Beatriz González at the Barbican: Images Against Oblivion

BEATRIZ GONZÁLEZ EN EL BARBICAN: IMÁGENES CONTRA EL OLVIDO

The Barbican Centre in London is hosting a major retrospective of the late Colombian artist Beatriz González, marking her first solo exhibition in the United Kingdom and her most extensive show in Europe to date. Featuring over 150 works, the exhibition traces her six-decade career, from her early experiments with pop-inflected figuration to her iconic use of domestic furniture as canvases. Central to the show is her 1965 masterpiece 'Los suicidas del Sisga,' which exemplifies her method of translating degraded press photographs into vibrant, critical paintings that challenge historical erasure.

Santiago Yahuarcani: The Beginning of Knowledge

SANTIAGO YAHUARCANI: EL PRINCIPIO DEL CONOCIMIENTO

The Museu de Arte de São Paulo (MASP) is hosting "El principio del conocimiento," the first solo exhibition in Brazil for Peruvian artist Santiago Yahuarcani. Curated by Amanda Carneiro, the show features approximately 35 paintings on llanchama (tree bark) that explore the Uitoto worldview. The exhibition is organized into five thematic sections that navigate the sensory experience of the Amazon, the spiritual significance of sacred plants like coca and tobacco, and the brutal historical memory of colonial extraction.

The Groups and Other Artistic Revolts: Networks and Collectivities in Mexico, 1976-1985

LOS GRUPOS Y OTRAS REVUELTAS ARTÍSTICAS. REDES Y COLECTIVIDADES EN MÉXICO, 1976-1985

The Museo Universitario Arte Contemporáneo (MUAC) in Mexico City has launched a major exhibition titled "Los grupos y otras revueltas artísticas," which re-examines the surge of artist collectives in Mexico between 1976 and 1985. Drawing from the Arkheia Documentation Center, the show moves beyond a simple chronological survey to reconstruct emblematic works and document the radical shifts in artistic language that occurred during this era. It highlights key historical moments, such as the 1977 Paris Biennial and the formation of the Mexican Front of Cultural Workers' Groups, while exploring how these collectives navigated urban spaces and institutional boundaries.

‘Occasionally a picture can change the course of history’: 33 scandalous photos that shocked the world

The article presents a curated collection of 33 photographs deemed to have caused public scandal, ranging from political and royal controversies to celebrity missteps and historical moments of defiance. It analyzes how these images, from Prince Andrew with Virginia Giuffre to Lee Miller in Hitler's bathtub, have exposed hidden truths, shattered carefully managed public images, and sometimes altered public perception or the course of events.

GRACIELA ITURBIDE: EYES TO FLY

GRACIELA ITURBIDE: OJOS PARA VOLAR

The C/O Berlin gallery is presenting "Eyes to Fly With (Ojos para volar)," the first major retrospective in Germany of renowned Mexican photographer Graciela Iturbide. The exhibition, curated by Sophia Greiff and Melissa Harris in close collaboration with Iturbide, runs from February 7 to June 10 and features her iconic works like "Nuestra Señora de las Iguanas" alongside lesser-known series on fashion, the cholo community in Los Angeles, and her travels in India and Bangladesh.

Failed auction of $70M bronze bust stuns Sotheby’s bidders into silence

Sotheby's high-stakes Modern evening sale on Tuesday night ended in shock when Alberto Giacometti's bronze bust "Grand tête mince (Grand tête de Diego)," estimated at $70 million, failed to sell. Bidding stalled at $64.25 million, well below the reserve, and auctioneer Oliver Barker withdrew the lot. The consignment came from the Soloviev Foundation, the nonprofit arm of the late real estate mogul Sheldon Solow, who had declined an auction guarantee. The sale ultimately brought in only $152 million, far short of the $240 million low estimate, with the Giacometti representing nearly 30% of that target.

