The Norton Museum of Art in West Palm Beach has opened two concurrent exhibitions dedicated to women artists. 'Women of the Norton' showcases over 70 works from the museum's permanent collection, while 'Women of the Norton: The 21st Century' focuses on contemporary acquisitions, featuring artists like Amy Sherald and Mickalene Thomas.
The article is a curated list of art books for spring reading, featuring a diverse range of subjects. It highlights two main critical reviews: one critiques a new novel, *Flat Earth* by Anika Jade Levy, as another navel-gazing story about disaffected white women, while the other praises a scholarly work, *Non-Aligned: Art, Decolonization and the Third World Project in India* by Atreyee Gupta, which examines the international solidarity networks of Indian modernist painters long before the term "Global South" became popular.
The Suffolk University Gallery recently concluded "The Long View," a three-part exhibition series dedicated to celebrating the enduring careers of Boston-based women artists. The final installation, which closed on April 3, featured abstract works by Sharon Kaitz, Alyson Schultz, Jo Ann Rothschild, and Maggi Brown. The showcase highlighted the evolution of their studio practices, ranging from Schultz’s urban-inspired "Fracture" series to Brown’s material-focused oil paintings that explore the intersection of beauty and disturbance.
The Bennett Prize has launched its fifth call for entries, inviting women figurative realist painters to compete for a newly increased grand prize of $75,000. The award, established by collectors Steven Alan Bennett and Dr. Elaine Melotti Schmidt, includes a two-year stipend and a traveling solo exhibition that debuts at the Muskegon Museum of Art. Applications are open through September 19, 2026, with a jury featuring prominent figures like curator Miranda Lash and artist Julie Heffernan.
The Bennett Prize, a biennial award dedicated to women figurative realist painters, has increased its grand prize from $50,000 to $75,000 for its fifth cycle. Founded by collectors Steven Alan Bennett and Dr. Elaine Melotti Schmidt, the prize aims to bridge the gender gap in the art world by providing substantial financial support and institutional recognition. The current call for entries is open to artists who have not yet reached a specific commercial price ceiling, culminating in a 2027 exhibition at the Muskegon Museum of Art.
The new film *The Drama*, directed by Kristoffer Borgli and starring Zendaya and Robert Pattinson, features a central plot point involving a fictional photobook titled *Brainrot*. In the movie, Pattinson’s character, a museum curator, becomes obsessed with the book's provocative imagery of young women with firearms after learning of his fiancée’s past violent intentions. While *Brainrot* is a fictional creation, its aesthetic and subject matter draw significant parallels to Lindsay McCrum’s 2011 photography book, *Chicks with Guns*, which documented the diverse demographics of female gun owners in America.
The Mandeville Art Gallery at the University of California San Diego is hosting "Faith Ringgold: Full Circle—The Teachings and Her Legacy," a comprehensive exhibition honoring the late artist and former faculty member. Curated by Mashonda Tifrere, the show features works spanning from 1976 to 2023, including Ringgold’s iconic story quilts, soft sculptures, masks, and political posters. The collection highlights her multidisciplinary approach and her commitment to centering Black American life and feminist narratives through her unique fusion of fine art and traditional craft.
The National Museum of Women in the Arts is hosting "Making Their Mark: Works From the Shah Garg Collection," a comprehensive exhibition featuring eight decades of abstract art created by women. The show includes approximately 80 pieces by nearly 70 artists, spanning a diverse range of media including painting, sculpture, ceramics, and textiles. By showcasing works that often blur the lines between figuration and abstraction, the exhibition highlights how female artists have consistently acted as trailblazers in a genre historically associated with men.
A new exhibition titled 'About Women' featuring seven decades of work by photographer Dorothy Bohm opens at Farleys House & Gallery, the former home of photographer Lee Miller. The show highlights Bohm's female-focused street photography, spanning from black-and-white to color work, and draws a direct connection to Miller's legacy.
Acclaimed actor Meryl Streep has donated a seven-figure sum to the National Women’s History Museum. The funds will support digital storytelling projects and programming, and the museum has created the Meryl Streep Educator Award in her honor, to be presented annually starting this November.
The Museum of Contemporary Art Chicago has launched "Dancing the Revolution: From Dancehall to Reggaetón," an interdisciplinary exhibition exploring the political and cultural impact of Caribbean music genres. Curated by Carla Acevedo-Yates, the show was inspired by the 2019 "perreo combativo" protests in Puerto Rico that led to the governor's resignation. The exhibition features a diverse array of media, including paintings by Jean-Michel Basquiat and Denzil Forrester, sculptures by Michael Richards, and archival materials like Dancehall posters and sound system equipment.
