Sculptor Alma Allen reportedly selected to represent US at 2026 Venice Biennale

Sculptor Alma Allen has reportedly been selected to represent the United States at the 2026 Venice Biennale, replacing Robert Lazzarini, who was dropped after political interference and delays linked to the Trump administration's cuts to the National Endowment for the Arts. The selection process has been fraught, with the State Department directly choosing Lazzarini without NEA involvement, and his proposal—featuring distorted renderings of US national symbols—collapsed amid claims of political meddling. Allen, a Mexico-based artist formerly represented by Kasmin and now in talks with Perrotin, is less established than recent US pavilion artists like Jeffrey Gibson or Simone Leigh, but has a strong practice in stone, wood, and bronze sculpture.

A Whole Lot of Nothing at the US Pavilion

The US Pavilion at the 2026 Venice Biennale features sculptor Alma Allen's exhibition "Call Me the Breeze," curated by Jeffrey Uslip. The show presents untitled, amorphous sculptures in bronze, wood, and stone, including Colorado Yule marble. The selection process was controversial: after the Trump administration excluded the National Endowment for the Arts, the State Department initially picked artist Robert Lazzarini and curator John Ravenal, but that plan collapsed. The American Arts Conservancy, a new nonprofit led by Jenni Parido (a former pet food store operator with Mar-a-Lago ties), then took over, hiring Uslip, who approached Barbara Chase-Riboud and William Eggleston before settling on Allen. Donors include businessman John Phelan and fashion designer Tommy Hilfiger.

Leonardo Madriz’s Monuments to the Precarity of Now

Artist Leonardo Madriz presents his solo exhibition 'Do Not Be Afraid' at Parent Company, featuring five totemic sculptures constructed from rope, resin, and found objects. These works, which Madriz calls 'sentinels,' use materials like rebar, barbed wire, a fake Rolex, and a fragment of a US flag made in Vietnam to create anthropomorphic forms that appear weary and burdened.

A sturdy soldier in a sequin dress

"Eine kräftige Soldatin im Paillettenkleid"

Media reviews of the Venice Biennale's opening week offer contrasting takes on the German and US pavilions. Critics describe the German pavilion, curated by Sung Tieu and Henrike Naumann, as a dense, ironic East-West narrative that layers Nazi architecture with DDR prefab construction, creating what Jörg Häntzschel calls a "shockingly seamless symbiosis." The US pavilion, featuring sculptures by Alma Allen, is panned by Maximilíano Durón in ArtNews as politically timid and empty, lacking the clear colonial critiques of previous editions by Simone Leigh and Jeffrey Gibson.

‘Africa in the Spotlight’ exhibition in Lisbon

An exhibition titled 'Africa in the Spotlight' has opened at the Lisbon Alliance Française, curated by Tatyana Jolivet. The show features seven contemporary African artists from Burkina Faso, Angola, and São Tomé e Príncipe, including Casimir Bationo (CasziB), SDZabila, Flore Kaboré, and Valdemar Dória. Jolivet, a Russian-born curator based in Lisbon who runs the online Jolie Art Gallery, organized the exhibition to promote cultural diversity and dialogue, highlighting the deep-rooted African presence in Portugal dating back five centuries.

The sixth Aichi Triennale seeks to encompass destruction and renewal

The sixth edition of the Aichi Triennale, Japan's largest recurring contemporary art exhibition, opens under the title "A Time Between Ashes and Roses," featuring around 60 artists from 22 countries across venues in Nagoya. Artistic director Hoor Al Qasimi, president of the Sharjah Art Foundation, has curated a program that addresses themes of destruction and renewal, drawing on a poem by Syrian poet Adonis written after the 1967 Six-Day War. The exhibition references both the ongoing conflict in Gaza and the 80th anniversary of the atomic bombings of Hiroshima and Nagasaki, with participating artists including John Akomfrah, Simone Leigh, Wangechi Mutu, Michael Rakowitz, and Hiroshi Sugimoto.

Christie’s Spring Marquee Week Totals $693 Million 123% Over Low Estimate - Christie's

Christie's Spring Marquee Week, held May 12–15, 2025 in New York, generated $693 million in total sales, exceeding the low estimate by 123% and surpassing the auction house's totals from both May and November 2024. The week featured six evening and day sales, led by the $272 million Leonard & Louise Riggio: Collected Works sale, with the top lot being Piet Mondrian's *Composition with Large Red Plane, Bluish Gray, Yellow, Black and Blue* (1922) selling for $47.6 million. Marlene Dumas' *Miss January* set a new auction record for a living female artist at $13.6 million, and additional records were set for Simone Leigh, Emma McIntyre, Louis Fratino, Dorothea Tanning, and Remedios Varo. The overall sell-through rate was 88% by lot, with strong bidding across all price bands.