Torggler Celebrates African American Artists And Their Stories

The Mary M. Torggler Fine Arts Center in Virginia will present two new exhibitions this fall: "Gateways: African American Art from the Key Collection" and "Transcendence" featuring works by Norfolk artist Luisa Adelfio. "Gateways" showcases ninety works from the collection of Eric Key, a Smithfield native who began collecting African American art in the 1990s as a means of exploring his identity and supporting Black artists, including pieces by Henry Ossawa Tanner, Jacob Lawrence, and Elizabeth Catlett. "Transcendence" presents Adelfio's paintings, drawings, and sculptures from the last five years, blending Classical architecture, Renaissance panel painting, and Surrealism, with a series titled "Corona Chronicles" that juxtaposes domestic objects with pandemic-era headlines.

RH Paris Opens An Immersive Gallery With Art, Furniture And Fine Dining On The Champs-Élysées

RH (formerly Restoration Hardware) has opened a sprawling new gallery on the Champs-Élysées in Paris, blending high-end furniture showrooms with art, fine dining, and a garden. The space, located at 23 Avenue des Champs-Élysées, was transformed from a former cinema and Abercrombie & Fitch flagship over six years. The opening event during Paris Design Week drew nearly one thousand guests, including Ellen DeGeneres, Portia de Rossi, Catherine Deneuve, Zoë Saldaña, and Theo James, with catering by chef Cyril Lignac and cocktails by Colin Field.

Elaine: The Collection of Elaine Wynn

Elaine Wynn's personal art collection, featuring works by Richard Diebenkorn, Lucian Freud, Joan Mitchell, and J.M.W. Turner, will be auctioned at Christie's 20th and 21st Century Art sales in New York this November. The collection, titled 'Elaine: The Collection of Elaine Wynn,' reflects the taste of the legendary Las Vegas figure known as the 'Queen of Las Vegas' for her transformative influence on the city's art, architecture, and style.

New Alden B. Dow Home and Studio exhibition to highlight acclaimed graphic designer Tim Lewis

The Alden B. Dow Home and Studio in Midland, Michigan, will host a new exhibition titled “A New Vision: The Graphic Art of Tim Lewis” from September 4 to December 31, 2025. The show celebrates the life and career of Tim Lewis, a Midland native and acclaimed graphic designer and illustrator who worked from the 1960s through the 1990s, creating commercial illustrations for major U.S. magazines, album covers for artists like Peter, Paul and Mary, Gordon Lightfoot, and Chuck Berry, and posters for Barbra Streisand’s TV specials. The exhibition includes original artwork and prints, many available for purchase, and opens with a public reception on September 4.

Palo Alto gallery adds new artist to the fold whose layered pieces unite chaos and calm

Bryant Street Gallery in Palo Alto has added Louisiana-based painter Lynn Sanders to its roster, featuring her large-scale abstract works in a solo exhibition titled "Lessons in Patience," on view through August 30. Gallery owner Karen Imperial discovered Sanders while searching online for abstract contemporary art, bypassing traditional portfolio submissions. Sanders uses a layered process with acrylic paints, stains, and ink to create fluid, color-rich compositions that she describes as a diary of her life and emotions.

Towering ambition: the Swiss artist Not Vital's Alpine playground

Swiss artist Not Vital, known for his multidisciplinary practice and SCARCH hybrids, owns Schloss Tarasp, an 11th-century castle in the Engadin region of Switzerland, which he bought in 2016. The castle is part of a foundation he established that also includes Parkin Sent, a sculpture park he acquired in 1998, and the 17th-century Planta House Ardez. Vital's installations in the park, such as "Punt dals asens (Donkey Bridge)" (2001) and "JOSÜJO (Disappearing House)" (2007), invite visitors to explore nature, while at the castle he installed "House to Watch the Sunset" (2018), a tower-like sculpture that challenges architectural logic.