The Public Legacy of Gonzalo Díaz

EL LEGADO PÚBLICO DE GONZALO DÍAZ

A collaborative research project, the Gonzalo Díaz Archive, was presented at the National Museum of Fine Arts in early 2025, focusing on the late artist's five-decade connection to the University of Chile. Just before his death in December 2025, Díaz publicly called for the university to safeguard a substantial part of his prolific work, and he was posthumously awarded the university's Rector Juvenal Hernández Jaque Medal. His widow, artist Nury González, will lead a funded project to transform his decades of preparatory notes and sketches into a new artist's book.

New York City’s first Trans Art Fest showcases, connects and empowers trans artists

New York City is hosting its inaugural Trans Art Fest, a grassroots, community-driven festival featuring the work of over 120 transgender artists. Founded by curator and textile artist Carter Shocket, the two-month program includes 12 all-trans exhibitions and more than 20 events ranging from glassblowing workshops to cinema screenings. Major highlights include the exhibitions "Alchemists" and "A Tender Touch," the latter of which focuses exclusively on the work of Black trans artists.

Trans Art Fest Brings Over 120 Trans Artists To NYC

Trans Art Fest has launched as a major citywide celebration in New York City, featuring over 120 transgender artists across more than a dozen exhibitions and 20 public events. Running through late May, the festival includes gallery shows at venues like Eleventh Hour Art and Puffin Brooklyn, alongside outdoor installations, glassblowing workshops, and community-driven projects. Founded by textile artist and curator Carter Shocket, the initiative seeks to move beyond fleeting visibility by establishing a sustained, multi-week presence across Brooklyn and beyond.

From Minor Keys to Uproar: The Crisis of the Venice Biennale

DE LAS MINOR KEYS AL ESTRUENDO: LA CRISIS DE LA BIENAL DE VENECIA

The 61st Venice Biennale is engulfed in a structural crisis, marked by geopolitical tensions over the inclusion of Russia (amid its invasion of Ukraine) and Israel (amid the Gaza genocide). The Biennale Foundation, led by Pietrangelo Buttafuoco, defended their participation on legalistic grounds, sparking outrage from over 200 artists, curators, and cultural workers who demanded Israel's exclusion, aligning with Art Not Genocide Alliance (ANGA). The international jury, chaired by Solange Farkas and including Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, resigned collectively on April 30 after deciding not to award prizes to countries whose leaders face International Criminal Court arrest warrants. This led to the cancellation of the traditional Golden and Silver Lions, replaced by audience-voted "Visitor Lions," with awards deferred until November. The European Commission suspended a €2 million subsidy over Russia's participation, and Italian Culture Minister Alessandro Giuli notably skipped the May 9 opening.

HARRY CHÁVEZ: DONDE MUERDE EL MITO

Harry Chávez: Donde muerde el mito was the first presentation of Peruvian artist Harry Chávez's work at the Museo de Arte de Lima (MALI), held as part of the MALI Colecciones. Intervenciones contemporáneas program. The exhibition recently won the Premio Luces 2026 from El Comercio in the best exhibition category, a public-vote award reflecting its impact. The show explores symbolic conflicts between serpent and feline in Andean and Amazonian mythology, featuring works like 'Salto mortal' and 'Nacimiento del dragón' that depict cosmic struggles and hybrid transformations.

Winter Solstice: Seeds of Nothingness. Edo Costantini in collaboration with Delfina Braun & Delfina Muniz Barreto

WINTER SOLSTICE: SEEDS OF NOTHINGNESS. EDO COSTANTINI EN COLABORACIÓN CON DELFINA BRAUN & DELFINA MUNIZ BARRETO

Praxis Gallery in New York is hosting "Winter Solstice: Seeds of Nothingness," a multidisciplinary exhibition by Argentine artist Edo Costantini in collaboration with Delfina Braun and Delfina Muniz Barreto. The show features photography, sound, moving images, and bronze sculptures that explore the quiet, latent biological processes occurring during the winter season. Based on Costantini’s decade-long observation of the landscapes in Katonah, New York, the works focus on the concept of stillness as an active state of reorganization and persistence.

