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Soft armour, pert nipples: how London design team made Kim Kardashian’s Met Gala breastplate

Kim Kardashian wore an orange fibreglass breastplate to the 2024 Met Gala, created by the east London design duo Whitaker Malem (Patrick Whitaker and Keir Malem) in collaboration with British pop artist Allen Jones. The breastplate was cast from a mould derived from Jones's 1969 sculpture "Hatstand," finished by car bodyshop MPS Body and Paint in Kent, and paired with a hand-painted leather skirt. Kardashian directly contacted the duo in early April, flew to the UK for fittings, and chose the piece to interpret the gala's "fashion is art" dress code, which explored the dressed and undressed human body.

Rothko from Robert Mnuchin collection fetches US$85.8m, becoming artist’s second-priciest work at auction

A red-and-black Mark Rothko painting, *Brown and Blacks in Reds* (1957), sold for US$85.8 million at Sotheby’s New York on May 14, becoming the artist’s second-most expensive work at auction. The canvas came from the collection of Robert Mnuchin, a former Goldman Sachs partner turned gallerist, and was the star lot of a dedicated 11-lot evening sale that totaled US$166.3 million. The winning bid was placed by Sotheby’s chairman Helena Newman on behalf of a telephone client, with the hammer falling at US$74 million against an estimate of US$70–100 million. The painting was originally owned by Joseph E. Seagram & Sons and hung in the lobby of the Seagram Building, a landmark of corporate modernism designed by Ludwig Mies van der Rohe and Philip Johnson.

The Top Collections Leading the May Marquee Auctions

The article reports that the May 2025 marquee auctions at Christie's and Sotheby's are being driven by a resurgence of major single-owner collections, reversing a period of trophy scarcity in the secondary market. Key collections include the $130 million Robert E. Mnuchin collection at Sotheby's, the personal collection of gallerist Marian Goodman at Christie's, and the S.I. Newhouse collection expected to generate around $450 million, featuring Jackson Pollock's 'Number 7A (1948)' and Constantin Brancusi's 'Danaïde (1913)'. The article notes that the ultra-high tier above $10 million rose 30% year-on-year, and single-owner collections in New York auctions totaled $730.9 million, an 89.9% increase from Q1 2025.

DOZIE KANU’S FIRST FORAY INTO MASS-PRODUCTION

Artist Dozie Kanu has debuted his first mass-production collaboration with Knoll, a line of leather-tasseled tables launched in 2026 during Milan's Salone del Mobile, shortly after the opening of his solo exhibition at Fondazione ICA Milano. The Texas-born, Portugal-based artist, who first appeared in PIN–UP magazine in 2018 as an emerging design wunderkind, has since expanded his practice beyond collectible design into art, exhibition-making, film, and music. His recent projects include a documentary short screened at South by Southwest, a two-person exhibition with László Moholy-Nagy at Meyer Voggenreiter's project space piece*unique in Cologne, and a solo show at ICA Milano that dialogues with Marc Camille Chaimowicz and Jean Cocteau, featuring works alongside selections from the Nicoletta Fiorucci Foundation collection.

Ripple: Furniture Sculpture and Painting after 1982

David Kordansky Gallery is presenting "Ripple: Furniture Sculpture and Painting after 1982," an exhibition of historic works by Swiss artist John Armleder, on view from May 7 to June 13, 2026. The show focuses on Armleder's Furniture Sculpture series from the 1980s, which incorporates functional or decorative objects alongside paintings, exploring the intersection of art, design, and everyday life. Works like FS 156 (1987) and Untitled (FS) (1987) exemplify his interest in collectivity, chance, and the viewer's role in assigning meaning, influenced by experiences such as a prison stint for refusing conscription and his time on a rowing team, as well as the experimental compositions of Erik Satie and John Cage's writings on chance.

