Naked jetskiers, giant bells and a celebrity seagull! Venice Biennale’s wildest moments – in pictures

The Guardian presents a photo essay capturing the most eccentric and memorable moments from the 61st Venice Biennale, running until 22 November 2026. Photographer David Levene documents installations including a concrete 'Origami Deer' evacuated from war-torn Pokrovsk, Ukraine, by artist Zhanna Kadyrova; a seagull that became a minor celebrity after nesting outside the Polish pavilion; and the Holy See pavilion's immersive sound installation curated by Hans Ulrich Obrist and Ben Vickers. Other highlights include the Egyptian pavilion's touch-and-smell 'Silence Pavilion' and a Polish pavilion film featuring deaf and hearing singers.

Ornamental Carpets Release Wild Animals in Debbie Lawson’s Provocative Sculptures

Debbie Lawson presents a solo exhibition, "In a Cowslip's Bell I Lie," at Sargent's Daughters in New York, featuring her signature large-scale sculptures of life-size animals cloaked in ornamental Persian carpets. Using wire mesh, masking tape, and Jesmonite resin, she meticulously wraps each limb in carpet, creating the illusion that the animals have emerged from the textiles themselves. The show includes works such as "Wild Dog Sundown" (2025), "Red Eagle" (2026), and "Black Cougar" (2025), and draws its title from Shakespeare's *The Tempest*.

Catherine Opie “To Be Seen” at National Portrait Gallery, London

The National Portrait Gallery in London is hosting "Catherine Opie: To Be Seen," the first major UK museum exhibition dedicated to the American photographer. The show brings together over 80 photographs spanning 30 years of Opie's career, exploring themes of social, political, and individual identity through studio portraiture, environmental studies, and documentary images.

Memory, Migration, Materiality: 12 Artists to Watch During Alserkal Art Month

Alserkal Art Month (April 18–May 18, 2026) in Dubai features a district-wide initiative of exhibitions and events, anchored by the group show "Déjà Vu" at Concrete, Alserkal Avenue (April 25–May 8). Curated by Kevin Jones, Nada Raza, and Zaina Zaarour, the exhibition brings together over 50 artists from 20 UAE-based galleries, centering on themes of memory, displacement, and cultural inheritance. The article profiles 12 standout artists, including Shahpour Pouyan and Juma Al Haj, whose works translate these tensions into materially inventive and conceptually rigorous practices.

The Permanence of Refusal: Interview with Ding Yi

Chinese artist Ding Yi, who first appeared at the Venice Biennale in 1993 as part of the inaugural Chinese contemporary art exhibition, has returned to Venice with his first solo show in the city, titled “Cosmotechnics: Ding Yi as a Planetary Code” at Fondazione Querini Stampalia. The exhibition, referencing philosopher Yuk Hui's concept of cosmotechnics, traces Ding Yi's abstract visual language from the 1980s to the present, featuring new and historic works that engage with the modernist architecture of Carlo Scarpa. In an interview with ArtAsiaPacific during the 61st Venice Biennale preview week, Ding Yi reflects on the evolution of his practice, his travels, and the deep perceptual frameworks of ancient civilizations.

Ed Ruscha | Billy (1968) | Art & Prints

Ed Ruscha's 1968 exhibition catalogue 'Billy', designed for a show of works by his friend Billy Al Bengston, is being offered for sale. The catalogue features a flocked sandpaper cover, satin ribbon bookmark, and machine screw and hex nut binding, and was published by the Los Angeles County Museum of Art for an exhibition that traveled to the Corcoran Gallery of Art and the Vancouver Art Gallery. The work is listed on an art marketplace platform with a price of €62,600, and the listing includes details about its condition, provenance, and the artist's broader career.

