Artist and community researcher Dayna Raroa (Ngāti Porou) is transforming a published study on how severe weather affects health and wellbeing into an art exhibition in Gisborne. The research, co-authored by Raroa and published in June 2024, was originally shelved in a library; she now presents its findings through visual art to make the data more accessible and engaging for the local community.
Kelli Cole, lead curator of Tate Modern's Emily Kam Kngwarray survey, and academic Jennifer Green recommend five essential books for understanding Indigenous Australian art. The selections range from Wally Caruana's concise survey 'Aboriginal Art' (2025) to John Kean's 'Dot, Circle and Frame' (2023), which details the origins of the Papunya Tula art movement. The recommendations come amid major international exhibitions spotlighting Indigenous Australian art, including Tate Modern's Kngwarray show and the National Gallery of Art's 'The Stars We Do Not See'.
London's major museums and galleries are preparing a packed autumn 2025 season with blockbuster exhibitions. Highlights include 'Radical Harmony: Helene Kröller-Müller’s Neo-Impressionists' at the National Gallery, 'Theatre Picasso' at Tate Modern, a Kerry James Marshall retrospective at the Royal Academy of Arts, Peter Doig at the Serpentine, Gilbert & George at the Hayward, and 'Encounters: Giacometti x Mona Hatoum' at the Barbican. The Barbican show pairs historic works by Alberto Giacometti with new and existing pieces by Mona Hatoum, including several UK debuts and site-specific large-scale sculptures.
President Donald Trump had lunch with Lonnie G. Bunch III, secretary of the Smithsonian Institution, on Thursday, according to the New York Times. This meeting comes amid ongoing tensions between the Trump administration and the Smithsonian, including a White House list denouncing specific artworks—such as a painting of refugees at the US-Mexico border and Amy Sherald’s portrait of a Black trans woman as the Statue of Liberty—and an executive order claiming the institution has been influenced by “divisive, race-centered ideology.” Trump has also called for a legal review of Smithsonian displays, though his authority over the institution is unclear. The lunch was described as “productive and cordial” by a White House spokesperson, but no details of the discussion were released.
London's National Gallery has launched an open call for its next cohort of content creators as part of its 200 Creators programme. Following the success of the inaugural 2024 initiative—which generated 42 million views and 2.2 million engagements—the museum is now seeking 50 new social media influencers (applications due by 31 August). Selected creators will receive access to exhibition previews, workshops, out-of-hours gallery access, and four paid opportunities of £4,000 each. Applicants are suggested to have at least 50,000 followers on YouTube, 100,000 on Instagram, or 50,000 followers with a million likes on TikTok, though the museum encourages those with followings on other platforms to apply.
This article is a seasonal preview of the best art and architecture exhibitions opening in autumn 2025, primarily in London and other UK venues. It highlights major shows including Mona Hatoum's dialogue with Giacometti at the Barbican, a Picasso exhibition at Tate Modern, Kerry James Marshall's first major European retrospective at the Royal Academy, and the Turner Prize 2025 at Cartwright Hall Art Gallery in Bradford. Other featured exhibitions cover Hilary Lloyd's work on Dennis Potter, Marie Antoinette's image through art and fashion at the V&A, Basel Abbas and Ruanne Abou-Rahme's new commission at Nottingham Contemporary, and a Lee Miller retrospective at Tate Britain.
A roundup of fall 2025 museum exhibitions in North Texas highlights shows at the Crow Museum of Asian Art, the Nasher Sculpture Center, the Meadows Museum, and the Dallas Museum of Art. Key exhibitions include "Groundbreakers: Post-War Japan and Korea" at the Crow Museum, featuring Mono-ha, Dansaekhwa, and Gutai movements alongside contemporary artists Do Ho Suh and Tatsuo Miyajima; a major Antony Gormley survey at the Nasher Sculpture Center, his first U.S. museum retrospective; "Roaming Mexico: Laura Wilson" and a companion show of Manuel Álvarez Bravo at the Meadows Museum; and two Dallas Museum of Art exhibitions—"Creatures and Captives: Painted Textiles of the Ancient Andes" and "Constellations: Contemporary Jewelry." The New York Academy of Art also presents its Chubb Fellows and Friends at Green Family Art Foundation.