Elmhurst Art Museum highlights permanent collection in new exhibit

The Elmhurst Art Museum is presenting "Legacies: Selections from the Elmhurst Art Museum Permanent Collection," an exhibition running through August 17 that highlights works from its permanent collection. Founded in 1981 by teachers, artists, and art lovers, the museum has grown to hold around 1,000 works focused on 20th-century art and design by Midwestern artists. The show explores how collections are built, featuring donations from over 200 donors and including pieces such as a Barcelona Chair attributed to Mies van der Rohe but designed by Lily Wright, a large painting by Michelle Grabner, and Joseph Burlini's sculpture "Circus Wagon." The museum also acquired the Mies van der Rohe-designed McCormick House in 1992, which set its path integrating art, architecture, and education.

‘A dialogue about rationality and irrationality’: Ai Weiwei to present new installation in Ukraine

Chinese artist and activist Ai Weiwei will unveil a major new commission in Kyiv, Ukraine, this autumn. The installation, titled "Three Perfectly Proportioned Spheres and Camouflage Uniforms Painted White," is a site-specific response to global armed conflicts, housed in Pavilion 13, a renovated Soviet-era exposition hall. The work features three large spheres covered in camouflage uniforms painted white, inspired by Leonardo da Vinci's illustrations, and incorporates patterns based on rescued cats. The project is commissioned by RIBBON International and supported by the Pavilion of Culture.

Gaudi’s original vision for Casa Batlló has been restored

Antoni Gaudí’s Casa Batlló in Barcelona has undergone a €3.5 million restoration that returns the building’s rear façade and private courtyard to their original 1906 design. Led by architect Xavier Villanueva, the year-long project employed local artisans to rebuild Gaudí’s vaulted balcony support system, reinstate lost features such as planters and a pergola, and restore original colors using 85,000 Nolla mosaic pieces, ironwork, stucco, and trencadís. The work coincides with the 20th anniversary of the building’s UNESCO World Heritage designation.

In pictures: highlights from Art Basel's city-wide exhibition, Parcours

New York-based curator Stefanie Hessler has organized the second edition of Art Basel's Parcours exhibition, featuring 21 works installed across Basel in unconventional spaces such as hotels, shops, and private apartments. Highlights include Agnieszka Kurant's chemical gardens made from computer-manufacturing metals, Finnegan Shannon's accessible benches with rest-oriented texts, and Hylozoic/Desires' 80-meter fabric installation referencing a colonial-era customs line. The exhibition clusters along Clarastrasse and extends to the Münsterplatz in the Old Town.

6abc Loves the Arts: "Soft/Cover" on view through August 17 at Fabric Workshop and Museum

The Fabric Workshop and Museum in Philadelphia is presenting "Soft/Cover," an exhibition featuring 90 works by 65 artists drawn from the museum's history from the late 1970s to today. Co-curated by Katy Donoghue and former chief curator DJ Hellerman, the show spans three floors and is arranged thematically around home items, shelter, and suiting, including soft architecture, garments, and tapestries. Eight artists-in-residence created new works for the exhibition, with seven produced on-site, such as Aimee Koran's "Mama's Space Suit" inspired by Louise Nevelson's 1985 "Opera Costume." Notable artists featured include Lynda Benglis, Roy Lichtenstein, Pat Steir, and Richard Tuttle.

In Rotterdam, a new art museum explores the city's rich history of migration

The Fenix Museum of Migration opens in Rotterdam on May 16, housed in a former warehouse transformed by MAD Architects into a dramatic space centered on a double-helix staircase called the Tornado. The museum explores migration through art, with a major exhibition titled *All Directions* featuring over 100 artists, a photography show *The Family of Migrants*, and a maze built from 2,000 suitcases. Director Anne Kremers and foundation director Wim Pijbes emphasize the museum's role in telling stories of both departure and arrival in a city shaped by centuries of global movement.

Art on Location

The article introduces 'Art on Location,' a curated focus on outdoor art experiences, covering public art, sculpture parks, urban and rural artist trails, and location-specific technology. It highlights examples such as Caravaggio's Rome, John Constable's Dedham Vale, and public sculptures from the Colossus of Rhodes to Anish Kapoor's Cloud Gate. The piece also features a guide to all existing paintings by Leonardo da Vinci by expert Martin Kemp, a Vincent van Gogh artist trail by Martin Bailey, and discussions of exo-architecture, memorial art, land art, and virtual repatriation through location-specific technology.

