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In historic move, MFA Boston returns works by 19th-century enslaved artist David Drake to his heirs

The Museum of Fine Arts (MFA) Boston has agreed to return two 1857 ceramic jars by David Drake, an enslaved Black potter, to his living descendants. One vessel will remain on loan to the museum for at least two years, while the other—the "Poem Jar"—has been purchased back by the MFA from the heirs for an undisclosed sum, now carrying a "certificate of ethical ownership." The museum acknowledges that Drake created the works involuntarily and without compensation, marking the first time the MFA has resolved a claim for art wrongfully taken under U.S. slavery.

“Young Lords in Chicago” Reminds Us, the Struggle for Social Justice Only Ends if We Concede

The DePaul Art Museum is presenting "Tengo Lincoln Park en mi corazón: Young Lords in Chicago," an exhibition that chronicles the history of the Young Lords Organization (YLO), a Puerto Rican street gang turned socio-political movement founded by José "Cha Cha" Jiménez. Through artifacts like Jiménez's purple beret, newly-commissioned murals by Sam Kirk, and a range of ephemera, the show traces the YLO's fight against displacement and for social justice in Chicago's Lincoln Park neighborhood, linking past struggles to present-day activism.

From street gang to civil rights group, the Young Lords’ impact is on display in a new DePaul art exhibition

The DePaul Art Museum in Chicago has opened a new exhibition titled "Tengo Lincoln Park en mi Corazón: Young Lords in Chicago," curated by Jacqueline Lazú. The show explores the history and activism of the Young Lords Organization, a group that began as a Puerto Rican street gang in the 1950s and evolved into a civil rights advocacy group fighting against displacement and discrimination in Lincoln Park. The exhibition features objects like purple berets, protest art, and photographs, and is the result of decades of collaboration between DePaul University and the Young Lords.

Participants withdraw from Chicago Architecture Biennial over sponsor’s investment in weapons manufacturer

Nine participants in the Chicago Architecture Biennial (CAB), which opened on September 19, have withdrawn in protest over exhibition sponsor Crown Family Philanthropies' investment in General Dynamics, a military contractor supplying weapons to the Israeli military. A letter signed by 22 individuals, collectives, and firms—nearly half of whom also withdrew—argues that the sponsorship contradicts the biennial's mission of addressing architecture's role in shaping a collective future. The biennial's sixth edition, titled SHIFT: Architecture in Times of Radical Change, is led by artistic director Florencia Rodriguez. Participants had raised concerns last month, and organizers clarified that Crown Family funds support education programming, not the exhibition itself, which the letter calls "even more painful" given the destruction of schools in Gaza.

Ceramics exhibition opens Dowd Gallery 2025-26 year

Two ceramic artists, Errol Willett and Edward Feldman, opened the 2025-26 exhibition year at SUNY Cortland’s Dowd Fine Arts Gallery with the show “Creating Movement and Flow: A Conversation of Form and Utility.” The exhibition, on view through November 14, 2025, features ceramic works that emphasize motion and process over static objects. A series of free public workshops accompanies the show, including two-part sessions led by Feldman in September and Willett in October, focusing on wheel-throwing and hand-building techniques.

Frustrated by Chicago's Jewish institutions, anti-Zionist artists are forming their own Jewish cultural center

Anti-Zionist Jewish artists in Chicago, led by Gabriel Chalfin-Piney-González, founded the Jewish Museum of Chicago in 2023 as a decentralized cultural center without a permanent physical space. The initiative emerged from frustration with the lack of a Jewish museum in the city and a desire to create a welcoming community for anti-Zionist Jews, especially galvanized by the war in Gaza. The museum has since hosted over a dozen exhibitions and events, including a Liberation Seder and an artists collective, and is planning a brick-and-mortar space.

Newly designed gallery for Applied Arts of Europe opening at Art Institute of Chicago

The Art Institute of Chicago will open the newly designed Eloise W. Martin Galleries for the Applied Arts of Europe on July 11, 2025. The 4,500-square-foot space will display over 300 objects from the museum's collections of furniture, silver, ceramics, and glass dating from 1600 to 1900, with 40% more objects on view than previously. Highlights include a carved chair made by Indian artisans for a European merchant, rare Chinese porcelain vases mounted in gilded bronze, and a neo-Gothic sideboard by William Burges. The galleries, designed by Barcelona-based architects Barozzi Veiga, follow a chronological narrative exploring design, craftsmanship, and commerce amid geopolitical shifts and colonialism.