Thomas Oliver Maxwell won the Ministry of Culture Award and the overall prize of £1,500 in Gibraltar's 'Our Gibraltar' art competition for his painting of Southport Gates. The annual National Day Art Exhibition, featuring 64 entries from 42 local artists across painting, sculpture, and photography categories, opened at the Fine Arts Gallery in Casemates with Deputy Mayor Nicky Guerrero and Governor Lieutenant General Sir Ben Bathurst in attendance. Nataly Zelak-Victor won first prize in painting for 'Parson’s Lodge Battery,' while Prem Mahtani took first prize in photography for a photograph of Parson’s Lodge. Judges Douglas Morello, Gabriella Martinez, and Stefano Blanca Sciacaluga evaluated the works, noting the variety of media and locally themed subjects.
A pro-Palestine mural at the University of North Carolina (UNC) in Chapel Hill was boarded over overnight on August 17 by university administration without warning to the art department. The mural, created by students and community members in a course taught by artist Hồng-An Trương, had been displayed in the Hanes Art Center lobby for over a year. It features collaged prints in the colors of the Palestinian flag and the text “I told you I loved you and I wanted genocide to stop.” University officials cited the need to remove the artwork after its one-year display period and to repair the wall, but faculty and students have condemned the action as censorship.
This podcast episode features artist Jeffrey Gibson, who discusses his interdisciplinary practice blending Indigenous histories, queer aesthetics, and contemporary visual culture. Gibson talks about his upcoming exhibitions, including his U.S. Pavilion presentation at the 2024 Venice Biennale, a show at Hauser & Wirth in Paris, and major museum commissions at the Metropolitan Museum of Art, MASS MoCA, The Broad, and Kunsthaus Zürich. He reflects on influences from Henri Matisse, Magdalena Abakanowicz, Frank Bowling, and David Hammons, as well as his connection to poet Layli Long Soldier and writer Hélène Cixous.
The "Art Macao: Macao International Art Biennale 2025" has unveiled a new public artwork titled "Time Tower" at the Macao Cultural Centre Plaza. Created collaboratively by artists Guan Huaibin (China), Hirotoshi Sakaguchi (Japan), and Kim Sang-yeon (South Korea), the piece commemorates Macao's designation as a "Culture City of East Asia" this year. The biennale features over 30 exhibitions across six sections, including the "Public Art Exhibition" themed "Waves & Ways," which integrates art into Macao's urban fabric. Additionally, the Community Co-Creation and Mutual-Aid Project at San Mei On Building has launched residencies with artists like Jason Ho, Wang Ying, Shen Jialu, and Zhang Xiao, engaging local residents through interactive works.
The Regional Historical Museum – Sofia is opening an exhibition titled "Chronicles from the Studio. 130 years of Vasil Zahariev – artist, teacher, researcher" on July 17, 2025, running through November 30, 2025. The show marks the 130th anniversary of the birth of Bulgarian graphic artist Vasil Zahariev, featuring original works, personal belongings, documents, and photographs from his archive. Zahariev was also a lecturer and rector at the Academy of Arts, and a researcher of Bulgarian Renaissance art.
Students at the University of South Carolina curated "Generations: 100 Years of Art at USC," a centennial exhibition at the McKissick Museum celebrating the School of Visual Art and Design (SVAD). Developed in an exhibition design course taught by museum director Lana Burgess and professor Susan Felleman, the show traces the art department's history from its founding in 1925 by Katherine Heyward to its current status as the state's largest art program. Junior art history major Agostina Mercado and her classmates researched archives, conducted oral histories with former faculty like Philip Mullen, and uncovered themes of mentorship and community that have defined the school for a century.
A new exhibition at the University of Hawaiʻi at Mānoa’s Walter Dods, Jr. RISE Center honors the Metcalf Château, a pioneering collective of Asian-American artists who gathered in a house on Metcalf Street in the 1950s to redefine modern art in Hawaiʻi. Curated by Allison Wong and initiated by longtime university supporter Walter Dods, the show features works by founding members Bumpei Akaji, Satoru Abe, Tadashi Sato, Edmund Chung, Tetsuo “Bob” Ochikubo, Jerry T. Okimoto, and James K.K. Park, with a ceremonial blessing by Kahu Kordell Kekoa.
McPherson College’s Friendship Hall gallery is hosting a new exhibition featuring artwork from local artists in McPherson County, Kansas. The show, which resulted from an open call issued last spring, includes a diverse range of works by 23 artists from the community. A closing reception is scheduled for Sunday, September 28, from 2 to 4 p.m., and the exhibition will also be on view during the college’s Homecoming events on September 26–27.