Latin American galleries dominate at Frieze New York

Frieze New York 2025 features a surge of 14 Latin American galleries from Mexico, Argentina, and Brazil, reversing a trend of withdrawal seen during the first 100 days of Donald Trump’s second presidency. Non-profit support from organizations like Latitude, which helped all eight Brazilian exhibitors, and a concerted effort by Frieze’s Americas team have enabled this increased presence, despite ongoing challenges such as high shipping costs, tariffs, and visa denials—exemplified by Mexican artist Dr Lakra being unable to attend his own show at Kurimanzutto.

Esther fair goes out on top

The Esther art fair, a satellite of Frieze New York, opened its third and final iteration at Estonian House on East 34th Street. Founded by Estonian gallerists Olga Temnikova and Margot Samel, the fair eschews conventional stands, instead arranging 22 participating galleries and three bespoke projects throughout the historic Beaux-Arts building’s basement, salons, and upper floors. Highlights include sold-out presentations at Adams and Ollman and Management, works by Katja Novitskova, Jill Goldstein, and Elīna Vītola, and a special project by Darja Popolitova and Madlen Hirtentreu turning beauty-industry equipment into installations. Gallerists praised the cooperative atmosphere, contrasting it with larger, more institutionalized fairs.

Museum of Contemporary Art Detroit reopens, with the local community front and centre

The Museum of Contemporary Art Detroit (Mocad) reopened on 25 April after over a year of renovations, unveiling upgrades to its 22,000-square-foot Midtown space—including a new learning space, air conditioning, and a large street-facing window—just in time for its 20th anniversary. The main building has been renamed after co-founder Julia Reyes Taubman. Co-directors Marie Madison-Patton and Jova Lynne have repositioned the institution as a civic space, emphasizing community engagement and local artists, with exhibitions such as Olayami Dabls: Detroit Cosmologies, Martha Mysko's Retail Therapy, and Carole Harris's This Side of the River.

Michelle Blade Transforms Everyday California Scenes Into Luminous Reveries

Los Angeles-based painter Michelle Blade is presenting her first solo show with Night Gallery in Los Angeles, titled "It's About Time." The exhibition features a new body of work focused on still lifes and landscapes from around her home, captured at different hours of the day. Using acrylic and ink on cotton poplin with a wet-on-wet technique, Blade creates luminous, shimmering compositions that blend memory, perception, and projections of the future. The show follows her recent solo exhibition at the Powerlong Museum in Shanghai and her inclusion in the group show "Superbloom" at Night Gallery.

‘Harlem has always been evolving’: inside the Studio Museum’s $160m new home

The Studio Museum in Harlem is set to inaugurate its new $160 million, purpose-built home on Manhattan’s 125th Street. Designed by Adjaye Associates in collaboration with Cooper Robertson, the 82,000-square-foot facility nearly doubles the museum's previous exhibition space and replaces a repurposed 1914 bank building that lacked essential infrastructure like loading docks and large elevators. This milestone marks the first time in the institution's history that it will operate out of a structure specifically designed to support its mission of championing artists of African descent.

What does a woman swimming in urine tell us about the state of the world? Lots! – Venice Biennale review

The 2026 Venice Biennale, curated by the late Koyo Kouoh under the theme "In Minor Keys," has been plagued by months of turmoil including countries withdrawing, artists being fired, exhibitions cancelled, funding pulled, and protests during the preview. A five-person curatorial team took over after Kouoh's death, resulting in what the critic describes as a disjointed, committee-driven exhibition that prioritizes quiet contemplation and healing over direct political engagement. The central shows in the Giardini and Arsenale feature a vast, poorly explained array of art from the global south, with installations of ceramics, textiles, slide projectors, and serene natural scenes that the critic finds anachronistic and dull.

The Broad Los Angeles: Inside the Museum’s Quiet Pull

The Broad in Los Angeles offers visitors a polished yet intimate contemporary art experience, housed in a distinctive honeycomb-like building on Grand Avenue designed by Diller Scofidio + Renfro with Gensler. Opened in 2015, the museum displays the postwar and contemporary art collection assembled by philanthropists Eli and Edythe Broad, featuring free general admission and a tightly edited selection of works that makes it approachable for first-time museumgoers. The museum is a key anchor in downtown LA's Grand Avenue arts corridor, alongside Walt Disney Concert Hall.

