Explore the projects of the 2024 and 2025 graduating classes of Ésad

Explorez les projets des promotions 2024 et 2025 de l’Ésad

The Ésad Saint-Étienne is presenting "recto verso," an exhibition running from April 29 to October 4, 2026, featuring projects by 84 young artists and designers who earned their DNSEP in June 2024 and June 2025. The show is designed as a non-linear, interactive space where objects, performances, and activations encourage visitors to explore both finished works and the preparatory stages behind them, including sketches, models, and archival materials. The exhibition is curated by the collective ppdesigner and Éric Jourdan, with production by the Cité du design.

The Journal of Antiquarians and Galleries No. 10 Has Just Been Published

Le Journal des Antiquaires et Galeries n°10 vient de paraître

The tenth issue of Le Journal des Antiquaires et Galeries has been released, focusing on the resilience of the art market amidst geopolitical and economic headwinds. The publication highlights major spring events including Art Paris, Art Brussels, and the Paris Gallery Weekend, while introducing the newly formed Federation of Art Market Actors (FAM’Art).

“Harit Srikhao: Cave Stories 0” at YDP, London

Harit Srikhao's exhibition "Cave Stories 0" at YDP in London presents a multimedia installation combining photography, moving images, drawings, and puppetry. The project draws inspiration from the 2018 Tham Luang cave rescue in Thailand, where twelve boys and their coach were trapped and later saved, weaving this event together with local folktales and psychological studies to create an immersive exploration of inner landscapes.

Lenke Rothman “Quality of Life” at Kunstverein in Hamburg

The Kunstverein in Hamburg is presenting "Quality of Life," the first comprehensive survey of Swedish Hungarian artist Lenke Rothman outside of Sweden. The exhibition spans Rothman's career from the 1950s until her death in 2008, showcasing her unique oeuvre that juxtaposes everyday life with her biographical and historical experiences, characterized by a radical processing of personal and collective memory.

Echoes of Memory and Quiet Revolutions

The Henrike Grohs Art Award concludes its final edition, naming Tanzanian artist Rehema Chachage as the 2026 laureate. Chachage, who works across performance, video, text, scent, and installation, creates a "performative archive" in collaboration with her mother and grandmother, transforming personal and ancestral memory into shared sensory experiences. The two finalists are Younès Ben Slimane, a Tunisian filmmaker and visual artist whose silent, disorienting works challenge cinematic narrative structures, and Egyptian artist Rania Atef, whose participatory practice turns domestic spaces into stages for revealing power dynamics. The award received over 600 applications from more than 30 African countries.

Urban Reflections, Daniel Melim on the City as Studio, Archive and Collective Space

Brazilian artist Daniel Melim discusses his exhibition "Urban Reflections" at São Bernardo do Campo in an interview with Brendon Bell-Roberts. Melim, who emerged from the graffiti and stencil cultures of ABC Paulista, describes how the city functions as an active collaborator in his practice, transforming the gallery into an expanded studio where boundaries between street, studio, and institution dissolve. The exhibition juxtaposes pivotal and previously unseen works, tracing his artistic evolution and layered urban memory.

‘Apoi’ and Weaving What Remains

Ugandan artist Acaye Kerunen presents her first solo museum exhibition in Germany, titled 'Apoi,' at the Kunstmuseen Krefeld. The show, installed across the modernist spaces of Haus Lange and Haus Esters, features handwoven textiles, sculpture, sound, and film that draw on Indigenous knowledge systems and intergenerational exchange. It is part of the museum's ongoing 'HL HE Dialog: What Comes After Art' series.

Tabula Rasa: The Geometry of the Collective.

Peterson Kamwathi's exhibition 'Tabula Rasa: The Geometry of the Collective' opened at the Nairobi Contemporary Art Institute. The show features his work exploring how individual bodies accumulate and dissolve into larger social and political formations, mapping the dynamics of crowds, protests, and collective identity.

There Is a Fountain Even If Pale That Flows Beneath Us All.

Hajra Waheed’s upcoming solo exhibition at Kunstinstituut Melly, titled 'There Is a Fountain Even If Pale That Flows Beneath Us All', explores the intersection of sound, politics, and collective resistance. Curated by Hera Chan as part of the Call & Response series, the show features a multidisciplinary array of new commissions and recent works, including the central multichannel sound installation 'HUM' (2020), which amplifies the voices of political prisoners.