Blue Fern Artists Collective Gallery will hold its grand opening and ribbon-cutting on Friday, Sept. 5, from 6 to 8 p.m. at 40B Main St. in Peterborough, N.H., in a space formerly occupied by Grey Horse Candles. The gallery, founded by Deborah Caplan and a group of local artists, had a soft opening during the Aug. 8 Night Market. It features 18 artists working in diverse media including paintings, drawings, collage, multimedia, ceramics, felting, jewelry, leather work, and photography. The collective is collaboratively owned and run, with each artist paying a nonrefundable buy-in and monthly dues, and working two shifts per month. Artists receive 82% of sales profits, far above the typical 40-50% gallery commission. The gallery is also partnering with MAXT Makerspace to showcase makers’ work and plans to host classes, art history lectures, poetry readings, and evening events in the adjacent alley.
NYU Art Gallery 80WSE is presenting exhibitions focused on manga and other drawings. The shows highlight contemporary works that engage with the visual language of manga, alongside a broader selection of drawings by various artists. The exhibitions aim to explore the intersection of popular culture and fine art within an academic gallery setting.
Fort Works Art Gallery in Fort Worth, Texas, will present 'The Works,' a group exhibition running from September 6 to October 25, 2025, with an opening reception on September 6. The show features both local and international artists, including Greg Bahr, Rachel English, Jodi Gerbi, Joshua Goode, Alonsa Guevara, Kerri Menchaca, James Razko, Lawrence Schiller, and Jay Wilkinson, with many pieces debuting for the first time across various mediums. The exhibition coincides with the Fort Worth Art Dealers Association’s Fall Gallery Night.
On 17 August, a nationwide strike and protests swept across Israel, with organizers estimating 2.5 million participants demanding a hostage deal and an end to the war in Gaza. Israeli art spaces and workers joined the action: the Tel Aviv Museum of Art closed operationally but opened its lobby to protesters and projected Michal Rovner's video work *Signaling (2024)* on its façade; the Israel Museum illuminated its Shrine of the Book in yellow; the Bezalel Academy of Arts and Design and Shenkar College also struck, while the Mishkan Museum of Art ceased activities in solidarity.
Loyola Marymount University’s Laband Art Gallery is presenting “Seeing Chicanx: The Durón Family Collection,” a fall 2025 exhibition on view from September 25 to December 6. Curated by scholar Karen Mary Davalos, the show features nearly 50 works by Chicanx artists from Southern California, drawn from the private collection of alumni Armando Durón and Mary Salinas Durón. The exhibition spans the 1970s to the present, including paintings, drawings, photography, and sculptures by artists such as Roberto Gutierrez, Judy Baca, Chaz Bójorquez, Gilbert “Maju” Luján, and Shizu Saldamando. Originally shown at the Monterey Museum of Art in 2024, the traveling exhibition aims to challenge stereotypes and provide a visual history of the Chicanx art scene in Los Angeles.
The Spencer Museum of Art at the University of Kansas has opened "Soundings: Making Culture at Sea," an exhibition exploring connections to the ocean from the landlocked state of Kansas. Curated by Emily Casey and Celka Straughn, the show runs through December 14 and features works from the museum's collection, including a Winslow Homer watercolor, a carved wooden mermaid, and photographs of Greenland glaciers, alongside a video by Isaac Julien. The exhibition is organized into four sections covering maps, ocean crossings, ecological threats, and maritime trade.
The Inter Lyceum Art Competition (ILAC) 2025 took place on July 12-13 at the J.D.A. Perera Art Gallery in Colombo, Sri Lanka, featuring 747 student artworks from 10 Lyceum International School branches. The event included categories such as drawing, collage, 3D art, digital graphics, sculpture, and assembling art, and was supported by sponsors Atlas and Academy of Design (AOD). A charity art auction of selected student drawings raised funds for Thimbiriwewa Primary School, a rural school in the Kurunegala area. Chief Guest Dharshan Thavaraja and Guest of Honour Professor Jagath Ravindra attended, with a judging panel of Chandana Kumarasinghe, Anupa Indika, and W.M.A.N. Wasala evaluating the works.
Three master’s students from Stellenbosch University—Rebekah Pringle, Thabo Ngwenya, and Emily Fitzgerald—launched an exhibition titled "Matter of Self: Private fragments, public forms" on 7 August at the Gallery University Stellenbosch (GUS). The show is part of a master’s review series that highlights their academic year progress. Pringle’s work explores her domestic experience and caretaker relationship with her grandmother using repurposed furniture; Ngwenya’s pieces address alienation as a Ndebele man in Zimbabwe through pop culture references and self-portraits as "boundary objects"; Fitzgerald’s art challenges patriarchy and heteronormativity using archival photographs, clay, and photolithographic processes.