Art x Climate Gallery triumphs at the Smithsonian

The article reports that the Art x Climate Gallery has achieved a notable success at the Smithsonian Institution, though the specific details of the triumph are obscured by a security verification page that blocks access to the full content. The gallery, which likely focuses on the intersection of art and climate change, appears to have been recognized or celebrated within the Smithsonian's prestigious museum network.

From art school to soccer pitch: Peter Robinson's six-decade career celebrated in new exhibition in Glen Ellyn

The Daily Herald reports on a new exhibition in Glen Ellyn celebrating the six-decade career of artist Peter Robinson, whose work spans from his art school training to unexpected subjects like soccer pitches. The show highlights the breadth of his practice and his enduring creative output over sixty years.

Art, research, and Night at the Museum: The flourishing partnership between UC Santa Cruz Humanities and the Museum of Art and History - UC Santa Cruz

UC Santa Cruz Humanities and the Santa Cruz Museum of Art & History (MAH) have deepened their decade-long partnership, marked by the MAH's 30th anniversary in April 2025. The collaboration includes co-sponsored exhibitions like "This is Thirty" and the ongoing "Night at the Museum" public event series, which brings scholars, artists, and community members together for free panel discussions and exhibits. Notable past projects include the 2016 Kinsey African American Art & History Collection exhibition and the 2023 California premiere of "Resettlement: Chicago Story."

Calling Back 11 Forgotten Women Artists: Leeum’s "Inside Other Spaces"

Leeum Museum of Art in Seoul is presenting "Inside Other Spaces: Environments by Women Artists, 1956–1976," an exhibition that reconstructs immersive environmental artworks by 11 pioneering women artists. Originally curated in 2023 at Haus der Kunst Munich and later shown at MAXXI in Rome and M+ in Hong Kong, the show features restored pieces including Judy Chicago's "Feather Room" (filled with 136 kg of white goose feathers), Jung Kangja's "Muchejeon" (restored after 56 years), Lygia Clark's "House Is Body: Penetration, Ovulation, Germination, Expulsion," and Marian Zazila, La Monte Young, and Jung Hee Choi's "Dream House: Environment of Sound and Light" (shown in Asia for the first time).

'The Bean' Sculptor Kapoor Blasts America's 'Politics Of Hate' And 'Warmongering'

British-Indian sculptor Anish Kapoor, best known for Chicago's 'Cloud Gate' sculpture (commonly called 'The Bean'), publicly criticized American politics in a recent interview, denouncing what he described as a 'politics of hate' and 'warmongering.' Kapoor, whose monumental public artworks have become global icons, did not specify particular events but spoke broadly about the current political climate in the United States.

[Gallery Walk] The Vanished Rooms of Women Reopened

Leeum Museum of Art in Seoul is presenting "Into Other Spaces: Synesthetic Environments by Women Artists 1956-1976," a major exhibition opening May 5 that reconstructs immersive environmental artworks by 11 women artists from Asia, the Americas, and Europe. The show features full-scale recreations of works that were often dismantled or lost, including Jeong Gangja's "Muchejeon" (1970), which was shut down by authorities after just days. Curators Andrea Lissoni and Marina Pugliese used archival materials, photographs, and direct consultations with artists or their estates to piece together these ephemeral pieces.

In "Dancing the Revolution," Puerto Rico Pushes Back

The article reviews "Dancing the Revolution," a multi-genre collective exhibition at the Museum of Contemporary Art Chicago that explores the music of dancehall and reggaetón, their roots, history, and evolution, and their inextricable link to colonial oppression. The show is inspired by the massive 2019 protests in Puerto Rico against then-Governor Ricardo Rosselló, where music and dance were used as forms of resistance, drawing on centuries of Black Atlantic protest in the Caribbean.

In Dancehall and Reggaetón’s Evolution, MCA Chicago Charts a Global Awakening

The Museum of Contemporary Art Chicago has opened "Dancing the Revolution: From Dancehall to Reggaetón," an ambitious exhibition exploring the historical evolution of dancehall and reggaetón as cultural movements and their influence on contemporary art. Curated by Carla Acevedo-Yates, the show features over 40 international artists including Isaac Julien, Edra Soto, Alberta Whittle, Carolina Caycedo, supakid, and Lee "Scratch" Perry, tracing the genres' roots from Afro-Caribbean traditions through their emergence in Jamaica, Panama, and Puerto Rico to global mainstream dominance by figures like Daddy Yankee and Bad Bunny.