Damien Hirst | Hands in Prayer (Coral) (2010) | For Sale

This article is a sales listing for Damien Hirst's sculpture "Hands in Prayer (Coral)" (2010), a limited-edition bronze work from his series "Treasures from the Wreck of the Unbelievable." The piece is offered by Kristy Stubbs Gallery in Dallas, Texas, priced at $225,000. The listing includes details about the work's materials, dimensions, edition number (2/3), and condition, along with a biography of Hirst highlighting his career as a Young British Artist, his major exhibitions at institutions like Tate Modern and the National Gallery of Art, and his record-breaking auction sales.

It’s the Most Controversial Venice Biennale in Years. Can the Art Stand Up to the Noise?

The 2026 Venice Biennale is embroiled in controversy, with the US Pavilion at the center of a political storm. The Trump administration's State Department overhauled the selection process, bypassing the usual NEA panel and commissioning a nonprofit, the American Arts Conservancy, to organize the pavilion. Artist Alma Allen, who accepted the invitation despite threats from galleries and curators, presents a show that critics find politically muted. The Biennale's jury resigned days before the opening, and annual prizes were canceled, adding to the turmoil.

Un’isoletta tutta dedicata all’arte nel mezzo della Laguna di Venezia. Va avanti il progetto della Fondazione Sandretto Re Rebaudengo sull’Isola di San Giacomo

The Fondazione Sandretto Re Rebaudengo has opened a new art space on the island of San Giacomo in the northern Venetian lagoon, acquired in 2018 by Patrizia Sandretto Re Rebaudengo and Agostino Re Rebaudengo. The island, previously abandoned, has been transformed into a laboratory for art and sustainability, with a gradual opening plan that initially aligns with the Venice Biennale. The inaugural program launched on May 7, 2026, includes a solo exhibition by Matt Copson curated by Hans Ulrich Obrist, a group show titled 'Don’t have hope, be hope!', and a photographic documentation of the restoration process by Giovanna Silva and Antonio Fortugno.

A Londra si allestisce un’installazione di Christo e Jeanne-Claude che non si era mai vista prima

An unprecedented installation by Christo and Jeanne-Claude, titled "Air Package on a Ceiling," is being exhibited for the first time at Gagosian's Grosvenor Hill space in London, opening May 21, 2026. The work was originally conceived in 1968 for the Institute of Contemporary Art in Philadelphia but never realized due to technical constraints. It was rediscovered in 2018 when Lorenza Giovanelli, Christo's former studio manager, found a detailed scale model hidden inside a pedestal. The exhibition also includes early works such as "Wrapped Automobile—Volvo, Model PV-544" (1981), not seen in thirty years, alongside preparatory drawings and collages.

Fair Week in NYC!

New York City is hosting a packed week of art fairs in May 2025, including Frieze at The Shed, Independent Art Fair at Pier 36, TEFAF New York at the Park Avenue Armory, and NADA New York at the Starrett-Lehigh Building. The fairs feature hundreds of international galleries, with Frieze emphasizing Central and South American exhibitors, Independent exploring a dystopian theme, TEFAF offering antiquities and fine art, and NADA celebrating its 12th edition with 121 galleries. The article also notes recent major exhibitions at the New Museum, Whitney Biennial, MoMA PS1, The Met, and MoMA, and includes a guide to Upstate New York art destinations.

Venice Biennale Strike Makes History

On May 8, thousands marched through Venice and more than two dozen national pavilions were partially or fully shuttered during a 24-hour strike organized by the Art Not Genocide Alliance and local activist groups. The strike, which included Palestinian flags draped over artworks, marks the first cultural strike in the Venice Biennale's 131-year history. Italian police beat back protesters as Editor-in-Chief Hakim Bishara reported from the scene. Separately, a nesting seagull near the Polish pavilion became an unexpected star, and the LA Art Book Fair opened with a focus on archival materials.