Sortilégios de desvio and the Politics of Image-Making

The Museu de Arte do Rio has launched 'Sortilégios de desvio,' the first solo institutional exhibition by Brazilian artist No Martins. Produced in collaboration with Galeria Almeida & Dale and curated by a five-person team led by Marcelo Campos, the show features a significant selection of Martins’ recent works that explore the intersections of urban experience and Afro-Brazilian cultural imaginaries. Through a variety of media, the exhibition highlights the artist's focus on gesture, memory, and the reconfiguration of traditional visual narratives.

Statues Also Breathe: A Chorus of Clay and Memory, Where the Missing Return as Form.

The exhibition 'Statues Also Breathe' has opened at the Museum of African Contemporary Art Al Maaden (MACAAL) in Marrakech. Curated by Meriem Berrada, the installation features 108 terracotta heads created by artist Prune Nourry in collaboration with artisans and students. The work draws inspiration from the historic sculptural tradition of Ife in Nigeria while directly addressing the ongoing trauma of the 2014 kidnapping of the Chibok schoolgirls, using portraiture to represent the missing.

From Minor Keys to Uproar: The Crisis of the Venice Biennale

DE LAS MINOR KEYS AL ESTRUENDO: LA CRISIS DE LA BIENAL DE VENECIA

The 61st Venice Biennale is engulfed in a structural crisis, marked by geopolitical tensions over the inclusion of Russia (amid its invasion of Ukraine) and Israel (amid the Gaza genocide). The Biennale Foundation, led by Pietrangelo Buttafuoco, defended their participation on legalistic grounds, sparking outrage from over 200 artists, curators, and cultural workers who demanded Israel's exclusion, aligning with Art Not Genocide Alliance (ANGA). The international jury, chaired by Solange Farkas and including Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, resigned collectively on April 30 after deciding not to award prizes to countries whose leaders face International Criminal Court arrest warrants. This led to the cancellation of the traditional Golden and Silver Lions, replaced by audience-voted "Visitor Lions," with awards deferred until November. The European Commission suspended a €2 million subsidy over Russia's participation, and Italian Culture Minister Alessandro Giuli notably skipped the May 9 opening.

art young photographer hannah altman

Hannah Altman, a photographer exploring Jewish culture through self-portraiture and narrative, has had a significant year marked by the publication of her monograph "We Will Return to You" and exhibitions in Toronto, Richmond, Hamburg, and at Brandeis University’s Kniznick Gallery in Waltham, Massachusetts. Her work delves into themes of loss, change, persecution, and uncertainty, weaving together mysticism and memory to examine how rituals, narratives, and objects evolve over time.

tappan collective los angeles unveiling

Tappan Collective in Los Angeles unveiled its latest group exhibition, “ELSEWHERE,” on Tuesday with a festive evening event. The show explores and expands the landscape genre, featuring works by artists including Gia Coppola, Michael Harnish, Sasha Court, Marleigh Culver, Michael DeSutter, Lisa Hardy, and Marina Ross. Founder Chelsea Nassib hosted a conversation with painter Satsuki Shibuya and CULTURED contributor Janelle Zara, drawing a crowd of cultural insiders and LA tastemakers such as entrepreneur Holly Liss Jammet, gallerist Rosa Park, and art advisor Kipton Cronkite.

Syracuse’s ArtRage Gallery hosts new exhibit exploring global plastic crisis

ArtRage Gallery in Syracuse is hosting a new exhibition titled 'A Rising Tide of Plastic in Art,' featuring works by members of the international collective Project Vortex. The show includes sculptures, photographs, and installations created from reclaimed plastic waste, with artists like Alejandro Durán, Nicole Hixon, Anne Percoco, and Blue McRight transforming debris into commentary on pollution.

Collapse Finance, Part 2: Longevity Capitalism—Life as an Asset Class

The essay explores the emergence of "longevity capitalism," a financial and biopolitical regime where biological duration and life expectancy are treated as assets for capital accumulation. As traditional welfare systems and collective pension schemes collapse, the uncertainty of human lifespan has been transformed into a speculative frontier, with retirement security increasingly tied to volatile private equity and cryptocurrency markets.