The Evanston History Center has launched "Unveiling Evanston Women Artists," a new exhibition dedicated to the historical contributions of female creators in the Illinois city. The show was sparked by a recent donation of works by the late artist Blanche Gildin, who rarely exhibited during her lifetime, and features approximately a dozen local artists including Lucile Roebuck Keeler and Rosemary Zwick. Spanning the early 20th century through the 1970s, the collection includes paintings, sculptures, and commercial illustrations that reflect the creative shifts of the civil rights era.
An exhibition titled 'Xa jun ruk’oxomal qanima—A Shared Heartbeat' at La Nueva Fábrica in Guatemala brings together the work of two Kaqchikel Maya artists, Rosa Elena Curruchich and Angélica Serech, for the first time in their homeland. It features over 100 paintings by the late Curruchich, a pioneering self-taught painter, alongside recent and newly commissioned textile sculptures by Serech, creating a dialogue between painting and weaving.
Qualia Contemporary Art in Palo Alto is currently hosting two concurrent exhibitions, "Emergence" and "Tidal Traces," featuring the work of Yulia Pinkusevich, Cathy Lu, and Stella Zhang. The shows explore the four classical elements—fire, earth, air, and water—through a diverse range of media including large-scale ceramic incense sculptures, paintings incorporating charcoal and ash, and mixed-media works inspired by oceanic tides.
The article is a first-person dispatch from Rojava, a Kurdish-majority region in northeastern Syria, where the author meets artists and fighters living and working on the front lines against jihadist groups. It focuses on artist Diyar Hesso, who has exchanged his camera for a rifle, and YPJ fighter Hevi, who articulates the necessity of armed self-defense for women facing a genocidal enemy. Their stories illustrate the impossible choice between artistic creation and survival in a war zone.
Un dessin de Toulouse-Lautrec pour Albi
The Musée Toulouse-Lautrec in Albi has acquired a rare drawing by Henri de Toulouse-Lautrec, depicting the intimate daily lives of women in a Parisian brothel. The work, created during the artist's frequent visits to the establishment on Rue des Moulins, captures a candid, non-judgmental moment of modern life, reflecting the artist's commitment to Baudelairian realism.
FORJAR CAMINOS: ANCESTRALIDAD AFROBRASILEÑA Y PODER FEMENINO EN LA OBRA DE NÁDIA TAQUARY
The exhibition "Ònà Irin: caminho de ferro" by artist Nádia Taquary has opened at Sesc Belenzinho in São Paulo, featuring large-scale sculptures and an immersive video installation. Curated by Amanda Bonan, Ayrson Heráclito, and Marcelo Campos, the show centers on a massive installation of iron rails that symbolize the Yoruba deity Ogum, the opener of paths. The works integrate traditional Afro-Brazilian materials such as cowrie shells, beads, and metals to explore spiritual protection and the historical significance of jewelry as a form of resistance and identity for enslaved and freed Black women.
A new exhibition titled 'Colour Me Modern: Claire Aho and the New Woman' is being presented at the Hundred Heroines Museum in Stroud, UK. The show celebrates the pioneering work of Finnish photographer Claire Aho, highlighting her vibrant, cinematic, and witty use of color in postwar fashion, advertising, and portrait photography.
"Es ist naiv zu glauben, dass Bomben Freiheit bringen"
Iranian-born artist Peyman Rahimi discusses the profound impact of his childhood experiences during the Iran-Iraq War and his subsequent mandatory military service on his creative practice. Breaking a long-held silence, Rahimi argues against the naivety of believing that military interventions or foreign bombings can bring true freedom to Iran, emphasizing that war only generates new trauma and suffering. He highlights the central role of Iranian women in the struggle for change, noting that their resilience remains the most potent threat to the current regime.
嶋田美子：滅私｜愛護 @ オオタファインアーツ
Ota Fine Arts in Tokyo is hosting a solo exhibition by Yoshiko Shimada titled "Selfless Devotion / Loving Care," running from March 14 to May 16, 2026. The exhibition features a significant selection of Shimada’s seminal works from the early 1990s, including "A Woman Shooting II," "A House of Comfort," and "Tied to Apron Strings." These pieces utilize photography, installation, and found objects to confront difficult historical narratives.