National Museum of Women in the Arts Director Susan Fisher Sterling to Retire

Susan Fisher Sterling, director of the National Museum of Women in the Arts (NMWA) in Washington, D.C., will retire at the end of 2024 after 18 years in the role and nearly four decades at the institution. Sterling joined NMWA as an associate curator in 1988, rose through the ranks to become director in 2008, and oversaw a $67.5 million renovation completed in 2023, expansion of the collection to over 6,000 works, and partnerships with the Louvre, the State Hermitage Museum, and Tate Modern. The board of trustees has begun a search for her successor with executive search firm Howe-Lewis International.

20 superb exhibitions to visit during the Ascension weekend in Paris

20 superbes expos à visiter pendant le week-end de l’Ascension à Paris

Beaux Arts Magazine has curated a list of 20 must-see exhibitions in Paris for the Ascension long weekend (May 14–17, 2026). Highlights include Hilma af Klint's first major French retrospective at the Grand Palais, a Lee Miller survey at the Musée d'Art moderne de Paris, an Alexander Calder show at the Fondation Louis Vuitton, a Matisse exhibition focusing on his late works at the Grand Palais, and a Giovanni Segantini display at the Musée Marmottan Monet. The article also offers recommendations for family-friendly outings, free exhibitions, and evening openings.

Look Inside the Art-Filled Home of New York City's Cultural Crusaders

This profile explores the Upper West Side residence of Crystal McCrary McGuire and Raymond J. McGuire, a power couple deeply embedded in New York City’s cultural and financial sectors. Their home serves as a private gallery for a significant collection of African American art, featuring masterworks by Norman Lewis, Henry Ossawa Tanner, Elizabeth Catlett, and Romare Bearden. The couple’s shared passion for collecting began independently, sparked by their formative years studying in France, and has since evolved into a joint mission to preserve and live alongside Black artistic heritage.

Art Dubai Marks 20 Years with Special Edition Focused on Collaboration and Cultural Exchange – Friday, 15-17 May 2026.

Art Dubai returns to Madinat Jumeirah from 15–17 May 2026 for a special 20th-edition programme that reflects on the fair's evolution and reaffirms Dubai's role as a global cultural hub. Presented in partnership with A.R.M. Holding and Dubai Culture, the fair features approximately 75 presentations from commercial galleries, institutional partners, and cultural initiatives, with around 60% of participating galleries drawn from the region. Highlights include the Made Forward presentation from Dubai Collection, the 20th edition of the Global Art Forum titled 'Before and After Everything', and an exhibition of modern Arab art from the Barjeel Art Foundation. The fair also introduces an innovative risk-sharing model where booth costs are payable based on sales performance, and entry is free for all visitors.

Tiny Cranach Painting That Vanished During WWII Returns to Dresden

A miniature portrait of Friedrich III (Frederick the Wise) by Lucas Cranach the Elder, missing since World War II, has been returned to the State Art Collections of Dresden, Germany. The painting was last documented in May 1945 in a limestone quarry shelter near Pockau-Lengefeld before vanishing. It resurfaced in 2024 when consigned to Parisian auction house Artcurial, whose provenance investigation revealed a matching inventory number from 1722–1728. The Dreyfus family in France, the modern owners, returned the work after negotiations and a financial agreement. It is now on view at the Coin Cabinet of the Royal Palace in a special exhibition marking the 500th anniversary of Friedrich III's death, and will later be permanently displayed in the Semper Gallery.

Authorship Dispute Erupts Over ‘Hair Dress’ at the Met’s Costume Institute

British artist Anouska Samms has publicly claimed that the Metropolitan Museum of Art's Costume Institute exhibition "Costume Art" includes a dress, Corpus Nervina 0.0 (2023-24), that was based on her collaborative work with Israeli fashion designer Yoav Hadari. Samms alleges that she co-created the original "Hair Dress" with Hadari in 2023 while both were residents at the Sarabande Foundation, and that the Met initially sought to acquire that piece. After negotiations fell through, Hadari instead provided a similar garment attributed solely to him, prompting Samms to demand proper credit via Instagram posts and through her lawyer.