AT A LOW FLAME. CLAY AND NATURAL FIBERS IN THE WORK OF IBERO-AMERICAN ARTISTS

A MEDIA LUMBRE. BARRO Y FIBRAS NATURALES EN LA OBRA DE ARTISTAS IBEROAMERICANOS

The exhibition 'A media lumbre' presents a collection of works by Ibero-American artists that engage with materials and knowledge historically considered minor arts, such as ceramics, clay, wool, textiles, embroidery, and natural fibers. The show integrates sound and oral tradition as tools for transmitting memory, drawing inspiration from communal gatherings like the 'filandones.' It unfolds across four autonomous exhibitions in Valencia, Mallorca, Aragon, and Catalonia, connecting urban museums like the IVAM with rural contexts.

The Formal Consistency of Marcos López

LA CONSISTENCIA FORMAL DE MARCOS LÓPEZ

The Fundación Larivière in Buenos Aires is hosting a major retrospective of Argentine photographer Marcos López, featuring over 200 works spanning from 1975 to 2025. The exhibition highlights López’s distinct visual language, characterized by the high-saturation color palette of his 'Pop Latino' series and his rejection of traditional black-and-white documentary photography. His work is defined by deliberate staging, using artificial backdrops and theatrical props to create images that function as allegorical documents of Latin American identity.

QUISQUEYA HENRÍQUEZ: THE CENTER CAN BE EVERYWHERE

QUISQUEYA HENRÍQUEZ: EL CENTRO PUEDE ESTAR EN TODAS PARTES

A major retrospective exhibition titled "El centro puede estar en todas partes" (The Center Can Be Everywhere) for artist Quisqueya Henríquez has opened at the Centro de Arte Complutense in Madrid. Curated by René Morales with Isabella Lenzi and Alfonsina Martínez, the show presents the most comprehensive European review of Henríquez's multidisciplinary work, spanning photography, video, collage, and installation, and is organized thematically rather than chronologically.

New Exhibition Explores the Timeless and Perplexing Tradition of “Trompe l’Oeil”

A new exhibition titled "Fool Me Twice" has opened at Robert Lange Studios in Charleston, South Carolina, featuring 20 international artists who explore the tradition of trompe l’oeil—a technique that uses hyperrealistic illusion to blur the line between reality and representation. Works include George Ayers’s "Swamp Frog," where a frog appears to break through the canvas, and Sharon Moody’s "The Year of Great Shocks," a meticulously painted comic book spread. The show runs through May 25, 2025.

Elliot Erick Jimenez El Monte

Elliot and Erick Jiménez, twin photographers from Miami, have debuted their first museum exhibition, 'El Monte,' at the Pérez Art Museum Miami (PAMM). The immersive installation transforms the gallery into a hybrid chapel-forest, drawing conceptual inspiration from Cuban ethnographer Lydia Cabrera's seminal 1954 book of the same name, which explores Afro-Cuban spiritual traditions. The artists present staged photographs featuring anonymous 'shadow figures' adorned in paint and costumes, creating archetypal representations of spiritual forces.

MARILYN BOROR BOR, SEBA CALFUQUEO, JULIETH MORALES. PERFORMANCE Y DISIDENCIAS

On April 18, 2026, the performance cycle "Atravesar el lago" (Crossing the Lake) took place in open spaces of Casa del Lago UNAM in Chapultepec Park, curated by Adonay Bermúdez. Artists Marilyn Boror Bor, Seba Calfuqueo, and Julieth Morales activated performances that destabilize dominant knowledge frameworks and confront narratives imposed by colonial modernity. Boror Bor's "Lo que el cemento no puede cubrir" turned the body into a living archive summoning ancestral memories; Calfuqueo's "Guardo mis semillas para el futuro" opened fissures in imposed borders; and Morales's "Enchumbarnos: Cuerpo, Norma y Territorio. Ritual para dos cuerpos" configured a threshold of listening and transformation. The article includes a curatorial text fragment exploring water as a dissident force, drawing on Silvia Rivera Cusicanqui's thought.

