Local Strathmore artist Emmeline Keeling will participate in the one-day Obsidian Art Show at the Calgary Chinese Cultural Center. She is among over 50 artists selected for the event, which is organized by the Public Display Agency to connect artists with gallery owners from Webster Galleries, The New Gallery, and Gallery Underground.
On The Edge Gallery, an artist-run collective in Old Town Scottsdale's Arts District, has been named one of the top 10 galleries in the Phoenix metropolitan area by Modern Luxury Magazine. The gallery operates as a co-op where local Arizona artists create the work, set their own prices, and often work on-site, allowing visitors to interact directly with the creators.
A student-led exhibition titled 'Unsung Artists' is being organized in New Paltz, New York, to provide a platform for young and emerging local artists who struggle to find opportunities to showcase their work. The show, a collaboration between SUNY New Paltz student Izzy Kerr and the Unframed Artists Gallery, aims to be inclusive of various artistic mediums and offers a professional, off-campus venue for artists who might not otherwise have a thesis show or gallery access.
Salon des Refusés 2.0
A group exhibition titled "we refuse_d" has opened at the Museum van Hedendaagse Kunst (M HKA) in Antwerp, bringing together 15 artists, many of whom faced cancellations or disinvitations from exhibitions following the October 7, 2023 attacks. The show, referencing the historic 1863 Salon des Refusés, aims to reclaim reputation and amplify marginalized voices, specifically focusing on Palestinian history and artists affected by the cultural fallout.
Biennale d’art de Venise : le temps des nuances
The 61st Venice Biennale, titled "In Minor Keys," opened under the artistic direction of the late Swiss-Cameroonian curator Koyo Kouoh. The exhibition features 111 artists and collectives, presenting a more subdued, poetic, and experiential approach compared to the previous edition's explicit decolonial program. It navigates contemporary political tensions, including the participation of Israel and the reopening of the Russian pavilion, while aiming for a radical return to art's own environment and its place in society.
Les jardins en poche
Phaidon has reissued its best-selling book 'Le Musée des jardins' in a new, affordable pocket-sized format. This updated edition offers a global panorama of both historic and contemporary garden design.
Raphael Fonseca has been appointed as the new visual arts programmer at Culturgest in Lisbon, the cultural foundation of the Portuguese bank Caixa Geral de Depósitos. He will relocate to Lisbon in June while transitioning to a curator-at-large role at the Denver Art Museum, where he currently serves as curator and head of the Department of Modern and Contemporary Latin American Art.
Artist Caroline Gueye presents 'WURUS', a new installation for the Senegal Pavilion at the 61st Venice Biennale. Curated by Massamba Mbaye, the work is a shifting field of brass and polymer bronze elements, using mirrors and light to create an environment where perception is contingent on the viewer's movement and position. The title invokes gold, opening onto histories of extraction, but the work deliberately resists singular meaning.
Brazil's 2026 Venice Biennale pavilion, curated by Diane Lima, presents a radical, sensorial exhibition titled 'Comigo ninguém pode' featuring artists Adriana Varejão and Rosana Paulino. The show transforms the modernist pavilion into an active participant, where historical and new works by the two artists create friction and resonance, exploring themes of colonial violence, the Black female body as archive, and spiritual resistance.
Artist Nicholas Moegly creates illustrations and oil paintings depicting quiet American neighborhoods at twilight, where animals like deer and foxes wander through empty streets and yards. His work evokes a dreamy, timeless realism, drawing comparisons to photographer Todd Hido and illustrator Chris Van Allsburg.
A group exhibition titled 'Ephemeral Geographies: Where Land, Light and Time Shift' opens at Gallery Pradarshak in Mumbai on April 24, 2026. The show features ten emerging and mid-career Indian artists—Alistan Dias, Amol Pawar, Bhoomika Karbhari, Manthan Tambe, Meetul Agarwal, Pradip Suryawanshi, Rohan Bhavsar, Sharu Anjirbag, Siddhant Bansod, and Suresh Jangid—who present landscapes across mediums like painting and mixed media as evolving conditions shaped by perception, memory, and atmospheric change.
Cosa c’entra una fiera della tecnologia con il mondo dell’arte? Un report dal MIR di Rimini
The article reports from the MIR (Live Entertainment Expo) technology trade fair in Rimini, an event focused on professional audio/video equipment and systems integration. While dominated by corporate stands and live sound demonstrations, the fair also hosted discussions on the precarious working conditions and pension system for cultural and entertainment workers, revealing underlying anxieties in the creative industries.
Artist Nancy Lupo is preparing a new exhibition titled "Meow Meow Real Estate" at the Nicoletta Fiorucci Foundation in London. The show shares its name with a novel she is writing, both projects emerging from a period of personal displacement and a fixation on finding a home. The exhibition continues a trajectory of shows that serve as interconnected, physical manifestations of her literary and emotional exploration of place.
Haitham Al-Busafi will represent Oman at the 61st Venice Biennale, serving as both artist and curator. His installation, titled "Zinah," transforms the tradition of Omani silver horse adornment (Al-zaanah) into an immersive environment of sand, suspended metal, and collectively generated sound. Located in the Arsenale Artiglierie and commissioned by Oman's Ministry of Culture, Sports and Youth, the work was developed through a community workshop in Muscat where participants inscribed marks into silver forms. The exhibition runs from May 9 to November 22, 2025.