Collapse Finance, Part 1: Introduction

The global financial landscape is undergoing a structural shift toward "collapse finance," where institutions designed to manage risk are increasingly profiting from and accelerating systemic instability. Amid geopolitical turmoil and the abandonment of green initiatives, traditional concepts of market security are unravelling, replaced by a system that monetizes uncertainty through instruments like catastrophe bonds and volatile cryptocurrencies.

Experimental Funding Schemes and Militant Analysis: The Experience of CERFI

The Center for Institutional Studies, Research, and Training (CERFI), a research cooperative co-founded by Félix Guattari in the wake of May 1968, sought to merge militant political practice with institutional psychotherapy. By adopting a model of 'analytical self-management,' the group utilized rotational roles and collective research to avoid the hierarchies and alienation typical of traditional academic and political organizations. This experimental structure was heavily influenced by the 'grid' system used at the La Borde psychiatric clinic, aiming to turn administrative labor into a tool for subjective liberation.

Shadows in the Hand: Sayaka Uehara's 'Green Room: Peace Island'

手の中の影――上原沙也加「緑の部屋：平和の島」

Photographer Sayaka Uehara, born in Okinawa in 1993, presented the exhibition "Green Room: Peace Island" at Gallery Athos in Naha in February 2025. The show brings together two series—the monochrome "Green Room" and the color "Green Days"—for the first time, focusing on Heping Island (Heping Dao) off the coast of Keelung, Taiwan. Uehara's black-and-white photographs document the island's layered colonial history, from Spanish and Dutch occupation to Japanese rule and the 1947 February 28 Incident, where local Ryukyuan residents were killed. The exhibition uses a circular layout that encourages viewers to move repeatedly through the images, connecting historical violence to the present through small objects like souvenir cookies and bottle openers.

Photo of the Week: Amherst Arts Night Plus Returns

Amherst Arts Night Plus returned on April 23 after a six-year hiatus, with 20 venues across downtown opening their doors and over 20 local artists exhibiting their work. Several pieces were sold during the evening, and most venues offered free refreshments and the chance to speak directly with artists. Katie Streater of the Amherst Business Improvement District estimated attendance at about 125 people, and the Amherst Center Cultural District is now exploring a recurring version of the event, possibly quarterly or monthly.

December Exhibitions

Les Yeux du Monde presents 'GROUNDING,' the final show of 2025 featuring new oil paintings by Annie Harris Massie that explore light, memory, and place through landscapes and botanical studies of her Lynchburg, Virginia surroundings. Other December exhibitions include Randall Stoltzfus's 'To Hold The Light' at Angelo Jewelry, Judith Ely's paintings at Botanical Fare, and 'All That Glitters' by Natalie Darling at C’ville Arts Cooperative Gallery. The Fralin Museum of Art at UVA hosts three shows: 'Haiti’s Time' from the Sullivan collection, 'In Feeling: Empathy and Tension Through Disability,' and 'The World Between: Egypt and Nubia in Africa.' The Kluge-Ruhe Aboriginal Art Collection features works from the Spinifex Arts Project and Robert Fielding, while the Jefferson School African American Heritage Center presents 'Finally Remembered: The Black Patriots of Central Virginia.'

We're transforming an empty Sunderland shop into an art gallery to celebrate city's creativity

A collective of artists in Sunderland, England, is transforming the former Sweet Home Alabama shop on Fawcett Street into a new art gallery called Twenty-Four North East (24NE). Led by Sunderland artist Ken Devine, along with Graham Bowes, Darren Timby, and others, the group has leased the unit and is renovating it with donated paint from Albert's Place. The gallery will operate as a permanent independent retail fine art gallery, funded and run by the artists themselves, selling original artworks with zero commission. It is set to open on November 20 with a winter exhibition and will be open Wednesdays to Saturdays for shows, classes, workshops, and art sales.

5 exhibits to see at Salem’s galleries, museums in May

Salem's galleries and museums are hosting five notable exhibitions in May, including 'Jew&' at the Salem Art Association for Jewish American Heritage Month, featuring 25 local Jewish artists; 'Courage and Compassion' at the Willamette Heritage Center, exploring Japanese-American internment through local stories; the Annual Invitational Photography Show at Elsinore Framing & Fine Art Gallery; 'Confluence – Where forms converge' at the Stefani Art Gallery, pairing geometric abstraction with woodcarving; and the third annual Keizer Riverwalk Art Fair organized by the Keizer Art Association.

