Frieze New York marks 15th edition with expanded international reach

Frieze New York marks its 15th edition from 13-17 May at the Shed, featuring 68 galleries from over 25 countries. The fair includes 57 exhibitors in the main section and 11 in Focus, with nearly half maintaining a New York location. First-time participants include Europa, Sargent’s Daughters, Soft Opening, Ulrik, and W-galería. Latin American representation has grown significantly, with 14 galleries from the region, including Campeche from Mexico City, Isla Flotante from Buenos Aires, and Central from São Paulo. Christine Messineo, Frieze’s director of fairs for the Americas, highlights the fair’s increasingly international scope and the strong Brazilian contingent.

Comment | Catherine Opie shows us that in dark times, looking for joy can be radical

The artist Catherine Opie is currently the subject of a major three-decade portrait survey, 'To Be Seen', at the National Portrait Gallery in London. The exhibition highlights Opie’s career-long commitment to representing the LGBTQ+ community, specifically the leather dyke scene in Los Angeles, through a lens that balances defiance with playfulness. Even her most provocative works, such as the 1993 self-portrait featuring a domestic scene carved into her back, are revealed to contain elements of humor and historical allusion that counter the despair of the AIDS crisis and personal heartbreak.

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The Hirshhorn Museum and Sculpture Garden has launched the "50 for 50" loan program, a landmark initiative to disperse over 200 artworks from its collection to museums in all 50 U.S. states and Puerto Rico. Major works by artists like Jackson Pollock, Georgia O'Keeffe, and Willem de Kooning will be loaned for up to five years, with a focus on reaching underserved and rural communities.

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London’s Courtauld Gallery will open two new contemporary art galleries at its Somerset House campus, funded by a £10 million ($13.8 million) gift from the Blavatnik Family Foundation. The top-floor spaces, originally built as a display area for the Royal Society in the 18th century, are expected to debut in 2029. The donation brings the foundation’s total support for the Courtauld to £20 million ($27.5 million), following earlier backing for the museum’s 2021 renovation. The new galleries will be programmed in part by students in the Courtauld’s curating master’s program and will host exhibitions connecting historical and contemporary art.

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Art critic Ben Davis reflects on the cultural landscape of early 2026, identifying a chaotic aesthetic defined by AI-generated imagery, esoteric Nazi dog whistles, internet trolling, and gaudy luxury, which he calls the "Chaotic Style." He also discusses the muted response to the 2025 Fall of Freedom initiative, the ongoing credibility crisis of liberal institutions over Gaza, and the need for serious AI criticism that moves beyond dismissing it as "slop."

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David Hockney has publicly condemned the planned loan of the Bayeux Tapestry from France to the British Museum, calling the transport of the 950-year-old, 224-foot-long embroidered chronicle across the English Channel “madness” and an unnecessary risk. Writing in an op-ed for The Independent, the 88-year-old artist warned that moving the fragile artifact—which has nearly 10,000 holes and 30 tears—could cause irreversible damage such as fiber contraction, expansion, or color fading. The tapestry is scheduled for a 10-month loan to the British Museum later this year, and despite a £800 million insurance scheme and assurances from museum director Nicholas Cullinan, Hockney remains unconvinced, noting that a museum representative who met with him had not read his book "Secret Knowledge." The tapestry has already been moved from the Bayeux Museum to a secret storage facility, its first relocation in 40 years.

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The article details the ongoing release of documents related to disgraced sex offender Jeffrey Epstein, revealing his extensive ties to prominent art world figures. Key connections include former MoMA chairman Leon Black, who paid Epstein tens of millions for tax advice and engaged in art transactions involving a Giacometti sculpture and a Cézanne watercolor; retail mogul and art collector Leslie Wexner; and artist Andres Serrano. It also highlights the story of artist Maria Farmer, who was assaulted by Epstein and Maxwell and faced threats against her art career when she tried to report them in the 1990s.