Rocío Sáenz: Wild Order

ROCÍO SÁENZ: ORDEN SALVAJE

Mexican artist Rocío Sáenz presents "Orden salvaje" (Wild Order) at the Museo de las Artes de la Universidad de Guadalajara (MUSA), an exhibition featuring over 60 works created over three years. Spanning painting, ceramics, photography, and drawing, the collection explores the tension between beauty and horror, specifically addressing the harrowing reality of forced disappearances in Mexico. The exhibition is designed as an open studio, showcasing the artist's creative process alongside finished pieces that utilize black humor and satire to navigate themes of death and reconstruction.

Enrique López Llamas: The Visible, The Invisible

ENRIQUE LÓPEZ LLAMAS: LO VISIBLE, LO INVISIBLE

Artist Enrique López Llamas presents a solo exhibition titled "Lo visible, lo invisible" at Fundación CALOSA in Mexico, exploring the intersection of childhood fears and contemporary adult masculinity. The installation utilizes fluorescent plastic polymers that glow in the dark and video works to create a sensory dialogue between light and shadow, symbolizing the repressed memories and systemic behaviors that persist into adulthood.

The Procession as a Form of World: Latin American Artists at the Diriyah Biennale

LA PROCESIÓN COMO FORMA DE MUNDO: ARTISTAS LATINOAMERICANOS EN LA BIENAL DE DIRIYAH

The third Diriyah Contemporary Art Biennale, titled 'In Interludes and Transitions,' is open until May 2nd in Saudi Arabia's historic Diriyah district. Curated by Nora Razian and Sabih Ahmed, the exhibition features 68 artists from over 37 countries and frames the world as a multitude of processions, using movement as its central theme and methodology. The exhibition design by Formafantasma encourages a fluid, nomadic journey through four thematic movements and site-specific 'arenas' within the repurposed industrial halls of the JAX creative district.

Resonances from the Abyss: Uruguayan Artists

Resonancias Desde El Abismo Artistas Uruguayos

The exhibition 'Resonancias desde el abismo. Prácticas artísticas entre presiones y frecuencias extrañas' (Resonances from the Abyss. Artistic Practices Between Pressures and Strange Frequencies), curated by Fabiana Puentes, opened at the Centro Cultural de España in Montevideo. It features works by eight Uruguayan artists—including Guadalupe Ayala, Karina Flores, and Sofía Córdoba—working across sculpture, video, sound, and installation. The show uses the extreme, dark, and high-pressure ecosystem of the ocean abyss as a conceptual framework to explore artistic practices that resist immediate interpretation and conventional systems of reference.

Force History To Sweat An In Depth Interview On Su Hui Yus Performance Movie In Bogota

Taiwanese artist Su Hui-Yu premiered his performance film "A Total Story" at the Museum of Modern Art in Bogotá (MAMBO) in January. The film, shot inside the museum, intertwines the histories of Colombia and Taiwan through a narrative enacted by queer and trans performers. The exhibition "La Saga Total," his first in Latin America, also featured several of his video and installation series. The project is now set to travel to Taipei for a premiere at MOCA Taipei in April.

gavin newsom no clue california college of the arts close 1234770279

California College of the Arts (CCA) announced it will close in 2027, shocking students and the art world. Governor Gavin Newsom reportedly had "no clue" and received "no heads up" about the closure, according to text messages reported by the San Francisco Standard. CCA president David Howse disputed this, stating Newsom was notified the Monday before the announcement. A meeting between CCA leadership and the governor's office is scheduled. The school, founded in 1907, is the last nonprofit standalone art school in San Francisco and plans to sell its campus to Vanderbilt University.