Around town: Art Garden reopens in new downtown gallery

Art Garden, a combination art gallery and plant shop in Asheville, North Carolina, reopens on May 7, 2025, at a new downtown location at 98 N. Lexington Ave. The business was displaced after its former home in Riverview Station was flooded by over 25 feet of water during Tropical Storm Helene in September 2024. The reopening includes a preview party for the ReRoot art exhibit, a fundraising gala, a theatre performance, and a Mother's Day plant sale, celebrating community support that helped rebuild the space.

New photo exhibit at Godfrey Dean Art Gallery focuses on storytelling

The Godfrey Dean Art Gallery in Yorkton is hosting a new photography exhibition titled 'Storied Telling: Performative & Narrative in Photography,' organized by the Organization of Saskatchewan Arts Councils (OSAC) through its Arts on the Move program. Running until May 15, the show features six Canadian artists—Catherine Blackburn, Lori Blondeau, Xiao Han, Marium Magsi, Meryl McMaster, and Laura St. Pierre—whose work uses the camera to create layered, story-driven images exploring themes of identity, cultural heritage, diaspora, and history.

Check Out JP First Fridays at Galleries, Studios, Art Spaces (and a Famous Bench) on May 1

Jamaica Plain First Fridays returns on May 1, 2025, from 5:30-8:30 pm, featuring six locations that showcase painting, photography, multi-media works, and a famous bench. Highlights include artist Matthew Hincman celebrating the 20th anniversary of his guerrilla-style bench on Jamaica Pond, plus exhibitions at Eliot School Annex, JP Clay, Green Street Photo Collective, Jameson & Thompson Picture Framers, and Boston Cyberarts Gallery. The event is free and walkable.

Torbay’s art scene swipes right on creativity in bold new exhibition

A new exhibition titled SwipeRight4Art has opened at Artizan Gallery in Torquay, running until 4 May. Inspired by dating apps, the show invites visitors to engage with artworks as if swiping through profiles, using “matchmaker cards” to indicate which pieces they would “pass” or “match” with. The exhibition is the first project from Sienna Editions, a publishing and art venture co-founded by charcoal artist Hannah Leadbetter and landscape photographer Kevin Cowell, with backing from local studio Print2Wall and funding from Innovate UK. It features works by local artists including Szabotage, David Norman, Francesca Lawrence, Rosie Rowell, Peter Blakesley, and Sally Loxton, alongside pieces by the founders.

In Venice you can adopt a magazine to support the periodicals library of the Querini Stampalia Foundation

A Venezia puoi adottare una rivista per sostenere l’emeroteca della Fondazione Querini Stampalia

The Fondazione Querini Stampalia in Venice has launched an initiative called 'Adotta una rivista' (Adopt a Magazine) to support its periodicals library (emeroteca). The campaign invites individuals to sponsor subscriptions to the approximately 200 Italian and international magazines the library receives annually, covering topics from art and architecture to politics and society. The goal is to double the number of donors and ensure the continuity of this dynamic resource for students, scholars, and readers.

Pavlina Vagioni Oikeiōsis: A Greek Artist Asks Venice to Remember How to Belong

Pavlina Vagioni's exhibition *Oikeiōsis*, presented by the Hellenic Diaspora Foundation at the Venice Biennale, takes its name from a Stoic concept about recognizing belonging and expanding care outward. The show is structured in two rooms: the first, named Neikos (strife), features a fragmented plexiglass cube that reflects visitors in multiplied form, evoking separation. The second, Philotes (harmony), contains warm rock-salt seats and a layered vocal soundscape that activates the Tartini effect—a psychoacoustic phenomenon where two frequencies produce a phantom third tone, symbolizing collective kinship. The salt seats will physically change over the Biennale's six-month run, accumulating the memory of each visitor.

Ullger reflects on ‘quite special’ Berlin exhibition with Cane-Yo collective

Artist Karl Ullger recently participated in the group exhibition "Running with Scissors" at Anders Galerie in Berlin, organized by the global artist collective Cane-Yo. The show featured over 40 artists, including five invited Berlin artists, and displayed some 200 artworks. Ullger described the experience as "quite special," highlighting the energy of the packed opening and the direct engagement with visitors. He noted standout works by Austrian artist Theo Ritzinger, Chilean artist Diego Palacios, and Italian artist Yasmine Elgamal, as well as the opportunity to reconnect with fellow artists Alf Sims, Alex May, Shanice Farrugia, and Nicole Debono.