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New York's Asia Society and Museum has been accused of censorship by Islamic art scholars after a virtual tour of its exhibition "Comparative Hell: Arts of Asian Underworlds" blurred two artworks depicting the Prophet Muhammad. The museum acknowledged the error, blaming an outside contractor and insufficient oversight, and announced plans to restore the images to the online tour. The blurred works include a folio from the Falnama (ca. 1555) on loan from the Arthur M. Sackler Museum at Harvard and a manuscript page from the David Collection in Copenhagen showing Muhammad ascending to heaven. The controversy follows a similar incident at Hamline University, where an adjunct professor lost her contract after showing images of Muhammad in an art history class.

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Alma Allen, a sculptor known for sleek, abstract works, has been selected to represent the United States at the 2026 Venice Biennale, marking the country's 250th anniversary. The selection process, run by the US State Department and funded by the newly formed American Arts Conservancy—which the article notes is stocked with Trump allies—has drawn criticism for favoring politically neutral art. Allen's sculptures, often made of marble and wood with digital technology, are described as aesthetically inoffensive and reminiscent of Constantin Brâncuși, with no apparent commentary on current US issues.

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Trustee Patsy Marino resigned from the Palm Springs Art Museum board just one week after Christine Vendredi was appointed director on September 29, 2024. In a resignation letter reported by the Los Angeles Times, Marino alleged that the hiring committee failed to interview any outside candidates, despite two "exceptional" candidates being considered, and cited "inappropriate interference" by the executive committee, individual trustees, and museum staff. Two other board members also left the 22-member body, though the museum claims their departures were unrelated. Vendredi, previously chief curator and interim CEO, has a background in luxury brand management at Louis Vuitton and holds multiple advanced degrees but no prior museum directorship experience.

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A group of 17 iPad drawings by David Hockney, titled 'The Arrival of Spring,' sold for a combined £6.2 million ($8.3 million) at Sotheby’s London on Friday, more than doubling their high estimate. Fifteen of the 17 works achieved record prices for the subject, with the top lot, 'The Arrival of Spring in Woldgate, East Yorkshire in 2011 – 19 February (2011),' selling for £762,000 ($1 million), breaking the artist's print record three times. The sale was a white-glove result, with 40 percent of the drawings going to American collectors and 65 percent bought online.

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Sean Combs, the rapper and record executive known as Diddy, was sentenced on Friday to 50 months in federal prison and fined $500,000 for two counts of transportation for prostitution. He was acquitted of racketeering and sex trafficking charges. The sentencing followed a trial that included testimony from his ex-girlfriend Cassie Ventura and an anonymous former employee alleging abuse. Combs apologized in court, calling his behavior "disgusting, shameful and sick." Judge Arun Subramanian noted that Combs's "immense financial resources enabled his crimes."

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Agnes Gund, one of the most influential art patrons in the United States, has died at 87. Her collecting and philanthropy transformed the American art world, particularly at the Museum of Modern Art (MoMA), where she served as president from 1991 to 2002 and remained a life trustee. Gund helped fund MoMA's 2004 expansion, designed by Yoshio Taniguchi, and played a key role in bringing MoMA PS1 under the museum's aegis in 1999. She was a longtime donor of over 250 works to MoMA, including pieces by Jasper Johns, Elizabeth Murray, and Julie Mehretu, and appeared on the ARTnews Top 200 Collectors list every year from 1990 to 2018.

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Barbara Jakobson, a prominent art collector and longtime trustee of the Museum of Modern Art (MoMA), died at age 92 on August 25 in Manhattan due to pneumonia. Known for her extensive network of relationships with artists, dealers, and curators, she was a central figure in the New York art world for decades. Jakobson served on MoMA's board since 1974, helped found the Studio Museum in Harlem in 1968, and persuaded dealer Leo Castelli to donate Robert Rauschenberg's iconic work "Bed" (1955) to MoMA. Her Upper East Side townhouse, filled with works by artists such as Matthew Barney, Diane Arbus, and Robert Mapplethorpe, was a testament to her lifelong engagement with contemporary art.