Rob Zombie's first art exhibition is in Connecticut

Rob Zombie, the musician known for his horror-themed lyrics and shock rock performances, is holding his first-ever art exhibition in Connecticut. Titled "What Lurks on Channel X," the show is on view at the Morrison Gallery in Kent from October 25 to November 16, 2025. The exhibition features over ten large-scale paintings that blend pop culture iconography, juxtaposing sinister figures like Bela Lugosi and Charles Manson with innocent characters from Archie comics and classic comedians such as Laurel and Hardy.

NEYRA PÉREZ: RETURN TO ROEBIRI

NEYRA PÉREZ: RETORNO A ROEBIRI

Neyra Pérez, an Iskonawa artist, presents her exhibition "El retorno del Roebiri" at the Centro Cultural Ricardo Palma in Lima, Peru, running until May 9, 2026. The show features her distinctive kené designs, which she creates using natural materials like yakuchapana resin and virgin clay on raw canvas, fixed through sunlight and river washing. The works reference Roebiri, a mountain in the Amazonian Sierra del Divisor that was the ancestral territory of the Iskonawa people, from whom they were displaced in the late 1950s by missionaries and the military. Since 2018, Pérez has been part of a cultural revitalization effort led by anthropologist Carolina Rodríguez to recover these traditional designs and practices.

KÜTRAL VARGAS HUAIQUIMILLA: PERFORMING BLOOD, INHABITING ITS FLOW, DIMENSIONING THE WOUND

KÜTRAL VARGAS HUAIQUIMILLA: PERFORMAR LA SANGRE, HABITAR SU FLUJO, DIMENSIONAR LA HERIDA

Mapuche visual artist and performer Kütral Vargas Huaiquimilla presents "Performance de la sangre" (Performance of Blood) at Galería Gabriela Mistral in Santiago, Chile. Based on the artist's 2024 novel of the same name, the exhibition utilizes video-performance, sculpture, and clinical materials like medication vials to explore the intimate and collective experience of living with HIV. The project marks a significant interdisciplinary intersection of Mapuche identity, pharmacology, and contemporary medicalization.

FORGING PATHS: AFRO-BRAZILIAN ANCESTRY AND FEMININE POWER IN THE WORK OF NÁDIA TAQUARY

FORJAR CAMINOS: ANCESTRALIDAD AFROBRASILEÑA Y PODER FEMENINO EN LA OBRA DE NÁDIA TAQUARY

The exhibition "Ònà Irin: caminho de ferro" by artist Nádia Taquary has opened at Sesc Belenzinho in São Paulo, featuring large-scale sculptures and an immersive video installation. Curated by Amanda Bonan, Ayrson Heráclito, and Marcelo Campos, the show centers on a massive installation of iron rails that symbolize the Yoruba deity Ogum, the opener of paths. The works integrate traditional Afro-Brazilian materials such as cowrie shells, beads, and metals to explore spiritual protection and the historical significance of jewelry as a form of resistance and identity for enslaved and freed Black women.

LOG: PANAMA. CULTURE AND POLITICS IN THE FRAMEWORK OF A REGIONAL MEETING DRIVEN BY CAF

BITÁCORA: PANAMÁ. CULTURA Y POLÍTICA EN EL MARCO DE UN ENCUENTRO REGIONAL IMPULSADO POR CAF

Artishock Revista covered the CAF Festival 'Voces por nuestra región: Cultura que mueve el mundo,' held in Panama in January 2026. The event, organized by CAF – Banco de Desarrollo de América Latina y el Caribe, aimed to reposition Latin American and Caribbean culture as a strategic axis for sustainable development. It featured panels, sectoral forums, and co-creation spaces designed to activate alliances and strengthen regional networks for artists and cultural projects.

Shockoe Pop Up Gallery Opening Reception

RVA Galleries is launching a temporary pop-up exhibition at The Watkins at Shockoe, a newly reimagined mixed-use space in Richmond's historic Shockoe Slip. The exhibition, running from March 13–21, features a diverse range of media including fine photography, pottery, and original paintings from over 20 local artists. An opening reception is scheduled for March 13 to kick off the week-long event.