The Whitworth gallery in Manchester is presenting a major exhibition comparing the works of Japanese masters Katsushika Hokusai and Utagawa Hiroshige. The show traces the evolution of ukiyo-e prints from their origins as mass-produced, voyeuristic snapshots of Tokyo's pleasure districts to the profound, psychologically complex landscapes that would later revolutionize Western art.
The seventh edition of Tuwaiq Sculpture will take place in Riyadh from January 12 to February 22, 2026. The annual public art symposium will bring 25 international artists to Tahlia Street to create large-scale sculptures on-site using local granite and reclaimed metals, with all finished works entering the permanent Riyadh Art collection for installation across the city.
The Petit Palais in Paris is hosting the first French retrospective dedicated to Károly Ferenczy, a seminal figure in Hungarian art history. Running from April 14 to September 6, 2026, the exhibition features nearly 140 paintings and drawings, many on loan from the Hungarian National Gallery and private collections in Budapest. The showcase traces Ferenczy’s stylistic evolution from naturalism to symbolism and impressionism, highlighting his role as a founder of the Nagybánya artists' colony and a pioneer of en plein air painting in Central Europe.
Two documentaries premiering at the 2026 Sundance Film Festival directly confront the discourse surrounding artificial intelligence. Valerie Veatch's 'Ghost in the Machine' traces the racist, eugenicist origins of AI research, linking it to a history of American techno-fascism, while Daniel Roher and Charlie Tyrell's 'The AI Doc: Or How I Became an Apocaloptimist' offers a more measured, personal exploration of public anxieties about the technology.
The Kansong Art Museum in Seoul has launched a special exhibition titled "Cultural Defense of the Nation: The Spirit of Our People Preserved Through Faith," showcasing 46 significant artifacts reclaimed by collector Chun Hyung-pil during the Japanese colonial period. The centerpiece of the show is a rare 18th-century white porcelain bottle decorated with underglaze blue, iron-red, and copper-red, which Chun famously acquired at the Gyeongseong Art Club auction in 1936. He outbid a prominent Japanese dealer with a record-breaking bid of 14,580 won—a sum equivalent to the price of 15 houses at the time—to prevent the treasure from leaving Korea.
The Army Museum in Paris is hosting "Explorations: A State Affair?", a comprehensive exhibition running from April 15 to August 16, 2026. The showcase traces three centuries of French global expeditions, from the aftermath of the Seven Years' War in 1763 through the space race to contemporary missions focused on climate change and resource security. Featuring a diverse array of artifacts including maps, scientific instruments, military uniforms, and paintings, the exhibition highlights the military's central role in scientific discovery, territorial expansion, and state power.
The Vila Casas Foundation has launched a major retrospective of Esther Boix at the Espais Volart gallery in Barcelona, marking the centenary of the artist’s birth. Featuring 180 works, the exhibition traces Boix’s evolution from early figurative portraits and social realism to her later, more abstract explorations of nature and ecology. The show highlights her role in the anti-Franco movement, her involvement with the Postectura group, and her significant contributions to art education through the founding of the L’ARC school.
The Cultural Center of Spain in Panama is hosting an exhibition titled 'The Dimension of the Invisible: Ecofeminist Traces of Panamanian Art' until April 1, 2026. The show features traditional and digital works by ten Panamanian and international artists who explore the intersections of nature, culture, and the body from an ecofeminist viewpoint, challenging established boundaries between the human and non-human.
Marc Brandenburg's solo exhibition '20th Century Debris' is on view at the Berlinische Galerie in Berlin until September 14, 2026. The show features approximately 150 works, including early drawings from the 1990s, recent pieces, video, photography, and tattoo editions, all exploring spectral cityscapes and the debris of contemporary life through a process of tonal reversal and inversion.
The article presents a curated list of 13 seminal Western artworks featuring the nude form, highlighting how each piece shifted artistic conventions and cultural perceptions. It begins with the Paleolithic Venus of Willendorf and moves chronologically through works by artists including Sandro Botticelli, Leonardo da Vinci, Lavinia Fontana, and Édouard Manet, analyzing their groundbreaking approaches to depicting the human body.
Dirimart London has opened 'Immersion,' the first UK gallery exhibition this century dedicated to Turkish-Arab modernist Fahrelnissa Zeid. Curated by Adila Laïdi-Hanieh, the show focuses on her most innovative decades from the 1940s to 1960s, featuring works from Istanbul, London, Paris, and Ischia, with several pieces on public view for the first time.
