Kate Tova’s New Exhibition at Oceanside Museum of Art Asks What it Really Means to Rest

San Francisco-based artist Kate Tova has launched a solo exhibition titled "The Art of Rest" at the Oceanside Museum of Art. The show features a series of vibrant, large-scale multimedia works that blend traditional oil painting with unconventional materials like sequins and reflective surfaces. Tova’s latest body of work explores the psychological and physical necessity of stillness, challenging the modern culture of constant productivity through her signature "glitch" aesthetic and tactile textures.

Blazing Light: Photographs by Mimi Plumb at the High Museum

The High Museum of Art has launched the first solo museum exhibition for American photographer Mimi Plumb, titled "Blazing Light." Spanning five decades of work, the exhibition features over 100 photographs across three major series: "The White Sky," "Landfall and The Golden City," and "The Reservoir." These gritty, black-and-white images document the evolving landscape of the American West, specifically California, while capturing the psychological tension of a society grappling with environmental decay and economic instability.

A 30-year media artist transforms: “I wanted to awaken tradition through painting”

A 30-year media artist transforms: “I wanted to awaken tradition through painting”

Renowned South Korean media artist Park Chan-kyong has returned to his roots with a solo exhibition of paintings titled "Zen Master Eyeball" at Kukje Gallery. The show features over 20 satirical works that reinterpret Buddhist myths, shamanic traditions, and folk beliefs through a lens of "Zen Buddhist Grotesque Science Fiction." By utilizing traditional temple wall painting techniques and architectural layouts, Park explores themes of enlightenment, self-punishment, and the futility of contemporary visual consumption.

Diva Corp Is Disrupting The LA Art Scene

The Los Angeles-based collective Diva Corp is challenging traditional art world hierarchies through a series of provocative interventions and exhibitions. Their recent solo show at Pio Pico, titled 'The Meeting,' gained notoriety for requiring visitors to surrender their phones before viewing a single painting, 'Untitled (Young adults are having less sex than ever), 2026.' This practice, alongside performances designed to circulate through digital retelling and social rumor, highlights the group's focus on the 'afterlife' of an artwork and the social friction it generates.

2026 Spring Arts Preview: The top visual art exhibitions we’re excited about this season

The article previews the spring 2026 visual arts season in San Diego County, highlighting a diverse range of exhibitions and events. It announces the return of Art Gallery Month, a collaborative effort involving 11 local galleries aimed at boosting the visibility of the commercial gallery ecosystem and encouraging local art collecting. Key exhibitions featured include Ruben Ulises Rodriguez Montoya's first California solo museum show, 'In the Garden of Earthly Delights: I Bend to Paradise,' at the Institute of Contemporary Art, San Diego, and the La Jolla Historical Society's 'Space Maker,' which explores the intersection of art and architecture. The preview also notes Richard Allen Morris's work at R.B. Stevenson Gallery and lists numerous participating commercial galleries.

From The Drama to Malcolm in the Middle: your complete entertainment guide to the week ahead

The article is a weekly entertainment guide covering cinema, gigs, art, stage, streaming, games, albums, and other cultural events. In the art section, it highlights two major exhibitions in London and its surroundings: a solo show of new paintings by British artist Cecily Brown at the Serpentine Gallery, created in response to Kensington Gardens, and a display of Henry Moore's iconic Shelter Drawings at his studio in Perry Green, focusing on his depictions of Londoners during the Blitz.

THE IMMA SHOWCASES THE DEEP REFLECTION OF CECILIA VICUNA

The Irish Museum of Modern Art (IMMA) is presenting "Reverse Migration, a Poetic Journey," the first solo exhibition in Ireland by Chilean artist Cecilia Vicuña. The show features a diverse range of works including her signature 'precarios' and 'quipus'—ancient Andean-inspired textile structures—alongside early paintings and sound installations. Central to the exhibition is Vicuña’s personal connection to Ireland, explored through a 2006 pilgrimage to archaeological sites and new collaborations with local artisans using Irish wool.

Hurvin Anderson’s Luscious Paintings Explore the Meaning of Home

British painter Hurvin Anderson's exhibition at the Art Gallery of Ontario features his lush, layered paintings that explore themes of home, belonging, and cultural memory. The show includes his "Ball Watching" series, which reworks a 1983 photograph taken in Birmingham's Handsworth Park, transforming a personal snapshot into a meditation on place and identity.

Isa Genzken at David Zwirner

David Zwirner’s New York gallery is hosting "VACATION," a solo exhibition by the influential German artist Isa Genzken. Curated by Ebony L. Haynes, the show features a series of new works that continue Genzken’s career-long exploration of urban architecture, consumer culture, and the complexities of modern life. The presentation is supported by Galerie Daniel Buchholz, the artist's long-time representative in Cologne.