Cultural Losses Across West Asia

Since February 28, 2026, US-Israeli strikes on Iran have escalated into a major military confrontation across the Middle East, causing heavy casualties and infrastructure damage. Multiple UNESCO World Heritage sites have been hit, including Tehran's Golestan Palace (damaged on March 2), Isfahan's Chehel Sotoun palace and Naqsh-e Jahan Square (attacked March 9), and Tel Aviv's White City Bauhaus architecture, which suffered severe damage from Iranian counterattacks.

Un itinerario fotografico tra installazioni e progetti d’autore della Design Week 2026. La collaborazione tra Artribune e i computer di MSI

This article outlines a one-day itinerary through Milan's 2026 Fuorisalone design week, highlighting key installations and exhibitions. It begins at Torre Velasca, featuring Polish Modernism and Brazilian modernist Jorge Zalszupin, then moves to the University of Milan's cloisters for the Interni magazine exhibition themed 'Materiae,' with oversized sculptures and a yacht installation by Piero Lissoni for Sanlorenzo. Other stops include Palazzo Litta, where architect Lina Ghotmeh presents 'Metamorphosis in Motion,' and Galleria Rossana Orlandi, focusing on the theme of doors. The itinerary concludes at Alcova in the former Baggio Military Hospital, an abandoned space reactivated by curators Valentina Ciuffi and Joseph Grima.

ROBERTO BEHAR ROSARIO MARQUARDT WIN THE LIFETIME ACHIEVEMENT AWARD AT THE ELLIES OOLITE ARTS AWARDS

The Argentine artistic duo Roberto Behar and Rosario Marquardt have received the $75,000 Lifetime Achievement Award at The Ellies Oolite Arts Awards. The pair, founders of R&R STUDIOS, are recognized for their decades-long collaborative practice that merges art, architecture, and public space to create social sculptures.

Nobody Can Defeat Me: The Brazilian Pavilion in Venice Between Spirituality, History and Nature

NOBODY CAN DEFEAT ME THE BRAZILIAN PAVILION IN VENICE BETWEEN SPIRITUALITY HISTORY AND NATURE

The Fundação Bienal de São Paulo has revealed the curatorial project for the Brazilian Pavilion at the 61st Venice Biennale in 2026. Titled 'Comigo ninguém pode' (Nobody Can Defeat Me), the exhibition is curated by Diane Lima and features a major two-person presentation of artists Rosana Paulino and Adriana Varejão, who will occupy the entire pavilion with an installation-based project designed by Daniela Thomas.

QUESTIONING POWER AND COLONIAL STRUCTURES CINTHIA MARCELLE INTERVENES AT SERRALVES

Brazilian artist Cinthia Marcelle has unveiled a major site-specific installation titled "beginning, middle, beginning" at the Serralves Museum in Porto. Developed in collaboration with the architecture collective vão and curated by Inês Grosso, the work transforms the museum’s Central Gallery into a space governed by cycles of repetition. Drawing inspiration from the philosopher and Quilombola leader Nêgo Bispo, the installation challenges Western linear conceptions of time and highlights the persistence of colonial structures in modern social organization.

Zurich: Peripheral Presence. by Tibor Bielicky and Ellena Ehrl

Zurich’s urban landscape is defined by functionalist structures from the 1990s and early 2000s that serve as the 'understated backdrop' to daily life. These buildings, including the Signal Box by Gigon Guyer and the Telecap 2000 by Hans Ulrich Imesch, act as navigational markers at the city’s geographic choke points. Despite their significance in shaping the city's rhythm and internal choreography, many of these structures are now reaching the end of their first lifecycle and face the threat of demolition due to real estate speculation.

Participatory Design or Processual Formalism? Frei Otto, the Ökohaus, and the Ökohäusler by Matthew Kennedy

The Ökohaus (Eco-House) project in Berlin stands as a radical experiment in participatory architecture, born from the 1987 Internationale Bauausstellung (IBA) urban renewal program. Designed by Frei Otto, the complex features three residential buildings characterized by a 'double informality' where dense foliage and a patchwork of diverse cladding materials—ranging from timber and metallic shingles to exposed concrete—create a ruin-like yet meticulously resolved aesthetic. The project challenged traditional housing models by allowing residents, or 'Ökohäusler,' to engage in a collective and individualized construction process.