The Musée d’Art Moderne de Paris is presenting the largest retrospective in France in twenty years dedicated to photographer Lee Miller. The exhibition features nearly 250 prints, including previously unseen works, and traces her multifaceted career from model and Surrealist muse to fashion photographer and war correspondent.
The Radvila Palace Museum of Art in Vilnius, Lithuania, has opened a major exhibition titled 'Ukrainian Dreamers: The Kharkiv School of Photography.' The show, created in collaboration with the Museum of Kharkiv School of Photography, presents the work of 33 artists and groups across four generations, featuring hundreds of photographs, videos, and archival objects. It traces the school's evolution from its rebellious origins in the 1970s under Soviet censorship through Ukraine's independence and up to the present day of ongoing Russian military aggression.
BEATRIZ GONZÁLEZ EN EL BARBICAN: IMÁGENES CONTRA EL OLVIDO
The Barbican Centre in London is hosting a major retrospective of the late Colombian artist Beatriz González, marking her first solo exhibition in the United Kingdom and her most extensive show in Europe to date. Featuring over 150 works, the exhibition traces her six-decade career, from her early experiments with pop-inflected figuration to her iconic use of domestic furniture as canvases. Central to the show is her 1965 masterpiece 'Los suicidas del Sisga,' which exemplifies her method of translating degraded press photographs into vibrant, critical paintings that challenge historical erasure.
A Torino c’è un confronto tra maestri: la mostra di Beato Angelico e Bartholomeus Spranger
The Musei Reali in Turin has unveiled a specialized study exhibition titled "Beato Angelico negli occhi di Bartholomeus Spranger," which brings together two versions of the Last Judgment. The show features the return of Beato Angelico’s "Madonna of Humility" to Turin, accompanied by his "Last Judgment" on loan from the Museo di San Marco in Florence. This masterpiece is displayed alongside a later interpretation of the same subject by the Flemish Mannerist Bartholomeus Spranger, painted over a century later.
Hat die Neue Nationalgalerie Gefühle?
The Kunsthalle Bremen has opened "Remix. Photographie – Fiktion und Wahrheit," an exhibition drawn from its permanent collection that explores the tension between reality and artifice in photography. The show traces a lineage from Heinrich Zille’s unvarnished turn-of-the-century street scenes to the objective industrial typologies of Bernd and Hilla Becher, eventually moving into the postmodern manipulations of the Düsseldorf School, including works by Thomas Ruff and Thomas Struth.
The Metropolitan Museum of Art is hosting "Household Gods: Hindu Devotional Prints, 1860–1930," an exhibition exploring the evolution of Hindu visual culture through the rise of chromolithography. The show traces how mass-produced prints transitioned sacred imagery from exclusive temple environments into the intimate, everyday spaces of domestic shrines.
The Berkeley Art Museum and Pacific Film Archive (BAMPFA) is concluding "Multiple Offerings," the most comprehensive retrospective of Theresa Hak Kyung Cha’s work in 25 years. The exhibition traces the multidisciplinary career of the Korean American artist, who explored themes of exile, diaspora, and the fluidity of language through poetry, film, and performance before her tragic death in 1982. Curated by Victoria Sung, the show features over 100 works paired with pieces by mentors and contemporary artists influenced by her legacy.
Chicago’s art history is defined by a series of indigenous movements that prioritized visceral, existential expression over commercial appeal. The article traces this lineage back to the late 1940s with the emergence of the Monster Roster, a group of artists including Leon Golub and Dominick Di Meo who returned from World War II to produce agonistic work. This movement was catalyzed by institutional resistance at the School of the Art Institute of Chicago, leading to the creation of the independent Momentum Exhibitions which bypassed conservative juried systems.
The Museum of Modern Art (MoMA) in New York is hosting "Wifredo Lam: When I Don’t Sleep, I Dream," the first comprehensive U.S. retrospective of the Cuban modernist's career. Running from November 2025 to April 2026, the exhibition traces Lam’s artistic evolution from his formative years in Europe to his return to the Caribbean, where he integrated Afro-Caribbean histories and spirituality into the language of modern painting. The show features major loans, a documentary film, and a scholarly catalogue exploring his unique synthesis of Surrealism and decolonial thought.