Kerstin Brätsch at Kunstmuseum Bonn

German artist Kerstin Brätsch has opened a comprehensive solo exhibition titled "MƎTAATEM" at Kunstmuseum Bonn. The presentation features a vast array of works that document her experimental approach to painting, including her signature use of glass, marbling, and collaborative processes that challenge the traditional boundaries of the medium.

Christina Quarles at Hauser & Wirth

Christina Quarles opened a solo exhibition titled 'The Ground Glows Black' at Hauser & Wirth's Los Angeles gallery. The show, which runs from February 24 to May 3, 2026, features new works by the artist, with photography documentation provided by Fredrik Nilsen.

Glenn Ligon at Aspen Art Museum

Artist Glenn Ligon opened a major solo exhibition titled "Break It Down" at the Aspen Art Museum. The show, curated by Daniel Merritt, will be on view from November 21, 2025, through March 15, 2026, and is extensively documented with 39 installation images.

Glenn Ligon at Hauser & Wirth

Artist Glenn Ligon opened a solo exhibition titled 'Late at night, early in the morning, at noon' at Hauser & Wirth's New York gallery. The show runs from January 15 to April 11, 2026, and features new and recent works by the acclaimed conceptual artist.

Luc Tuymans at David Zwirner

Luc Tuymans at David Zwirner

Belgian painter Luc Tuymans has opened a new solo exhibition, "The Fruit Basket," at David Zwirner's Los Angeles gallery. The show, running from February 24 to April 4, 2026, presents a series of new paintings by the influential artist, continuing his decades-long exploration of the medium.

Cinga Samson Conjures Mystery and the Sublime in Large-Scale Oil Paintings

South African artist Cinga Samson is currently presenting a series of large-scale oil paintings in a solo exhibition titled "Ukuphuthelwa" at White Cube in New York. The works feature dreamlike, nocturnal tableaux characterized by deep pigments, spectral figures with all-white eyes, and symbolic animals that bridge the earthly and divine. The title, which translates from isiXhosa as "unable to sleep," frames sleeplessness as a state of heightened spiritual alertness rather than a medical condition.

Rising Artist Ding Shilun’s Sweet Paintings Mask Unsettling Truths

Artist Ding Shilun's career is accelerating, marked by a major auction record for his 2021 work 'The Adoption of the Maiden' at Phillips London and a current solo exhibition, 'Spectres in Rehearsal,' at Bernheim Gallery in Zurich. His large-scale paintings blend theatrical compositions, Goya-esque and manga influences, and narrative structures from Chinese zhiguai tales to create accessible yet complex scenes.

Angela de la Cruz review – wonky chairs and busted pianos are monuments to resilience

Angela de la Cruz's solo exhibition "Upright" at Birmingham's Ikon gallery presents a collection of broken and mended artworks. Her canvases are crumpled, folded, and snapped, while sculptures are assembled from precarious junk like a three-legged chair on a stool and a piano stacked atop another. The works, though appearing on the verge of collapse, are all repaired and propped back up, reflecting a state of post-collapse resilience.

Melissa Chiu leaves Hirschhorn directorship for Guggenheim

Melissa Chiu has been appointed as the new director of the Solomon R. Guggenheim Museum in New York, effective September 1. She departs the Hirshhorn Museum and Sculpture Garden in Washington, D.C., where she has served as director since 2014. This leadership transition follows a decade of growth at the Hirshhorn under Chiu’s tenure and marks a significant shift for the Guggenheim’s administrative structure.

‘The male ego is even more fragile than it ever was’: Kim Gordon on shyness, AI and Zohran Mamdani’s cool

Musician and artist Kim Gordon answered questions from Guardian readers, reflecting on her career with Sonic Youth, her solo work, and her approach to creativity. She discussed the band's initial aim to create something new, her intuitive process, and her recent acting role in Kristen Stewart's film adaptation of Lidia Yuknavitch's memoir.

Michael Clark’s Controlled Movements

Choreographer Michael Clark's 2003 work *Satie Studs* was revived as part of the live event programme for Peter Doig's exhibition *House of Music* at London's Serpentine Galleries. Dancer Jules Cunningham performed the minimalist solo, set to Erik Satie's piano preludes, showcasing controlled, precise movements that distilled ballet and yoga poses into a stark, deliberate sequence.

Steve DiBenedetto’s Cosmic Sense of the Absurd

Artist Steve DiBenedetto presents a new body of work in his solo exhibition, "Spiral Architect," at Derek Eller Gallery. The show features 17 paintings ranging from large-scale canvases to intimate works, all characterized by a restless movement between abstraction and figuration. DiBenedetto utilizes a process-heavy technique of adding, scraping, and reworking oil paint to create dense, visionary landscapes filled with octopi, cellular forms, and Rube Goldberg-esque machinery.