The Hook Experiment in Oxford is currently hosting "Tender Ground," a lens-based exhibition featuring the work of four regional women artists: Lynda Schmid, Sarah R. Bloom, Marnie Ellen Hertzler, and Jonna McKone. Curated by Constance McBride and Lisa Baird, the show utilizes photography and found objects to explore themes of environmental instability, physical vulnerability, and the fragility of place. The works range from disjointed equine photography and nude self-portraiture in decaying spaces to documentation of the disappearing Tangier Island.
South African artist Lulama Wolf presents 'The Architecture of Memory,' an online-only exhibition hosted by THK Gallery. Wolf utilizes a distinct material language of pigmented sand and acrylic to create tactile surfaces that reference the weathered walls of domestic and sacred spaces. Her work moves beyond simple representation, using geometric abstraction and earth-based materials to explore the intersection of personal history and collective generational memory.
Visual artist and poet Suporna Alice Gomes has launched her debut solo exhibition, "Burnt Expressions—the Realms of Fantasy," at Safiuddin Shilpalay in Dhaka. The showcase features 59 works, including acrylics and unique series utilizing watercolor and coffee on paper. The collection is characterized by a monochromatic, rusted aesthetic intended to evoke "burnt expressions" and nostalgic memories, featuring portraits of iconic Bangladeshi figures like Kazi Nazrul Islam and SM Sultan alongside nature-inspired landscapes.
The Muskegon Museum of Art is set to premiere a landmark exhibition titled “HerStory of Animation: Mary Blair & Beyond,” running from June 6, 2025, through September 27, 2026. Curated by animation historian Mindy Johnson, the show features production artwork, rare films, and studio artifacts from over a century of female contributions to the field. Highlights include works by early pioneers like Helena Smith Dayton and Bessie Mae Kelley, alongside modern icons such as Mary Blair and Oscar-winner Brenda Chapman.
MASP CONTESTED NARRATIVES BETWEEN REPLICA AND WEAVING
The Museu de Arte de São Paulo (MASP) has opened two simultaneous exhibitions that critically examine how narratives in Latin American art are formed. 'Réplica (Replica)' is a retrospective of Peruvian artist Sandra Gamarra Heshiki, featuring over 70 works that appropriate and alter historical pieces to expose the exclusionary mechanisms of museums. 'Vivir, tejer (Living, Weaving)' presents the collaborative textile work of Claudia Alarcón and the Silät collective, a group of over one hundred Wichí women weavers, foregrounding ancestral knowledge and collective creation.
Beijing-based artist Hu Yinping is presenting three major works in Hong Kong this March, including the installation 'Potatoes Grow on Trees' in the Encounters sector of Art Basel Hong Kong. The works stem from her long-running project 'Hu Xiaofang,' a semi-fictional company that employs women in rural China to create crocheted artworks, redistributing income and visibility to this often-overlooked demographic.
Fragilità e resistenza di un’artista dell’Iran in mostra a Roma
The Galleria Anna Marra in Rome is hosting "Assemblages," the first Italian solo exhibition of Iranian artist Sepideh Salehi. The show features works that blend collage, Japanese paper, photography, and drawing to depict Iranian women living in the United States who have shared experiences of displacement and political upheaval. Salehi’s figures often avert their gaze or conceal their faces, symbolizing a "calligraphy of refusal" and a quiet resistance against the historical traumas of the 1979 Islamic Revolution and the Iran-Iraq war.
The article revisits the six-day nationwide women's protests in Iran that began on International Women's Day, March 8, 1979. Thousands of women marched in Tehran and other major cities in response to Ayatollah Ruhollah Khomeini's declaration mandating the hijab in public ministries, marking the first mass organized resistance against the compulsory hijab and the rising Islamic Republic.
The California Museum in Sacramento plans to remove labor leader Cesar Chavez from its California Hall of Fame. This unprecedented action follows a New York Times investigation detailing allegations that Chavez sexually abused multiple girls and engaged in misconduct with women in the United Farm Workers movement during the 1970s.
The newly formed Estonian women’s contemporary art collective, Phoenix, has launched its latest group exhibition titled "Quintessence" at the Vabaduse Gallery in Tallinn. Curated and designed by Eveli Varik, the show features works from 17 members of the collective, including Marina Aleksejeva, Lylian Meister, and Tiiu Rebane. The exhibition explores the Aristotelian concept of the "fifth essence," or ether, serving as a metaphor for the distilled core of creative power and the spiritual immersion required for artistic rebirth.