The Metropolitan Museum of Art is hosting "Raphael: Sublime Poetry," the first comprehensive exhibition dedicated to the Italian Renaissance master in the United States. Featuring over 170 masterpieces and rarely seen treasures, the exhibition traces Raphael’s meteoric career from his origins in Urbino to his transformative years in Florence and his final decade serving the papal court in Rome. The show highlights his unique ability to blend intellectual rigor with emotional lyricism, positioning him as a peer to Leonardo da Vinci and Michelangelo.
Tate Modern has launched "Tracey Emin: A Second Life," the largest survey exhibition of the British artist’s work to date. Spanning 40 years of her career, the show features over 100 works including her iconic 1998 installation "My Bed," early textile pieces, and recent bronze sculptures. The exhibition, supported by Gucci, traces Emin’s journey from the Young British Artists (YBA) era to her contemporary practice, which addresses her recent experiences with cancer and disability.
Museum - Art, Collections, Exhibits
This comprehensive overview traces the historical evolution of the museum from its origins as private royal collections and 'cabinets of curiosities' to the modern public institutions of the 21st century. It details the emergence of landmark spaces like the Ashmolean, the British Museum, and the Louvre, while examining how the 'museum boom' of the 20th century expanded these institutions globally across the United States, Asia, and Africa.
A major retrospective of the Japanese-American artist Ruth Asawa is touring internationally, organized through a partnership between SFMOMA and MoMA. The exhibition spans six decades of her career, featuring her iconic suspended looped-wire sculptures alongside tied-wire pieces, bronze casts, drawings, and archival materials. The show traces her journey from her formative years at Black Mountain College to her influential role as an arts advocate and educator in San Francisco.
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The Catedral de Santa María in Burgos is hosting "Picasso: Biblical Roots," an exhibition exploring the enduring influence of Christian iconography on Pablo Picasso. Featuring 44 works loaned from major institutions like the Reina Sofía and the Thyssen-Bornemisza, the show traces the artist's journey from his early academic religious paintings in Spain to the subtle theological motifs found in his later Cubist and post-war works.
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The Museum of Fine Arts, Houston, has launched a major exhibition titled "Frida Kahlo: Making of an Icon," which explores the artist's transformation from a relatively unknown figure during her lifetime into a global cultural phenomenon. Curated by Mari Carmen Ramírez, the show features over 200 objects related to "Frida mania" alongside works by 80 contemporary artists who have been influenced by her legacy. The exhibition traces her life from her childhood in Mexico City and her tumultuous relationship with Diego Rivera to her emergence as a symbol for various social movements.
Leeds Castle has launched an interactive AI avatar of Eleanor of Castile as the centerpiece of its new exhibition, "Pilgrimage of Love: Eleanor of Castile." Developed in collaboration with SKC Studios, the digital queen is housed in a screen shaped like a lancet window and is programmed to recognize visitors and answer questions about her life, from her 13th-century architectural projects to her marriage to Edward I. The exhibition traces her transformation of the castle from a Norman stronghold into a royal residence with Moorish-inspired gardens.
The Cincinnati Art Museum has announced a major retrospective titled “Elizabeth Hawes: Radical American Fashion,” running from April 24 to August 2, 2026. This exhibition marks the first comprehensive museum presentation of Hawes’s career, featuring over 50 garments spanning the 1920s through the 1960s, alongside original sketches and the first-ever publication dedicated to her work. Curated by Cynthia Amnéus, the show traces Hawes’s journey from a Paris-based designer to a pioneer of independent American couture and a vocal critic of the fashion industry.
The Art, Design & Architecture (AD&A) Museum at UC Santa Barbara has launched "Tiffany Chung: indelible traces," a mid-career survey of the Vietnamese American artist and UCSB alumna. The exhibition features over 70 works spanning 25 years, including her signature hand-drawn and embroidered maps, video, and sculptural installations. Curated by Orianna Cacchione, the show highlights Chung’s use of cartography to challenge colonial narratives and document the complexities of forced migration, climate crises, and the movement of botanical organisms across continents.
The Telfair Museums is set to open "Off the Coast of Paradise: Artists and Ossabaw Island, 1961–Now," a major exhibition exploring the creative legacy of Georgia's third-largest barrier island. Curated by Erin Dunn and Beryl Gilothwest, the show traces the history of the Ossabaw Island Project and the Genesis Project, initiatives that transformed the island into a secluded retreat for artists, thinkers, and scientists for over sixty years.