Al Padiglione Emirati della Biennale di Venezia l’ascolto passa dall’architettura

At the Venice Biennale, the UAE Pavilion at the Arsenale presents 'Washwasha,' a project curated by Bana Kattan that focuses on sound as an invisible infrastructure crossing cultures, memories, and identities. Featuring artists Tala Safié, Farah Al Qasimi, and Ala Younis, the pavilion eschews visual shock and political slogans for an immersive, auditory experience that prioritizes listening, proximity, and disorientation. Architect Koray Duman, who designed the space, explains in an interview that the pavilion is a deliberate counter to the contemporary culture of hyperstimulation and monetized attention, using architecture not as a container but as a system that organizes perception and emotional tension.

Here is what the 2027 Venice Architecture Biennale curated by Chinese architects Lu Wenyu and Wang Shu will be about

Ecco di cosa parlerà la Biennale Architettura di Venezia 2027 dei curatori cinesi Lu Wenyu e Wang Shu

For the first time in the history of the Venice Architecture Biennale, two Chinese architects—Wang Shu (Pritzker Prize 2012) and Lu Wenyu—have been appointed as curators of the 20th International Architecture Exhibition, scheduled from May 8 to November 21, 2027. The duo, who co-founded Amateur Architecture Studio in 1997 and are partners in life and work, previously participated in the Biennale in 2010 under Kazuyo Sejima (receiving a Special Mention for their project "Decay of a Dome") and in 2016 under Alejandro Aravena. Their edition will follow the 2025 edition curated by Carlo Ratti and will be titled "Fare Architettura" (Doing Architecture), focusing on the coexistence of diversity in real reality.

Architectures, Projects and Visions: The Story of Santa Maria della Scala Goes on Show in Siena

Architetture, progetti e visioni. La storia del Santa Maria della Scala va in mostra a Siena

The Fondazione Antico Ospedale Santa Maria della Scala in Siena has launched a new regeneration project for the historic complex, 40 years after it ceased functioning as a hospital. The foundation, led by president Cristiano Leone and director Chiara Valdambrini, commissioned Luca Molinari Studio to analyze the original design by Guido Canali and coordinate a collaborative masterplan involving three international architecture firms: LAN Architecture, Odile Decq with Pangalos Feldmann Architectes, and Hannes Peer Architecture. An exhibition titled "Santa Maria della Scala. Architetture, progetti e visioni" will open on May 30, 2026, curated by Luca Molinari, showcasing the architectural plans and visions for the site.

Curatori e allestitori ci raccontano la grande mostra dedicata a Franco Vaccari a Bolzano

A major retrospective exhibition titled "Feedback. Gli ambienti di Franco Vaccari" has opened at Museion in Bolzano, Italy, dedicated to the late artist Franco Vaccari (1936–2025). The show features over twenty immersive environments, historical works, and recent video experiments drawn largely from the museum's permanent collection and the Franco Vaccari Archive of Visual Writing. Curated by Frida Carazzato and Luca Panaro in collaboration with Fosbury Architecture, the exhibition explores Vaccari's cross-disciplinary practice spanning photography, writing, and participatory installation art.

Two photographers tried to tell Tuscany beyond the usual clichés

Due fotografi hanno provato a raccontare la Toscana oltre i soliti cliché

The article profiles photographers Gioconda Rafanelli and August Kaciuruba, who are contributing to the "How Italy Feels" project curated by Marina Serena Cacciapuoti and Cesare Cacciapuoti of Italy Segreta. The project involves twenty local photographers capturing Italy beyond stereotypes. In the Tuscany chapter, Rafanelli and Kaciuruba present a lived, off-duty vision of the region, blending fashion, architecture, and cinematic influences. They discuss their collaborative process, their shared gaze, and how their work shifts between the fast pace of Milan and the slower rhythms of Tuscany, drawing inspiration from filmmakers like Wong Kar-wai, Stanley Kubrick, Luchino Visconti, and Michelangelo Antonioni.