Craft Contemporary in Los Angeles is presenting 'Material Curiosity by Design: Evelyn & Jerome Ackerman,' an exhibition showcasing the mosaics, tapestries, wood carvings, and other works of the late midcentury design duo. The show, which runs through May 10, juxtaposes their vintage pieces with contemporary works by artists Porfirio Gutiérrez, Jolie Ngo, and Vince Skelly.
DUMBO Open Studios celebrated its 10th anniversary with over 175 artists across 21 buildings participating in the weekend event. The open studios, jointly managed by Team Dumbo and real estate developer Two Trees, featured a wide range of work, with a noted highlight being works on paper from artists like Bianca Fields, Amy Cutler, and Jason Karolak. Despite rainy weather, the event fostered impromptu conversations and community, with more than half of surveyed artists reporting sales and expectations of future exhibition opportunities.
Four Indianapolis-based artists—Salma Taman, Alejandra Carrillo, Bailey Jörk, and Iryna Bondar—are creating work that directly responds to contemporary political and social crises, including the war in Gaza, immigration, and political division. Their art, ranging from Taman's Arabic calligraphy painting promoting forgiveness to Carrillo's digital drawing protesting a migrant detention center, serves as a form of personal and communal expression in a fraught global climate.
Escalating military conflict between the US, Israel, and Iran, which has included strikes on Gulf states, is disrupting the region's burgeoning art market. Major events like Art Dubai have been postponed and scaled back significantly due to exhibitor withdrawals, and planned fairs like Frieze Abu Dhabi face uncertainty. The instability has also caused a sharp spike in shipping and insurance costs for artworks moving through the region.
Lynda Roscoe Hartigan has been appointed as the new director of the Smithsonian American Art Museum (SAAM) in Washington, DC, effective September 8. She returns to SAAM, where she began her career and later served as chief curator, from her current position as executive director and CEO of the Peabody Essex Museum in Salem, Massachusetts. She succeeds acting director Jane Carpenter-Rock, who will remain as deputy director.
New research using artificial intelligence has challenged the long-held belief that El Greco's altarpiece *The Baptism of Christ* was largely painted by his son and workshop assistants. A machine-learning model called Patch, developed by researchers at Western Reserve University, analyzed the painting's microscopic surface texture and found underlying connections suggesting El Greco himself painted the majority of the work, with only a small region at the bottom attributed to other hands.
Bottega Veneta's creative director Louise Trotter has launched 'Bottega Veneta for the Arts,' a new collaborative series aimed at connecting the fashion house with the art world. The inaugural project features British photographer Peter Fraser, who documented Trotter's debut collection in Italy's Veneto region, the brand's birthplace. This follows previous art collaborations with photographer Duane Michals and painter Poppy Jones.
Wildlife painter Aga Elliott is presenting an exhibition of her work at OASIS Fine Art and Craft in downtown Harrisonburg, Virginia, through the end of June. The exhibition features life-like paintings of animals ranging from chipmunks to tigers, aiming to illustrate the interconnectedness of ecosystems. Elliott creates her works using photographs from her encounters with animals, often from her time near Yellowstone National Park and wildlife sanctuaries.
Photographer Rahim Fortune has opened a new exhibition titled 'Between A Memory and Me' at the Museum of Fine Arts, Houston. The show presents a series of photographs that map memory, land, and Black life across the American South, creating a lyrical cartography where landscape and personal lineage intertwine.
Henry Taylor's major exhibition 'Where Thoughts Provoke' has opened at the Musée national Picasso-Paris. The show is a survey of nearly four decades of his work, featuring paintings, sculpture, and installation that focus on portraiture, observation, and the politics of looking.
The Museum of Contemporary Art Chicago has opened 'Dancing the Revolution: From Dancehall to Reggaetón,' a major exhibition exploring dance as a political language. It features over forty artists working across installation, video, sculpture, and sound, tracing the cultural trajectories of dancehall and reggaetón from the Caribbean diaspora to global contexts.
Mumbai will host the first exhibition of artist Tom Vattakuzhy's work in the city, titled 'Where Words End,' at the Institute of Contemporary Indian Art (ICIA) from May 3–17, 2026. The exhibition presents a series of his "story paintings," which explore experiences that elude verbal expression, moving beyond his illustrative background to create ambiguous, emotionally resonant works.
The article is a promotional statement from an art platform, not a news report. It describes a partnership model where the platform collaborates with leading galleries to present artists and exhibitions, with membership granted through application and invitation. The platform positions itself as an art advisory leader with high-level access to influential galleries, collectors, and auction houses.
The article presents a curated list of 13 seminal Western artworks featuring the nude form, highlighting how each piece shifted artistic conventions and cultural perceptions. It begins with the Paleolithic Venus of Willendorf and moves chronologically through works by artists including Sandro Botticelli, Leonardo da Vinci, Lavinia Fontana, and Édouard Manet, analyzing their groundbreaking approaches to depicting the human body.
The Victoria and Albert Museum (V&A) in London has reportedly removed maps and images from exhibition catalogues on multiple occasions following pressure from its Chinese publisher, C&C Offset Printing. The publisher cited directives from China's General Administration of Press and Publication (GAPP), which enforces the Chinese Communist Party's official narratives on sensitive topics like territorial borders.
Hannah Black presents her first solo exhibition, "Harsh Muting," at the zaza' gallery in Naples. The show features five circular oil paintings that draw inspiration from the rotating word-play disks in Marcel Duchamp's surrealist film *Anemic Cinema*.