MCA Chicago show explores the power of Dancehall and Reggaeton

The Museum of Contemporary Art Chicago has launched "Dancing the Revolution: From Dancehall to Reggaetón," an interdisciplinary exhibition exploring the political and cultural impact of Caribbean music genres. Curated by Carla Acevedo-Yates, the show was inspired by the 2019 "perreo combativo" protests in Puerto Rico that led to the governor's resignation. The exhibition features a diverse array of media, including paintings by Jean-Michel Basquiat and Denzil Forrester, sculptures by Michael Richards, and archival materials like Dancehall posters and sound system equipment.

Ethiopia’s Africa Hall wins Modernist conservation award

The World Monuments Fund and Knoll have awarded the 2026 World Monuments Fund/Knoll Modernism Prize to the Australia-based architecture firm Architectus for its conservation of Africa Hall in Addis Ababa, Ethiopia. The building, completed in 1961 and designed by Italian architect Arturo Mezzedimi, serves as the headquarters of the United Nations Economic Commission for Africa and was commissioned by Emperor Haile Selassie. The decade-long, $57 million restoration project, completed in October 2024, involved local experts, restored original furniture and stained-glass windows by artist Afewerk Tekle, and modernized the structure while preserving its modernist vision. The jury also awarded its first Stewardship Award for Modernist Homes to the Umbrella House in Sarasota, Florida, designed by Paul Rudolph.

Theaster Gates to create giant frieze for Obama Presidential Center

The Obama Presidential Center has announced a new commission by Chicago-based artist Theaster Gates, who will create a large frieze made of photo-printed aluminum using images from the Johnson Publishing Company archives—the publisher of Ebony and Jet magazines—and the work of photographer Howard Simmons. The installation, set to open in 2026, honors the dignity of Black life and the vibrancy of Black culture throughout the 20th century. Gates has been working with 20,000 photographs from the archive since 2016, and the frieze will be visible from Stony Island Avenue, near his own Stony Island Arts Bank. Other high-profile commissions for the center include works by Julie Mehretu, Maya Lin, Lindsay Adams, Nick Cave, Aliza Nisenbaum, Jenny Holzer, and Idris Khan.

Museum acquires massive Martin Wong triptych from Art Basel Miami Beach

Martin Wong's monumental 12-foot-wide triptych *Tai Ping Tien Kuo (Tai Ping Kuo)* (1982) sold for $1.6 million to a US museum during Art Basel Miami Beach. The work, shown publicly for only the second time ever, was displayed at the booth of New York gallery PPOW. It had previously been exhibited in 1987 at New York's Asian Arts Institute and remained in storage for decades. The painting will next travel to Wrightwood 659 in Chicago for a forthcoming Wong exhibition.

Cutting and Pasting: The Art of Collage on Display at Beverly Arts Center

The Beverly Arts Center in Chicago is hosting "RE-BOP! (Obstructions & Disruptions)," a group exhibition dedicated to the art of collage. Curated by Paloma Trecka and Todd Bartel, the show features nearly 60 artists from Ireland, Spain, the Netherlands, and across the U.S., including prominent local artist Tony Fitzpatrick, who originally conceived the exhibition. The works range from traditional cut-paper pieces to digital collages, with many exploring themes of improvisation, rhythm, and disruption. The exhibition was organized with help from the Beverly Arts Alliance and the participatory magazine Cut Me Up, which issued an open call that drew 150 submissions.

Kemper Art Museum wins best monograph award

The Kemper Art Museum at Washington University in St. Louis has won the 2024 best monograph award from the Midwest Art History Society (MAHS) for its exhibition catalog "Adam Pendleton: To Divide By." The catalog, published by the museum and distributed by the University of Chicago Press, was honored during the society's Outstanding Catalog Awards ceremony in Denver on April 4. Edited by Kemper curator Meredith Malone, the volume features essays by Malone, Joshua Chambers-Letson, Hal Foster, and a conversation between Pendleton and critic Isabelle Graw, along with transcripts of two film portraits by the artist.

Art on Location

The article introduces 'Art on Location,' a curated focus on outdoor art experiences, covering public art, sculpture parks, urban and rural artist trails, and location-specific technology. It highlights examples such as Caravaggio's Rome, John Constable's Dedham Vale, and public sculptures from the Colossus of Rhodes to Anish Kapoor's Cloud Gate. The piece also features a guide to all existing paintings by Leonardo da Vinci by expert Martin Kemp, a Vincent van Gogh artist trail by Martin Bailey, and discussions of exo-architecture, memorial art, land art, and virtual repatriation through location-specific technology.