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The article examines the narrative that figurative painting died and made a comeback, arguing instead that it never truly disappeared. It traces the art market's pendulum swing from zombie formalism around 2014 to a surge in figurative painting by 2015, fueled by collectors seeking new, affordable works to flip quickly. The piece highlights emerging painters like Gina Beavers, Mira Dancy, Jamian Juliano-Villani, and Greg Parma Smith, and notes that the boom created auction stars whose prices later crashed, as reported in a 2024 New York Times article.

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A museum-goer ate Maurizio Cattelan's "The Comedian" (2019)—a banana duct-taped to a wall—on display at the Pompidou-Metz in France. The museum quickly replaced the fruit, noting it is regularly changed per the artist's instructions. Cattelan joked the eater should have consumed the tape and skin as well.

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David Hockney, the legendary British artist, turns 88 on July 9, and Artnet News reflects on his seven-decade career of rule-breaking. The article highlights eight key moments of defiance, including his openness about his homosexuality before decriminalization in the U.K., his public smoking habit that led to a Paris Metro ad being pulled, and his controversial "Hockney-Falco thesis" arguing that Old Masters used optical tools like the camera lucida. Hockney currently ranks third on the Artnet Intelligence Report for best-selling and most bankable postwar artists, and his largest-ever exhibition is on view at the Fondation Louis Vuitton in Paris.

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Billionaire hedge funder and art collector Kenneth Griffin revealed he was the buyer of record-breaking copies of the Emancipation Proclamation and the Thirteenth Amendment, both signed by President Abraham Lincoln, at a Sotheby's New York auction. The Thirteenth Amendment sold for $13.7 million, more than five times the previous record, while the Emancipation Proclamation fetched $4.4 million. Griffin, founder of Citadel, is an avid collector of rare historical documents and high-value art, having previously purchased a copy of the U.S. Constitution for $43.2 million and major works by artists like Willem de Kooning, Jackson Pollock, and Jean-Michel Basquiat.

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Leonard A. Lauder, the billionaire art collector, philanthropist, and cosmetics magnate, has died at age 92. Lauder helped grow his mother Estée Lauder's namesake business into a global cosmetics empire, serving as president, CEO, and chairman. He was also one of the most significant art philanthropists of his era, donating a Cubist art collection valued at over $1 billion—including 78 works by Picasso, Braque, Léger, and Gris—to the Metropolitan Museum of Art in 2014, later expanded with additional works and funding for the Leonard A. Lauder Research Center for Modern Art. He also made the largest gift in Whitney Museum history in 2008, worth $131 million, and amassed a collection of 130,000 historic postcards promised to the Museum of Fine Arts, Boston.

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Damien Hirst, the 59-year-old British artist and one of the world's wealthiest living artists, has revealed a plan to continue creating artworks after his death. In an interview with the London Times, Hirst described a system of 200 notebooks, each representing one year after his demise, which will contain instructions for artworks that collectors can buy the rights to produce. These rights will be tradable certificates, and the works will be signed by his descendants. The scheme allows for back-dating of works, including a sculpture of a pig in formaldehyde conceived in 1991 but never made, which could be fabricated 145 years after his death and dated to 1991. This follows criticism Hirst faced in 2024 for assigning 1990s dates to formaldehyde sculptures actually produced recently, which his company Science Ltd. defended as conceptual artworks dated by conception.

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Artnet News analyzed six standout lots from the marquee May auctions at Christie's and Phillips, highlighting both surprising successes and failures. Among the 'hot lots,' Mark Tansey's study for "The Enunciation" (1992–93) sold for $3.2 million at Christie's—over ten times its low estimate—while Henri Matisse's tiny portrait "Henriette, robe jaune" (1923) fetched $1.4 million, nearly quadrupling expectations. Firelei Báez's "Untitled" (2017) also soared, selling for $381,000 at Phillips, more than triple its high estimate. The article contrasts these with 'top flops,' though the provided text focuses on the successes.

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Rashid Johnson's mixed media work *Untitled Escape Collage* sold for $292,100 at Phillips's Modern and contemporary art day sale in New York on May 14, falling short of its low estimate and representing a 72 percent loss in value for the consignor, who had purchased it for $816,500 at the same auction house in 2022. The disappointing result coincides with Johnson's solo exhibition at the Guggenheim Museum in New York.