At MAXXI L'Aquila, exhibition dedicated to Ai Weiwei recounts catastrophes and memory

From April 29 to September 6, 2026, MAXXI L'Aquila presents "AI WEIWEI: Aftershock," an exhibition curated by Tim Marlow featuring approximately seventy works by Chinese artist, architect, and activist Ai Weiwei. The show spans his entire career, focusing on themes of earthquakes, wars, political repression, and memory. The centerpiece is the installation "Straight" (2009–2012), made from 150 tons of steel rods recovered from schools that collapsed in the 2008 Sichuan earthquake, displayed across three rooms. The exhibition is held at Palazzo Ardinghelli, a Baroque building that houses MAXXI L'Aquila and was itself restored after the 2009 L'Aquila earthquake, creating a dialogue between the works and the building's history of recovery.

From YBAs to McQueen: Tate Britain’s New Exhibition Reframes the Creative Explosion of the 1990s

Tate Britain has announced a major new exhibition, *The 90s: Art and Fashion*, opening in autumn 2026, which will be the first to examine the intersection of contemporary art, photography, and fashion during the 1990s in Britain. Featuring over 100 works by nearly 70 artists, photographers, and designers—including Sarah Lucas, Alexander McQueen, Tracey Emin, and Steve McQueen—the show explores the decade's raw experimentation, anti-establishment energy, and the rise of the Young British Artists. Curated with input from Edward Enninful, the exhibition also highlights subcultures, nightlife, and the work of figures who challenged dominant narratives around race, identity, and class.

Peter Halley - Jablonka Gallery, Koln vintage poster (Hand Signed by Peter Halley) , 1988

A rare 1988 vintage silkscreen exhibition poster by Peter Halley, published for his show at Jablonka Galerie in Cologne, has surfaced on the secondary market. The work is notably hand-signed and dedicated by the artist to fellow artist Bill Radawec, distinguishing it from standard mass-produced exhibition ephemera. Halley, a central figure of the 1980s Neo-Geo movement, is recognized for his 'cell' and 'conduit' paintings that critique social and technological structures.

Inside TEFAF New York’s Annual Wealth Pageant

The 12th annual TEFAF New York fair took place at the Park Avenue Armory from May 15 to 19, attracting wealthy collectors with a mix of blue-chip art, design objects, and jewelry. Highlights included Kathleen Ryan's bejeweled 'Bad Fruit' sculptures at Gagosian, Cai Guo-Qiang's gunpowder paintings at White Cube (which sold 11 of 12 works), Sheila Hicks's textiles at Demisch Danant, and a new David Hockney painting at Annely Juda Fine Art. The fair featured 88 galleries from 14 countries, with VIP previews drawing art advisors and high-net-worth clients.

TEFAF New York Opened to Crowded Aisles, Bullish Collectors, and Strong Booths

TEFAF New York opened at the Park Avenue Armory with unexpectedly strong crowds and a buoyant mood, defying the typical afternoon lull. Dealers reported heavy foot traffic and sustained conversations, with gallerist Sean Kelly calling it the best edition in years. The fair, running through May 19, features a mix of antiquities, design, modern, and contemporary art, with standout booths including Alison Jacques’s pairing of Dorothea Tanning, Robert Mapplethorpe, and Gordon Parks, and Sean Kelly Gallery’s display of works by Shahzia Sikander and Sam Moyer. The newly launched Pace Di Donna Schrader Galleries made its TEFAF debut with works by Eugène Delacroix, Willem de Kooning, and Alexander Calder.

The Can’t-Miss Moments at TEFAF New York 2026

TEFAF New York 2026 opened to packed crowds at the Park Avenue Armory, showcasing a mix of historic and contemporary works. Highlights include Gagosian’s solo booth of Kathleen Ryan’s bejeweled “Bad Fruit” sculptures, Thaddaeus Ropac’s presentation of monumental canvases by Danish painter Eva Helene Pade, and Axel Vervoordt Gallery’s spotlight on overlooked Italian painter Ida Barbarigo. The fair also features collectible design and perennial favorites like Alexander Calder mobiles and Alighiero Boetti tapestries.