Soft armour, pert nipples: how London design team made Kim Kardashian’s Met Gala breastplate

Kim Kardashian wore an orange fibreglass breastplate to the 2024 Met Gala, created by the east London design duo Whitaker Malem (Patrick Whitaker and Keir Malem) in collaboration with British pop artist Allen Jones. The breastplate was cast from a mould derived from Jones's 1969 sculpture "Hatstand," finished by car bodyshop MPS Body and Paint in Kent, and paired with a hand-painted leather skirt. Kardashian directly contacted the duo in early April, flew to the UK for fittings, and chose the piece to interpret the gala's "fashion is art" dress code, which explored the dressed and undressed human body.

Sotheby’s May Auctions: Rothko’s $100M Masterpiece Headlines

Sotheby's is holding its most ambitious May auction series in New York, headlined by Mark Rothko's monumental painting *Brown and Blacks in Reds* (1957), estimated at $70–100 million. The sales include a dedicated auction for the collection of legendary dealer and collector Robert Mnuchin, valued at over $130 million, featuring works by Rothko, Franz Kline, and Jeff Koons. Other highlights include Jean-Michel Basquiat's *Museum Security (Broadway Meltdown)* (1983), estimated at over $45 million, and Willem de Kooning's *Untitled III* (1975), making its auction debut with a $25–35 million estimate. The series spans Modern and Contemporary art, with additional works by Pablo Picasso and Vincent van Gogh.

The Top Collections Leading the May Marquee Auctions

The article reports that the May 2025 marquee auctions at Christie's and Sotheby's are being driven by a resurgence of major single-owner collections, reversing a period of trophy scarcity in the secondary market. Key collections include the $130 million Robert E. Mnuchin collection at Sotheby's, the personal collection of gallerist Marian Goodman at Christie's, and the S.I. Newhouse collection expected to generate around $450 million, featuring Jackson Pollock's 'Number 7A (1948)' and Constantin Brancusi's 'Danaïde (1913)'. The article notes that the ultra-high tier above $10 million rose 30% year-on-year, and single-owner collections in New York auctions totaled $730.9 million, an 89.9% increase from Q1 2025.

Several Eternities in a Day: Form in the Age of Living Materials

The Hammer Museum in Los Angeles presents "Several Eternities in a Day: Form in the Age of Living Materials," a spring 2026 exhibition running from April 5 to August 23. Curated by Jill Spalding, the show features works by artists including Edgar Calel, Guadalupe Maravilla, Carmen Argote, and others, exploring the concept of "Brownness"—a fluid identity rooted in ancestral memory, animal kinship, and a profound connection to living materials. The exhibition is organized into three acts: large-scale installations, paintings and works on paper, and ceramics, offering a visceral and immersive experience that draws on precolonial traditions across the Americas.

DOZIE KANU’S FIRST FORAY INTO MASS-PRODUCTION

Artist Dozie Kanu has debuted his first mass-production collaboration with Knoll, a line of leather-tasseled tables launched in 2026 during Milan's Salone del Mobile, shortly after the opening of his solo exhibition at Fondazione ICA Milano. The Texas-born, Portugal-based artist, who first appeared in PIN–UP magazine in 2018 as an emerging design wunderkind, has since expanded his practice beyond collectible design into art, exhibition-making, film, and music. His recent projects include a documentary short screened at South by Southwest, a two-person exhibition with László Moholy-Nagy at Meyer Voggenreiter's project space piece*unique in Cologne, and a solo show at ICA Milano that dialogues with Marc Camille Chaimowicz and Jean Cocteau, featuring works alongside selections from the Nicoletta Fiorucci Foundation collection.