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This article from Artnet News Pro analyzes how early auction market interest impacts the long-term prospects of contemporary artists, using data from Sotheby's, Christie's, and Phillips. It focuses on two categories: "Ultra-Contemporary" art (artists born 1975–present) and "Postwar and Contemporary" art (artists born 1900–1974). The study examines macro trends over the past 20 years and presents five case studies of living artists whose auction sales peaked at different points. Key findings show that from 2013 to 2021, sales of Ultra-Contemporary art grew by over 700%, from $91.4 million to $739.3 million, while sales for the older cohort peaked in 2014 at $6.95 billion, a modest 16% increase. The number of Ultra-Contemporary lots sold also surged by 250%.

San Francisco’s Modern Art Museum Reimagines the Fisher Collection

The San Francisco Museum of Modern Art (SFMOMA) has unveiled a massive reinstallation of the Doris and Donald Fisher Collection, featuring approximately 250 works. This presentation is part of a landmark 100-year partnership established in 2009, which requires the museum to dedicate significant gallery space to the Fishers' holdings every decade. The current exhibition showcases blue-chip staples of postwar and contemporary art, including major works by Ellsworth Kelly, Gerhard Richter, and Agnes Martin.

Heir of Goya and Abstract Expressionism, the painting of Roger-Edgar Gillet finally rediscovered in an unprecedented retrospective

Héritière de Goya et de l’expressionnisme abstrait, la peinture de Roger-Edgar Gillet enfin redécouverte dans une rétrospective inédite

A major retrospective at the Musée Estrine in Saint-Rémy-de-Provence finally brings long-overdue recognition to French painter Roger-Edgar Gillet (1924–2004), an artist who emerged from the post-war abstraction scene of the Nouvelle École de Paris but later forged a singular figurative style blending Goya, Delacroix, and Northern grotesque traditions. The exhibition follows two important donations—to the Centre Pompidou in 2017 and the Musée des Beaux-Arts de Rennes in 2022—that helped revive institutional interest in Gillet, whose work had been marginalized since the 1960s.

Why London’s Whitechapel Gallery Hired an Economist

London's Whitechapel Gallery has appointed economist Mariana Mazzucato as its first economist-in-residence, a three-year role aimed at rethinking how museums generate revenue and demonstrate social value. The gallery faces a £880,458 deficit, a 325% increase from the previous year, due to declining exhibition income, reduced trust and foundation funding, and cuts in Arts Council England grants. Mazzucato, a professor at University College London and director of the Institute for Innovation & Public Purpose, will advocate for treating culture as a strategic public investment.

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Performance artist Marina Abramović is being sued by her former creative and romantic partner Frank Uwe Laysiepen, known as Ulay. Ulay alleges that Abramović violated a 1999 contract by failing to share royalties and credit for collaborative works they created together. He claims Abramović has omitted his name from attributions and provided inaccurate sales statements, paying him only four times in 16 years. Abramović's lawyer has dismissed the allegations, and the case may be heard in Amsterdam district court.

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Barbara Kruger's monumental text-based mural "Untitled (Questions)" (1990/2018) at the Geffen Contemporary in Los Angeles has become a backdrop for National Guard deployments during protests against ICE raids. Originally commissioned by MOCA in 1989, the 191-foot-long work asks "WHO IS BEYOND THE LAW?" and has been photographed twice with armed soldiers beneath it—first in 1992 during the Rodney King protests, and again this week as President Donald Trump deployed the National Guard to quell demonstrations against immigration enforcement. Photographer Jay L. Clendenin captured the latest image, showing a calm scene that belies nearby unrest.

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Pope Francis, the head of the Roman Catholic Church, has died at age 88. A Jesuit priest from Argentina, he was the first pope from the Americas and the first from outside Europe since the 8th century. During his papacy, he took progressive stances on social justice, migrants, the environment, and the LGBTQ community, and also engaged deeply with contemporary art. He oversaw the Vatican Museums, ordered the return of Parthenon marble fragments to Greece, restored Raphael frescoes, and became the first pope to visit the Venice Biennale, where the Vatican had its first-ever pavilion in 2013.

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