ROBERTO BEHAR ROSARIO MARQUARDT WIN THE LIFETIME ACHIEVEMENT AWARD AT THE ELLIES OOLITE ARTS AWARDS

The Argentine artistic duo Roberto Behar and Rosario Marquardt have received the $75,000 Lifetime Achievement Award at The Ellies Oolite Arts Awards. The pair, founders of R&R STUDIOS, are recognized for their decades-long collaborative practice that merges art, architecture, and public space to create social sculptures.

Karmic Modernism. In Conversation with Elizabeth Englander by Nick Irvin

Elizabeth Englander, an artist working primarily in assemblage with materials like children's furniture, nutcrackers, and old clothing, discusses her recent exhibitions and spiritual approach to art in an interview with Nick Irvin for Flash Art. The conversation covers her show "The Elizabethan Lumber Room" (2026) at a. SQUIRE in London, the modular barrister's bookcase inherited from her mother, and her "Parinirvana" series (2025) that explores themes of death and sacred art through papier-mâché, paint, and mylar. Englander also references influences such as Constantin Brâncuși, her graduate advisor Tom Weaver, and Erwin Panofsky's writings on tomb sculpture.

Teen Artists Challenge Traditional Boundaries at Fort Worth Gallery Show

The Pool Near Southside Arts Space in Fort Worth hosted the NAMNAL Exhibition, the city's first art and AI exhibition featuring twenty-two emerging youth artists. The show, which closed May 12, was the culmination of a STEAM-based initiative called NAMNAL (New Age Media – New Age Learning), founded by Sri Lankan American artist and AP art teacher Dhananjaya “DJ” Perera. The exhibition displayed 25 core works reimagined across mediums—from sketches to 3D prints, projection mapping, and embroidery—developed in collaboration with TCU’s College of Fine Arts and UT Dallas’ Harry W. Bass Jr. School of Arts, Humanities, and Technology.

Behind the Uniform Art Exhibition

The DC Commission on the Arts and Humanities gallery in Washington, D.C., is hosting "Behind the Uniform," an exhibition featuring artwork by 125 artists, including several Capitol Hill veterans. Curated by Kasse Andrews-Weller, an Army and Air Force veteran, and co-curated by Moira McGuire, the show presents works that express wartime experiences and personal stories, with many artists using art as a means of healing from trauma. Highlights include a large quilt by the Treasured Piece Makers, led by Anne Crouch, made from uniform fabric and mission logos, and a painting by Jeremiah Foxwell honoring his bomb-disposal partner Kevin Powell.

International Friendship Park, at the western end of the U.S.-Mexico border, is focus of new art exhibition

A new art exhibition titled “Occupy Thirdspace III: The Park” opens at San Diego’s Central Library, focusing on International Friendship Park, a state park at the western end of the U.S.-Mexico border. Co-curated by Sara Solaimani and Natalia Ventura, the show features three artist collectives—Las Comadres, Art Made Between Opposite Sides (AMBOS), and Friends of International Friendship Park—to visually tell the park’s story. The park opened in 1971 as a meeting place for families divided by the border but has been closed on the U.S. side since 2020, while remaining open on the Mexico side. The exhibition is the third installment in Solaimani’s series exploring Henri Lefebvre’s concept of “third spaces” as symbolic sites that challenge systems of power.

Navid Baraty’s Atmospheric Photos Explore Contrasting Scales of Time

Navid Baraty's series "The Time Between" combines digital photographs of urban skylines like Manhattan and Chicago with dramatic natural landscapes such as desert dunes and snow-capped mountains. Using a double-exposure technique, the artist blends city lights and skyscraper outlines with geological features to explore contrasts between contemporary urban life and ancient, timeless terrains.

design aspen home dana garman jim jacobson

Dana Garman Jacobsen and Jim Jacobsen purchased a 1970s West End house in Aspen, Colorado, after Dana felt an irresistible pull toward the property during a ski trip. The home, previously owned by Chicago philanthropist Joan Harris, features a post-and-beam structure reminiscent of their Richard Neutra house in Los Angeles, with a swimming pool integrated into the living space and architectural details that frame mountain views. The couple furnished the interiors with pieces from Dana's collection, including Børge Mogensen sofas and a Biedermeier chaise lounge, and crafted bed frames from a 150-year-old walnut tree.

Collapse Finance, Part 2: Longevity Capitalism—Life as an Asset Class

The essay explores the emergence of "longevity capitalism," a financial and biopolitical regime where biological duration and life expectancy are treated as assets for capital accumulation. As traditional welfare systems and collective pension schemes collapse, the uncertainty of human lifespan has been transformed into a speculative frontier, with retirement security increasingly tied to volatile private equity and cryptocurrency markets.