Alex Da Corte's mid-career survey, "The Whale," is on view at the Modern Art Museum of Fort Worth, featuring works that repurpose pop-cultural icons like Disney villains and Mariah Carey to explore themes of erasure and violence. The exhibition includes pieces such as *A Time to Kill* (2016), which obliquely references the 2016 Pulse nightclub shooting through an inverted Elsa standee, and *The Great Pretender* (2021), which removes Lily Tomlin from a TIME magazine cover to comment on queer erasure.
Hyperallergic has published its comprehensive Fall 2025 New York Art Guide, recommending over 80 exhibitions across all five boroughs. Major highlights include the reopening of the Studio Museum in Harlem after a seven-year renovation, the debut of the new New Museum on the Bowery, and multiple exhibitions marking the 100th anniversary of Robert Rauschenberg's birth at the Guggenheim and the Museum of the City of New York. The guide also features shows by Monet at the Brooklyn Museum, Renoir at the Morgan, and Ruth Asawa and Wifredo Lam at MoMA, along with public art installations by Mika Rottenberg and Lady Pink on the High Line and MoMA PS1 facade.
Boston University Art Galleries (BUAG) has announced its fall 2025 season, featuring three exhibitions: "Information, Overload: School of Visual Arts 2025 Alumni Exhibition," which examines how artists navigate the circulation of images and text in the digital era; "Ni de Aquí, Ni de Allá (Not From Here, Not From There)," a solo show by acclaimed artist Victor “Marka27” Quiñonez exploring identity shaped by immigration and resilience; and "Hidden in the Layers," a returning exhibition celebrating printmaking, photography, and new media. All shows are free and open to the public at the Faye G., Jo, and James Stone Gallery and 808 Gallery on BU's Charles River Campus.
The Smithsonian's National Museum of American History has restored a placard for President Donald Trump to its impeachment display, updating it with new information. The change follows controversy after a temporary placard mentioning Trump was removed, which drew criticism from Democratic leaders and concerns about political interference at the Smithsonian. The museum stated the removal was due to the placard not meeting standards in appearance and presentation, and that no administration requested the change.
The Syracuse University Art Museum will launch its Fall 2025 season on August 26 with four new exhibitions. Highlights include 'What If I Try This?', a survey of Helen Frankenthaler's printmaking career curated by Melissa Yuen, featuring loans from multiple institutions and a gift from the Helen Frankenthaler Foundation. Other exhibitions include Kevin Adonis Browne's multimedia installation 'A Sense of Arrival' on Caribbean blackness, and 'Human/Environment: 4,000 Years of Art', a permanent collection show exploring human-environment relationships. An opening reception on September 11 will feature a talk by Stanford professor Alexander Nemerov.
The James Watrous Gallery, a nonprofit art space located on the third floor of the Overture Center for the Arts in Madison, Wisconsin, is dedicated to showcasing contemporary artists and curators with ties to the state. Unlike the nearby Madison Museum of Contemporary Art (MMoCA) and Chazen Museum of Art, which feature national and international artists, Watrous Gallery focuses almost exclusively on Wisconsin-based practitioners. Directed by Jody Clowes for the past decade, the gallery selects exhibitions through an open call every three to four years, with a committee of artists, arts workers, and curators from across the state. Recent shows include works by artists such as Shane McAdams, Lois Bielefeld, Dakota Mace, and the collaborative duo Shana McCaw and Brent Budsberg. The gallery is part of the Wisconsin Academy of Sciences, Arts & Letters, and each exhibition is featured in the Academy's publication "Wisconsin People & Ideas," often connecting to broader themes like climate and energy.
Bad Bunny's months-long concert residency in Puerto Rico, titled "No me quiero ir de aquí," has inspired a free art exhibition called "De Aquí Nadie Nos Saca" in the Santurce barrio of San Juan. Organized by the Latinx advocacy group Mijente and the art collective AgitArte, the exhibition features local Puerto Rican artists and organizations and serves as a spiritual companion to Bad Bunny's album "Debí Tirar Más Fotos." It highlights the island's everyday societal struggles, resistance movements, and cultural preservation amid colonialism and gentrification, with contributions from the theater collective Papel Machete, which created a giant puppet featured in Bad Bunny's music video for "La Mudanza."