Does L.A’s Bold New LACMA Museum Work?

The Los Angeles County Museum of Art (LACMA) has debuted a long-awaited new building designed by Swiss architect Peter Zumthor, costing $750 million. The museum opened to the public last month with a gala for the David Geffen Galleries, and its charismatic director Michael Govan promises a new vision for how museums show art and relate to the public. Art critic Carolina Miranda joins Artnet News's Ben Davis to discuss the building's significance, having published her own analysis calling it an instant LA icon.

Dutch Designer Iris van Herpen’s High-Tech Garments Are On View in a Mid-Career Retrospective at the Brooklyn Museum

The Brooklyn Museum is opening a mid-career retrospective titled “Iris van Herpen: Sculpting the Senses,” showcasing the Dutch designer’s high-tech garments. The exhibition features over a decade of van Herpen’s work, including the first 3D-printed garment sent down a runway in 2010, pieces worn by celebrities like Lady Gaga, Björk, and Beyoncé, and new collaborations such as an algae dress grown from living microorganisms. Organized by senior curator Matthew Yokobosky, the show originated at the Musée des Arts Décoratifs in Paris and has traveled internationally before arriving in Brooklyn, where it is augmented with objects from the museum’s collections in art, science, and natural history.

Garment, body and space merge in Iris van Herpen’s first major New York show

The Brooklyn Museum is hosting Iris van Herpen's first major New York exhibition, featuring over 140 haute couture looks from the Dutch fashion designer. Van Herpen, who founded her house in 2007, pioneered 3D printing in fashion and uses unconventional materials like upcycled marine debris and fermented fibers. The touring show, which originated at Paris's Musée des Arts Décoratifs, includes contemporary art, scientific objects, and natural-history specimens alongside her garments. Curated by Matthew Yokobosky, the Brooklyn iteration draws on the museum's own collections and loans from the American Museum of Natural History, the Staten Island Museum, and the Yale Peabody Museum. Highlights include a dress made with living bioluminescent algae and a re-creation of Van Herpen's atelier.

New Museum unveils Sarah Lucas's bawdy Bowery commission

The New Museum unveiled Sarah Lucas's sculpture "VENUS VICTORIA" (2026) on May 12 as the inaugural commission for its new public plaza on the Bowery in New York. The work features a pink-hued figure in yellow high heels straddling a giant cast-concrete washing machine, riffing on the classic reclining nude. Lucas's proposal was selected by an all-artist jury including Teresita Fernández, Joan Jonas, Julie Mehretu, Cindy Sherman, and Kiki Smith. The sculpture will remain on view for two years, after which another commission by a woman artist will take its place.

With new Costume Institute exhibition and galleries, the Met makes powerful statement about fashion's place in museums

The Metropolitan Museum of Art has opened a major new Costume Institute exhibition titled "Costume Art," which runs until January 10, 2027, in the newly designed Condé M. Nast Galleries by Peterson Rich Office. Curated by Andrew Bolton with Stephanie Kramer, Ayaka Iida, and Emily Mushaben, the show features nearly 400 objects from all 19 of the museum's collecting departments, organized around body typologies such as the "Classical Body" and "Aging Body." The exhibition marks a significant institutional commitment to fashion as a central curatorial concern, with the 12,000-square-foot space adjacent to the Great Hall.

Lubaina Himid on capturing the 'uneasiness' of Britain for her Venice Biennale pavilion

Lubaina Himid, the Turner Prize-winning artist born in Zanzibar and raised in England, is representing Great Britain at the Venice Biennale with a pavilion that captures the 'uneasiness' of living in Britain. The exhibition features her signature paintings, prints, and cutout figures, alongside a soundscape by Magda Stawarska, designed to evoke ambiguous encounters and the gap between a question and an answer. Himid describes the pavilion as a reflection of Britain's everyday pleasantness undercut by a persistent sense of otherness, drawing on her own experience as an East African brought up by English women.