The Syrian Pavilion returns to Venice after the fall of the regime. The interview

A Venezia torna il Padiglione della Siria dopo il crollo del regime. L’intervista

The Syrian Pavilion returns to the Venice Biennale after the fall of the regime, marking the country's first participation since 2024. The pavilion, curated by artist Sara Shamma, is housed in the former refrigerated warehouses of Santa Marta at the Iuav University of Venice and runs until November 22. It features an installation inspired by the ancient funerary towers of Palmyra, combining painting, architecture, light, sound, and scent to explore cultural heritage and the restitution of looted antiquities.

The 15th-century Ca' Giustinian Faccanon reopens in Venice. It will be a space for exhibitions and events

A Venezia riapre il quattrocentesco Ca’ Giustinian Faccanon. Sarà uno spazio per mostre ed eventi

The historic Ca' Giustinian Faccanon, a rare example of Venetian Gothic architecture in the San Marco district, has reopened in Venice after over a year of restoration work. The 15th-century palace, acquired by entrepreneur Andrea Parisotto, will now serve as a space for exhibitions and events managed by Art Events and Cultural Real Estate Studio. During the 61st Venice Biennale, it will host the Vietnam Pavilion with the exhibition "Arte nel flusso globale" curated by Do Tuong Linh, marking Vietnam's first official participation, as well as a solo show by Korean sculptor Shim Moon-Seup titled "Harnessed From Nature."

Venice Biennale Scraps “Golden Lion” Awards as Turmoil Continues

The 61st Venice Biennale has scrapped its traditional Golden Lion awards, replacing them with public-voted “Visitor Lions” after the entire award jury resigned on April 30. The jury had previously announced its intention to exclude countries whose leaders are charged with crimes against humanity by the International Criminal Court, effectively targeting Russia and Israel. The Biennale Foundation, however, stated that all official national pavilions—including Russia and Israel—will be eligible for the new Visitor Lions, citing principles of inclusion and equal treatment. The awards ceremony has been moved from May 9 to November 22, the final day of the Biennale, to allow ticket holders to vote throughout the event.

At the Baths of Diocletian in Rome, a show by a Chinese artist is a hit. The curator explains why

Alle Terme di Diocleziano di Roma spopola la mostra di un’artista cinese. Il curatore spiega perché

Chinese artist Wu Jian'an (born 1980, Beijing) is the subject of a major solo exhibition at the Baths of Diocletian in Rome, part of the Museo Nazionale Romano. Titled "Metamorphoses. L'arte che trasforma," the show explores connections between Chinese and Italian cultures, as well as broader Eastern and European traditions. Curated by Umberto Croppi, president of the Accademia di Belle Arti di Roma, the exhibition features works such as the monumental leather installation "The Heaven of Nine Levels" (2008–2009) and the series "The Eternal Cycle – Running Through the Seasons" (2024–2025), which combines intricate paper cutouts, silk, wax, and cotton thread. The artist, who represented China at the 57th Venice Biennale in 2017, was inspired by the ancient Roman spaces, creating a dialogue between his contemporary pieces and the site's classical mosaics and architecture.

The Great Festival of Contemporary Creativity in Parma Celebrates Its First 10 Years: The Events to See

Il grande festival di Parma sulla creatività contemporanea festeggia i suoi primi 10 anni: gli eventi da vedere

The Parma 360 Festival, a major contemporary creativity festival in Parma, Italy, celebrates its tenth edition with the theme "Lux. Visioni sulla Luce" (Lux: Visions of Light). Curated by Chiara Canali and Camilla Mineo, the festival features five exhibitions across special city locations, transforming Parma into a diffuse museum. Highlights include Antonio Barrese's "Morphology Light. Viaggio nella forma della luce" at Galleria San Ludovico, exploring light as plastic matter, and Michael Kenna's photographic exhibition "Il fiume Po. Scritture di luce" at Palazzo Pigorini, capturing the Po River through contemplative black-and-white imagery. Over its nine previous editions (2016–2025), the festival has presented more than 70 official exhibitions and involved over 200 artists.