Beacons in a Grim World

Two concurrent solo exhibitions at Alexander Berggruen Gallery feature the work of artists Kevin McNamee-Tweed and Tajh Rust. McNamee-Tweed presents enigmatic, tenderly absurd ceramic scenes, while Rust debuts in New York with figurative paintings that explore perception and Black identity through portraits of leisure and experimental silvered glass works.

Gary E. Harris Exhibition To Open At Pittsford Fine Art

Pittsford Fine Art will host a solo exhibition of oil paintings by Western New York artist Gary E. Harris from May 1 through May 31, 2026. The showcase features landscapes inspired by Cape Cod and Western New York, alongside still life works that emphasize light, atmosphere, and open composition. Harris, a former creative director who transitioned to full-time painting, draws significant influence from 19th-century French Impressionism.

Louis Vuitton Opens Jean-Michel Othoniel Exhibition in Beijing

Art Exhibition Installations

Louis Vuitton has inaugurated 'Dazzling Trilogy,' a solo exhibition by French artist Jean-Michel Othoniel at the Espace Louis Vuitton Beijing. Running from April 15 through September 6, 2026, the show celebrates the 20th anniversary of the Espaces Louis Vuitton program and features four significant works from the Fondation Louis Vuitton collection. Highlights include an early 2002 water-filled glass installation and 'Rivière Rose,' a new site-specific floor piece composed of pink glass bricks.

‘The subject demanded a more restrained approach’: Carlos Rolón on revisiting the 1966 uprising in Chicago's Humboldt Park

Chicago-based artist Carlos Rolón has debuted a new solo exhibition titled "The Division Street Riots" at 65Grand gallery. Moving away from his signature high-gloss aesthetic of Swarovski crystals and gold, Rolón presents a series of restrained graphite and charcoal drawings and dye sublimation prints based on archival imagery. The works document the 1966 uprising in Chicago's Humboldt Park, which was sparked by the police shooting of a young Puerto Rican man, Arcelis Cruz, following the city's first Puerto Rican Day Parade.

Isa Genzken at Galerie Buchholz

Galerie Buchholz in New York is presenting "Projects for Outside — ISA USA," a solo exhibition by the influential German artist Isa Genzken. Running from March 11 through April 25, 2026, the show focuses on Genzken's outdoor proposals and large-scale sculptural projects, documenting her career-long engagement with public space and urban architecture through a comprehensive selection of works.

Moffat Takadiwa’s Scrounged Sculptures Confront Africa’s ‘Colonial Hangover’

Zimbabwean artist Moffat Takadiwa transforms discarded consumer waste—including computer keys, toothbrush heads, and plastic combs—into intricate, tapestry-like sculptures. His latest solo exhibition, "The Crown!" at Semiose in Paris, features large-scale works foraged from landfills in Harare’s Mbare neighborhood. These meticulously sorted and woven objects create organic patterns that mask their industrial origins, forcing a confrontation with the physical reality of global overconsumption.

Sanou Oumar & Matt Paweski “Forma di Utilità / Shape of Utility” at Gordon Robichaux, New York

Gordon Robichaux in New York is hosting a dual exhibition titled "Forma di Utilità / Shape of Utility," featuring drawings by Sanou Oumar and sculptures alongside functional design by Matt Paweski. This marks the third solo-presentation context for both artists at the gallery, showcasing a dialogue between Oumar’s intricate, geometric pen-on-paper works and Paweski’s meticulously crafted, painted metal forms.

Racheal Crowther review – unnerving installation attacks your mind … and your nostrils!

London-based artist Racheal Crowther has transformed the Chisenhale Gallery into a sensory-heavy, paranoid environment for her first institutional solo exhibition. The installation centers on a decommissioned U.S. military mobile health unit, once used during the 2018 Novichok decontamination efforts, set against walls painted in "drunk tank pink." The experience is defined by an aggressive olfactory component—a chemical cocktail of powdered milk scents and hexadecanal, a molecule found on infants' heads known to manipulate human aggression.

Blue Moon Cocoon at Abroms-Engel Institute for the Visual Arts at University of Alabama, Birmingham

Texas-based artist Virginia L. Montgomery's solo exhibition 'Blue Moon Cocoon' opened at the Abroms-Engel Institute for the Visual Arts at the University of Alabama at Birmingham. The show features a multi-channel video installation and sculptural works centered on the artist's bond with luna moths, which she began raising during the 2020 pandemic, exploring themes of interspecies connection and cosmic curiosity through a distinctive visual aesthetic.