Brandywine Conservancy and Museum picks architects for $100m expansion project

The Brandywine Conservancy & Museum of Art in Chadds Ford, Pennsylvania, has selected Kengo Kuma & Associates, along with landscape architects Field Operations and Schwartz Silver Architects, to lead a $100 million expansion project. The plan includes a new 40,000-square-foot museum building, renovation of the existing 19th-century grist mill museum, and a ten-mile loop of walking trails connecting the two buildings to the historic studios of artists N.C. Wyeth and Andrew Wyeth. Construction is expected to begin in spring 2025, with completion in autumn 2029. Nearly half the funding has been raised, including contributions from the Wyeth Foundation for American Art and Wyeth family members.

Hotel and art hub Casabianca opens on Italy's Lake Como

The De Santis family, accomplished hoteliers on Lake Como, has opened Casabianca, a new hotel and art hub in a 1930 villa designed by Piero Ponci. The property features three apartment-style suites launching later this year, while its lower floors are already open to the public for €15, displaying around 50 works from the family's collection of post-war Italian art, including pieces by Arte Povera artists such as Alighiero Boetti, Mario Merz, and Jannis Kounellis. The venture is the latest in a series of heritage hotel restorations by the family, who previously revived the Grand Hotel Tremezzo and Passalacqua.

The Met’s Costume Institute Needs an Art History Lesson

The Metropolitan Museum of Art's Costume Institute spring exhibition, "Costume Art," pairs fashion with artworks from the Met's collection, including ancient Greek statues and Andy Warhol screenprints, alongside garments by designers from Charles James to CFGNY. Curator Andrew Bolton aims to suggest that fashion can expand understanding of art, but the show's juxtapositions often feel vague and sloppy, with only occasional resonant pairings like a Jean Paul Gaultier shirt and Joe Brainard drawing linked by queer artist lineage.

Whistleblower Complaint Alleges Misconduct at Palm Springs Art Museum, Where an Ex-Trustee Describes a ‘Shattered Moral Compass’

An anonymous whistleblower has filed a complaint alleging misconduct by leadership at the Palm Springs Art Museum, including improper movement of funds between accounts to address cash shortages, the forced resignation of a former director based on fabricated staff complaints, and a failure to properly interview external candidates for the director position. The complaint, forwarded to ARTnews, also references a $3 million discrepancy in the reported endowment value and the departure of several trustees, leaving the board below its required size. The museum has formed a special committee to investigate the allegations, which were first reported by the Los Angeles Times in November 2025.

America’s Finest Renaissance Tapestry Set for Major Restoration

The European Fine Art Foundation (TEFAF) has awarded its €25,000 Museum Restoration Fund to the Minneapolis Institute of Art (MIA) for the conservation of *The Meeting of Dante and Virgil*, a mid-16th century Italian Renaissance tapestry. This is the first time TEFAF has funded a tapestry restoration since the initiative began in 2012. The wool and silk tapestry, made between 1547 and 1549 by the Florentine workshop of Duke Cosimo I de’ Medici and designed by Francesco Salviati, depicts the opening scene of Dante’s *The Divine Comedy*. It is the only early Medici tapestry held by a public collection outside Italy, standing 17 feet tall and eight feet wide. Due to structural weaknesses and light sensitivity, it has been largely in storage for 70 years. Conservation work by the Midwest Art Conservation Center will include wet cleaning, stabilization, and partial reweaving, along with a new display system. The tapestry is scheduled to return to public view at MIA on July 11.

