Families and Professionals

The Sehwa Museum of Art in Seoul, operated by the Taekwang Group Sehwa Arts and Culture Foundation, has launched a series of artist-led participatory programs tied to its current exhibitions. On May 17, artist Yesol Kim will lead "Perhaps Scribbling on the World Crookedly," where participants draw and view their work through a kaleidoscope. On May 23, artist Jeong Manyoung will host "Sound Exploration: Finding My Own Sound Space," involving outdoor sound recording. Every Tuesday and Sunday at 3 p.m., visitors can enjoy a performance while holding cotton candy, linked to Lee Wonwoo's work "Gentle Prince." Additional ongoing activities include a handmade zine-making station and a social media review giveaway offering an "Artist Puzzle" from the museum shop.