Saudi Arabia Museum of Contemporary Art Gets $490 M. from Powerful Real Estate Firm

The forthcoming Saudi Arabia Museum of Contemporary Art has received a $490 million construction grant from Diriyah Company, a real estate firm chaired by Crown Prince Mohammed bin Salman. Designed by Dubai-based Godwin Austen Johnson, the museum will span 883,000 square feet—larger than the Louvre in Paris—and will be located in Diriyah, with additional exhibitions in Riyadh. The grant supports Saudi Arabia's Vision 2030 plan to diversify the economy away from oil.

Pittsburgh’s new $31m Arts Landing combines public art with civic engagement

Pittsburgh's new $31 million public space, Arts Landing, opened on 17 April, just before the NFL Draft and the 59th Carnegie International. Developed by the Pittsburgh Cultural Trust, the project features public artworks by vanessa german, Darian Johnson, Lenka Clayton, Phillip Andrew Lewis, Sharmistha Ray, Mikael Owunna, Marques Redd, John Peña, Shikeith, and the late Thaddeus Mosley. Highlights include Shikeith's neon sculpture *Hold*, part of his *Project Blue Space*, and Mosley's *Touching the Earth* series, originally commissioned by New York's Public Art Fund. The space also includes a playground, bandshell, and artist-designed pickleball courts.

Judd Foundation Taps Copper Hewitt Curator as New Director of Design

The Judd Foundation has appointed Alexandra Cunningham Cameron as its first director of design, a new role overseeing Donald Judd Furniture LLC. Cameron, currently a curator of contemporary design at the Cooper Hewitt, Smithsonian Design Museum in New York, will start on April 27, guiding product development, operations, and strategic growth for the foundation's furniture line, which produces over 70 designs based on Donald Judd's original specifications.

Gladstone Gallery to Relocate in Seoul, Doubling Exhibition Space

Gladstone Gallery is relocating its Seoul location to the Hannam-dong neighborhood later this year, doubling its exhibition space. Designed by architect Minsuk Cho of Mass Studies, the new outpost will occupy two floors of the 739-28 Hannam Building, across from Pace Gallery and near the Leeum Museum of Art. The space is set to open in late summer ahead of Frieze Seoul in September, with a solo exhibition by Ed Atkins—his first in the city—inaugurating the gallery. Gladstone first opened in Seoul's Gangnam district in 2022, joining a wave of Western galleries entering the Korean market.

US National Gallery of Art gifted more than 1,200 Mitch Epstein photographs

The National Gallery of Art in Washington, D.C., has received a gift of 1,261 photographs from artist Mitch Epstein and his wife, Susan Bell. The donation, the largest institutional collection of Epstein's work, spans his five-decade career and includes major series such as 'American Power,' 'Property Rights,' and 'New York Arbor.'

Diane Keaton’s Iconic Wardrobe and Art Collection Head to Auction

Bonhams auction house, in collaboration with the Fine Art Group, is organizing a four-part, 550-lot sale of Diane Keaton's personal belongings. The sales, taking place online and in New York from late May to mid-June, will include her iconic wardrobe, Hollywood memorabilia, home furnishings, and a significant portion of her art collection, featuring works by artists like Robert Rauschenberg and Ed Ruscha, as well as her own mixed-media collages.

V&A East Launches With a Fresh Lens on a 2.8 Million-Object Collection

The Victoria & Albert Museum has opened V&A East, a new $180 million outpost in east London designed by architects O'Donnell + Tuomey. Its mission is to engage young and local audiences by presenting over 500 objects from its 2.8 million-strong collection in thematic, non-chronological displays that connect historical artifacts to contemporary issues like identity, social justice, and environmental responsibility.

Thomas J. Price’s Monumental Sculpture Anchors V&A East’s Opening in London

The V&A East Museum, the Victoria and Albert Museum's second site in East London, opened to the public on April 18. The inaugural presentation features new site-specific commissions by artists Rene Matić, Carrie Mae Weems, and Tania Bruguera, with Thomas J. Price's monumental sculpture serving as a key anchor piece for the new institution.